Led by primary songwriters Lennon and McCartney, the Beatles built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, eventually settling with Pete Best in 1960, who played with them for two years before being replaced with then Rory Storm & The Hurricanes drummer Ringo Starr in 1962. Manager Brian Epstein molded them into a professional act and producer George Martin guided and developed their recordings, greatly expanding their domestic success after their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle".
By early 1964, the Beatles were international stars, leading the "British Invasion" of the United States pop market and breaking numerous sales records. They soon made their film debut with A Hard Day's Night (1964). From 1965 onwards, they produced increasingly innovative recordings, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all four members enjoyed success as solo artists. Lennon was shot and killed in December 1980, and Harrison died of lung cancer in November 2001. McCartney and Starr remain musically active.
The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide. They hold the record for most number-one albums on the UK Albums Chart, most number-one hits on the Billboard Hot 100 chart, and most singles sold in the UK. The group was inducted into the Rock and Roll Hall of Fame in 1988, and all four main members were inducted individually between 1994 and 2015. In 2008, the group topped Billboard's list of the all-time most successful artists on the Billboard Hot 100. The band received seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 film Let It Be) and fifteen Ivor Novello Awards. Time magazine named them among the 20th century's 100 most important people.
Former Rolling Stone associate editor Robert Greenfield compared the Beatles to Picasso, as "artists who broke through the constraints of their time period to come up with something that was unique and original "... In the form of popular music, no one will ever be more revolutionary, more creative and more distinctive ..." The British poet Philip Larkin described their work as "an enchanting and intoxicating hybrid of African-American rock-and-roll with their own adolescent romanticism", and "the first advance in popular music since the War".
They not only sparked the British Invasion of the US, they became a globally influential phenomenon as well. From the 1920s, the US had dominated popular entertainment culture throughout much of the world, via Hollywood films, jazz, the music of Broadway and Tin Pan Alley and, later, the rock and roll that first emerged in Memphis, Tennessee. The Beatles are regarded as British cultural icons, with young adults from abroad naming the band among a group of people that they most associated with UK culture.
Their musical innovations and commercial success inspired musicians worldwide. Many artists have acknowledged the Beatles' influence and enjoyed chart success with covers of their songs. On radio, their arrival marked the beginning of a new era; in 1968 the programme director of New York's WABC radio station forbade his DJs from playing any "pre-Beatles" music, marking the defining line of what would be considered oldies on American radio. They helped to redefine the album as something more than just a few hits padded out with "filler", and they were primary innovators of the modern music video. The Shea Stadium show with which they opened their 1965 North American tour attracted an estimated 55,600 people, then the largest audience in concert history; Spitz describes the event as a "major breakthrough ... a giant step toward reshaping the concert business". Emulation of their clothing and especially their hairstyles, which became a mark of rebellion, had a global impact on fashion.
According to Gould, the Beatles changed the way people listened to popular music and experienced its role in their lives. From what began as the Beatlemania fad, the group's popularity grew into what was seen as an embodiment of socio-cultural movements of the decade. As icons of the 1960s counterculture, Gould continues, they became a catalyst for bohemianism and activism in various social and political arenas, fuelling movements such as women's liberation, gay liberation and environmentalism. According to Peter Lavezzoli, after the "more popular than Jesus" controversy in 1966, the Beatles felt considerable pressure to say the right things and "began a concerted effort to spread a message of wisdom and higher consciousness".
Other commentators such as Mikal Gilmore and Todd Leopold have traced the inception of their socio-cultural impact earlier, interpreting even the Beatlemania period, particularly on their first visit to the US, as a key moment in the development of generational awareness. Referring to their appearance on the Ed Sullivan Show Leopold states: "In many ways, the Sullivan appearance marked the beginning of a cultural revolution ... The Beatles were like aliens dropped into the United States of 1964.
In 1965, Queen Elizabeth II appointed Lennon, McCartney, Harrison and Starr Members of the Order of the British Empire (MBE). The Beatles won the 1971 Academy Award for Best Original Song Score for the film Let It Be (1970). The recipients of seven Grammy Awards and fifteen Ivor Novello Awards, the Beatles have six Diamond albums, as well as 20 Multi-Platinum albums, 16 Platinum albums and six Gold albums in the US. In the UK, the Beatles have four Multi-Platinum albums, four Platinum albums, eight Gold albums and one Silver album. They were inducted into the Rock and Roll Hall of Fame in 1988.
The best-selling band in history, the Beatles have sold more than 800 million physical and digital albums as of 2013. They have had more number-one albums on the UK charts, fifteen, and sold more singles in the UK, 21.9 million, than any other act. In 2004, Rolling Stone ranked the Beatles as the most significant and influential rock music artists of the last 50 years. They ranked number one on Billboard magazine's list of the all-time most successful Hot 100 artists, released in 2008 to celebrate the US singles chart's 50th anniversary. As of 2017, they hold the record for most number-one hits on the Billboard Hot 100, with twenty. The Recording Industry Association of America certifies that the Beatles have sold 178 million units in the US, more than any other artist. They were collectively included in Time magazine's compilation of the 20th century's 100 most influential people. In 2014, they received the Grammy Lifetime Achievement Award.
