The group has released several EPs including their debut Young Liars (2003), and five studio albums: Desperate Youth, Blood Thirsty Babes (2004), Return to Cookie Mountain (2006), Dear Science (2008), Nine Types of Light (2011), and Seeds (2014).
For most of the band's existence, the core TV on the Radio lineup has been Tunde Adebimpe (vocals/loops), David Andrew Sitek (guitars/keyboards/loops), Kyp Malone (vocals/guitars/bass/loops), Jaleel Bunton (drums/vocals/loops/guitars) and Gerard Smith (bass/keyboards) as official members.
The band's Bio from their website:
TV on the Radio gets to do anything. Like a small platoon whose pleasing impenetrability is their core, the band consistently confounds expectations while managing to balance respect from critics and peers alike. The result is TV on the Radio gets to do anything they want. This freedom is their engine.
“It’s about doing what feels right,” says singer Tunde Adebimpe. “I really feel like this band is something that is expansive and always changing and growing. If we wear our influences on our sleeve, it’s a pretty crowded sleeve.”
It’s no different with Seeds, the new and fifth proper studio album that Adebimpe has made along with Jaleel Bunton, Kyp Malone, and David Andrew Sitek (who also produced it). Having long outlasted that early 2000s fascination with all things Brooklyn to which the hip willfully succumbed, they continue to conquer music on their own terms. This album serves as another step in continuing to heed their reputation as “the most vital, current band in America” (Associated Press).
This go-round the songs are immediate and triumphant, textured with storytelling hooks and possibly the most honest music this band has ever composed. They’ve hit a point where they’re OK being straight-up beautiful without having to manipulate prettiness into whatever unforeseen shape.
Slate says Seeds has “TV on the Radio’s best songs in years. They are sounding sharper than ever.” And the band knows it. Adebimpe has already said this is the band’s best record. Not a boast, just an observation.
“I feel like I knew it before we were done,” he says immediately. “I was so excited by the songs while we were making them, I wanted to get more and more and more into it. The general feeling going into it was, 'We're still here. Our friendship with each other is so strong. Being in a band, at its best times, is like being... well, let’s say whenever things are going really well, we're like ‘cool, Voltron's back together.’“
The TV on the Radio guys are the type of people who go on hiatus and focus on music. They may take time between albums for their other endeavors, but they know when it’s right to come together – especially when the music comes as easily and passionately as it did with case Seeds. The band found themselves collected in David Sitek’s Los Angeles studio last year and recorded a couple of songs – “Mercy” and “Million Miles” and didn’t want to stop.
“Those were just songs that we wrote because we hadn't written songs together in a while,” says Sitek “They came out really fast and inspired us to do it again – and then ‘again’ turned into the record.”
Adebimpe and Sitek live in Los Angeles, Bunton and Malone reside in New York, but make no mistake: TV on the Radio is a quartet. To attempt to parse out exactly what each member does in the group would be to dismantle the fundamental essence of what makes TV on the Radio the monolithic anomaly they have been careful to cultivate and protect for more than a decade. They permeate beyond a wall of sound, and instead create a planetarium of music with every song. They embody many voices. Most of them can play just about anything. And sing too. They are equal partners in the creation of a type of noise that appeared seemingly out of nowhere over 10 years ago.
Throughout the years, TV on the Radio has been consistent in the standard they set for themselves. Earlier records, Desperate Youth, Blood Thirsty Babes and Return To Cookie Mountain stole the hearts of fans and critics alike just the same, winning the Shortlist Music Prize and Spin's Album of the Year respectively. Their breakout release Dear Science was named best album of 2008 by Rolling Stone, The Guardian, Spin Magazine, The New York Times, The Onion AV Club, MTV, even Entertainment Weekly. An embarrassment of riches, really. Their last album, 2011's Nine Types of Light, was deemed "pure heaven" by the cherubs at Rolling Stone, and earned the band a Grammy® nomination. The band has also graced the stages of Saturday Night Live and The Colbert Report.
“The band is it’s own ‘self.’ It has to be that way,” Adebimpe says. “That's been the goal for a long time. Nobody really wants to be the focal point for the band; the band should be the focal point. Not even the band: the music. We can show up and take credit for it, but ultimately it's something that maybe we helped shape and facilitate coming into the world. But that’s all.”
They happily recruit likeminded associates to help prop up this invention of theirs in the studio and on stage. (Kelis, for instance, appears on “Lazzeray”). The band has recorded and performed with other artists who’ve conquered the music world on their own terms just as much as they have. Fellow mavericks like Trent Reznor, Nick Zinner of Yeah Yeah Yeahs fame, Bauhaus singer Peter Murphy, Kazu Makino of Blonde Redhead, Martin Perna of Antibalas, Katrina Ford of Celebration, and David chuffing Bowie have all romped in the sandbox with TV on the Radio.
