Swift rose to mainstream prominence with her sophomore studio album, Fearless (2008), a country pop record with crossover appeal. Aided by the top-five singles “Love Story” and “You Belong with Me”, Fearless was certified Diamond by the Recording Industry Recording Industry Association of America (RIAA). Swift's third studio album, Speak Now (2010), blended country pop with elements of rock and featured the top-ten singles “Mine” and “Back to December”.
Drawing inspiration from various pop, rock, and electronic genres, Swift's fourth studio album Red (2012) saw her transcending her country roots. She completely moved to pop with her synth-pop fifth studio album, 1989 (2014), and expanded the electropop sound on her next two studio albums, reputation (2017) and Lover (2019), which respectively embraced urban and retro styles. The four albums spawned a string of international top-five singles, including “We Are Never Ever Getting Back Together”, “I Knew You Were Trouble”, “Shake It Off”, “Blank Space”, “Bad Blood”, “Look What You Made Me Do”, “ME! (feat. Brendon Urie of Panic! at the Disco)”, “You Need to Calm Down”, and “Lover”.
In the midst of the COVID-19 pandemic, Swift experimented with folk and alternative rock on her eighth and ninth studio albums, folklore and evermore (both 2020), whose lead singles “cardigan” and “willow” topped charts around the world. She also released the critically acclaimed documentaries Miss Americana and Folklore: The Long Pond Studio Sessions that year. Swift's tenth studio album, Midnights (2022), marked her triumphant return to pop after two folk albums. The album set the record for biggest first day and first week ever on Spotify, spawned the hits Anti-Hero and Lavender Haze, and sold over 1.5 million copies in its first week becoming not only the biggest debut of the decade but also Swift's biggest debut ever. She would make history by becoming the first artist to occupy the entire top ten of the Billboard Hot 100 with tracks from Midnights.
Additionally, Swift began re-recording her back catalog in November 2020 as a result of a publicized dispute with talent manager Scooter Braun and her former label Big Machine, regarding the acquisition of the masters of her back catalog. In April 2021, Swift released a re-recorded issue of her 2008 album Fearless, titled Fearless (Taylor's Version). It debuted at number one in the US. Swift continued releasing re-recorded versions of her back catalog in November, 2021 with the release of Red (Taylor's Version), a 30 track re-issue of her 2012 critical smash. The album debuted at #1 in the US, spawned the #1 hit All Too Well (10 Minute Version) (Taylor's Version) (From the Vault), and broke the record at the time for biggest first day for a female album on Spotify. Red (Taylor's Version) was a critical and commercial hit, and proved that Swift's ambitious, yet ongoing plan to re-record her first 6 albums was well worth it.
Along with the release of Red (Taylor's Version) came All Too Well: The Short Film (2021), Swift's filmmaking debut. The 15 minute romantic drama was based on the lyrical content from Swift's 2012 fan favorite “All Too Well” starring Sadie Sink and Dylan O'Brien. It had a limited theatrical release in major cities, and Swift held special screenings of the film throughout 2022 at various film festivals. In December, 2022 Taylor announced that she would be making her feature directorial debut with Oscar-winning studio Searchlight Pictures.
Following the release of Midnights, Swift would embark on her first tour in five years, The Eras Tour—a retrospective tour covering the entirety of her discography. During her ongoing tour, Swift would release her next two re-recorded albums, Speak Now (Taylor's Version) in July and 1989 (Taylor's Version) in October of 2023. The former of which would land Swift as the woman with the most number-one albums (12) in Billboard 200 history, surpassing Barbra Streisand. The latter was her sixth album to sell one million copies in a single week in the US, her largest album sales in a week span. “Is It Over Now? (Taylor's Version)”, the lead single for 1989 (Taylor's Version), would peak at number one on the Billboard Hot 100.
