In 1997, Taproot sent their demo to Limp Bizkit frontman Fred Durst. Impressed with their material, he offered to get them a recording contract through Interscope Records. However, after extended negotiations, Taproot looked elsewhere, where they finally landed a lucrative record deal with Atlantic Records. Durst heavily cursed the band on vocalist Stephen Richards' answering machine. He also put some blame on System of a Down, who assisted Taproot in securing the Atlantic deal. In retaliation, Durst also kicked System of a Down off the 1999 Family Values Tour, replacing them with Staind. Taproot later went on to independently release three albums: ...Something More Than Nothing (1998), Mentobe (1998) and Upon Us (1999).
The band released their debut album Gift on June 27, 2000. With the album's lead single "Again & Again" gaining heavy exposure through MTV2, the band's mainstream rise gained momentum. With the help of Ozzy Osbourne's son Jack, Taproot landed a spot on the second stage of the 2000 and 2001 Ozzfest tour.
After spending seven months in Los Angeles, the band released their second album Welcome on October 15, 2002. Considered to be a more melodic effort, the album debuted at #17 on the Billboard 200, selling over 51,000 copies in its first week of release. Much of this was due to the success of the album's first single, "Poem", which shot to #5 on the Mainstream Rock charts. The album's second single, "Mine", followed with more moderate success. Welcome is Taproot's most successful album to date, almost achieving gold status, with approximately 475,000 copies sold. After touring across the country on Disturbed's Music as a Weapon Tour, as well as a European tour, the band took a two-year break.
Returning from their break, the band released their third major album Blue-Sky Research on August 16, 2005. Billy Corgan (The Smashing Pumpkins frontman) assisted in songwriting on the album, which was produced by Toby Wright. It debuted at #33 on the Billboard 200, with approximately 28,000 first week sales. The Bands single "Calling" was used by the WWE 2005 pay-per-view "Unforgiven."
The band headlined a major tour with Evans Blue and From Satellite to promote its release. Prior to the headline tour, Taproot acted as direct support to Chevelle on their tour alongside 30 Seconds to Mars. They also participated in the Fall Brawl Tour, which featured Staind and P.O.D. as headliners, and is notable for taking the then-unknown Flyleaf along as the opening act for the three bands.
On May 23, 2006, it was reported that Taproot had parted ways with Atlantic Records, after disappointing sales of Blue-Sky Research. At the time, the album had sold 112,000 copies since its release. On June 13, 2006, drummer Jarrod Montague, via Taproot's MySpace blog, confirmed the news.
On March 5, 2007, the band confirmed that they were in the process of recording their new album with producer Tim Patalan. According to Philip Lipscomb's MySpace blog, their new album Our Long Road Home is complete and will be released sometime in early 2008. On March 2, 2008, the band released a song from Our Long Road Home entitled "You're Not Home Tonight" on their website. This song has been played on XM Satellite Radio, Squizz 48 Indicent Exposure with Grant Random Sirius Satellite Radio on Octane. A teaser trailer for Our Long Road Home was added to the Taproot Youtube page on April 28, 2008. At the end of the video, it was stated that the album would be released on August 5, 2008.
According to the Taproot website, the band has decided to forgo signing to a major label. Their new album Our Long Road Home will be released independently through their management firm Velvet Hammer Music in a 50/50 partnership with the band themselves. Distribution was handled with Sony-owned RED Distribution.
Our Long Road Home was released on September 16, 2008. The disc was distributed in a cardboard sleeve and released to all major outlets. Just over a week after the album's release, it was announced that long-time drummer Jarrod Montague would be leaving the band and replaced by Nick Fredell. The band released a statement regarding the change in lineup:
""After 10 years of touring, our drummer and good friend Jarrod will be sitting out this cycle and we will be replacing him with our long time friend Nick Fredell. We'll miss Jarrod's presence out on the road, but Nick has fit in perfectly and we're excited for all of our fans to meet him. Jarrod's still very much a part of our family, so you'll be seeing him in press and the "Wherever I Stand" video which is out now on Youtube..."