“If you share a material thing, it dissipates,” Adebimpe says, recalling a fragment of philosophy he once heard, or might be improvising on the spot. “If you share a spiritual thing, it just increases. It becomes more and more and more. I'm already thinking about the next record.”
Seeds is an expression of everything this band has been through in the last three years and more. They’re influential, in their prime, they’re TV on the Radio, and they’ve proven themselves to be one of the most important bands of this generation. It clicks, as it always does, and TV on the Radio is brand new again, again.
“No matter what you go through individually and collectively, when you step away from each other, you're kind of like, "I know that if we get together we can fire this thing," says Adebimpe. “It's definitely in the spirit of the punk rock we all grew up with. If you win, you're still a punk. If you lose, you're still a punk, and honestly, it's not about anybody else.”
http://www.tvontheradio.com/
Bomb Yourself
TV on the Radio Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh shed no tears
TV dinner overfed your fears
So make your money
And spread your seed
Better lap up luxuries
But acknowledge need
You've made a family
Now kill 'em dead
Oh it's not me Ma
It's what the TV said
Your final fantasy for your
Final days
Oh baby it's the infancy
In so many ways
Bomb your country
Then sit and smile
Why don't you lay back easy
Just wait a while
Just wait a while
So baby bomb your country
And sit and smile
Oh baby lay back easy
Just wait a while
Just wait a while
Final fantasy
The lyrics to TV on the Radio's "Bomb Yourself" are a biting criticism of consumerism, materialism, and how they are perpetuated and reinforced by the media. The song opens with the line "Bomb your country, oh shed no tears," which can be interpreted as a call to action or a statement of apathy towards the destruction and violence happening in the world. The next line, "TV dinner overfed your fears," speaks to the idea that television and advertising have a way of preying on people's insecurities and anxieties, convincing them that they need certain products or lifestyles to be happy and fulfilled.
The chorus of the song is where the title "Bomb Yourself" comes into play. The lyrics encourage the listener to "Bomb your country, then sit and smile," suggesting that the destruction and chaos are somehow desirable or even enjoyable. The line "Your final fantasy for your final days" implies that this act of violence is a way for people to feel like they are taking control of their lives and making a lasting impact, even if it means leaving a trail of destruction in their wake. The final line of the chorus, "Just wait a while," suggests that even though the act of bombing may have immediate consequences, in the grand scheme of things it will all be forgotten and washed away over time.
Overall, "Bomb Yourself" is a commentary on the dangers of consumer culture and the insidious ways in which it permeates our lives, convincing us to pursue material wealth and status at any cost. The call to "bomb yourself" is a provocative and controversial one, but it ultimately serves as a wake-up call for listeners to examine their values and priorities and question the messages they are being fed by the media.
Line by Line Meaning
Bomb your country
You want to create something to be remembered by, so why not go out with a bang?
Oh shed no tears
Tears won't change anything, action is required.
TV dinner overfed your fears
You've been made to believe in a world full of evil and danger and can't even relax and enjoy a simple meal.
So make your money
You want to enjoy all the luxuries that money can buy, and you'll do whatever it takes to make that happen.
And spread your seed
You want to leave your mark, your legacy, and have children to create a family.
Better lap up luxuries
You indulge in all the materialistic things that society deems valuable and want to live in excess.
But acknowledge need
There's a void that can't be filled by material possessions, and maybe it's time to reevaluate your priorities.
You've made a family
You have loved ones and people who depend on you, but you're willing to sacrifice it all.
Now kill 'em dead
You're willing to harm innocent people to get what you want, and their lives don't matter as long as you achieve your goals.
Oh it's not me Ma, It's what the TV said
You're not responsible for your actions and are merely a product of your environment.
Your final fantasy for your final days
You're willing to die for your cause and want to be remembered as a hero, a martyr.
Oh baby it's the infancy in so many ways
You're naive and foolish and believe that violence is the solution to all your problems.
Bomb your country, Then sit and smile
You're content with your decision and feel a sense of satisfaction even as chaos reigns around you.
Why don't you lay back easy, Just wait a while
You're confident that your actions will bring about change, and you're patient and determined even in the face of adversity.
Lyrics © BMG Rights Management
Written by: BABATUNDE O ADEBIMPE, DAVID SITEK
Lyrics Licensed & Provided by LyricFind