Swift rose to mainstream prominence with her sophomore studio album, Fearless (2008), a country pop record with crossover appeal. Aided by the top-five singles “Love Story” and “You Belong with Me”, Fearless was certified Diamond by the Recording Industry Recording Industry Association of America (RIAA). Swift's third studio album, Speak Now (2010), blended country pop with elements of rock and featured the top-ten singles “Mine” and “Back to December”.
Drawing inspiration from various pop, rock, and electronic genres, Swift's fourth studio album Red (2012) saw her transcending her country roots. She completely moved to pop with her synth-pop fifth studio album, 1989 (2014), and expanded the electropop sound on her next two studio albums, reputation (2017) and Lover (2019), which respectively embraced urban and retro styles. The four albums spawned a string of international top-five singles, including “We Are Never Ever Getting Back Together”, “I Knew You Were Trouble”, “Shake It Off”, “Blank Space”, “Bad Blood”, “Look What You Made Me Do”, “ME! (feat. Brendon Urie of Panic! at the Disco)”, “You Need to Calm Down”, and “Lover”.
In the midst of the COVID-19 pandemic, Swift experimented with folk and alternative rock on her eighth and ninth studio albums, folklore and evermore (both 2020), whose lead singles “cardigan” and “willow” topped charts around the world. She also released the critically acclaimed documentaries Miss Americana and Folklore: The Long Pond Studio Sessions that year. Swift's tenth studio album, Midnights (2022), marked her triumphant return to pop after two folk albums. The album set the record for biggest first day and first week ever on Spotify, spawned the hits Anti-Hero and Lavender Haze, and sold over 1.5 million copies in its first week becoming not only the biggest debut of the decade but also Swift's biggest debut ever. She would make history by becoming the first artist to occupy the entire top ten of the Billboard Hot 100 with tracks from Midnights. Following Midnights, Taylor Swift announced her eleventh studio album, “The Tortured Poets Department” (2024) which was released on April 19, 2024. She announced this record at 66th Annual Grammy Award Show accepting the award for Best Pop Vocal Album for her previous album, Midnights (2022) in honour of receiving her 13th Grammy.
Additionally, Swift began re-recording her back catalog in November 2020 as a result of a publicized dispute with talent manager Scooter Braun and her former label Big Machine, regarding the acquisition of the masters of her back catalog. In April 2021, Swift released a re-recorded issue of her 2008 album Fearless, titled Fearless (Taylor's Version). It debuted at number one in the US. Swift continued releasing re-recorded versions of her back catalog in November, 2021 with the release of Red (Taylor's Version), a 30 track re-issue of her 2012 critical smash. The album debuted at #1 in the US, spawned the #1 hit All Too Well (10 Minute Version) (Taylor's Version) (From the Vault), and broke the record at the time for biggest first day for a female album on Spotify. Red (Taylor's Version) was a critical and commercial hit, and proved that Swift's ambitious, yet ongoing plan to re-record her first 6 albums was well worth it.
Along with the release of Red (Taylor's Version) came All Too Well: The Short Film (2021), Swift's filmmaking debut. The 15 minute romantic drama was based on the lyrical content from Swift's 2012 fan favorite “All Too Well” starring Sadie Sink and Dylan O'Brien. It had a limited theatrical release in major cities, and Swift held special screenings of the film throughout 2022 at various film festivals. In December, 2022 Taylor announced that she would be making her feature directorial debut with Oscar-winning studio Searchlight Pictures.
Following the release of Midnights, Swift would embark on her first tour in five years, The Eras Tour—a retrospective tour covering the entirety of her discography. During her ongoing tour, Swift would release her next two re-recorded albums, Speak Now (Taylor's Version) in July and 1989 (Taylor's Version) in October of 2023. The former of which would land Swift as the woman with the most number-one albums (12) in Billboard 200 history, surpassing Barbra Streisand. The latter was her sixth album to sell one million copies in a single week in the US, her largest album sales in a week span. “Is It Over Now? (Taylor's Version)”, the lead single for 1989 (Taylor's Version), would peak at number one on the Billboard Hot 100.
At the 66th annual GRAMMY Awards, Taylor Swift surprised viewers by announcing her eleventh studio album, THE TORTURED POETS DEPARTMENT. On April 19, 2024, the album was released globally, breaking records: it became the first ever to amass 1 billion Spotify streams in a week and sold 2.6 million units in its first week in the US. Swift dominated the charts, monopolizing the top 14 spots on the Billboard Hot 100 and securing the top 10 positions on Australia’s ARIA Singles Chart. The lead single, Fortnight, featuring Post Malone, quickly soared to the number-one position on the Hot 100. Additionally, just two hours after the album’s release, Swift surprised fans with a reissue titled THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY, which included 15 extra songs.