In Spring 2009, Taproot went on the road with Dear Enemy and Adakain for the Take It! tour. Later that year, they co-headlined a U.S. tour with Cold, in addition to releasing the following statement: "Taproot has a few upcoming shows in November and December and will start writing their new record in January/ February of 2010. We hope to get into the studio sometime in February and March. We will be looking at a release date sometime in the late spring possibly early summer of 2010!"
After a brief period without a record label, Taproot signed with Victory Records. On April 1, 2010, at midnight, the band released the lead single for their upcoming album. The song was "Fractured (Everything I Said Was True)". A video for the song followed the release soon after debuting on the band's Youtube channel on April 16. Soon after, the band released their 7th studio album Plead The Fifth.
Current Members:
Vocals, Guitar: Stephen Richards
Bass: Phil Lipscomb
Guitar: Dave Lizzio
Drums: Dave Coughlin
Past Members:
Drums: Jarrod Montague
Guitar: Mike DeWolf
Drums: Nick Fredell
http://www.taprootmusic.com
Around the Bend
Taproot Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
No need to breathe
The knife cuts a careful arch
Intent to leave it's mark
And through it, I see
Around and around the bend
This circle remains an end
Around and around the bend
Around and around the bend
This cycle remains a test
In the garden she's scene
Captured imagery
Buried beneath the ground
Still life all around
And through it, I see
Around and around the bend
This circle remains an end
Around and around the bend
This circle remains a friend
Around and around the bend
This cycle remains a test
Around and around the bend
This circle remains an end
With a step she closes in on me
Like broken glass
A drop of jewelry
With a click she takes my breath away
And holds it for another day
Around and around the bend
This circle remains an end
Around and around the bend
This circle remains a friend
Around and around the bend
This cycle remains a test
Around and around the bend
This circle remains an end
Below the place I carve and rest
A matchbook sparks a lone address
The fire burns and walks with me
Down to Contemplation Street
The lyrics of Taproot's song "Around the Bend" describe a sense of freedom and release from constraint, as well as a feeling of being trapped in a never-ending cycle. The imagery suggests a struggle between life and death, with mentions of a knife and burial, but also of nature and life, with references to gardens and still life. The line "This cycle remains a test" implies that this struggle is ongoing and difficult to overcome.
The circle imagery in the chorus of "Around and around the bend / This circle remains an end" suggests a feeling of being trapped, with no escape from the cycle. However, the repetition of "This circle remains a friend" suggests a familiarity with this feeling, perhaps even a comfort in the familiarity it provides. The final lines of the song evoke a sense of change and movement, as the singer moves down to Contemplation Street, possibly indicating a desire to reflect on and break free from the cycle of life and death.
Line by Line Meaning
Inside I'm free
I am liberated internally
No need to breathe
Breathing is not required for the freedom I feel
The knife cuts a careful arch
The knife carves a precise and intentional curve
Intent to leave it's mark
The intention of the knife is to leave a mark
And through it, I see
I see through the wound created by the knife
Around and around the bend
Repeating the same cycle over and over again
This circle remains an end
This repeated cycle is leading to the same conclusion every time
This circle remains a friend
The constant repetition of this cycle is comforting like a friend
This cycle remains a test
Continuing to repeat this cycle is a challenge
In the garden she's scene
She is witnessed in the garden
Captured imagery
The scene is recorded visually
Buried beneath the ground
Something is hidden below the surface
Still life all around
The world is quiet and lifeless
With a step she closes in on me
She advances toward me with purpose
Like broken glass
Her approach is sharp and dangerous
A drop of jewelry
A tiny piece of adornment shines in the light
With a click she takes my breath away
She leaves me breathless with a sound
And holds it for another day
She keeps me captivated for a future time
Below the place I carve and rest
Underneath my place of calm and creation
A matchbook sparks a lone address
A small book of matches provides direction to a solitary location
The fire burns and walks with me
The flame accompanies me on my journey
Down to Contemplation Street
I am headed to a place of contemplation and introspection
Lyrics © CONCORD MUSIC PUBLISHING LLC
Written by: Mike DeWolf, Nick Fredell, Phil Lipscomb, Stephen Richards
Lyrics Licensed & Provided by LyricFind