Recording
January 1969
McCartney premiered "The Long and Winding Road" on 7 January 1969 during the Beatles' filmed rehearsals at Twickenham Film Studios for their 1970 film Let It Be. After they abandoned thoughts of returning to public performance, and instead decided to make a new album, the band recorded several takes of the song at their Apple Studio in central London on 26 January and again on 31 January. The line-up was McCartney on lead vocals and piano, John Lennon on six-string bass guitar, George Harrison on electric guitar played with a Leslie speaker effect, Ringo Starr on drums, and guest keyboardist Billy Preston on electric piano. Lennon, who rarely played bass, made several mistakes on the recording.
As seen in the Get Back documentary, following the 26 January recording session, the band discussed the possibility of adding an orchestral accompaniment to the song. "The only way I've ever heard it in my head," McCartney said, "is like Ray Charles's band.... We were planning to do it anyway for a couple of numbers, just to have a bit of brass and a bit of strings." George Harrison supported the idea of a brass accompaniment: "It would be nice with some brass just doing the sustaining chord thing, moving and just holding notes."
In May 1969, Glyn Johns, who had been asked by the Beatles to compile and mix the Get Back album from the sessions, selected the 26 January recording. The 31 January take, which had slightly different lyrics and was recorded with Johns in an unofficial producer's role, was used in the film, subsequently titled Let It Be.
April 1970
In early 1970, Lennon and Harrison asked the Beatles' manager, Allen Klein, to turn over the January 1969 recordings to American producer Phil Spector, in the hope of salvaging an album to accompany the Let It Be documentary film. McCartney had become estranged from his bandmates at this time, due to his opposition to Klein's appointment as manager. Several weeks were lost before McCartney replied to messages requesting his approval for Spector to begin working on the recordings. Spector chose to return to the same 26 January recording of "The Long and Winding Road".
Spector made various changes to the songs. His most dramatic embellishments occurred on 1 April 1970, the last ever Beatles recording session, when he added orchestral overdubs to "The Long and Winding Road", "Across the Universe" and "I Me Mine" at EMI Studios. The only member of the Beatles present was Starr, who played drums with the session musicians to create Spector's characteristic Wall of Sound. Already known for his eccentric behaviour in the studio, Spector was in a peculiar mood that day, according to balance engineer Peter Bown: "He wanted tape echo on everything, he had to take a different pill every half-hour and had his bodyguard with him constantly. He was on the point of throwing a wobbly, saying 'I want to hear this, I want to hear that. I must have this, I must have that.'" The orchestra became so annoyed by Spector's behaviour that the musicians refused to play any further; at one point, Bown left for home, forcing Spector to telephone him and persuade him to return after Starr had told Spector to calm down.
Spector nonetheless succeeded in overdubbing "The Long and Winding Road", using eight violins, four violas, four cellos, three trumpets, three trombones, two guitars, and a choir of fourteen women. The orchestra was scored and conducted by Richard Hewson, a young London arranger who had worked with Apple artists Mary Hopkin and James Taylor. This lush orchestral treatment was in direct contrast to the Beatles' stated intentions for a "real" recording when they began work on Get Back.
On 2 April, Spector sent each of the Beatles an acetate of the completed album with a note saying: "If there is anything you'd like done to the album, let me know and I'll be glad to help ... If you wish, please call me about anything regarding the album tonight." All four of the band members sent him their approval by telegram.
Dispute over Spector's overdubs
McCartney had felt the need to accommodate his bandmates when accepting Spector's version of Let It Be. However, following his announcement of the Beatles' break-up in a press release accompanying the release of his debut solo album, McCartney, on 9 April, he came to resent Spector's additions, particularly on "The Long and Winding Road." On 14 April, with manufacturing underway for Let It Be, he sent a terse letter to Klein, demanding that the harp be removed from the song and that the other added instrumentation and voices be reduced. McCartney concluded the letter with the words: "Don't ever do it again." Klein attempted to phone McCartney but he had changed his number without informing Apple; Klein then sent a telegram asking McCartney to contact him or Spector about his concerns. According to Klein, "The following day, a message was relayed to me [from McCartney] that the letter spoke for itself." With Let It Be scheduled for release in advance of the film, Klein allowed the production process to continue with Spector's version of "The Long and Winding Road" intact.
