Hawkins was an enigmatic figure through most of his career; he split his time between his adopted hometown of Venice Beach, California where he was a mostly anonymous street performer, and Europe, where he and his songs were better known and well received in clubs and small concert halls.
Born into a poor family in Mississippi, Hawkins lived a difficult early life, ending up at a reform school by age 12, and drifting, hitching, and stealing his way across the country for the next dozen years, earning several stays in prison including a three-year stint for stealing a leather jacket as a teenager. Along the way, he picked up a love of music and a talent for the guitar. "I was sent to a school for bad boys called Oakley Training School in 1949", he wrote in a brief piece of autobiography . "There I developed my voice by singing with a group that the superintendent's wife had got together". After reform school, he ended up in the state penitentiary and was released at 19. "Then I heard a singer whose name was Sam Cooke. His voice did something to me." For the next ten years or so he drifted in and out of trouble around the country, living in Chicago, Buffalo, Philadelphia, and Newark. In the middle of the mid-1960s folk music boom Hawkins set out for California to try for a professional singing career. He recorded several tunes without commercial success, worked at odd jobs, and took up busking along the piers and storefronts of Venice Beach as a way to supplement his income. Hawkins made ends meet by developing a small following of locals and tourists who would come to hear this southern black man, sitting on an overturned milk-crate, play blues and folk standards as well as a few original tunes in his signature open guitar tuning and raspy vocal style. Hawkins claimed the rasp in his voice came from the damage done by years of singing in the sand and spray of the boardwalk.
A series of record producers and promoters would "discover" Hawkins over the years, only to be thwarted by circumstance and Hawkins' unconventional approach to life. The first of these was musicologist and blues producer Bruce Bromberg who approached Hawkins about a recording contract in the early 1970s. Hawkins tentatively agreed and recorded some dozen songs for Bromberg but again got into trouble and spent much of the next decade in jail and addicted to heroin. Bromberg lost contact until 1982, when he re-located Hawkins and got him to agree to release the previously recorded songs as an album, Watch Your Step, which was released on Rounder Records. This debut album was a commercial failure but received rave reviews (notably a rare 5-star rating in Rolling Stone). Following the release of the album, Hawkins dropped out of sight again for a time, re-uniting with Bromberg in 1985 for a second album, entitled Happy Hour. This album featured more original tunes from Hawkins and was again ignored in the U.S.; however it won acclaim and sales in Europe. Andy Kershaw encouraged Hawkins to come to the United Kingdom, and he moved to Bridlington in 1986 and enjoyed his first taste of real musical success, touring Europe and Asia. He was deported back to the United States, under 'unpalatable' circumstances in 1990, by the British Government.
During this period Hawkins stayed largely out of trouble and refined his musical style: a mixture of folk, country, deep southern spirituals, and soul music. Hawkins' music was informed by but did not resemble blues music (Hawkins himself claimed he could not play the blues because his damaged fretting hand—he wore a leather glove to protect his fingers—would not allow him to bend notes).
In 1987, documentary film-maker Nick Shaw approached Hawkins to produce a profile of his life and times. Shaw followed Hawkins closely for the next two years. Eventually, this documentary was taken up by the Arts Council of Great Britain, but has not been released; however, some of this footage was eventually featured in the film "Amazing Grace" produced by David Geffen.
Despite his recognition and fame in Europe, Hawkins was restless and moved back to California in the early 1990s and again took on the role of a street performer. Several musicians and promoters encouraged Hawkins to record, but he did so only on occasion and without much enthusiasm, until he agreed to record a full album for Geffen Records and producer Tony Berg. For this first major-label release, titled The Next Hundred Years, Berg added session musicians to Hawkins' typical solo guitar-and-vocal arrangmements for the first time, and brought national attention and respectable sales to Hawkins (though Hawkins, in typically contrary fashion, claimed to dislike the result, preferring his unaccompanied versions). Hawkins began to tour on the basis of this success, commenting that he had finally reached an age where he was glad to be able to sing indoors, out of the weather, and for an appreciative crowd. Hawkins, however, died of a stroke at the age of 58, just a few months after the release of his breakthrough recording.
His widow, Elizabeth Hawkins, sold the rights for a film version of Hawkins' life story.
Hawkins is the subject of Mick Thomas's song "57 Years". A concert by Hawkins in Glasgow, Scotland is the event which brings the fictional Graham and Linda together in the novel The Island (2010) by R J Price (better-known as the poet Richard Price).
