Swift rose to mainstream prominence with her sophomore studio album, Fearless (2008), a country pop record with crossover appeal. Aided by the top-five singles “Love Story” and “You Belong with Me”, Fearless was certified Diamond by the Recording Industry Recording Industry Association of America (RIAA). Swift's third studio album, Speak Now (2010), blended country pop with elements of rock and featured the top-ten singles “Mine” and “Back to December”.
Drawing inspiration from various pop, rock, and electronic genres, Swift's fourth studio album Red (2012) saw her transcending her country roots. She completely moved to pop with her synth-pop fifth studio album, 1989 (2014), and expanded the electropop sound on her next two studio albums, reputation (2017) and Lover (2019), which respectively embraced urban and retro styles. The four albums spawned a string of international top-five singles, including “We Are Never Ever Getting Back Together”, “I Knew You Were Trouble”, “Shake It Off”, “Blank Space”, “Bad Blood”, “Look What You Made Me Do”, “ME! (feat. Brendon Urie of Panic! at the Disco)”, “You Need to Calm Down”, and “Lover”.
In the midst of the COVID-19 pandemic, Swift experimented with folk and alternative rock on her eighth and ninth studio albums, folklore and evermore (both 2020), whose lead singles “cardigan” and “willow” topped charts around the world. She also released the critically acclaimed documentaries Miss Americana and Folklore: The Long Pond Studio Sessions that year. Swift's tenth studio album, Midnights (2022), marked her triumphant return to pop after two folk albums. The album set the record for biggest first day and first week ever on Spotify, spawned the hits Anti-Hero and Lavender Haze, and sold over 1.5 million copies in its first week becoming not only the biggest debut of the decade but also Swift's biggest debut ever. She would make history by becoming the first artist to occupy the entire top ten of the Billboard Hot 100 with tracks from Midnights.
Additionally, Swift began re-recording her back catalog in November 2020 as a result of a publicized dispute with talent manager Scooter Braun and her former label Big Machine, regarding the acquisition of the masters of her back catalog. In April 2021, Swift released a re-recorded issue of her 2008 album Fearless, titled Fearless (Taylor's Version). It debuted at number one in the US. Swift continued releasing re-recorded versions of her back catalog in November, 2021 with the release of Red (Taylor's Version), a 30 track re-issue of her 2012 critical smash. The album debuted at #1 in the US, spawned the #1 hit All Too Well (10 Minute Version) (Taylor's Version) (From the Vault), and broke the record at the time for biggest first day for a female album on Spotify. Red (Taylor's Version) was a critical and commercial hit, and proved that Swift's ambitious, yet ongoing plan to re-record her first 6 albums was well worth it.
Along with the release of Red (Taylor's Version) came All Too Well: The Short Film (2021), Swift's filmmaking debut. The 15 minute romantic drama was based on the lyrical content from Swift's 2012 fan favorite “All Too Well” starring Sadie Sink and Dylan O'Brien. It had a limited theatrical release in major cities, and Swift held special screenings of the film throughout 2022 at various film festivals. In December, 2022 Taylor announced that she would be making her feature directorial debut with Oscar-winning studio Searchlight Pictures.
Following the release of Midnights, Swift would embark on her first tour in five years, The Eras Tour—a retrospective tour covering the entirety of her discography. During her ongoing tour, Swift would release her next two re-recorded albums, Speak Now (Taylor's Version) in July and 1989 (Taylor's Version) in October of 2023. The former of which would land Swift as the woman with the most number-one albums (12) in Billboard 200 history, surpassing Barbra Streisand. The latter was her sixth album to sell one million copies in a single week in the US, her largest album sales in a week span. “Is It Over Now? (Taylor's Version)”, the lead single for 1989 (Taylor's Version), would peak at number one on the Billboard Hot 100.
At the 66th annual GRAMMY Awards, Taylor Swift surprised viewers by announcing her eleventh studio album, THE TORTURED POETS DEPARTMENT. On April 19, 2024, the album was released globally, breaking records: it became the first ever to amass 1 billion Spotify streams in a week and sold 2.6 million units in its first week in the US. Swift dominated the charts, monopolizing the top 14 spots on the Billboard Hot 100 and securing the top 10 positions on Australia’s ARIA Singles Chart. The lead single, Fortnight, featuring Post Malone, quickly soared to the number-one position on the Hot 100. Additionally, just two hours after the album’s release, Swift surprised fans with a reissue titled THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY, which included 15 extra songs.
Swift has released several songs for film soundtracks. She co-wrote two songs for the Hannah Montana: The Movie soundtrack— “You'll Always Find Your Way Back Home” and “Crazier”, and contributed two songs to the Valentine's Day soundtrack, including the single “Today Was a Fairytale”, which was her first number one on the Canadian Hot 100, and peaked at number two on the Billboard Hot 100. She also contributed two original songs to The Hunger Games soundtrack album: “Safe & Sound - from The Hunger Games Soundtrack”, co-written and recorded with The Civil Wars and T-Bone Burnett, and “Eyes Open”. “Safe & Sound” won the Grammy Award for Best Song Written for Visual Media and was nominated for the Golden Globe Award for Best Original Song. In 2013, Swift recorded “Sweeter than Fiction”, a song she wrote and produced with Jack Antonoff for the One Chance film soundtrack, which received a Best Original Song nomination at the 71st Golden Globe Awards. Swift and English singer Zayn Malik, mononymously known as Zayn, released a single together, “I Don't Wanna Live Forever”, for the soundtrack of the film Fifty Shades Darker (2017). She also recorded an original song called “Beautiful Ghosts”, which she wrote with Andrew Lloyd Webber for the Cats's soundtrack (2019). In 2020, Swift's documentary Miss Americana featured the song “Only the Young” which was written after the 2018 United States elections. In 2022, she released an original song titled “Carolina” for Where The Crawdads Sing (2022) inspired by the novel written by Delia Owens.