At the 66th annual GRAMMY Awards, Taylor Swift surprised viewers by announcing her eleventh studio album, THE TORTURED POETS DEPARTMENT. On April 19, 2024, the album was released globally, breaking records: it became the first ever to amass 1 billion Spotify streams in a week and sold 2.6 million units in its first week in the US. Swift dominated the charts, monopolizing the top 14 spots on the Billboard Hot 100 and securing the top 10 positions on Australia’s ARIA Singles Chart. The lead single, Fortnight, featuring Post Malone, quickly soared to the number-one position on the Hot 100. Additionally, just two hours after the album’s release, Swift surprised fans with a reissue titled THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY, which included 15 extra songs.
Swift has released several songs for film soundtracks. She co-wrote two songs for the Hannah Montana: The Movie soundtrack— “You'll Always Find Your Way Back Home” and “Crazier”, and contributed two songs to the Valentine's Day soundtrack, including the single “Today Was a Fairytale”, which was her first number one on the Canadian Hot 100, and peaked at number two on the Billboard Hot 100. She also contributed two original songs to The Hunger Games soundtrack album: “Safe & Sound - from The Hunger Games Soundtrack”, co-written and recorded with The Civil Wars and T-Bone Burnett, and “Eyes Open”. “Safe & Sound” won the Grammy Award for Best Song Written for Visual Media and was nominated for the Golden Globe Award for Best Original Song. In 2013, Swift recorded “Sweeter than Fiction”, a song she wrote and produced with Jack Antonoff for the One Chance film soundtrack, which received a Best Original Song nomination at the 71st Golden Globe Awards. Swift and English singer Zayn Malik, mononymously known as Zayn, released a single together, “I Don't Wanna Live Forever”, for the soundtrack of the film Fifty Shades Darker (2017). She also recorded an original song called “Beautiful Ghosts”, which she wrote with Andrew Lloyd Webber for the Cats's soundtrack (2019). In 2020, Swift's documentary Miss Americana featured the song “Only the Young” which was written after the 2018 United States elections. In 2022, she released an original song titled “Carolina” for Where The Crawdads Sing (2022) inspired by the novel written by Delia Owens.
With sales of over 200 million records worldwide, Swift is a best-selling music artist. Her accolades include 14 Grammy Awards, including four Album of the Year wins, which makes Swift the artist with the most awards for that category in history, two Brit Awards (including a Global Icon award), an Emmy Award, 28 Guinness World Records, 32 American Music Awards (the most wins by an artist), and 23 Billboard Music Awards (the most wins by a woman). She ranked eighth on Billboard's Greatest of All Time Artists Chart (2019) and was listed on Rolling Stone's 100 Greatest Songwriters of All Time (2015). Swift has been included in various power rankings, such as Time's annual list of the 100 most influential people in the world (2010, 2015 and 2019) and Forbes Celebrity 100 (placing first in 2016 and 2019). She was named Woman of the Decade (2010s) by Billboard, Artist of the Decade (2010s) by the American Music Awards, and Person of the Year (2023) by Time Magazine.
So Long London
Taylor Swift Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I kept calm and carried the weight of the rift
Pulled him in tighter each time he was drifting away
My spine split from carrying us up the hill
Wet through my clothes, weary bones caught the chill
I stopped trying to make him laugh
Stopped trying to drill the safe
Thinkin, how much sad did you think I hadDid you think I had in me?
Oh, the tragedy ...
So long, London
You′ll find someone ...
I didn't opt in to be your odd man out
I founded the club she′s heard great things about
I left all I knew, you left me at the house by the Heath
I stopped CPR, after all it's no use
The spirit was gone, we would never come to
And I'm pissed off you let me give you all that youth for free
For so long, London
Stitches undone
Two graves, one gun
I′ll find someone ...
And you say I abandoned the ship
But I was going down with it
My white knuckle dying grip
Holding tight to your quiet resentment and
My friends said it isn′t right to be scared
Every day of a love affair
Every breath feels like rarest air
When you're not sure if he wants to be thereSo how much sad did you think I had,
Did you think I had in me?
How much tragedy?
