Swift rose to mainstream prominence with her sophomore studio album, Fearless (2008), a country pop record with crossover appeal. Aided by the top-five singles “Love Story” and “You Belong with Me”, Fearless was certified Diamond by the Recording Industry Recording Industry Association of America (RIAA). Swift's third studio album, Speak Now (2010), blended country pop with elements of rock and featured the top-ten singles “Mine” and “Back to December”.
Drawing inspiration from various pop, rock, and electronic genres, Swift's fourth studio album Red (2012) saw her transcending her country roots. She completely moved to pop with her synth-pop fifth studio album, 1989 (2014), and expanded the electropop sound on her next two studio albums, reputation (2017) and Lover (2019), which respectively embraced urban and retro styles. The four albums spawned a string of international top-five singles, including “We Are Never Ever Getting Back Together”, “I Knew You Were Trouble”, “Shake It Off”, “Blank Space”, “Bad Blood”, “Look What You Made Me Do”, “ME! (feat. Brendon Urie of Panic! at the Disco)”, “You Need to Calm Down”, and “Lover”.
In the midst of the COVID-19 pandemic, Swift experimented with folk and alternative rock on her eighth and ninth studio albums, folklore and evermore (both 2020), whose lead singles “cardigan” and “willow” topped charts around the world. She also released the critically acclaimed documentaries Miss Americana and Folklore: The Long Pond Studio Sessions that year. Swift's tenth studio album, Midnights (2022), marked her triumphant return to pop after two folk albums. The album set the record for biggest first day and first week ever on Spotify, spawned the hits Anti-Hero and Lavender Haze, and sold over 1.5 million copies in its first week becoming not only the biggest debut of the decade but also Swift's biggest debut ever. She would make history by becoming the first artist to occupy the entire top ten of the Billboard Hot 100 with tracks from Midnights. Following Midnights, Taylor Swift announced her eleventh studio album, “The Tortured Poets Department” (2024) which was released on April 19, 2024. She announced this record at 66th Annual Grammy Award Show accepting the award for Best Pop Vocal Album for her previous album, Midnights (2022) in honour of receiving her 13th Grammy.
Additionally, Swift began re-recording her back catalog in November 2020 as a result of a publicized dispute with talent manager Scooter Braun and her former label Big Machine, regarding the acquisition of the masters of her back catalog. In April 2021, Swift released a re-recorded issue of her 2008 album Fearless, titled Fearless (Taylor's Version). It debuted at number one in the US. Swift continued releasing re-recorded versions of her back catalog in November, 2021 with the release of Red (Taylor's Version), a 30 track re-issue of her 2012 critical smash. The album debuted at #1 in the US, spawned the #1 hit All Too Well (10 Minute Version) (Taylor's Version) (From the Vault), and broke the record at the time for biggest first day for a female album on Spotify. Red (Taylor's Version) was a critical and commercial hit, and proved that Swift's ambitious, yet ongoing plan to re-record her first 6 albums was well worth it.
Along with the release of Red (Taylor's Version) came All Too Well: The Short Film (2021), Swift's filmmaking debut. The 15 minute romantic drama was based on the lyrical content from Swift's 2012 fan favorite “All Too Well” starring Sadie Sink and Dylan O'Brien. It had a limited theatrical release in major cities, and Swift held special screenings of the film throughout 2022 at various film festivals. In December, 2022 Taylor announced that she would be making her feature directorial debut with Oscar-winning studio Searchlight Pictures.
Following the release of Midnights, Swift would embark on her first tour in five years, The Eras Tour—a retrospective tour covering the entirety of her discography. During her ongoing tour, Swift would release her next two re-recorded albums, Speak Now (Taylor's Version) in July and 1989 (Taylor's Version) in October of 2023. The former of which would land Swift as the woman with the most number-one albums (12) in Billboard 200 history, surpassing Barbra Streisand. The latter was her sixth album to sell one million copies in a single week in the US, her largest album sales in a week span. “Is It Over Now? (Taylor's Version)”, the lead single for 1989 (Taylor's Version), would peak at number one on the Billboard Hot 100.