With sales of over 200 million records worldwide, Swift is a best-selling music artist. Her accolades include 14 Grammy Awards, including four Album of the Year wins, which makes Swift the artist with the most awards for that category in history, two Brit Awards (including a Global Icon award), an Emmy Award, 28 [https://guinnessworldrecords.com/]Guinness World Records, 32 American Music Awards (the most wins by an artist), and 23 Billboard Music Awards (the most wins by a woman). She ranked eighth on Billboard's Greatest of All Time Artists Chart (2019) and was listed on Rolling Stone's 100 Greatest Songwriters of All Time (2015). Swift has been included in various power rankings, such as Time's annual list of the 100 most influential people in the world (2010, 2015 and 2019) and Forbes Celebrity 100 (placing first in 2016 and 2019). She was named Woman of the Decade (2010s) by Billboard, Artist of the Decade (2010s) by the American Music Awards, and Person of the Year (2023) by Time Magazine.
You
Taylor Swift Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And when you take, you take the very best of me
So I start a fight 'cause I need to feel somethin'
And you do what you want 'cause I'm not what you wanted
Oh, what a shame
What a rainy ending given to a perfect day
Just walk away
And now that I'm sittin' here thinkin' it through
I've never been anywhere cold as you
You put up the walls and paint them all a shade of gray
And I stood there loving you, and wished them all away
And you come away with a great little story
Of a mess of a dreamer with the nerve to adore you
Oh, what a shame
What a rainy ending given to a perfect day
Just walk away
Ain't no use defending words that you will never say
And now that I'm sittin' here thinkin' it through
I've never been anywhere cold as you
You never did give a damn thing, honey
But I cried, cried for you
And I know you wouldn't have told nobody if I died, died for you
Died for you
Oh, what a shame
What a rainy ending given to a perfect day
Oh, every smile you fake is so condescending
Countin' all the scars you've made
Now that I'm sittin' here thinkin' it through
I've never been anywhere cold as you
In "Cold as You," Taylor Swift expresses her frustration and heartache over a toxic relationship in which she gives her all, but she never feels like she's enough. The first few lines of the song capture the complications of the relationship - Taylor notes that the person has a way of coming easily to her, but at the same time, they take the best of her. These lines set up a pattern that repeats throughout the song; Taylor repeatedly fights with this person because she needs to feel something, but ultimately, she knows the relationship is cold and unfulfilling.
The chorus emphasizes this point - Taylor laments that she's never been anywhere as cold as this person. She knows that the relationship is doing more harm than good, and it's hard to let go of the happy moments they share, but Taylor recognizes that walking away is the best choice. The bridge of the song highlights Taylor's vulnerability, and perhaps the desperation she feels in the relationship. She declares that even though she gave everything, this person never reciprocated her feelings.
"Cold as You" is a hauntingly beautiful song that shows a darker side to Taylor's songwriting. She bravely addresses the pain and heartbreak that come with a toxic relationship, and the song is a raw and emotional look at the ups and downs of love.
Line by Line Meaning
You have a way of coming easily to me
You have a knack of getting close to me without much effort
And when you take, you take the very best of me
And when you take, you take everything good about me
So I start a fight 'cause I need to feel somethin'
So I pick a fight with you just to feel something
And you do what you want 'cause I'm not what you wanted
And you do what you want because I'm not the person you wanted me to be
Oh, what a shame
How disappointing
What a rainy ending given to a perfect day
What a sad way to end a perfect day
Just walk away
Just leave and don't bother trying to fix things
Ain't no use defending words that you will never say
There's no point in defending words that you'll never speak
And now that I'm sittin' here thinkin' it through
Now that I'm sitting here reflecting on everything
I've never been anywhere cold as you
I've never been in a place colder than being with you
You put up the walls and paint them all a shade of gray
You build walls around yourself and make everything dull and boring
And I stood there loving you, and wished them all away
And I stood there loving you, wishing the walls would disappear
And you come away with a great little story
And you come away with a great story to tell
Of a mess of a dreamer with the nerve to adore you
About a crazy, foolish dreamer who had the courage to love you
You never did give a damn thing, honey
You never cared, my dear
But I cried, cried for you
But I cried, cried for you
And I know you wouldn't have told nobody if I died, died for you
And I know you wouldn't have told anyone if I died for you
Every smile you fake is so condescending
Every fake smile you make is insulting
Countin' all the scars you've made
Counting all the emotional wounds you've inflicted
Now that I'm sittin' here thinkin' it through
Now that I'm sitting here reflecting on everything
I've never been anywhere cold as you
I've never been in a place colder than being with you
Lyrics © Sony/ATV Music Publishing LLC, OLE MM, OLE MEDIA MANAGEMENT LP
Written by: LIZ ROSE, TAYLOR SWIFT
Lyrics Licensed & Provided by LyricFind
@kathtsmall6405
Coronavirus got me listening to Taylor old hits
@AnjuSingh-dm4eq
Same lol, listened this all my childhood but never saw the video.
@seokberry
Sameeeeeee
@nudelnmitonst
U Not alone
@asdionribut54
You not alone
@huyxinhgai3462
Taylor swift now so Flop 😂😂
@90shiphopmix
If we're being honest, she was a huge part of our childhood.
@kimhaseul
I agree
@90shiphopmix
@@kimhaseul ☺️☺️☺️
@ItsFactTime
No doubt
That was so nostalgic
Edit: I want that time baaaaaaaaccckkkk