Braxton was born in Severn, Maryland to Michael and Evelyn Braxton. The youngest of the Braxton's six children, Tamar started singing as a toddler. Evelyn, herself an opera singer, recognized her children's talents when one day, Tamar, sang "Can you please get me some toilet paper!" Evelyn quickly started training her girls, and eventually enrolled them in singing lessons. The Braxton children also would eventually enter in their church choir, where Michael Braxton was pastor.
Brought up in a strict Christian household, secular music was initially frowned upon, causing the children to sneak and sing along to Soul Train when the parents were out of the house. They would soon start harmonizing, forming a girl group. Tamar says of this period "I was always the highest note." Her voice was in sharp contrast to her older sister's husky contralto. One day, A Toni was pumping gas at a local gas station while singing along, when she caught the attention of a producer. He heard her sing and was amazed, and decided to pull the five sisters into a group; he envisioned a female version of the Jackson 5. They released a single on Atlantic Records in 1990 as "The Braxtons," and caught the attention of producers Antonio "L.A" Reid and Kenny "Babyface" Edmonds. The two had just started a then fledgling record label, LaFace, with Arista Records. The guys passed on the group, as they had just signed a new trio named TLC, but they were looking for a solo female artist and loved Toni's voice. So the girls talked it over, and Toni decided to embark on her now famous solo career.
The sisters worked as backup singers for Toni (you can see them in Toni's video Seven Whole Days). Eventually, the girls (minus Toni) would release an album for Atlantic, to which the group was still signed, in 1996 entitled So Many Ways.
In 1999, Tamar first explored her gospel side on T.D Jakes Love Songs album. Later, Tamar would meet up with Christopher "Tricky" Stewart, a rapper/producer (also famous for bringing Blu Cantrell to national attention) based in Atlanta, Georgia. She recorded her solo debut album, Ridiculous, so named because of the many different musical styles on the album. The album would be retooled and released by Dreamworks as Tamar on January 18, 2000. It was lead in by the first single for the album, "Get None" with guest appearances by Jermaine Dupri and rapper Amil and featured the second single, If You Don't Wanna Love Me. The singles failed to gain significant radio & video airplay and ultimately the album didn't sell well, and Tamar was dropped from her contract,it is also worth noting that tamar proved that she could do the whistle register on money can't buy you love on tamar's deut album.
Tamar sang for the Kingdom Come soundtrack, with Toni Braxton appearing in the movie as Juanita Slocumb. Currently she sang background for Toni's album More Than A Woman (released 2002),and 2005 album Libra and resides in Atlanta. She also negotiated a new contract with Tommy Mottola's Casablanca Records, and is working to record a new album. She also sang backup in her sister Toni's famous headlining show in Las Vegas entitled, "Toni Braxton: Revealed" but has been replaced by singer Sparkle. She is currently working on a new album and her own record company with fiance, producer Vincent Herbert.
Must Be Good To You
Tamar Braxton Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Now you don't wanna share, must be good to you
And didn't you say that love ain't worth your time?
But you're right back here, must be good to you
I put you to shame, you're in danger,always something major
Ooh, you don't know what to do
Now every time I pick up my phone you on the line
Hell yeah, I love it, I love it
It must've been good to ya (must've been good)
Must've been good (must've been good) hell yeah I love it, I love it
It must've been good to ya, must've been good to you
You love how it feels don't ya?
You love how it kills don't ya?
Could look but don't stare, bad for your eyes
I'll be ya feature, call it showtime (showtime)
Yeah, I know that it's good to ya
Get the picture?
Would've been my freak, I know you fantasize
Look at that there, I know it look good to ya
Ya lookin' out there for me with your flashlight
It's right over here, and it might be in the mood for you (danger)
I put you to shame, you're in danger, always something major, ooh-ooh
You don't know what to do
Now every time I pick up my phone you on the line
Yeah, I put my hooks on you (bitch)
Hell yeah, I love it, I love it
It must've been good to ya (must've been good)
Must've been good (must've been good) hell yeah I love it, I love it
It must've been good to ya, must've been good to you
You love how it feels don't ya?
You love how it kills don't ya?
Could look but don't stare, might go blind
I'll be ya feature, call it showtime (showtime)
I know that it's good to ya
Get the picture
Ain't you so surprised, I done blew your mind
Make your eyes roll back, Like it's ninety-five
Is it good, is it good to ya?
I bet you didn't think it'd make a fool of ya
Ooh-ooh, 'cause I know it's that good to ya
Oh, hell yeah, I love it, I love it (whoo)
It must've been good to ya (must've been good)
Must've been good (must've been good) hell yeah I love it, I love it
It must've been good to ya, must've been good to you
You love how it feels don't ya?
You love how it kills don't ya?
Could look but don't stare, bad for your eyes
I'll be ya feature, call it showtime (showtime)
Yeah, I know that it's good to ya
Get the picture?