Just how low did you think I′d go?
Before I'd self-implode
Before I′d have to go be free
You swore that you loved me but where were the clues?
I died on the altar waiting for the proof
You sacrificed us to the gods of your bluest days
And I'm just getting color back into my face
I′m just mad as hell cause I loved this place
For so long, London
Had a good run
A moment of warm sun
But I'm not the one
So long, London
Stitches undone
Two graves, one gun
You'll find someone ...
In the first verse of "So Long London," Taylor Swift describes a scene where she envisions fairy lights shining through mist, symbolizing a magical and dreamy atmosphere. Despite facing challenges and struggles within the relationship ("carried the weight of the rift"), she tries to hold onto her partner who seems to be emotionally distant ("Pulled him in tighter each time he was drifting away"). The imagery of her spine splitting from carrying the burden metaphorically represents the physical and emotional toll of trying to keep the relationship afloat even when it feels strained. Swift reflects on how she stopped putting in effort to make her partner laugh or feel safe, questioning how much sadness and tragedy he thought she could endure.
The chorus "So Long London, You'll find someone..." suggests a farewell to a chapter of her life spent in London, possibly hinting at leaving behind a tumultuous relationship and moving forward to find someone who appreciates her worth. Swift expresses feelings of being the odd one out in the relationship, feeling like she made sacrifices and invested more into it than her partner did. She references leaving behind familiar surroundings and taking a risk, only to be left alone by the Heath (Heathrow airport in London) while her partner seemingly gave up on their connection. The mention of stopping CPR and acknowledging that the relationship was beyond saving underscores a sense of finality and acceptance of the end.
In the second verse, Swift reveals her frustration and anger at the situation, feeling misled into giving her all to someone who didn't value it. She reflects on the disappointment of the relationship falling apart and the bitterness of feeling used. The mention of two graves and one gun alludes to a shared demise and a sense of mutual destruction within the relationship. She emphasizes that despite feeling abandoned and hurt, she was dedicated to the relationship and was willing to go down with the ship, holding onto hope despite the signs of impending failure.
The final verse delves deeper into Swift's realization of being deceived by false promises of love and dedication. She laments waiting for proof of love on an altar, only to be left disillusioned and hurt by her partner's actions. The imagery of sacrificing their bond to the "gods of your bluest days" suggests that her partner prioritized their own happiness over their relationship, leaving Swift to pick up the broken pieces alone. The resolution comes as Swift starts to reclaim her independence and regain her vibrancy ("getting color back into my face"), signaling a new beginning and a departure from the emotional turmoil of the past. The song concludes with a bittersweet farewell to London, marking the end of a chapter and the hope for a brighter future outside of the city and the failed relationship.
Line by Line Meaning
I saw in my mind fairy lights through the mist
In my imagination, I envisioned a whimsical and magical atmosphere, obscured by uncertainty.
I kept calm and carried the weight of the rift
I maintained my composure while shouldering the emotional burden caused by our growing distance.
Pulled him in tighter each time he was drifting away
I made an effort to cling to him even more desperately whenever he started to disengage from me.
My spine split from carrying us up the hill
I felt immense strain and pressure from the effort of sustaining our relationship during challenging times.
Wet through my clothes, weary bones caught the chill
Drenched and fatigued, I felt an acute sense of discomfort and sorrow that enveloped me.
I stopped trying to make him laugh
I gave up on my attempts to bring joy to him, recognizing it was futile.
Stopped trying to drill the safe
I ceased my efforts to penetrate the barriers he had built around himself to protect his feelings.
Thinkin, how much sad did you think I had
Reflecting on the depth of sadness you perceived within me.
Did you think I had in me?
Questioning whether you truly understood the extent of my emotional capacity and resilience.
Oh, the tragedy ...
Acknowledging the profound sorrow that permeates our relationship.
So long, London
Farewell, to the city that holds memories of our time together.
You′ll find someone ...
You will eventually discover a new partner or love.
