There are at least three bands called TBC
The oldest is TBC from Swe… Read Full Bio ↴There are at least three bands called TBC
The oldest is TBC from Sweden. They started out as a progg band, but when the punk wave hit they changed their sound to a more punkier.
The second is a Hip-Hop Instrumental band from Chomutov, in Czech Republic. Mainly producer and Dj is Michael Klega, teen music talent.
The third is a group from the United Kingdom. A tour band for the Christian organization, innervation Trust, along with thebandwithnoname. Their website says this about the band:
"tbc are an all singing all dancing girl band who perform in venues across the country where their fun-packed performances have children and adults alike up on their feet and enjoying themselves. This four girl pop phenomenon have been touring the UK since 2004 and have seen loads of young people become Christians as a result. Like thebandwithnoname they perform all over the place sharing the gospel and also recruiting people to work in schools bands. Rivalling any mainstream girl band their songs portray their positive Christian values and their music brings a refreshing sound to young people everywhere."
The oldest is TBC from Swe… Read Full Bio ↴There are at least three bands called TBC
The oldest is TBC from Sweden. They started out as a progg band, but when the punk wave hit they changed their sound to a more punkier.
The second is a Hip-Hop Instrumental band from Chomutov, in Czech Republic. Mainly producer and Dj is Michael Klega, teen music talent.
The third is a group from the United Kingdom. A tour band for the Christian organization, innervation Trust, along with thebandwithnoname. Their website says this about the band:
"tbc are an all singing all dancing girl band who perform in venues across the country where their fun-packed performances have children and adults alike up on their feet and enjoying themselves. This four girl pop phenomenon have been touring the UK since 2004 and have seen loads of young people become Christians as a result. Like thebandwithnoname they perform all over the place sharing the gospel and also recruiting people to work in schools bands. Rivalling any mainstream girl band their songs portray their positive Christian values and their music brings a refreshing sound to young people everywhere."
track 12
TBC Lyrics
We have lyrics for 'track 12' by these artists:
Charlie Puth Oh, the way that you dance on me makes me…
Conor Lynch Jesus came to me In a dream Jesus' skin was brown And his…
H.S.E Yeah Imma go for broke Let it burn you the…
I Can Make a Mess Like Nobody's Business So now think of fear, As a person who wants to…
Joseph Gordon-Levitt The weather stays the same People never change The record k…
Muzyka do filmu Wiktora Grodeckiego "Nienasycenia" na podstawie St.I.Witkiewicza So now think of fear, As a person who wants to…
O.S.T.R. Check me out as if I rhyme inside a library I'm…
Oli.P Check me out as if I rhyme inside a library I'm…
Shelby Lynne Hoverin' by my suitcase Tryin' to find a warm place to…
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Music for Posterity : Sreenivasa Murthy
A narrative by Sri. T K Ramkumar
Mangalampalli Balamuralikrishna - 1967 Tyagaraja Bicentennial Concert, MMA
A concert that stands out for many notable things but the most important among them being the variety of Tyagaraja kritis presented here. Every composition has been rendered so true-to-the-book that the rendition of each composition outshines the other leaving an ardent listener in a dilemma—which is the composition that I enjoyed most ? Essentially, every composition is thoroughly enjoyable.
There is lyrical delight due to the chaste diction in every composition. Then there is the right measure of rAgam delineation, followed by the inimitable and impeccable svara prastArams, the unalloyed bhAvam in each composition brought out distinctly, and not to forget the nice laya vinyAsam.
This is a concert to be cherished for decades like many of his other concerts. It is for reasons both obvious and not so obvious. The obvious reasons are mentioned above. The not so obvious reasons need some elaboration.
The first reason being at no place Balamuralikrishna has flaunted his immense talent; rather it is on a tight leash and the rendition is as it should be—as Tyagaraja intended the compositions to be. Through this, he has paid homage to his role model.
The second reason is the varied selection so that every facet of Tyagaraja’s music is represented in this concert—to highlight the great balance that Tyagaraja struck between his telling lyrics and his soulful music. Through this, Balamuralikrishna has revealed the rigour it takes to let people enjoy Tyagaraja’s great music.
The third reason is the rendition of a verse by Tyagaraja’s own disciple to let people know the greatness of Tyagaraja; and also to let people know the calibre of Tyagaraja’s disciple. Through it, Balamuralikrishna has only showed how much more he adores the Saint.
And the last reason is the thoughtfulness with which the mangaLam in the rAgam mohana is presented. It is the rAgam with which the Saint welcomed his chosen deity Shri Rama. With that same rAgam Balamuralikrishna bids adieu to the Saint.
Chandra Shekhar Balachandran
You want to picture sītā-kalyānam or rāma-paTTābhiShekam, you need this song by Srī Tyāgarāja and Śrī Muttusvāmi Dīkshita's 'māmava paTTābhirāma' respectively. And BMK must be the one singing them.
In both songs, he (BMK) evokes the entire scene set on an ūnjal (as an aside: if i am not mistaken, hindolam means ūnjal), very gently moving forth and back, all the world at rest and peace, revelling in the scene (as Śrī Purandaradāsa says in another context ಇದ ಕಂಡು ಜಗವೆಲ್ಲ ತಲೆದೂಗುತಿಹುದು 'seeing this, all the world is swaying its head (in joy)').
Take the lyrics away from either krti, and you will be singing akāras, tānams, and svarās. Where is the composer evoking a particular picture in your mind and drawing your mind to contemplate on a scene and cause the reaction from you?
The lyrics of the masters, and the enunciation and singing of the worthy shiShyōttama -- the surest way to get the world 'swaying its head'.
The small group of people (on 2 or 3 different channels) who are going to such extraordinary lengths to not just upload musical recordings, but to curate them with interesting commentary and background deserve our gratitude.
Folks, you are all invited to my place for tiffin and filter coffee on a day of your choosing. I should be honored to serve you.
Music for Posterity : Sreenivasa Murthy
Sir, thank you so much for your reflections and connecting Srī Tyāgarāja and Śrī Muttusvāmi Dīkshita.
Also, thanks for your kind invitation and we look forward to meeting you soon. It will be our honour meeting you in your place.
Sailaja Kuravi
Did he at any point of time sing Pavamana Suthudu Pattu? If so can you please share it here sir?
Music for Posterity : Sreenivasa Murthy
Yes, in a number of concerts. Here is an example.
https://youtu.be/9-miAFfH14I
Sailaja Kuravi
@Music for Posterity : Sreenivasa Murthy Thank you