There are two holidays celebrated for the Beatles: Global Beatles Day on 25 June each year. On that date in 1967, the band performed "All You Need Is Love" on television. In 2001, UNESCO created World Beatles Day on 16 January each year. This date has direct relation to the opening of The Cavern Club in 1957.
Five asteroids, 4147 Lennon, 4148 McCartney, 4149 Harrison, 4150 Starr and 8749 Beatles are named after the Beatles.
I Am The Walrus
The Beatles Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And we are all together
See how they run like pigs from a gun
See how they fly
I'm crying
Sitting on a corn flake
Waiting for the van to come
Man you've been a naughty boy
You let your face grow long
I am the egg man
They are the egg men
I am the walrus
Goo goo g'joob
Mister City policeman sitting
Pretty little policemen in a row
See how they fly like Lucy in the sky, see how they run
I'm crying, I'm crying
I'm crying, I'm crying
Yellow matter custard
Dripping from a dead dog's eye
Crabalocker fishwife, pornographic priestess
Boy, you've been a naughty girl, you let your knickers down
I am the egg man
They are the egg men
I am the walrus
Goo goo g'joob
Sitting in an English garden
Waiting for the sun
If the sun don't come you get a tan
From standing in the English rain
I am the egg man (now good sir)
They are the egg men (a poor man, made tame to fortune's blows)
I am the walrus
Goo goo g'joob, goo goo goo g'joob (good pity)
Expert, texpert choking smokers
Don't you think the joker laughs at you (ho ho ho, hee hee hee, hah hah hah)
See how they smile like pigs in a sty, see how they snide
I'm crying
Semolina Pilchard
Climbing up the Eiffel tower
Elementary penguin singing Hare Krishna
Man, you should have seen them kicking Edgar Allen Poe
I am the egg man
They are the egg men
I am the walrus
Goo goo g'joob, goo goo goo g'joob
Goo goo g'joob, goo goo goo g'joob, goo
Joob, joob, jooba
Jooba, jooba, jooba
Joob, jooba
Joob, jooba
Umpa, umpa, stick it up your jumper (jooba, jooba)
Umpa, umpa, stick it up your jumper
Everybody's got one (umpa, umpa)
Everybody's got one (stick it up your jumper)
Everybody's got one (umpa, umpa)
Everybody's got one (stick it up your jumper)
Everybody's got one (umpa, umpa)
Everybody's got one (stick it up your jumper)
Everybody's got one (umpa, umpa)
Everybody's got one (stick it up your jumper)
Everybody's got one (umpa, umpa)
Everybody's got one (stick it up your jumper)
Everybody's got one (umpa, umpa)
Slave
Thou hast slain me
Villain, take my purse
If I ever
Bury my body
The letters which though find'st about me
To Edmund Earl of Gloucester
Seek him out upon the British Party
O untimely death
I know thee well
A serviceable villain, as duteous to the vices of thy mistress
As badness would desire
What, is is he dead?
Sit you down, Father, rest you
The Beatles’ I Am the Walrus is a trippy, psychedelic anthem from their 1967 album Magical Mystery Tour. The lyrics are a blend of nonsense and references to literature and pop culture, with a recurring theme of identity: “I am he as you are he as you are me and we are all together”. According to John Lennon, the song was a response to a letter he received from a student who claimed his music had hidden messages. Lennon decided to write a song that deliberately had no coherent meaning.
“See how they run like pigs from a gun” and “See how they fly” are references to Lewis Carroll’s poem The Walrus and the Carpenter. The line “Sitting on a corn flake, waiting for the van to come” was inspired by an acid trip Lennon had where he felt like he was sitting on a corn flake. “Yellow matter custard, dripping from a dead dog’s eye” is an intentionally grotesque image. “Semolina Pilchard, climbing up the Eiffel Tower” is a reference to a playground chant Lennon remembered from his childhood.
In the chorus, Lennon sings “I am the egg man, they are the egg men, I am the walrus” which has been interpreted in various ways. Some believe it refers to fertility and creation, while others think it’s a metaphor for the Beatles’ popularity and the pressure they felt to put on a public persona. Regardless of the intended meaning, the song’s disjointed lyrics and inventive wordplay make it a fascinating listen.
Line by Line Meaning
I am he as you are he as you are me
And we are all together
See how they run like pigs from a gun
See how they fly
I'm crying
The singer sees himself in everyone else, and everyone else in him. He observes how people scatter and rise to power like pigs before they are met with destruction, and this brings him to tears.
Sitting on a corn flake
Waiting for the van to come
Corporation T-shirt, stupid bloody Tuesday
Man you've been a naughty boy
You let your face grow long
The singer is bored and awaiting some action or motivation. He feels oppressed by the monotony of everyday life and how corporations are trying to monopolize the world. He also berates himself for being lazy and apathetic.