At the 66th annual GRAMMY Awards, Taylor Swift surprised viewers by announcing her eleventh studio album, THE TORTURED POETS DEPARTMENT. On April 19, 2024, the album was released globally, breaking records: it became the first ever to amass 1 billion Spotify streams in a week and sold 2.6 million units in its first week in the US. Swift dominated the charts, monopolizing the top 14 spots on the Billboard Hot 100 and securing the top 10 positions on Australia’s ARIA Singles Chart. The lead single, Fortnight, featuring Post Malone, quickly soared to the number-one position on the Hot 100. Additionally, just two hours after the album’s release, Swift surprised fans with a reissue titled THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY, which included 15 extra songs.
Swift has released several songs for film soundtracks. She co-wrote two songs for the Hannah Montana: The Movie soundtrack— “You'll Always Find Your Way Back Home” and “Crazier”, and contributed two songs to the Valentine's Day soundtrack, including the single “Today Was a Fairytale”, which was her first number one on the Canadian Hot 100, and peaked at number two on the Billboard Hot 100. She also contributed two original songs to The Hunger Games soundtrack album: “Safe & Sound - from The Hunger Games Soundtrack”, co-written and recorded with The Civil Wars and T-Bone Burnett, and “Eyes Open”. “Safe & Sound” won the Grammy Award for Best Song Written for Visual Media and was nominated for the Golden Globe Award for Best Original Song. In 2013, Swift recorded “Sweeter than Fiction”, a song she wrote and produced with Jack Antonoff for the One Chance film soundtrack, which received a Best Original Song nomination at the 71st Golden Globe Awards. Swift and English singer Zayn Malik, mononymously known as Zayn, released a single together, “I Don't Wanna Live Forever”, for the soundtrack of the film Fifty Shades Darker (2017). She also recorded an original song called “Beautiful Ghosts”, which she wrote with Andrew Lloyd Webber for the Cats's soundtrack (2019). In 2020, Swift's documentary Miss Americana featured the song “Only the Young” which was written after the 2018 United States elections. In 2022, she released an original song titled “Carolina” for Where The Crawdads Sing (2022) inspired by the novel written by Delia Owens.
With sales of over 200 million records worldwide, Swift is a best-selling music artist. Her accolades include 14 Grammy Awards, including four Album of the Year wins, which makes Swift the artist with the most awards for that category in history, two Brit Awards (including a Global Icon award), an Emmy Award, 28 [https://guinnessworldrecords.com/]Guinness World Records, 32 American Music Awards (the most wins by an artist), and 23 Billboard Music Awards (the most wins by a woman). She ranked eighth on Billboard's Greatest of All Time Artists Chart (2019) and was listed on Rolling Stone's 100 Greatest Songwriters of All Time (2015). Swift has been included in various power rankings, such as Time's annual list of the 100 most influential people in the world (2010, 2015 and 2019) and Forbes Celebrity 100 (placing first in 2016 and 2019). She was named Woman of the Decade (2010s) by Billboard, Artist of the Decade (2010s) by the American Music Awards, and Person of the Year (2023) by Time Magazine.
Taylor Swift is the Music Industry.
`tis the damn season
Taylor Swift Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Who you were hanging with
While I was gone, I would've asked you
It's the kind of cold
Fogs up windshield glass
But I felt it when I passed you
There's an ache in you
Put there by the ache in me
It's the same to me
So we could call it even
You could call me "Babe" for the weekend
'Tis the damn season
Write this down
I'm staying at my parents' house
And the road not taken looks real good now
And it always leads to you and my hometown
I parked my car
Right between the Methodist and the school that used to be ours
The holidays linger like bad perfume
You can run but only so far
I escaped it too
Remember how you watched me leave
But if it's okay with you
It's okay with me
We could call it even
You could call me "Babe" for the weekend
'Tis the damn season
Write this down
I'm staying at my parents' house
And the road not taken looks real good now
Time flies
Messy as the mud on your truck tires
Now I'm missing your smile, hear me out
We could just ride around
And the road not taken looks real good now
And it always leads to you and my hometown
Sleep in half the day
Just for old times' sake
I won't ask you to wait
If you don't ask me to stay
So I'll go back to LA
And the so-called friends who'll write books about me if I ever make it
And wonder about the only soul who can tell which smiles I'm faking
And the heart I know I'm breaking is my own
To leave the warmest bed I've ever known
We could call it even
Even though I'm leaving
And I'll be yours for the weekend
'Tis the damn season
We could call it even
You could call me "Babe" for the weekend
'Tis the damn season
Write this down
I'm staying at my parents' house
And the road not taken looks real good now
Time flies
Messy as the mud on your truck tires
Now I'm missing your smile, hear me out
We could just ride around
And the road not taken looks real good now
And it always leads to you and my hometown
It always leads to you and my hometown
In Taylor Swift's song ‘tis the damn season, the singer reflects on returning to her hometown for the holidays and rekindling a relationship with an old flame. The song explores the desire for connection and nostalgia during the holiday season, but also acknowledges the fleeting nature of a weekend romance.
