Swift rose to mainstream prominence with her sophomore studio album, Fearless (2008), a country pop record with crossover appeal. Aided by the top-five singles “Love Story” and “You Belong with Me”, Fearless was certified Diamond by the Recording Industry Recording Industry Association of America (RIAA). Swift's third studio album, Speak Now (2010), blended country pop with elements of rock and featured the top-ten singles “Mine” and “Back to December”.
Drawing inspiration from various pop, rock, and electronic genres, Swift's fourth studio album Red (2012) saw her transcending her country roots. She completely moved to pop with her synth-pop fifth studio album, 1989 (2014), and expanded the electropop sound on her next two studio albums, reputation (2017) and Lover (2019), which respectively embraced urban and retro styles. The four albums spawned a string of international top-five singles, including “We Are Never Ever Getting Back Together”, “I Knew You Were Trouble”, “Shake It Off”, “Blank Space”, “Bad Blood”, “Look What You Made Me Do”, “ME! (feat. Brendon Urie of Panic! at the Disco)”, “You Need to Calm Down”, and “Lover”.
In the midst of the COVID-19 pandemic, Swift experimented with folk and alternative rock on her eighth and ninth studio albums, folklore and evermore (both 2020), whose lead singles “cardigan” and “willow” topped charts around the world. She also released the critically acclaimed documentaries Miss Americana and Folklore: The Long Pond Studio Sessions that year. Swift's tenth studio album, Midnights (2022), marked her triumphant return to pop after two folk albums. The album set the record for biggest first day and first week ever on Spotify, spawned the hits Anti-Hero and Lavender Haze, and sold over 1.5 million copies in its first week becoming not only the biggest debut of the decade but also Swift's biggest debut ever. She would make history by becoming the first artist to occupy the entire top ten of the Billboard Hot 100 with tracks from Midnights.
Additionally, Swift began re-recording her back catalog in November 2020 as a result of a publicized dispute with talent manager Scooter Braun and her former label Big Machine, regarding the acquisition of the masters of her back catalog. In April 2021, Swift released a re-recorded issue of her 2008 album Fearless, titled Fearless (Taylor's Version). It debuted at number one in the US. Swift continued releasing re-recorded versions of her back catalog in November, 2021 with the release of Red (Taylor's Version), a 30 track re-issue of her 2012 critical smash. The album debuted at #1 in the US, spawned the #1 hit All Too Well (10 Minute Version) (Taylor's Version) (From the Vault), and broke the record at the time for biggest first day for a female album on Spotify. Red (Taylor's Version) was a critical and commercial hit, and proved that Swift's ambitious, yet ongoing plan to re-record her first 6 albums was well worth it.
Along with the release of Red (Taylor's Version) came All Too Well: The Short Film (2021), Swift's filmmaking debut. The 15 minute romantic drama was based on the lyrical content from Swift's 2012 fan favorite “All Too Well” starring Sadie Sink and Dylan O'Brien. It had a limited theatrical release in major cities, and Swift held special screenings of the film throughout 2022 at various film festivals. In December, 2022 Taylor announced that she would be making her feature directorial debut with Oscar-winning studio Searchlight Pictures.
Following the release of Midnights, Swift would embark on her first tour in five years, The Eras Tour—a retrospective tour covering the entirety of her discography. During her ongoing tour, Swift would release her next two re-recorded albums, Speak Now (Taylor's Version) in July and 1989 (Taylor's Version) in October of 2023. The former of which would land Swift as the woman with the most number-one albums (12) in Billboard 200 history, surpassing Barbra Streisand. The latter was her sixth album to sell one million copies in a single week in the US, her largest album sales in a week span. “Is It Over Now? (Taylor's Version)”, the lead single for 1989 (Taylor's Version), would peak at number one on the Billboard Hot 100.