Group-ending Lawsuit
McCartney asked Klein to dissolve the Beatles' partnership, but was refused. Exasperated, he took the case to the High Court in London in early 1971, naming Klein and the other Beatles as defendants. Among the six reasons McCartney gave for dissolving the Beatles was that Klein's company, ABKCO, had imposed changes to "The Long and Winding Road" without consulting McCartney.
The Long and Winding Road
The Beatles Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
That leads to your door
Will never disappear
I've seen that road before
It always leads me here
Lead me to you door
The wild and windy night
Has left a pool of tears
Crying for the day
Why leave me standing here?
Let me know the way
Many times I've been alone
And many times I've cried
Anyway, you'll never know
The many ways I've tried
And still they lead me back
To the long winding road
You left me standing here
A long, long time ago
Don't leave me waiting here
Lead me to your door
But still they lead me back
To the long winding road
You left me standing here
A long, long time ago
Don't keep me waiting here
Lead me to your door
Yeah, yeah, yeah, yeah
"The Long and Winding Road" is a song about someone who is lost and searching for a way back to their lover. The singer has been through many trials and tribulations, finding themselves frequently alone, but every time they return to the same road that takes them to their lover's door. The lyrics are full of emotion and longing, with the singer pleading for guidance and direction as they try to navigate their way back to the person they love.
The opening lines suggest a sense of familiarity with the road; the singer has been down this path before, but they always end up at the same destination - their lover's door. The imagery evokes a sense of journey and uncertainty, the winding road representing life's twists and turns, but also the willingness of the singer to endure whatever obstacles it takes to get back to their loved one. In the second stanza, the singer recounts a wild and windy night that washed away the rain but left them in a pool of tears, lamenting the distance between themselves and their lover, crying for a reunion. "Why leave me standing here" is an emotional plea and an expression of confusion, begging for guidance or a sign that will point them on their way.
The third stanza reveals that the singer has made many attempts to find their way back to their love, but something always brings them back to the winding road. The lyrics end with repetitions of the plea, each line becoming more urgent than the last. The emotions in the song are clear, with frustration and sadness giving way to desperation, and finally hope - the "yeah, yeah, yeahs" suggesting that the singer still believes they can find their way back to the person they love.
Line by Line Meaning
The long and winding road
Life can be like a meandering path with many twists and turns.
That leads to your door
The path leads to a person we want to be near.
Will never disappear
The path to that person will always exist.
I've seen that road before
The journey has been taken multiple times.
It always leads me here
Every time, the path ends up at the same place - near the person we seek.
Lead me to your door
Please guide me to the person I long to see.
The wild and windy night
The turbulent and chaotic times that life can bring.
That the rain washed away
The storm cleared away some of the troubles.
Has left a pool of tears
Sadness and pain were left behind.
Crying for the day
Longing for a better tomorrow.
Why leave me standing here?
Wondering why one is being left alone to suffer.
Let me know the way
Asking for guidance out of a difficult situation.
Many times I've been alone
Having felt isolation before.
And many times I've cried
Numerous instances of emotional pain.
Anyway, you'll never know
The person we long for will never understand our innermost thoughts and feelings.
The many ways I've tried
The many attempts to connect with the person we miss.
And still they lead me back
Despite efforts to move on, the road always leads back to that one person.
You left me standing here
The person we miss may have abandoned or rejected us.
Don't leave me waiting here
A plea for the person not to hurt us further.
Don't keep me waiting here
A reiteration of the need not to be left alone.
Yeah, yeah, yeah, yeah
A repetition that emphasizes the emotional plea being made.
Lyrics © Sony/ATV Music Publishing LLC
Written by: John Lennon, Paul McCartney
Lyrics Licensed & Provided by LyricFind
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