Sorry You're Sick
Ted Hawkins Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Though tears of sorrow won't do you no good, I'd be your doctor if only I could.
What do want from the liquor store?
Something sour or something sweet?
I'll buy all that your belly can hold.
You can be sure you won't suffer no more.
I'd swim the ocean or the deepest canal to get to you darling just to make you well.
There's no place on Earth that I wouldn't hasten to go to cool the fever; this I want you to know.
Something sour or something sweet?
I'll buy all that your belly can hold.
You can be sure you won't suffer no more.
If only the doctor would hurry and show there's quite a few places I know we could go.
I was ok but these words from you stating you're sick made me sick, too.
What do want from the liquor store?
Something sour or something sweet?
I'll buy all that your belly can hold.
You can be sure you won't suffer no more.
Promise me darling that you won't die; I'll get all the medicine that money can buy.
Stick with me baby, hold on and fight take a good rest I won't prolong the flight What do want from the liquor store?
Something sour or something sweet?
I'll buy all that your belly can hold.
You can be sure you won't suffer no more.
The song "Sorry You're Sick" by Ted Hawkins is a heartfelt tribute to a sick loved one. The opening line of "Good morning, my darling, I'm telling you this to let you know that I'm sorry you're sick" sets the tone for the rest of the song. The lyrics are full of a sense of helplessness and frustration as the singer expresses his desire to help, but his inability to do so in any real way. The line "Though tears of sorrow won't do you no good, I'd be your doctor if only I could" underscores this feeling.
The chorus of the song focuses on the singer's desire to make his loved one more comfortable. The lines "What do want from the liquor store?/ Something sour or something sweet?/ I'll buy all that your belly can hold./ You can be sure you won't suffer no more" show a sense of urgency in his desire to relieve the person's discomfort. He is willing to go to great lengths to help them, as evidenced by the lines "I'd swim the ocean or the deepest canal to get to you darling just to make you well" and "There's no place on Earth that I wouldn't hasten to go to cool the fever; this I want you to know".
The final verses of the song show a shift in tone as the singer expresses his own sense of illness at the thought of his loved one's sickness. He asks the doctor to hurry and shows his commitment to doing everything he can to help. The lines "Stick with me baby, hold on and fight/ take a good rest I won't prolong the flight" show his belief in his loved one's ability to recover and his willingness to do whatever he can to support them.
Overall, "Sorry You're Sick" is a moving tribute to the power of love and the desire to help those in need, even in the face of overwhelming obstacles.
Line by Line Meaning
Good morning, my darling, I'm telling you this to let you know that I'm sorry you're sick
I want to tell you that I'm sorry that you're feeling unwell, my love.
Though tears of sorrow won't do you no good, I'd be your doctor if only I could.
Even though crying won't make you feel better, I wish I could be your physician and heal you.
What do want from the liquor store?
What drinks would you like me to get for you?
Something sour or something sweet?
Would you prefer sour or sweet drinks?
I'll buy all that your belly can hold. You can be sure you won't suffer no more.
I will buy as much as you want to drink, and you can rest assured that it will make you feel better.
I'd swim the ocean or the deepest canal to get to you darling just to make you well.
I would swim through anything, even the ocean or a canal, just to reach you and cure your illness.
There's no place on Earth that I wouldn't hasten to go to cool the fever; this I want you to know.
I want you to know that I would go anywhere in the world to bring down your fever and make you feel better.
If only the doctor would hurry and show there's quite a few places I know we could go.
I wish the doctor would arrive soon, as there are many places that we could go together.
I was ok but these words from you stating you're sick made me sick, too.
I was feeling fine, but hearing that you're unwell has made me feel ill as well.
Promise me darling that you won't die; I'll get all the medicine that money can buy.
Please promise me that you won't die, and I will do anything to obtain the best medicine money can buy.
Stick with me baby, hold on and fight take a good rest I won't prolong the flight.
Please stay with me, my love, and fight through this illness. Take some rest, and I won't prolong our separation.
Contributed by Elliot N. Suggest a correction in the comments below.
Glenn
on Biloxi
The song describes an idilic moment in time. People at the beach. A child, innocence, women, playful. But there is a dark red sky. Foreboding, ominous yet beautiful. Past the lyric, hear the threat in his voice towards the end. Joy is always shadowed by pain.