Formation and Debut
The band formed in 1997 in Southern California with Crisci and Pillar joining bassist Jason Wickersheim and drummer Louie Ruiz under the name December's Tragic Drive (derived from lyrics of the song, "Seven" by Sunny Day Real Estate). The following year, the band - now billed as The Appleseed Cast - signed to Deep Elm Records out of North Carolina and released their debut album, The End Of The Ring Wars, an album which met with considerable approval from the emo and underground scenes, as incendiary tracks like "Marigold & Patchwork" were essentially blueprints for the emo style. However, the album was also criticized in some quarters (most notably by Pitchforkmedia) for sticking too closely to a style already well explored by previous acts such as Braid and Sunny Day Real Estate.
Mare Vitalis
In 1999, the band relocated to Lawrence, Kansas without Ruiz, recruiting new drummer Josh "Cobra" Baruth. Later that same year they entered the Red House studio in Eudora, Kansas with Producer Ed Rose who would go on to produce their next four records. The end result was Mare Vitalis, the band's second full-length album. The album showed progression from the dynamics-heavy rock of The End of The Ring Wars. Essentially a concept album on the movements of the sea (encapsulated in such song titles as "Mare Mortis," and "Poseidon" ), the album is a fan favourite, heavy on atmosphere, crescendo, subtly undulating guitar arpeggios and the percussive, intricate drumming of Baruth, who clearly brought a new dimension to the band's sonic palette.
The band completed Mare Vitalis in late 1999, but tensions were developing between the band and Wickersheim. In January of 2000, Pillar asked his roommate, St. Joseph, Missouri-native Marc Young, if he would be interested in playing bass for them, for one show. Young agreed, however the show they spoke of and agreed upon, never materialized. Regardless, Wickersheim officially departed the group that same month with Young replacing him on bass.
Low Level Owl & Lost Songs
After touring Mare Vitalis, the Appleseed Cast once again entered the studio in late 2000 to begin work on what would be their most ambitious project to date. Eager to fulfill their five record deal with Deep Elm, the band embarked on a double LP, with Ed Rose once again at the helm. Low Level Owl Volume One was released on August 21, 2001 with Volume Two following on October 23.
The tracks were woven seamlessly together into album-length soundscapes, revealing a hitherto unnoticed post-rock influence. The complex vocal arrangements and enigmatic lyrics were buried in the mix underneath simple, repeated guitar riffs, swathes of keyboards and found sounds, and Baruth's inventive, intricate drum patterns. The pieces containing vocals and lyrics were connected by ambient-influenced instrumentals. The Low Level Owl albums seemed both to be a natural progression from the more song-oriented Mare Vitalis and a complete shock, the previously disparaging Pitchforkmedia website giving the project a glowing review. However, some critics were put off by the intentionally repetitive nature, not only of much of the guitar playing but also the ambient instrumental interludes.
The band followed their Low Level Owl project with the release of Lost Songs the following year. The album was a collection of songs recorded shortly after the release of The End of The Ring Wars, songs which were considered unfinished. In 2002 vocals and overdubs were added to the "lost songs" and issued as the Appleseed Cast's final release on the Deep Elm label.
Two Conversations
The Appleseed Cast signed with the New York based indie label Tiger Style Records in 2003 and released Two Conversations shortly afterward. Touring keyboardist Jordan Geiger was officially credited as a band member on the album. Two Conversations was met with mixed reviews.
Some viewed the album with dismay, regarding the more conventional song structures, the less diverse sonic palette and the personal, relationship-driven lyrics as a blatant retreat after the no-holds-barred experimentation, depth and complexity of the Low Level Owl project. However, others saw the album as an assured combination of the driving emo-rock of their early work subtly embellished with elements of the Low Level Owl sound.
During the recording of the album and the subsequent tour, tensions mounted once again, this time with drummer Josh "Cobra" Baruth. Rumors began to surface in the spring and summer of 2004 that Baruth was no longer a part of the group, and were confirmed on the band's website later that year.
Following the confirmation the band went on hiatus. Crisci began working with his side-project Old Canes and Geiger returned to his band, Minus Story. In the meantime Tiger Style, in financial difficulties, was forced to drop the band from their label after just one album.
Rebirth & Peregrine
Throughout late 2004 and much of 2005 little to no word travelled on the band's current situation. This began to change later in the year as news of drummer auditions began to spread. The band auditioned with many drummers including part-time Old Canes drummer Aaron Coker who later went on to tour with Reggie & The Full Effect. The position eventually went to the Casket Lottery drummer, Nathan Richardson (affectionately known in the KC-area as "Nate Jr.")