I am the egg man
They are the egg men
I am the walrus
Goo goo g'joob
The singer gives himself a silly title and claims to be speaking on behalf of other people with equally bizarre titles. The 'walrus' represents someone with great power or intelligence, while the 'egg men' are his subordinates. The phrase 'goo goo g'joob' is an expression of nonsense or confusion.
Mister City policeman sitting
Pretty little policemen in a row
See how they fly like Lucy in the sky, see how they run
I'm crying, I'm crying
I'm crying, I'm crying
The artist observes a group of urban policemen, feeling disdain for their stationary, conformist nature. He contrasts their trivial pursuits with the free spirit of 'Lucy in the Sky with Diamonds' and again expresses his sadness.
Yellow matter custard
Dripping from a dead dog's eye
Crabalocker fishwife, pornographic priestess
Boy, you've been a naughty girl, you let your knickers down
The artist paints grotesque and absurd images to criticize social norms and expectations. He accuses someone (the 'boy') of being lustful and shameful for revealing their underwear in public.
Sitting in an English garden
Waiting for the sun
If the sun don't come you get a tan
From standing in the English rain
The singer craves nature and warmth but is experiencing the dreariness of English weather. He expresses a simple, natural desire.
I am the egg man (now good sir)
They are the egg men (a poor man, made tame to fortune's blows)
I am the walrus
Goo goo g'joob, goo goo goo g'joob (good pity)
The singer regains his silly title and turns toward a more elevated, philosophical tone. He questions social status and how those with power can manipulate others. He ends with an expression of sympathy.
Expert, texpert choking smokers
Don't you think the joker laughs at you (ho ho ho, hee hee hee, hah hah hah)
See how they smile like pigs in a sty, see how they snide
I'm crying
The artist accuses smokers of being foolish for engaging in such a dangerous habit, and he references a joker who mocks them. He again notes the hypocrisy of the powerful and the sadness this causes him.
Semolina Pilchard
Climbing up the Eiffel tower
Elementary penguin singing Hare Krishna
Man, you should have seen them kicking Edgar Allen Poe
The artist offers more bizarre, nonsensical images, suggesting that they are a reaction to the absurdity of society. He references literature and history as further examples of cruelty and confusion.
I am the egg man
They are the egg men
I am the walrus
Goo goo g'joob, goo goo goo g'joob
Goo goo g'joob, goo goo goo g'joob, goo
Joob, joob, jooba
Jooba, jooba, jooba
Joob, jooba
Joob, jooba
The artist repeats his title and nonsense expression, perhaps hinting at the circularity and redundancy of life. The additional sounds are a further layer of meaningless syllables.
Umpa, umpa, stick it up your jumper (jooba, jooba)
Umpa, umpa, stick it up your jumper
Everybody's got one (umpa, umpa)
Everybody's got one (stick it up your jumper)
Everybody's got one (umpa, umpa)
Everybody's got one (stick it up your jumper)
Everybody's got one (umpa, umpa)
Everybody's got one (stick it up your jumper)
Everybody's got one (umpa, umpa)
Everybody's got one (stick it up your jumper)
Everybody's got one (umpa, umpa)
Everybody's got one (stick it up your jumper)
Everybody's got one (umpa, umpa)
The singer repeats an obscene phrase that sounds like a child's taunt. He asserts that everyone has something shameful or embarrassing about them.
Slave
Thou hast slain me
Villain, take my purse
If I ever
Bury my body
The letters which though find'st about me
To Edmund Earl of Gloucester
Seek him out upon the British Party
O untimely death
I know thee well
A serviceable villain, as duteous to the vices of thy mistress
As badness would desire
What, is is he dead?
Sit you down, Father, rest you
The artist quotes from Shakespeare's 'King Lear', presenting a melodramatic scene where a slave is killed and his possessions are taken. He emphasizes the role of power and desire in this situation, and then returns to a somber tone to address an unnamed figure.
Lyrics © Sony/ATV Music Publishing LLC
Written by: John Lennon, Paul McCartney
Lyrics Licensed & Provided by LyricFind
Philip Kassabian
on Mother Nature's Son
A really great Beatles song.
Philip Kassabian
on The Night Before
A really splendid Beatles song.
Philip Kassabian
on P.S. I Love You
Now this is a really great Beatles song.
Philip Kassabian
on There's a Place
A seriously underrated Beatles song.
Philip Kassabian
on Do You Want to Know a Secret
A fantastic song by The Beatles.
Philip Kassabian
on When I'm Sixty-Four
A very tuneful Beatles song.
Philip Kassabian
on Lucy in the Sky With Diamonds
An excellent Beatles song.
Philip Kassabian
on I'm Looking Through You
A beautiful Beatles song.
Philip Kassabian
on Norwegian Wood (This Bird Has Flown)
Honestly The Beatles can't stop producing good songs.
Philip Kassabian
on Michelle
A fantastic Beatles song and absolutely beautiful.