Swift rose to mainstream prominence with her sophomore studio album, Fearless (2008), a country pop record with crossover appeal. Aided by the top-five singles βLove Storyβ and βYou Belong with Meβ, Fearless was certified Diamond by the Recording Industry Recording Industry Association of America (RIAA). Swift's third studio album, Speak Now (2010), blended country pop with elements of rock and featured the top-ten singles βMineβ and βBack to Decemberβ.
Drawing inspiration from various pop, rock, and electronic genres, Swift's fourth studio album Red (2012) saw her transcending her country roots. She completely moved to pop with her synth-pop fifth studio album, 1989 (2014), and expanded the electropop sound on her next two studio albums, reputation (2017) and Lover (2019), which respectively embraced urban and retro styles. The four albums spawned a string of international top-five singles, including βWe Are Never Ever Getting Back Togetherβ, βI Knew You Were Troubleβ, βShake It Offβ, βBlank Spaceβ, βBad Bloodβ, βLook What You Made Me Doβ, βME! (feat. Brendon Urie of Panic! at the Disco)β, βYou Need to Calm Downβ, and βLoverβ.
In the midst of the COVID-19 pandemic, Swift experimented with folk and alternative rock on her eighth and ninth studio albums, folklore and evermore (both 2020), whose lead singles βcardiganβ and βwillowβ topped charts around the world. She also released the critically acclaimed documentaries Miss Americana and Folklore: The Long Pond Studio Sessions that year. Swift's tenth studio album, Midnights (2022), marked her triumphant return to pop after two folk albums. The album set the record for biggest first day and first week ever on Spotify, spawned the hits Anti-Hero and Lavender Haze, and sold over 1.5 million copies in its first week becoming not only the biggest debut of the decade but also Swift's biggest debut ever. She would make history by becoming the first artist to occupy the entire top ten of the Billboard Hot 100 with tracks from Midnights.
Additionally, Swift began re-recording her back catalog in November 2020 as a result of a publicized dispute with talent manager Scooter Braun and her former label Big Machine, regarding the acquisition of the masters of her back catalog. In April 2021, Swift released a re-recorded issue of her 2008 album Fearless, titled Fearless (Taylor's Version). It debuted at number one in the US. Swift continued releasing re-recorded versions of her back catalog in November, 2021 with the release of Red (Taylor's Version), a 30 track re-issue of her 2012 critical smash. The album debuted at #1 in the US, spawned the #1 hit All Too Well (10 Minute Version) (Taylor's Version) (From the Vault), and broke the record at the time for biggest first day for a female album on Spotify. Red (Taylor's Version) was a critical and commercial hit, and proved that Swift's ambitious, yet ongoing plan to re-record her first 6 albums was well worth it.
Along with the release of Red (Taylor's Version) came All Too Well: The Short Film (2021), Swift's filmmaking debut. The 15 minute romantic drama was based on the lyrical content from Swift's 2012 fan favorite βAll Too Wellβ starring Sadie Sink and Dylan O'Brien. It had a limited theatrical release in major cities, and Swift held special screenings of the film throughout 2022 at various film festivals. In December, 2022 Taylor announced that she would be making her feature directorial debut with Oscar-winning studio Searchlight Pictures.
Following the release of Midnights, Swift would embark on her first tour in five years, The Eras Tourβa retrospective tour covering the entirety of her discography. During her ongoing tour, Swift would release her next two re-recorded albums, Speak Now (Taylor's Version) in July and 1989 (Taylor's Version) in October of 2023. The former of which would land Swift as the woman with the most number-one albums (12) in Billboard 200 history, surpassing Barbra Streisand. The latter was her sixth album to sell one million copies in a single week in the US, her largest album sales in a week span. βIs It Over Now? (Taylor's Version)β, the lead single for 1989 (Taylor's Version), would peak at number one on the Billboard Hot 100.
At the 66th annual GRAMMY Awards, Taylor Swift surprised viewers by announcing her eleventh studio album, THE TORTURED POETS DEPARTMENT. On April 19, 2024, the album was released globally, breaking records: it became the first ever to amass 1 billion Spotify streams in a week and sold 2.6 million units in its first week in the US. Swift dominated the charts, monopolizing the top 14 spots on the Billboard Hot 100 and securing the top 10 positions on Australiaβs ARIA Singles Chart. The lead single, Fortnight, featuring Post Malone, quickly soared to the number-one position on the Hot 100. Additionally, just two hours after the albumβs release, Swift surprised fans with a reissue titled THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY, which included 15 extra songs.