Swift has released several songs for film soundtracks. She co-wrote two songs for the Hannah Montana: The Movie soundtrack— “You'll Always Find Your Way Back Home” and “Crazier”, and contributed two songs to the Valentine's Day soundtrack, including the single “Today Was a Fairytale”, which was her first number one on the Canadian Hot 100, and peaked at number two on the Billboard Hot 100. She also contributed two original songs to The Hunger Games soundtrack album: “Safe & Sound - from The Hunger Games Soundtrack”, co-written and recorded with The Civil Wars and T-Bone Burnett, and “Eyes Open”. “Safe & Sound” won the Grammy Award for Best Song Written for Visual Media and was nominated for the Golden Globe Award for Best Original Song. In 2013, Swift recorded “Sweeter than Fiction”, a song she wrote and produced with Jack Antonoff for the One Chance film soundtrack, which received a Best Original Song nomination at the 71st Golden Globe Awards. Swift and English singer Zayn Malik, mononymously known as Zayn, released a single together, “I Don't Wanna Live Forever”, for the soundtrack of the film Fifty Shades Darker (2017). She also recorded an original song called “Beautiful Ghosts”, which she wrote with Andrew Lloyd Webber for the Cats's soundtrack (2019). In 2020, Swift's documentary Miss Americana featured the song “Only the Young” which was written after the 2018 United States elections. In 2022, she released an original song titled “Carolina” for Where The Crawdads Sing (2022) inspired by the novel written by Delia Owens.
With sales of over 200 million records worldwide, Swift is a best-selling music artist. Her accolades include 14 Grammy Awards, including four Album of the Year wins, which makes Swift the artist with the most awards for that category in history, two Brit Awards (including a Global Icon award), an Emmy Award, 28 [https://guinnessworldrecords.com/]Guinness World Records, 32 American Music Awards (the most wins by an artist), and 23 Billboard Music Awards (the most wins by a woman). She ranked eighth on Billboard's Greatest of All Time Artists Chart (2019) and was listed on Rolling Stone's 100 Greatest Songwriters of All Time (2015). Swift has been included in various power rankings, such as Time's annual list of the 100 most influential people in the world (2010, 2015 and 2019) and Forbes Celebrity 100 (placing first in 2016 and 2019). She was named Woman of the Decade (2010s) by Billboard, Artist of the Decade (2010s) by the American Music Awards, and Person of the Year (2023) by Time Magazine.
Taylor Swift is the Music Industry.
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Taylor Swift Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Faster than the wind, passionate as sin, ending so suddenly
Lovin' him is like tryna change your mind, once you're already flyin' through the freefall
Like the colors in autumn, so bright, just before they lose it all
Losin' him was blue like I'd never known
Missin' him was dark gray, all alone
Forgettin' him was like tryna know somebody you never met
(Red, red)
(Red, red)
But lovin' him was red
(Red, red)
(Red, red)
Touchin' him was like realizin' all you ever wanted was right there in front of you
Memorizin' him was as easy as knowin' all the words to your old favorite song
Fighting with him was like tryna solve a crossword and realizin' there's no right answer
Regretting him was like wishin' you never found out that love could be that strong
Losin' him was blue like I'd never known
Missin' him was dark gray, all alone
Forgettin' him was like tryna know somebody you never met
But lovin' him was red
(Red, red) oh, red
(Red, red)
Burnin' red
(Red, red)
(Red, red)
Remembering him comes in flashbacks and echoes
Tell myself it's time now, gotta let go
But movin' on from him is impossible
When I still see it all in my head
In burnin' red
Lovin' him was red
Oh, losin' him was blue like I'd never known
Missin' him was dark gray, all alone
Forgettin' him was like tryna know somebody you never met
'Cause lovin' him was red
(Red, red) yeah, yeah, red
(Red, red)
Oh, burnin' red
(Red, red)
(Red, red)
And that's why he's spinnin' 'round in my head
Comes back to me, burnin' red
(Red, red) yeah, yeah
(Red, red)
His love was like drivin' a new Maserati down a dead-end street
In her hit song "Red," Taylor Swift compares the experience of loving and losing someone to a range of vivid and colorful experiences. She begins with the image of driving a new Maserati down a dead-end street, which is thrilling and exhilarating but ultimately leads nowhere. Loving him is fast and passionate but doomed to end suddenly, like the colors of autumn that burst into brightness before fading away. The song also depicts the difficulty of trying to move on from a past love, as memories and emotions continue to burn bright like the color red.