With a new drummer in place, the band was signed by the Militia Group in 2005 and announced they were returning to the studio in October.
The recording sessions for Peregrine, the Appleseed Cast's sixth full-length album, were held in Cannon Falls, Minnesota at Pachyderm Recording Studios. The sessions were produced by John Congleton, as opposed to their regular producer Ed Rose. The band returned from the studio later that year and began mixing and mastering the 13 new songs recorded for the album.
Lead singer and guitarist Chris Crisci stated on the band's website "...I don't know if I've felt better about a record this early since Mare Vitalis." The album is arguably more eclectic than any previous release in their catalogue, the Low Level Owl indebted piece "Here We Are (Family In The Hallways)" sitting alongside the more conventional, guitar-driven "February" and the stark, electronica of "Mountain Halo."
Peregrine was released on March 21, 2006.
Nathan Richardson left the band in the summer of 2006. Old Canes drummer Aaron Coker will play with the band during their Autumn tour.
Sagarmatha
Sagarmatha was released on February 17, 2009. When asked about the next album (previously discussed as an entirely instrumental EP) in an interview, Chris Crisci had this to say; "Well, the idea is still there, although it has morphed into a mostly instrumental full length. There's songs that have 45 seconds of vocals and 6 minutes of instrumental. There's songs that are entirely instrumental, and there's one song with complete vocals that clocks in at about 2:30." This was announced on the band's Myspace, where they also uploaded a demo of "Road West", a new instrumental song that will be featured on Sagarmatha.
Recording sessions were held at Black Lodge Recording in Eudora, KS with Ed Rose after unsuccessful attempts to arrange John Congleton to helm the recording. The album contains 9 songs in total with a good mix of instrumental and some new things vocally. The song "The New Stage (For So Long)" is supposed to be included in the LP version of the album. Three demos were released on their MySpace; the fore-mentioned "Road West" and more recently "A Bright Light" and "Summer Before."
Bassist Marc Young and drummer Aaron Coker have apparently left the band, according to the band's MySpace. They have been replaced with Nate Whitman of Black Christmas and John Momberg of The Dactyls, on bass and drums respectively.
Blind Man's Arrow
The Appleseed Cast Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The Appleseed Cast's song Blind Man's Arrow appears to be a reflection on the inevitability of endings, the impermanence of life and love, and the ways in which we attempt to hold onto things. The opening lines create a juxtaposition between sharp, dangerous objects like knives and fragile, harmless ones like paper doves, suggesting that often in life we mix the violent and the peaceful, the dangerous and the harmless. The next line, "on the rooftop if it craves it's hollowed out," seems to be an observation of the way desire (represented by the rooftop) can leave a sense of emptiness or hollowness.
The following lines then suggest a personal experience of loss and heartbreak, with the singer saying "I fell down this daylight" perhaps indicating a sense of being knocked off their feet by some emotional blow. The image of the "blind man's arrow buried" in a heart adds to the sense of powerlessness and vulnerability. The line "tape was wound" is a bit cryptic, but could suggest an attempt to patch something up or hold it together. The final lines continue the theme of closure and endings, with the repetition of "in closing, always closing" reinforcing the idea that everything must eventually come to an end. The final line, "the curtain is drawn, the lights go on," leaves an image of the end of a performance, perhaps suggesting that life itself is a kind of performance that must eventually conclude.
Line by Line Meaning
in this lifetime.
In this one and only life that we have,
you can mix knives and paper doves.
You have the ability to blend sharpness and fragility,
on the roof top if it craves it's hollowed out.
When placed on a rooftop, it becomes empty if it doesn't have a purpose,
i fell down this daylight.
I stumbled down during the day,
blind man's arrow buried in my loves heart.
My love's heart has been injured by an arrow that was not aimed at them,
tape was wound.
A tape was wrapped around something,
life ties back drop figures and puppets in scissor hands.
Life pulls back the curtain to reveal figures and puppets controlled by forces beyond their control,
on the outside all of these words are falling down.
On the outside, words are losing their meaning,
porcelain light a moonless night.
A delicate and fragile light in a dark and starless night,
in closing. always closing.
As things come to an end, they are always closing,
fortunate day. simple to say.
It's a day to be thankful for, and the words to express that are simple,
in closing. always closing.
As things come to an end, they are always closing,
the curtain is drawn. the lights go on.
The curtains have been drawn and the lights have been turned on,
in closing. always closing
As things come to an end, they are always closing
Lyrics © Universal Music Publishing Group
Written by: AARON PILLAR, CHRISTOPHER A. CRISCI, MARCUS JORDAN YOUNG
Lyrics Licensed & Provided by LyricFind