At the 66th annual GRAMMY Awards, Taylor Swift surprised viewers by announcing her eleventh studio album, THE TORTURED POETS DEPARTMENT. On April 19, 2024, the album was released globally, breaking records: it became the first ever to amass 1 billion Spotify streams in a week and sold 2.6 million units in its first week in the US. Swift dominated the charts, monopolizing the top 14 spots on the Billboard Hot 100 and securing the top 10 positions on Australia’s ARIA Singles Chart. The lead single, Fortnight, featuring Post Malone, quickly soared to the number-one position on the Hot 100. Additionally, just two hours after the album’s release, Swift surprised fans with a reissue titled THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY, which included 15 extra songs.
Swift has released several songs for film soundtracks. She co-wrote two songs for the Hannah Montana: The Movie soundtrack— “You'll Always Find Your Way Back Home” and “Crazier”, and contributed two songs to the Valentine's Day soundtrack, including the single “Today Was a Fairytale”, which was her first number one on the Canadian Hot 100, and peaked at number two on the Billboard Hot 100. She also contributed two original songs to The Hunger Games soundtrack album: “Safe & Sound - from The Hunger Games Soundtrack”, co-written and recorded with The Civil Wars and T-Bone Burnett, and “Eyes Open”. “Safe & Sound” won the Grammy Award for Best Song Written for Visual Media and was nominated for the Golden Globe Award for Best Original Song. In 2013, Swift recorded “Sweeter than Fiction”, a song she wrote and produced with Jack Antonoff for the One Chance film soundtrack, which received a Best Original Song nomination at the 71st Golden Globe Awards. Swift and English singer Zayn Malik, mononymously known as Zayn, released a single together, “I Don't Wanna Live Forever”, for the soundtrack of the film Fifty Shades Darker (2017). She also recorded an original song called “Beautiful Ghosts”, which she wrote with Andrew Lloyd Webber for the Cats's soundtrack (2019). In 2020, Swift's documentary Miss Americana featured the song “Only the Young” which was written after the 2018 United States elections. In 2022, she released an original song titled “Carolina” for Where The Crawdads Sing (2022) inspired by the novel written by Delia Owens.
With sales of over 200 million records worldwide, Swift is a best-selling music artist. Her accolades include 14 Grammy Awards, including four Album of the Year wins, which makes Swift the artist with the most awards for that category in history, two Brit Awards (including a Global Icon award), an Emmy Award, 28 Guinness World Records, 32 American Music Awards (the most wins by an artist), and 23 Billboard Music Awards (the most wins by a woman). She ranked eighth on Billboard's Greatest of All Time Artists Chart (2019) and was listed on Rolling Stone's 100 Greatest Songwriters of All Time (2015). Swift has been included in various power rankings, such as Time's annual list of the 100 most influential people in the world (2010, 2015 and 2019) and Forbes Celebrity 100 (placing first in 2016 and 2019). She was named Woman of the Decade (2010s) by Billboard, Artist of the Decade (2010s) by the American Music Awards, and Person of the Year (2023) by Time Magazine.