Swift has released several songs for film soundtracks. She co-wrote two songs for the Hannah Montana: The Movie soundtrackβ βYou'll Always Find Your Way Back Homeβ and βCrazierβ, and contributed two songs to the Valentine's Day soundtrack, including the single βToday Was a Fairytaleβ, which was her first number one on the Canadian Hot 100, and peaked at number two on the Billboard Hot 100. She also contributed two original songs to The Hunger Games soundtrack album: βSafe & Sound - from The Hunger Games Soundtrackβ, co-written and recorded with The Civil Wars and T-Bone Burnett, and βEyes Openβ. βSafe & Soundβ won the Grammy Award for Best Song Written for Visual Media and was nominated for the Golden Globe Award for Best Original Song. In 2013, Swift recorded βSweeter than Fictionβ, a song she wrote and produced with Jack Antonoff for the One Chance film soundtrack, which received a Best Original Song nomination at the 71st Golden Globe Awards. Swift and English singer Zayn Malik, mononymously known as Zayn, released a single together, βI Don't Wanna Live Foreverβ, for the soundtrack of the film Fifty Shades Darker (2017). She also recorded an original song called βBeautiful Ghostsβ, which she wrote with Andrew Lloyd Webber for the Cats's soundtrack (2019). In 2020, Swift's documentary Miss Americana featured the song βOnly the Youngβ which was written after the 2018 United States elections. In 2022, she released an original song titled βCarolinaβ for Where The Crawdads Sing (2022) inspired by the novel written by Delia Owens.
With sales of over 200 million records worldwide, Swift is a best-selling music artist. Her accolades include 14 Grammy Awards, including four Album of the Year wins, which makes Swift the artist with the most awards for that category in history, two Brit Awards (including a Global Icon award), an Emmy Award, 28 [https://guinnessworldrecords.com/]Guinness World Records, 32 American Music Awards (the most wins by an artist), and 23 Billboard Music Awards (the most wins by a woman). She ranked eighth on Billboard's Greatest of All Time Artists Chart (2019) and was listed on Rolling Stone's 100 Greatest Songwriters of All Time (2015). Swift has been included in various power rankings, such as Time's annual list of the 100 most influential people in the world (2010, 2015 and 2019) and Forbes Celebrity 100 (placing first in 2016 and 2019). She was named Woman of the Decade (2010s) by Billboard, Artist of the Decade (2010s) by the American Music Awards, and Person of the Year (2023) by Time Magazine.
I Want You Back
Taylor Swift Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh won't you please let me back in your heart)
Oh darling, I was blind to let you go (let you go, baby)
Now that I see you back in his arms
I want you back, I want you back
I want you back, I want you back
Ooh, ooh, baby I want you back, I want you back
Oh baby, give me one more chance, (to show you that I love you)
Won't you please let me back in your heart
Oh darling, I was blind to let you go (let you go baby)
Now that I see you in her arms
I want you back
I want you back ooh ooh baby
The lyrics of Taylor Swift's song "I Want You Back" express regret, longing, and a plea for forgiveness. The singer is addressing her lost love, expressing her desire to be given a second chance to make things right. She admits her mistake in letting him go and now recognizes the error of her ways. The singer's vulnerability is palpable in the lyrics as she yearns to be back in his arms.
The repetition of the chorus underscores the desperation of her plea, emphasizing her unwavering desire to be reunited with her lover. The lyrics convey a sense of urgency, and the use of the word "baby" adds an emotional quality to the song. The use of the pronoun "I" throughout the song emphasizes the personal nature of the message, making it clear that the singer is speaking from her heart.
Overall, the lyrics of "I Want You Back" are a powerful expression of love and regret, and they effectively convey the emotional complexity of a failed relationship. It is clear that the singer deeply loves her lost partner and is willing to do whatever it takes to win back their heart.
Line by Line Meaning
Oh baby, give me one more chance
I'm sorry for whatever I did wrong, and I want the opportunity to prove that I love you and that we can make it work.
Won't you please let me back in your heart
I know I may have hurt you, but I'm begging you to forgive me and let us start again.
Oh darling, I was blind to let you go (let you go baby)
I took our relationship for granted and didn't realize how much you meant to me until I lost you.
Now that I see you in her arms
Seeing you with someone else has made me realize how much I still love you and how much I want to be with you.
I want you back
My feelings for you haven't gone away, and I desperately want to be in a relationship with you again.
ooh ooh baby
I'm expressing my deep emotional longing for you with this phrase.
Lyrics Β© Sony/ATV Music Publishing LLC
Written by: Freddie Perren, Alphonso Mizell, Deke Richards, Berry Gordy Jr
Lyrics Licensed & Provided by LyricFind
@cab587
My favorite female singer covered my favorite male singer. That was amazing,
If Michael was alive, he will be happy and maybe cover Taylor's song.
@tlcooper5733
me too bestie
@DavidAllen-dj7sd
You are screwed up in your head in thinking that. A lot of black people don't even like taylor swift azz.
@BaileyWhitting-fw8no
The same with me
@maggiebweir
Love this cover always
@kambrose3339
You never lost me ππππβΊ
@rendon8906
Just love it π€
@ioannisioannis8467
I want you back!!π
@krishnarajbastola50
Good luck β€
@danielgronau635
So sad without your hand. I need you