Riff Off
The Barden Bellas Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

She had dumps like a truck truck truck
Thighs like a what what what
All night long (all night long)
Let me see that thong
I like it when the beat goes da nam da nam
Baby make your booty go da nam da nam (baby)
Girl I know you wanna show
That thong thong thong thong thong

Shake shake shake
Shake shake shake
Shake your booty
Shake your booty

Shake shake shake
Shake shake shake
Shake your booty
Shake your booty

Shawty had them apple-bottom jeans
Boots with the fur (with the fur)
The whole club was looking at her
She hit the floor (she hit the floor)
Next thing you know
Shawty got low low low low
Low low low low

TJ, can you handle this?
David, can you handle this?
Clay, can you handle this?
I don't think they can handle this
I don't think you're ready for this jelly
I don't think you're ready for this jelly
I don't think you're ready for this
'Cause my body's too bootylicious for ya babe
I don't think you're ready for this jelly
(For this jelly)
I don't think you're ready for this jelly
(My bootay)
I don't think you're ready for this
'Cause my body's too bootylicious for ya babe

I like big butts and I can not lie (no lie)
You other brothers can't deny (I won't)
When a girl walks in with an itty-bitty waist
And a round thing in your face
You get sprung
Wanna pull out tough
Not what matters you know what does?
Courtship and chivalry
I'll take you to a nice hot meal
And I'll tip the waiter

I went sky-diving
I went rocky mountain climbing
I went two point seven seconds on a bull named Fu Man Chu (yeehaw)
And I loved deeper
And I spoke sweeter
And

I dug my key into the side (to the side) of his pretty little souped up four wheel drive
Carved my name into his leather seats
I took a Louisville slugger to both headlights
Slashed a hole in all four tires
Maybe next time he'll think before he cheats

Making my way downtown
Walking fast
Faces pass and I'm homebound

We are never ever ever
Getting back together
We are never ever ever
Getting back together
You go talk to your friends, talk to my friends, talk to me (talk to me)
But we are never ever ever ever
Getting back together

What's love got to do, got to do with it
What's love, but a second hand emotion
What's love got to do, got to do with it
Who needs a heart when a heart can be broken

This is how we do it
I'm kinda buzzed and it's all because
(This is how we do it)
South Central does it like nobody does
(This is how we do it)
To all my neighbours, you've got much flavour
(This is how we do it)

Girls should know you better watch out
Some guys, some guys are only about
That thing, that thing, that thing

That girl is poison
Never trust a big butt and smile
That girl is poison

Here we go yo
Here we go yo
So what so what so, what's the scenario
Here we go yo
Here we go yo
So what so what so, what's the scenario
Here we go

Insane in the membrane
Insane in the brain
Insane in the membrane
Insane in the brain

I got all I need when I got you and I
'Cause I look around me and see a sweet life




I'm stuck in the dark but you're my flashlight
You're getting me, getting me through the night

Overall Meaning

The lyrics to "Riff Off" are a mash-up of several different songs, and cover various themes ranging from confidence and body positivity to heartbreak and love. The first set of lyrics are from Sisqo's hit song "Thong Song," which celebrates a woman's curves and encourages her to show off her thong. The second set of lyrics are from Flo Rida's "Low," which describes a girl with apple-bottom jeans and boots catching the attention of everyone in the club. The third set of lyrics are from Destiny's Child's "Bootylicious," where the girls sing about their confidence in their bodies and how they're too "bootylicious" for any man. The fourth set of lyrics are from the popular Sir Mix-a-Lot song "Baby Got Back," which praises women with big butts. The fifth set of lyrics are from Carrie Underwood's "Before He Cheats," where she takes revenge on a cheating lover by damaging his car. The sixth set of lyrics are from Vanessa Carlton's "A Thousand Miles," a love ballad about missing someone. The seventh set of lyrics are from Taylor Swift's "We Are Never Ever Getting Back Together," where she declares that she's done with a relationship. The eighth set of lyrics are from Tina Turner's "What's Love Got to Do With It," where she questions the idea of love. The ninth set of lyrics are from Montell Jordan's "This Is How We Do It," a party song about celebrating life. The tenth set of lyrics are from Lauryn Hill's "Doo Wop (That Thing)," which warns women not to trust men who only care about physical appearances. Finally, the lyrics to "Scenario" by A Tribe Called Quest and "Insane in the Brain" by Cypress Hill are included.