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Taylor Swift Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But somethin' 'bout it felt like home somehow
And I left my scarf there at your sister's house
And you've still got it in your drawer, even now
Oh, your sweet disposition and my wide-eyed gaze
We're singin' in the car, gettin' lost upstate
Autumn leaves fallin' down like pieces into placeAnd I can picture it after all these days
And I know it's long gone and that magic's not here no more
And I might be okay, but I'm not fine at all
'Cause there we are again on that little town street
You almost ran the red 'cause you were lookin' over at me
Wind in my hair, I was there
I remember it all too well
Photo album on the counter, your cheeks were turnin' red
You used to be a little kid with glasses in a twin-sized bed
Your mother's tellin' stories 'bout you on the tee-ball team
You taught me 'bout your past, thinkin' your future was me
And you were tossin' me the car keys, 'Fuck the patriarchy'
Keychain on the ground, we were always skippin' town
And I was thinkin' on the drive down, "Anytime now
He's gonna say it's love," you never called it what it was
'Til we were dead and gone and buried
Check the pulse, come back swearin'
It's the same after three months in the grave
And then you wondered where it went to
As I reached for you, but all I felt was shame
And you held my lifeless frame
And I know it's long gone and there was nothin' else I could do
'Cause there we are again in the middle of the night
We're dancin' 'round the kitchen in the refrigerator light
Down the stairs, I was there
I remember it all too well
And there we are again when nobody had to know
You kept me like a secret but I kept you like an oath
Sacred prayer and we'd swear
To remember it all too well
Yeah
Maybe we got lost in translation, maybe I asked for too much
But maybe this thing was a masterpiece 'til you tore it all up
Running scared, I was there
I remember it all too well
And you call me up again just to break me like a promise
So casually cruel in the name of bein' honest
I'm a crumpled up piece of paper lyin' here
'Cause I remember it all, all, all
They say, "All's well that ends well," but I'm in a new hell
Every time you double-cross my mind
You said, "If we had been closer in age, maybe it would've been fine"
And that made me want to die
The idea you had of me, who was she? An ever-needy, ever-lovely jewel
Whose shine reflects on you
Not weepin' in a party bathroom, some actress askin' me what happened
You, that's what happened, you
Who charmed my dad with self-effacing jokes
Sippin' coffee like you're on a late-night show
Then he watched me watch the front door all night willing you to come
And he said, "It's supposed to be fun turnin' twenty-one"
Time won't fly, it's like I'm paralyzed by it
I'd like to be my old self again but I'm still tryin' to find it
After plaid shirt days and nights when you made me your own
Now you mail back my things and I walk home alone
But you keep my old scarf from that very first week
'Cause it reminds you of innocence and it smells like me
You can't get rid of it
'Cause you remember it all too well, yeah
'Cause there we are again when I loved you so
Back before you lost the one real thing you've ever known
It was rare, I was there
I remember it all too well
Wind in my hair, you were there, you remember it all
Down the stairs, you were there, you remember it all
It was rare, I was there
I remember it all too well
And I was never good at tellin' jokes but the punchline goes
"I'll get older but your lovers stay my age"
From when your Brooklyn broke my skin and bones
I'm a soldier who's returning half her weight
And did the twin flame bruise paint you blue?
Just between us, did the love affair maim you too?
'Cause in this city's barren cold
I still remember the first fall of snow
And how it glistened as it fell
I remember it all too well
Just between us, did the love affair maim you all too well?
Just between us, do you remember it all too well?
Just between us, I remember it all too well
Wind in my hair, I was there, I was there
Down the stairs, I was there, I was there
Sacred prayer, I was there, I was there
It was rare, you remember it
Wind in my hair, I was there, I was there
Down the stairs, I was there, I was there
Sacred prayer, I was there, I was there
It was rare, you remember it all too well
I love you guys so much
The lyrics of Taylor Swift's song "All Too Well" depict a complex and poignant reflection on a past relationship. The singer vividly recalls the small moments and details shared with a significant other, such as leaving a scarf at their sister's house and the shared memories of driving together. These memories are contrasted with the realization that the magic and connection of the relationship are now gone, leaving the singer struggling to come to terms with their feelings of loss and heartbreak.
As the lyrics progress, the song delves deeper into the shared experiences and dynamics of the relationship. The singer reminisces about intimate moments like dancing in the kitchen and keeping each other's secrets, mixed with moments of betrayal and hurt. There is a sense of longing and regret as the singer grapples with the aftermath of the relationship's dissolution, questioning the authenticity of the love they once shared.
The song captures the emotional turmoil of trying to move on from a past love while still being haunted by the memories and the pain of the breakup. The bittersweet nostalgia of the past contrasts sharply with the harsh reality of the present, as the singer struggles to reconcile the idealized version of the relationship with the harsh truth of its end.
