Tatiana's first major musical project was as the character, "Jane", in the 1984 live stage performance, Kuman, a Mexican rock opera about a Tarzan-like character. The show's 1984 album soundtrack also entitled Kuman was released under the group name, Cristal y Acero ‒ the rock trio consisting of guitarist Icar Smith, bassist Carlos Ortega, and drummer Samuel Shapiro.[1]
From 1984 to 1994, Tatiana released 10 pop music albums which garnered numerous No. 1 hits, 15 gold records, and 4 platinum records throughout Latin America.
In 1995, Tatiana began releasing children's music albums which have since achieved no less than 24 gold, 8 platinum, and 4 diamond records.
From 1997 to 2001, Tatiana hosted the children's television show, El Espacio de Tatiana, on the Mexican network, Televisa. She currently hosts the television show, El Show De Tatiana, on the TV Azteca network. She also performs voice-over work and records soundtrack songs for various television and movie projects produced by The Walt Disney Company.
In 2004, she appeared as the character, "Coral", on the Mexican telenovela, Amy, La Niña De La Mochila Azul.
In 2005, she released her first non-children's album in over a decade entitled Acústico – Mil Gracias, an unplugged acoustic album with renditions of some of her earlier pop hits as well a number of new songs including two in English.
Her 2007 tour had 56 sold-out concerts, and her subsequent 2008 tour, Espapirifárctico, covered 64 concert dates throughout five countries.
Peligro En El Elevador
Tatiana Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Francamente cansada de la fiesta.
Huesos que piden cama
y rechinan bajando la escalera.
Mi cabeza da vueltas en espiral.
Ir a trabajar.¡Vaya calamidad!
Lentes de espejo
Nadie puede ver dónde llevo las ojeras.
Tengo muchos calambres en las piernas.
El elevador
viene tan lleno que
no entra un alfiler,
pero me llaman: Ven , ven, ven.
Ay, ay, ay qué calor.
Hay peligro en el elevador.
Vigésimo tercero.
Y las miradas me cortan el aliento.
Manos por todas partes
y sonrisas galantes. Tengo miedo.
Quién me manda a mí
venir vestida así.
Y después bajar
con un equipo audaz de basquetbol.
Ay, ay, ay, que calor.
Hay peligro en el elevador.
Ay, ay, ay, qué calor.
Hay peligro en el elvador.
The song "Peligro En El Elevador" by Tatiana tells the story of a woman who is exhausted from a night of partying and is heading to work at eight in the morning. She is physically tired, but her head is still spinning from the night before. As she heads down the stairs, she reflects on her weariness and her frustration about having to go to work. She wears mirrored shades to hide the dark circles under her eyes, a result of being up late dancing. She is sick of dancing and has leg cramps, but she has to go to work anyway.
As she steps into the elevator, the heat and the overcrowding make her uncomfortable. The elevator is full of people, and someone calls her over. However, the looks and smiles of the other passengers make her uncomfortable. She is grabbed by people on all sides, and she is afraid. She regrets wearing such revealing clothes that invite attention. She is finally relieved to get off the elevator when she reaches her destination, but she still remembers how uncomfortable the experience was. The song is an expression of the danger women face when they are in public transport, especially in crowded elevators, and the need to always be careful and mindful of their surroundings.
Line by Line Meaning
Ocho de la mañana,
It's eight in the morning,
Francamente cansada de la fiesta.
I am honestly tired from the party.
Huesos que piden cama
My bones are yearning for the bed.
y rechinan bajando la escalera.
They creak as I walk down the stairs.
Mi cabeza da vueltas en espiral.
My head is spinning in circles.
Ir a trabajar. ¡Vaya calamidad!
Going to work? What a disaster!
Lentes de espejo
Mirror glasses
Nadie puede ver dónde llevo las ojeras.
Nobody can see where my bags under my eyes are hiding.
Harta de tanto baile
Tired of so much dancing,
Tengo muchos calambres en las piernas.
I have many cramps in my legs.
El elevador
The elevator
viene tan lleno que no entra un alfiler,
It's so full that not even a needle can fit,
pero me llaman: Ven, ven, ven.
But they call me: Come, come, come.
Ay, ay, ay qué calor.
Oh, oh, oh, it's so hot.
Hay peligro en el elevador.
There's danger in the elevator.
Vigésimo tercero.
Twenty-third floor.
Y las miradas me cortan el aliento.
And the looks take my breath away.
Manos por todas partes
Hands everywhere
y sonrisas galantes. Tengo miedo.
and gallant smiles. I'm scared.
Quién me manda a mí
Who sent me
venir vestida así.
To come dressed like this.
Y después bajar
And then to go down,
con un equipo audaz de basquetbol.
Carrying a daring basketball team.
Ay, ay, ay, que calor.
Oh, oh, oh, it's so hot.
Hay peligro en el elevador.
There's danger in the elevator.
Ay, ay, ay, qué calor.
Oh, oh, oh, it's so hot.
Hay peligro en el elevador.
There's danger in the elevator.
Contributed by Daniel Y. Suggest a correction in the comments below.
Luis Nuñez
🚗🏢🌞🎧👑🎶🎶🎶
Ay, ay, ay qué calor. 🎶🎶
Hay peligro en el elevador. 🎶
Vigésimo tercero. 🎶
Y las miradas me cortan el aliento. 🎶
Manos por todas partes
y sonrisas galantes. Tengo miedo. 🎶
Quién me manda a mí
venir vestida así. 🎶
Y después bajar
con un equipo audaz de basquetbol. 🎶🎶
Yo soy quien soy
sin duda alguna tatiana fue y sigue siendo bella, yo soy de los 80 y estoy orgulloso de pertenecer a esa generación... bellas todas sus música.
JC Lartigue
Bueno yo soy ochentero en vivo porque nací antes de los ochentas y los viví en todo su esplendor. Pero independientemente de cuándo se haya nacido, es música para todos y para siempre.
Teresa Gómez
De acuerdo!! Fue la mejor época y todas queríamos vernos como Tatiana 😍💕en lo personal marco una etapa de mi vida, fui, soy y seguiré siendo su fan!!!💕
MIGUEL frias
Mejor que cualquier maluma cualquiera
NEZUKO
Mi papá es de los 80 y me enseñó está canción obra de arte
lydia arriaga rodriguez
Yo también.
Sonny Sanchez
La rola está pegajosa, pero yo entro a ver este video nomas para ver la gracia y el encanto que tenía Tatiana para bailar. Era maravillosa.
Reyna Hernández
Esta canción es muy buena pa' bailar.
MIGUEL frias
Si tatiana es muy bella, pero me sorprende ver que siendo norteña incursiono un genero pop distinto al lugar de su origen Monterrey, siempre pense que ella era del D.. F.
Aldo Jahir Cantú Camarillo
@alvarojavier1995 se supone que ella fue quien decidió dedicarse a eso no? O bueno es que eso se dice