Swift uses various colors to represent different emotions throughout the song. Losing him was blue, representing sadness and grief. Missing him was dark gray, representing loneliness and isolation. Forgetting him was like trying to know somebody you never met, similar to the color white, representing emptiness and nothingness. Loving him, on the other hand, was red, representing passion, intensity, and all-consuming emotion.
The song is a powerful reflection on the experience of loving someone deeply and then losing them, and the emotions that linger long after the relationship has ended. Swift’s use of vivid imagery and symbolism throughout the song brings the listener into her world, making them feel the colors and emotions just as strongly as she does.
Line by Line Meaning
Loving him is like
Comparing the experience of loving him to
Driving a new Maserati down a dead-end street
Taking a risk by diving headfirst into something destined for failure or disappointment with no exit strategy
Faster than the wind
Feeling all-consuming, uncontrollable attraction
Passionate as sin
Feeling desire so strong that it teeters on the edge of being immoral
Ending so suddenly
Suddenly hitting a wall or experiencing a loss with little to no warning
Trying to change your mind once you're already flying through the free fall
Feeling a sense of helplessness and inevitability when facing the end of something
Like the colors in autumn, so bright
Bright moments of happiness and beauty that are fleeting and end quickly
Just before they lose it all
The moment before a happy period ends or something falls apart completely
Losing him was blue like I'd never known
Feeling intense sadness and depression at the end of the relationship
Missing him was dark grey, all alone
Experiencing loneliness and isolation after the breakup
Forgetting him was like trying to know somebody you never met
Finding it impossible to completely forget or erase the memories of the relationship
But loving him was red (re-e-e-ed, re-e-e-ed)
Equating the intense emotions of loving him to the color red, which is often associated with passion, love, and strong emotions
Touching him was like
Describing the sensation of touching him as comparable to
Realizing all you ever wanted was right there in front of you
Feeling a sense of enlightenment and clarity when it comes to what you want in life or in a partner
Memorizing him was as
Suggesting that remembering details about him was as easy as
Easy as knowing all the words to your old favorite song
Recalling something that is so familiar and ingrained in your memory that it requires no effort
Fighting with him was like
Comparing the experience of fighting with him to
Trying to solve a crossword and realizing there's no right answer
Feeling frustrated and stonewalled when dealing with a problem that has no clear solution
Regretting him was like
Explaining that the feeling of regret over the relationship was like
Wishing you never found out that love could be that strong
Regretting ever experiencing such strong emotions for another person because it made it that much harder to lose them
Remembering him comes in flashbacks
Describing memories of him as sudden and unexpected, like a flashback
And echoes
Suggesting that the memories echo and reverberate in the mind
Tell myself it's time now
Trying to convince oneself that it's time to move on
Gotta let go
Recognizing that it's time to let go of the relationship and move on
But moving on from him is impossible
Expressing the difficulty of moving on from the relationship
When I still see it all in my head
Finding it hard to forget or move on because the memories still remain vivid and clear
Burning it was red
The intensity of the relationship is described again using the color red
And that's why he's spinning 'round in my head (re-e-e-ed, re-e-e-ed)
The idea that the memories of the relationship continue to consume and trouble the artist
Comes back to me, burning red (re-e-e-ed, re-e-e-ed)
The intensity of the relationship continues to resonate with the artist, manifesting in memories and emotions described as 'burning red'
Lyrics © Universal Music Publishing Group
Written by: Taylor Alison Swift
Lyrics Licensed & Provided by LyricFind
@shreshth3690
"Loving him was red" - Red
"Losing him was blue" - Red
"Missing him was dark gray all alone" - Red
"It's blue, the feeling I've got" - Cruel Summer
"I just wanna stay in this lavender haze" - Lavender Haze
"My heart's been borrowed and your's has been blue" - Lover
"I thought love would be burning red, but it's golden" - Daylight
"Deep blue, but you painted me golden" - Dancing with our Hands Tied
"How scarlet it was; maroon" - Maroon
Only Taylor Swift could use colors so well to express her emotions.