Overall, "All Too Well" is a deeply introspective and emotive exploration of love, loss, and the lingering impact of past relationships. Through its evocative imagery and raw emotions, the song conveys the complexities of heartbreak and the enduring power of memory, resonating with listeners who have experienced the ache of lost love.
Line by Line Meaning
I walked through the door with you, the air was cold
Starting a new chapter with you, even though it may not be warm
But somethin' 'bout it felt like home somehow
Something about this moment made me feel at ease, like coming home
And I left my scarf there at your sister's house
Leaving a piece of myself behind as a memory
And you've still got it in your drawer, even now
And you still hold on to that memory, even after all this time
Oh, your sweet disposition and my wide-eyed gaze
Your kindness and my admiration creating a special connection
We're singin' in the car, gettin' lost upstate
Getting lost in the moment, lost in each other
Autumn leaves fallin' down like pieces into place
Things falling into place like the changing of seasons
And I can picture it after all these days
I can still vividly remember that moment, even after time has passed
And I know it's long gone and that magic's not here no more
Realizing that what once was is now gone, the magic faded
And I might be okay, but I'm not fine at all
Putting on a brave face, but deep down still hurting
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Taylor Alison Swift, Elisabeth Wagner Rose
Lyrics Licensed & Provided by LyricFind
@wuriesti3050
For those who need lyrics:
Maeil hwipsseullideut harureul saldaga
Jageun uimuni saenggyeotji
Ongat saramdeurui mare jichyeoman ga
Daeche nuga nareul jeonguihae
Nal gadwotdeon geojit gateun paradigm
Nugunga geueo noeun border line neomeo
I shout out, and this is my shout out
Na daun nal wihae
Jemeotdaero ne meotdaero
Yeogin urimanui universe
Nunchi ttawi bol geot eopsi
Geujeo jayuroun i sungan
You and me
We go and shout, shout, shout
When we're together
Three, two, one, tteugeopge oechyeo
Hanaro keojyeoganeun moksori
Simjangi teojil deusi ttwigo isseo
Shout, shout, shout, neowa na gachi
Sesangeul heundeureo nwa
Deo sikkeureopge
Neol hyanghan nae maeumeul sorichyeo
Gaseum tteugeopge shout out
Shout 3x, yeah-ehh,
o-oohh, o-oohh
Shout 3x, yeah-ehh,
o-oohh, o-oohh
Honjaramyeon pogi haetgetji
Nal gadwodun geu byeoge gatyeo
Nal bureuneun neoui moksori
You're blowing up my heart uh, bang-bang!
Seoroui mokgyeokja
Yeah, you and I-I
Seoroui listener
Mitgo itjana
Uriui wanbyeokan harmony
Jeongmal areumdawo
Jemeotdaero ne meotdaero
Yeogin urimanui universe
Nunchi ttawi bol geot eopsi
Geujeo jayuroun i sungan
You and me
We go and shout, shout, shout
When we're together
Three, two, one, tteugeopge oechyeo
Hanaro keojyeoganeun moksori
Simjangi teojil deusi ttwigo isseo
Shout, shout, shout, neowa na gachi
Sesangeul heundeureo nwa
Deo sikkeureopge
Neol hyanghan nae maeumeul sorichyeo
Gaseum tteugeopge shout out
Oh-oh-oh-oh, shout
Oh-oh-oh-oh, oh
Oh-oh-oh-oh, shout
deo keuge shout out
Oh-oh-oh-oh, shout
Oh-oh-oh-oh, oh
Sesangeul hyanghae hamkke sorichyeo
Urin deo keuge shout out!