The lyrics suggest that the singer still has unresolved feelings for the person they left behind and is questioning whether their old love is worth pursuing once again. The line "There's an ache in you, put there by the ache in me" highlights the mutual hurt and pain that has been caused by their past relationship. Despite this, they suggest that they could "call it even" and revisit their relationship for the weekend.
The phrase "write this down" is repeated throughout the song and can be interpreted as a reflection of the singer's desire to hold onto the moment and the possibility of rekindling their romance. The repetition of the line "And the road not taken looks real good now" hints at the possibility of a future together but also acknowledges the uncertainty that comes with that choice.
Overall, the song captures the bittersweet emotions of returning home for the holidays and the possibility of rediscovering lost love.
Line by Line Meaning
If I wanted to know
Who you were hanging with
While I was gone, I would've asked you
I don't really care who you're hanging out with, you're not that important to me anymore
It's the kind of cold
Fogs up windshield glass
But I felt it when I passed you
There's something between us that we can't ignore, even though we should
There's an ache in you
Put there by the ache in me
But if it's all the same to you
It's the same to me
We're both hurting from what we had, but we're willing to ignore it and move on
So we could call it even
You could call me "Babe" for the weekend
'Tis the damn season
Let's pretend that everything is okay for a little while, just for the holidays
Write this down
I'm staying at my parents' house
And the road not taken looks real good now
I'm spending the holidays with my family and feeling nostalgic for the past
And it always leads to you and my hometown
No matter where I go, I always end up thinking about you and our hometown
I parked my car
Right between the Methodist and the school that used to be ours
The holidays linger like bad perfume
You can run but only so far
Even though I tried to leave our hometown, the memories of us and the holidays are inescapable
I escaped it too
Remember how you watched me leave
But if it's okay with you
It's okay with me
We both tried to move on, but we keep coming back to each other
Time flies
Messy as the mud on your truck tires
Now I'm missing your smile, hear me out
Time passes quickly, but I still think about you and long for your company
We could just ride around
And the road not taken looks real good now
Let's take a drive and explore the roads we never took when we were together
Sleep in half the day
Just for old times' sake
I won't ask you to wait
If you don't ask me to stay
Let's have lazy mornings like we used to, but without any expectations of commitment from each other
So I'll go back to LA
And the so-called friends who'll write books about me if I ever make it
And wonder about the only soul who can tell which smiles I'm faking
And the heart I know I'm breaking is my own
To leave the warmest bed I've ever known
I have to go back to my life in LA and deal with the pressures of fame, while wondering if anyone truly knows the real me. Leaving you and our hometown is breaking my heart and I'll miss it more than anything
Even though I'm leaving
And I'll be yours for the weekend
'Tis the damn season
Even though I have to leave soon, let's enjoy our time together during the holidays
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Aaron Brooking Dessner, Taylor A. Swift
Lyrics Licensed & Provided by LyricFind
@KUYAFAITH
1. Taylor Swift - The Country Girl
2. Fearless - The Teenage Girl
3. Speak Now - The Princess
4. Red - A Heartbroken Woman
5. 1989 - The Party Woman
6. reputation - A Brave Woman
7. Lover - The Lover
8. folklore - A Wise Woman
9. evermore - The Woman who told the Stories
@augustinec.4388
Swifties: we want exile, august, and betty mv.
Taylor: drops an album
@ryyannne642
even better
@rosalinam871
Yeah, I was waiting for MVs but full brand new album 😮
@c.shadou1897
We’re not even over cruel summer yet
@punyeshhh1422
😂😂😂😂
@orangemarmalade8297
Getaway car be like: 😢
@simsamsammie
The way she sings "to leave the warmest bed I've ever known" is an icicle to the heart
@isabellac1971
It's so sad, I know
@xhele18
😭😭😭😭😭😭😭😭
@aditikhulbe
i love her and this might just be my fav from evermore :')
ps: btw i did a cover of it on my guitar, if u have the time please go check it out, u wont regret it i promise i sound pretty decent hehe <3 if not, thats alright, i get it :)) peace