In Tamar Braxton's song "Must Be Good To You," the lyrics depict a situation where the singer had previously amazed and satisfied their partner in a significant way, but now the partner is hesitant to share their affections. The singer implies that their love was initially dismissed as unworthy of the partner's time, but now the partner has returned, suggesting that their love or relationship must be good for the partner to come back.
The singer takes pleasure in the power they hold over their partner, having the ability to captivate them whenever they want. They express satisfaction in knowing that their influence over the partner is strong, as indicated by the line, "I put my hooks on you." The repeated phrase "must've been good to ya" emphasizes the idea that the effects of their love or relationship have had a profound impact on the partner, enough to make them return despite their initial reluctance.
The lyrics also touch on the physical and emotional allure of the singer, using words like "feels" and "kills" to suggest the potency of their presence. They hint at the partner longing for them by mentioning that the partner searches for them with a flashlight. The song implies that the singer's love is a force to be reckoned with, capable of making the partner's mind feel blown and their eyes roll back in pleasure.
Overall, "Must Be Good To You" explores themes of power dynamics within a relationship, the impact of past experiences on present choices, and the magnetism of the singer's love.
Line by Line Meaning
Remember that time, that time I blew your mind?
Recall the occasion when I exhilarated and amazed you.
Now you don't wanna share, must be good to you
Now you are hesitant to divulge, indicating that it brings you immense satisfaction.
And didn't you say that love ain't worth your time?
And didn't you express the belief that love is not deserving of your attention?
But you're right back here, must be good to you
Yet, here you are once again, suggesting it brings you considerable happiness.
I put you to shame, you're in danger,always something major
I make you feel inferior, constantly keeping you on edge, with significant events always occurring.
Ooh, you don't know what to do
You are bewildered and uncertain how to proceed.
Now every time I pick up my phone you on the line
Now every time I answer my phone, you are calling me.
Yeah, I put my hooks on you (bitch)
Yes, I have a strong emotional grip on you, exerting control.
Hell yeah, I love it, I love it
Absolutely, I adore the situation, I rejoice in it.
It must've been good to ya (must've been good)
It undoubtedly brought you happiness and contentment.
Must've been good (must've been good) hell yeah I love it, I love it
It must have been exceptionally pleasurable, and I derive immense joy from it.
You love how it feels don't ya?
You revel in the pleasurable sensation, don't you?
You love how it kills don't ya?
You derive satisfaction from the intense and overwhelming experience, don't you?
Could look but don't stare, bad for your eyes
You have the ability to glance but should refrain from prolonged observation, as it can be detrimental to your well-being.
I'll be ya feature, call it showtime (showtime)
I will be the highlight of your life, akin to a captivating performance.
Yeah, I know that it's good to ya
Yes, I am aware that it brings you immense pleasure.
Get the picture?
Do you comprehend the situation?
Would've been my freak, I know you fantasize
You would have been my lover, I am aware of your daydreams.
Look at that there, I know it look good to ya
Observe that particular circumstance, as I am fully aware it appeals to you.
Ya lookin' out there for me with your flashlight
You are searching for me intently, utilizing a flashlight as a metaphorical tool.
It's right over here, and it might be in the mood for you (danger)
It is located right here, and it may be inclined to accommodate your desires, but be cautious as there may be risks involved.
Ain't you so surprised, I done blew your mind
Aren't you extremely astonished, as I have thoroughly amazed and astounded you?
Make your eyes roll back, Like it's ninety-five
Causing your eyes to roll backwards, reminiscent of a time in the past when intense pleasure was prevalent.
Is it good, is it good to ya?
Does it bring you satisfaction and fulfillment?
I bet you didn't think it'd make a fool of ya
I wager you never anticipated that it would make you appear foolish.
Ooh-ooh, 'cause I know it's that good to ya
Oh, because I am fully aware that it brings you immense pleasure and gratification.
Oh, hell yeah, I love it, I love it (whoo)
Oh, absolutely, I am thrilled and delighted by it (exclamatory expression).
It must've been good to ya (must've been good)
Undoubtedly, it brought you immense satisfaction and contentment.
Must've been good (must've been good) hell yeah I love it, I love it
It undoubtedly brought you immense pleasure and satisfaction, and I derive immense joy from it.
Could look but don't stare, bad for your eyes
You have the ability to glance but should refrain from prolonged observation, as it can be detrimental to your well-being.
I'll be ya feature, call it showtime (showtime)
I will be the highlight of your life, akin to a captivating performance.
I know that it's good to ya
I am aware that it brings you immense pleasure and contentment.
Get the picture?
Do you comprehend the situation?
Lyrics © CTM Outlander Music LC, CONCORD MUSIC PUBLISHING LLC, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Written by: DASHAWN QUINCY WHITE, ALESSANDRO CALEMME, COURTNEY HARRELL, MAKEBA RONNIE RIDDICK, Dashawn White, Makeba Riddick, Tamar Braxton
Lyrics Licensed & Provided by LyricFind