Overall, the mash-up of different genres and themes in "Riff Off" emphasizes the diversity of music and showcases the Barden Bellas' ability to mix them together seamlessly. The varying themes also speak to the universal experiences of love, heartbreak, and self-confidence that everyone can relate to.


Line by Line Meaning

She had dumps like a truck truck truck
She had a derrière that was extremely noticeable


Thighs like a what what what
Her thighs were likewise remarkable and impressive


All night long (all night long)
The party lasted all night without end


Let me see that thong
The artist wanted to see a particular type of underwear


I like it when the beat goes da nam da nam
The artist enjoys a particular music beat


Baby make your booty go da nam da nam (baby)
The singer is requesting that someone dance and move their behind to the beat


Girl I know you wanna show
The singer knows that someone wants to show off their body


That thong thong thong thong thong
The song returns to discussing the specific type of underwear


Shake shake shake
The artist is encouraging people to shake their bodies


Shake your booty
The artist is asking someone to shake their butt


Shawty had them apple-bottom jeans
The song introduces a new person with a specific type of clothing


Boots with the fur (with the fur)
Continuing to describe the person, the song mentions their footwear


The whole club was looking at her
The person's appearance attracted many people's attention


She hit the floor (she hit the floor)
The person began dancing


Next thing you know
Something unexpected or unusual happened next


Shawty got low low low low / Low low low low
The person started dancing provocatively and lower to the ground


TJ, can you handle this?
The artist is challenging TJ to do something


David, can you handle this?
The singer is challenging David to do something else


Clay, can you handle this?
The singer is challenging Clay to yet another task


I don't think they can handle this
The artist does not believe the people mentioned can complete their tasks


I don't think you're ready for this jelly
The artist believes the audience is not prepared for the performance


I don't think you're ready for this
Continuing to doubt the audience, the artist suggests they may not be ready for the entire show


'Cause my body's too bootylicious for ya babe
The singer believes their body is too impressive for the audience


(For this jelly)
Repeating the phrase from earlier, the artist reiterates that the audience may not be ready for the performance


(My bootay)
Using alternate language, the singer emphasizes their impressive body once again


I like big butts and I can not lie (no lie)
The singer is explaining their interest in a particular physical attribute


You other brothers can't deny (I won't)
Other men also find this attribute attractive


When a girl walks in with an itty-bitty waist
The artist becomes interested in women who have an hourglass figure


And a round thing in your face
Highlighting the importance of this feature, the artist associates it with pleasure


You get sprung / Wanna pull out tough
Seeing a woman with this feature is so exciting that the singer is physically reacting to it


Not what matters you know what does?
The singer believes that this physical attribute of a woman is important, despite what others may say


Courtship and chivalry
The artist suggests that the appropriate way to appreciate a woman is through old-fashioned gestures


I'll take you to a nice hot meal / And I'll tip the waiter
The artist emphasizes the importance of treating a woman with respect and generosity


I went sky-diving
The singer is describing some of their experiences


I went rocky mountain climbing
Continuing to describe their experiences as exciting or thrilling


I went two point seven seconds on a bull named Fu Man Chu (yeehaw)
Another example of an exciting experience that the singer had


And I loved deeper / And I spoke sweeter / And
The singer believes they are a better person after having these thrilling experiences


I dug my key into the side (to the side) of his pretty little souped up four wheel drive
The singer is admitting to damaging someone else's property


Carved my name into his leather seats
Continuing to describe the vandalism, the singer admits to defacing someone's property further


I took a Louisville slugger to both headlights / Slashed a hole in all four tires
The artist went to extensive and severe measures to damage someone else's property


Maybe next time he'll think before he cheats
The artist suggests that the person they vandalized deserved what they got, as if they had been more responsible, this would not have happened


Making my way downtown / Walking fast / Faces pass and I'm homebound
The singer is describing their movement through a city


We are never ever ever / Getting back together
The singer is telling someone definitively that they will not be getting back together


You go talk to your friends, talk to my friends, talk to me (talk to me)
Despite the previous declaration, the artist is opening up communication about the relationship


What's love got to do, got to do with it / What's love, but a second hand emotion
The artist is questioning the importance of love in relationships