Jinjja nae moksoriro (Oh-oh-oh)
Nege jinsimeul jeonhae (Oh-oh, ah-ah)
Uri hamkkemyeon segyeneun areumdawo
Jeomjeom peojyeoga peojyeoga meolli
Ijen sorichyeo sorichyeo oechyeo
'Till the end of time
The story of you and I
Oh-oh-oh-oh, shout
Oh-oh-oh-oh, oh
Oh-oh-oh-oh, shout
deo keuge shout out
Oh-oh-oh-oh, shout
Oh-oh-oh-oh, oh
Oh-oh-oh-oh, shout
deo keuge shout out!
.
You're welcome :)
@luvgene
LYRICS:
매일 휩쓸리듯 하루를 살다가
작은 의문이 생겼지
온갖 사람들의 말에 지쳐만 가
대체 누가 나를 정의해?
날 가뒀던 거짓 같은 paradigm
누군가 그어 놓은 border line 넘어
I shout out and this is my shout out
나 다운 날 위해
제멋대로 네 멋대로 (oh-oh-oh, oh-oh-oh)
여긴 우리만의 universe
눈치 따위 볼 것 없이 (oh-oh-oh, oh-oh-oh)
그저 자유로운 이 순간 you and me (hey)
We go and shout, shout, shout when we're together
Three, two, one, 뜨겁게 외쳐
하나로 커져가는 목소리
심장이 터질 듯이 뛰고 있어
Shout, shout, shout, 너와 나 같이
세상을 흔들어 놔 더 시끄럽게 (hey)
널 향한 내 마음을 소리쳐
가슴 뜨겁게 shout out
Shout shout shout
Yeah~
Oh
Oh~
We go shout shout shout
Yeah~
Oh
Oh~
혼자라면 포기했겠지
날 가둬둔 그 벽에 갇혀
날 부르는 너의 목소리
You're blowing up my heart, uh, bang, bang
서로의 목격자 yeah, you and I-I
서로의 listener, 믿고 있잖아
우리의 완벽한 harmony
정말 아름다워
제멋대로 네 멋대로 (oh-oh-oh, oh-oh-oh)
여긴 우리만의 universe
눈치 따위 볼 것 없이 (oh-oh-oh, oh-oh-oh)
그저 자유로운 이 순간 you and me (hey)
We go and shout, shout, shout when we're together
Three, two, one, 뜨겁게 외쳐
하나로 커져가는 목소리
심장이 터질 듯이 뛰고 있어
Shout, shout, shout, 너와 나 같이
세상을 흔들어 놔 더 시끄럽게
널 향한 내 마음을 소리쳐
가슴 뜨겁게 shout out (hey)
Oh-oh-oh-oh (shout)
Oh-oh-oh-oh, oh
Oh-oh-oh-oh (shout)
우린 더 크게 shout out
Oh-oh-oh-oh (shout)
Oh-oh-oh-oh, oh
세상을 향해 함께 소리쳐
우린 더 크게 shout out
진짜 내 목소리로 네게 진심을 전해
우리 함께면 세계는 아름다워
점점 퍼져가 퍼져가 멀리
이젠 소리쳐 소리쳐 외쳐
'Til the e-end of time, the story of you and I
Oh-oh-oh-oh (shout)
Oh-oh-oh-oh, oh
Oh-oh-oh-oh (shout)
우린 더 크게 shout out
Oh-oh-oh-oh (shout)
Oh-oh-oh-oh, oh
우린 더 크게 shout out
@hoonicey
wait i first heard it on tiktok, i didn't know it has full version, 2:26 this part gives me goosebumps. also sunghoon and taylor visual on the thumbnail is so beautiful, they matching each other 😭
@veenie05
ikrrrr
@peace_dude1
truely
@destyaayu253
On repeat1000x😭❤
@surfgorl
i thought it was only me😭😭😭
@triehandayani7685
⁰
@AnneGcovers
Sunghoon's vocals are insane! So glad to see people appreciating him finally <3
@love2tinas
yeess💙🥺😭 i love my babyy Sunghoon😭
@chrissaviolet1082
yesyesyesyes
@jeonjolie9856
Sunghoon is my fav