Time and changes distance Tamaryn’s Cranekiss from her earlier efforts, and… Read Full Bio ↴Time and changes distance Tamaryn’s Cranekiss from her earlier efforts, and for that matter, from everyone else’s. Time, by way of the long period spent crafting this material, both on her own and with Weekend’s Shaun Durkan, who with producer Jorge Elbrecht (Violens, Lansing-Dreiden), make up the creative team behind Cranekiss. Changes, by relocating across the country from San Francisco to New York City, by expanding the approach taken on her two previous albums (2010’s The Waves and 2012’s Tender New Signs), by making music that pulls you closer to it despite the enormity of the sounds within.
Tamaryn’s first two full-lengths stood out in a crowd of shoegaze/ethereal revivalists as much for what they were (careful, gorgeous, thrilling tapestries of guitar-based textures) as what they weren’t (simplistic, trendy, disposable signposts made to be broken). With Cranekiss, Tamaryn emerges from her past in a way that’s inviting, warm-blooded, and shockingly direct. She’s made a big record, loaded with samples, synth triggers and processing that was missing from her previous efforts, the result of long nights grinding it out at the Brooklyn studio Gary’s Electric, where the record was born. The Waves and Tender New Signs focused on the sounds Tamaryn and her group could coax out of guitars, but with Cranekiss her sonic palette has exploded with maniacal abandon, pressed into service of a post-adolescent love letter to all the music that she and her collaborators hold dear, drawing influences from the feelings that fell out of her. Anyone familiar enough with those times should be able to draw their own comparisons, recognizing the modes of musical respect and adoration flashing past as the record spins. From there, though, Tamaryn has modeled these elements into simulacra, where despite the nods and glances to the past, play as a totally new sound.
Lyrically, this is Tamaryn’s most personal collection of songs to date, and Elbrecht has placed her voice front and center across the entire record, elevating her presence like never before. Cranekiss explores dark rock, dance pop, and glistening melancholy with a uniformly commanding presence across it all, in stormy, unsettled brushstrokes that apply pressure behind Tamaryn’s words.
Cranekiss represents a long journey, and a new phase in Tamaryn’s music unfolding before you, a blood-red kaleidoscope of desire and late night abandon, a bold step forward.
www.tamarynmusic.com
Tamaryn’s first two full-lengths stood out in a crowd of shoegaze/ethereal revivalists as much for what they were (careful, gorgeous, thrilling tapestries of guitar-based textures) as what they weren’t (simplistic, trendy, disposable signposts made to be broken). With Cranekiss, Tamaryn emerges from her past in a way that’s inviting, warm-blooded, and shockingly direct. She’s made a big record, loaded with samples, synth triggers and processing that was missing from her previous efforts, the result of long nights grinding it out at the Brooklyn studio Gary’s Electric, where the record was born. The Waves and Tender New Signs focused on the sounds Tamaryn and her group could coax out of guitars, but with Cranekiss her sonic palette has exploded with maniacal abandon, pressed into service of a post-adolescent love letter to all the music that she and her collaborators hold dear, drawing influences from the feelings that fell out of her. Anyone familiar enough with those times should be able to draw their own comparisons, recognizing the modes of musical respect and adoration flashing past as the record spins. From there, though, Tamaryn has modeled these elements into simulacra, where despite the nods and glances to the past, play as a totally new sound.
Lyrically, this is Tamaryn’s most personal collection of songs to date, and Elbrecht has placed her voice front and center across the entire record, elevating her presence like never before. Cranekiss explores dark rock, dance pop, and glistening melancholy with a uniformly commanding presence across it all, in stormy, unsettled brushstrokes that apply pressure behind Tamaryn’s words.
Cranekiss represents a long journey, and a new phase in Tamaryn’s music unfolding before you, a blood-red kaleidoscope of desire and late night abandon, a bold step forward.
www.tamarynmusic.com
No Exits
Tamaryn Lyrics
We have lyrics for 'No Exits' by these artists:
Soft Shelter We just won't let go The years begin to show We can't…
We have lyrics for these tracks by Tamaryn:
Choirs of Winter like warmth in the winter and lazing around we'll see anot…
Collection I′m not an angel I feel more urgent Have to get another…
Coral Flower Stolen blue Under high sand dune In the cold You sway As you…
Cranekiss Wait, hold on me Here you belong, home Nothing settling …
Dawning somethings changed run to your house undo the chains ...I…
Fade Away Slow Assume the light Isn′t too dark Your teeth have fallen out A…
Hands All Over Me Ooh, put your hands all over me! Do everything I like Lift…
Heavenly Bodies At a milky way That nobody showed her Lovers gazing How l…
I Won't Be Found I Won′t Be Found…
Last Dreams of human life No tears of troubles Taking me over Dan…
Light Shadows see them driving in their cars cold stares hollow eyes like…
Love Fade Tender heart Tender sea In the sun we can't descend Un…
Metal Beasts I fly from city to cities Aluminum bird Hide behind the suns…
Mild Confusion cold shakes and hot sweats i'd break down love is not the…
Prizma Tone white Run red Are you on Your head? Tone red Gone …
Return to Surrender A desert of sand Passed through your hands I'll follow you t…
Sandstone Anyway the rest look up Anyway the wind turns Anyway the res…
Sugarfix First to get a part Of all the last to know It…
The Garden Is this a dream? It’s not in essence What it used to…
The Waves Come down to the surface The surface reflects the light Be…
Violet's In A Pool Filled up with noises from the dark depth Stark screaming cu…
While You're Sleeping I'm Dreaming Study the velvet light In your room Trace the years that fel…
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