Who needs a heart when a heart can be broken
The artist is suggesting that love is both unnecessary and, in fact, harmful


This is how we do it / South Central does it like nobody does / To all my neighbours, you've got much flavour
The singer is introducing a new topic - how a particular region does things differently or better than other areas


Girls should know you better watch out / Some guys, some guys are only about / That thing, that thing, that thing
The artist is warning women to be careful and choose wisely when it comes to relationships, as not all men have good intentions


That girl is poison
The singer is suggesting that a particular girl is harmful or dangerous


Never trust a big butt and smile / That girl is poison
The singer is using metaphor to suggest that seemingly positive things can actually be harmful


Here we go yo / So what so what so, what's the scenario
The singer is introducing an idea or situation and asking for input or feedback


Insane in the membrane / Insane in the brain
The artist is describing something as illogical or nonsensical


I got all I need when I got you and I / 'Cause I look around me and see a sweet life / I'm stuck in the dark but you're my flashlight / You're getting me, getting me through the night
The artist is expressing their appreciation for someone who provides comfort and support in a difficult time




Lyrics © Universal Music Publishing Group, CONCORD MUSIC PUBLISHING LLC
Written by: BILL WITHERS, CHAUNCEY ANDRE HANNIBAL, EDWARD SYDNEY SCHWARTZ, EDWARD THEODORE RILEY, ESTER DEAN, HERBY E. AZOR, KENNETH BABYFACE EDMONDS, KENNY B. EDMONDS, LYNISE WALTERS, MICHAEL DONALD CHAPMAN, MICK JONES, MIKKEL STORLEER ERIKSEN, NICHOLAS BARRY CHINN,

Lyrics Licensed & Provided by LyricFind
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Most interesting comments from YouTube:

@loretaruisenor988

My favorite parts (I love all of it, this is just my fav)

2:20 Their flexing of the dance
2:30 The glance
2:40 The entire cover of that song
2:55 The transition
3:03 The confidence in his song
3:33 Her confidence
3:55 "Keep going"
3:58 Her smile
4:01 Her voice
4:22 The ouuuuuuuuu
4:31 Her head bob
4:33 His head bob
4:35 Everyone joining
4:43 Her smile
4:58 "We out"
*All of the looks between the main characters



@Silva4520

0:40 : Toni Basil - Hey Mickey
0:50 : Madonna - Like a Virgin
1:17 : Pat Benatar - Hit Me With Your Best Shot
1:38 : Roxette - It Must Have Been Love
2:13 : Rihanna - S&M
2:40 : Salt-N-Pepa - Let's Talk About Sex
2:55 : Boyz II Men - I'll Make Love To You
3:03 : Foreigner - Feels Like the First Time
3:32 : Blackstreet feat Dr. Dre & Queen Pen - No Diggity



@bizarrebunny5579

Stacie lowkey carried this riff off

2:20 - her and Cynthia killing it and her dancing added it so much
2:32 - her bad bitch coming out
2:43 - that “oh”
2:55 - no comment needed
4:13 - she started the others on the “mmhmmmm”s
4:28 - getting the crowd involved
4:37 - Took over from becca for the “no diggity” part



All comments from YouTube:

@claricechua3885

No diggity is definitely the best part of the riff off. The way Becca looks so excited about it even when everyone doesn't get it. And when everyone starts joining in 🤚😩. Chills

@davejay6855

The way she goes from embarrassed/judgey to running up to Jesse and the Treblemakers all ready to join in with her song is adorable...

...she should've just said "it is" though instead of "it's" and maybe no one would have noticed.

@lucykelly7341

The second best parti is no diggity as well but when fat Amy says, "ohwow!!!" And flips them off amazing got me on the floor dying!!😂😂

@ebaisoter522

Tiktotik

@ebaisoter522

how are you doing are @Lucy kelly

@AliciaMitermite

​@Dave Jay Yeah but it was truly unfair because ''it is'' and ''it's'' are literally the same thing 😢

8 More Replies...

@karlarosas1424

I've always wanted the riff offs to be longer they were always the best part of the movie

@dragon-cs7zi

ikr

@ratinthehat_

I know 😭

@BizBazBoz2007

they were originally longer but they cut them short because it would of cost them lots of money to buy licenses for all the songs

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