I didn't opt in to be your odd man out
I never chose to feel like an outsider in our relationship.
I founded the club she's heard great things about
I established a social circle or connection that others found appealing, contrasting with my own feelings.
I left all I knew, you left me at the house by the Heath
I abandoned my familiar life, feeling abandoned at the place we once shared during a pivotal moment.
I stopped CPR, after all it's no use
I ceased my efforts to revive our romance, realizing it was beyond saving.
The spirit was gone, we would never come to
The essence of our connection had vanished, and there was no chance of reconciliation.
And I'm pissed off you let me give you all that youth for free
I feel frustrated that I devoted my youthful energy and love without receiving anything in return.
For so long, London
For an extended period, this city encapsulated my experiences.
Stitches undone
The emotional wounds we once tried to mend are now exposed.
Two graves, one gun
This relationship felt destructive, as if both parties suffered equally from the conflict.
I′ll find someone ...
I will eventually encounter a new connection or love.
And you say I abandoned the ship
You claim that I deserted the relationship at the first sign of trouble.
But I was going down with it
In reality, I was also suffering and struggling as our relationship deteriorated.
My white knuckle dying grip
I was holding on tightly, desperately trying to maintain our connection.
Holding tight to your quiet resentment and
Clinging to the unspoken grudges and dissatisfaction you harbored.
My friends said it isn′t right to be scared
People around me advised that living in fear of love was unhealthy.
Every day of a love affair
Each day spent in this relationship felt fraught with anxiety.
Every breath feels like rarest air
Each moment felt precious yet precarious when uncertainty loomed.
When you're not sure if he wants to be there
Doubt permeates the relationship because I questioned his commitment.
So how much sad did you think I had,
Again musing about the levels of sadness you assumed I could endure.
Did you think I had in me?
Questioning whether you recognized the depths of my emotional resilience.
How much tragedy?
Contemplating the extent of despair that had unfolded.
Just how low did you think I′d go?
Wondering how far you believed I could sink before breaking down.
Before I′d self-implode
Before I would explode from the pressure and distress within.
Before I′d have to go be free
Before I would be compelled to liberate myself from this toxic situation.
You swore that you loved me but where were the clues?
You claimed to love me, yet I found no signs or evidence of your commitment.
I died on the altar waiting for the proof
I felt emotionally sacrificed while waiting for concrete evidence of your love.
You sacrificed us to the gods of your bluest days
You prioritized your own struggles and low points over our relationship.
And I'm just getting color back into my face
I’m beginning to regain my vitality and sense of self after this experience.
I′m just mad as hell cause I loved this place
I feel a mix of anger and sadness because I cherished our memories here.
For so long, London
For a significant period, this city was intertwined with my feelings of love and loss.
Had a good run
We had a substantial, albeit flawed, journey together.
A moment of warm sun
There were fleeting moments of joy and happiness amidst the turmoil.
But I'm not the one
Ultimately, I realize that I’m not the right partner for you.
So long, London
Goodbye, to the city that now represents our shared memories and heartaches.
Stitches undone
Emotional wounds remain open and unresolved.
Two graves, one gun
The damage dealt by our relationship felt fatal to both of us.
You'll find someone ...
You will eventually discover another person to connect with.
Writer(s): Taylor Swift, Aaron Brooking Dessner
Contributed by Eliana I. Suggest a correction in the comments below.
@MinnzPiano
the vocals at the start are angelic.
@BrainrotBanners
REAL
@meraki664
its giving gold rush ngl
@wonderling13
Frrr
@U.AreSUS_
FR
@letzsoo
REAL.
@MinnzPiano
so long, london boy. 🩶
@YouTubetail
😮
@foreverandalwaysari
i love your vids so much hi! are u going to be doing a piano cover of ttpd?
@lhaigler1485
I work at a daycare and i always play ur covers during nap time. They are beautiful and puts the kids to sleep, and I get to rock out ❤ hope u do covers of ttpd and I’m willing to wait