@NgakakNebeng
Loving him is like driving a new Maserati down a dead-end street
Faster than the wind, passionate as sin ending so suddenly
Loving him is like trying to change your mind once you're already flying through the free fall
Like the colors in autumn, so bright just before they lose it all
Losing him was blue like I'd never known
Missing him was dark grey all alone
Forgetting him was like trying to know somebody you never met
But loving him was red
Loving him was red
Touching him was like realizing all you ever wanted was right there in front of you
Memorizing him was as easy as knowing all the words to your old favorite song
Fighting with him was like trying to solve a crossword and realizing there's no right answer
Regretting him was like wishing you never found out that love could be that strong
Losing him was blue like I'd never known
Missing him was dark gray all alone
Forgetting him was like trying to know somebody you never met
But loving him was red
Oh red
Burning red
Remembering him comes in flashbacks and echoes
Tell myself it's time now, gotta let go
But moving on from him is impossible
When I still see it all in my head
Burning red
Burning it was red
Oh losing him was blue like I'd never known
Missing him was dark gray all alone
Forgetting him was like trying to know somebody you never met
'Cause loving him was red
Yeah, yeah red
We're burning red
And that's why he's spinning 'round in my head
Comes back to me, burning red
Yeah, yeah
His love was like driving a new Maserati down a dead-end street
@ellaangelicaserrano9982
[Verse 1:]
Loving him is like driving a new Maserati down a dead-end street
Faster than the wind, passionate as sin, ending so suddenly
Loving him is like trying to change your mind once you're already flying through the free fall
Like the colors in autumn, so bright just before they lose it all
[Chorus:]
Losing him was blue like I'd never known
Missing him was dark grey all alone
Forgetting him was like trying to know somebody you never met
But loving him was red
Loving him was red
[Verse 2:]
Touching him was like realizing all you ever wanted was right there in front of you
Memorizing him was as easy as knowing all the words to your old favorite song
Fighting with him was like trying to solve a crossword and realizing there's no right answer
Regretting him was like wishing you never found out that love could be that strong
[Chorus:]
Losing him was blue like I'd never known
Missing him was dark grey all alone
Forgetting him was like trying to know somebody you never met
But loving him was red
Oh, red
Burning red
[Bridge:]
Remembering him comes in flashbacks and echoes
Tell myself it's time now, gotta let go
But moving on from him is impossible
When I still see it all in my head
In burning red
Burning, it was red
[Chorus:]
Oh, losing him was blue like I'd never known
Missing him was dark grey all alone
Forgetting him was like trying to know somebody you never met
'Cause loving him was red
Yeah, yeah, red
We're burning red
[Post-Chorus:]
And that's why he's spinnin' 'round in my head
Comes back to me, burning red
Yeah, yeah
@ndeah6529
We are the NEW ROMANTICS
We're everyone's WILDEST DREAMS
We will never have BAD BLOOD
Because YOU BELONG WITH ME
I met you when I was FIFTEEN
Back then you were MEAN
I was new to town then you said WELCOME TO NEWYORK and thats how it all started. I saw you with another girl that made SPARKS FLY
Then I had a PICTURE TO BURN
Later I wrote you a letter "DEAR JOHN I hate you!"
Then you came running back and said please me MINE again
I said "WE ARE NEVER GETTING BACK TOGETHER" because
I KNEW YOU WERE TROUBLE
Now we're 22
And EVERYTHING HAS CHANGED
No more TEARDROPS ON MY GUITAR
Remember BACK IN DECEMBER
we made it OUT OF THE WOODS
it felt so ENCHANTED but with you I'll be SAFE AND SOUND
THE STORY OF US is the best LOVE STORY
We wrote OUR SONG on a BLANK SPACE
When we finish singing it we will BEGIN AGAIN
I'll wear my RED lipstick and you'll say "Baby you have perfect STYLE"
People will keep on hating while we ride of on a WHITE HORSE
They said we wont end up together but I just SHAKE IT OFF,
I know you ALL TO WELL
Baby we are FEARLESS as the best love is OURS.
@zehradagustun
i once believed love would be burning red
but it’s golden like daylight.
- taylor swift lover era
@strawberrycupcake7161
it's just variety kind of love. Burning red is like love when full of lust and energy, like when we were young. Golden love is like calm and acceptance, the kind we have when we mature.
I am glad she felt all the kind of loves. Hard times, happy times, sad times, all make us better person if we learn it well.
@danybey4182
Who is this album about
@gcr13
dany bey mostly jake gyllenhaal
@danybey4182
@@gcr13 oh ok thank you👍
@ihearttaylorswift
Yh this is totally Lover era one of the best songs of the century surely anyone agrees?
@victorxochi
Red is by far Taylor’s best era. The story telling and the rawness of this record is beautiful. A perfect combination of Country and Pop.
@khloeg1649
I prefer speak now personally
@asherajuwirine6515
Red is the best album
reputation is the best era
@delmundl
@@khloeg1649 me too