In The Beautiful South, Heaton shared the lead singer's role with Hemingway and female singer Briana Corrigan to create a trio of lead vocalists. This set-up helped to characterise the bittersweet kitchen sink dramas played out in Heaton's often-barbed songs.
The band's music might sound like bubbly, catchy, lightweight pop but Heaton's sour, savage and amusing worldview on everything and anything (alcoholism, religion, sex, politics and, mostly, the down side of relationships) is always lurking beneath the surface of the quirky melodies. The tastes and smells of the local pub are never far away either, with the band gaining a reputation for boozing. The band's first album was Welcome to the Beautiful South (1989) and spawned the hits Song For Whoever and You Keep It All In. The release of 1990's Choke album saw the band claim its only Number 1 hit to date, A Little Time. 0898 followed in 1992, with hits including Old Red Eyes Is Back.
In 1994, after Corrigan quit the band when she saw Paul's lyrics for the forthcoming album Miaow, St Helens supermarket shelf-stacker, Jacqui Abbott, was brought on board to fill in. Heaton had heard her sing at an after show party in St Helens and remembered her vocal talents.
Jacqui's first album with the band was Miaow in 1994. Hits included Good as Gold (Stupid as Mud) and a cover of Fred Neil's Everybody's Talking, previously popularised by Harry Nilsson. The end of that year saw the release of Carry on up the Charts, a "best of" compilation consisting of the singles to date plus new track One Last Love Song. The album was massively successful and it is said that 1 in 7 homes in the UK owns a copy.
Blue Is the Colour (1996), Quench (1998) and Painting It Red (2000) followed with varying success. Jacqui also quit the band in 2000. After a second Greatest Hits album Solid Bronze in 2001, they recorded Gaze in 2003 with yet another female vocalist, Alison 'Lady' Wheeler. Wheeler was still in place for 2004's Golddiggas, Headnodders and Pholk Songs, an album of unusually arranged cover versions including Livin' Thing, You're The One That I Want, Don't Fear The Reaper and I'm Stone In Love With You. In 2006 the band released their tenth studio album, Superbi.
The band broke up in January 2007, releasing the statement: "The Beautiful South have split up due to musical similarities. The band would like to thank everyone for their 19 wonderful years in music."
Former members of the group have since played Beautiful South songs together as 'New Beautiful South' and more recently 'The South'.
In 2007, Mercury Records released Soup: The Best of The Housemartins and The Beautiful South, a compilation album containing 7 hit singles by The Housemartins ("The Housemartins Condensed") and 15 tracks The Beautiful South ("Cream of The Beautiful South").
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The Beautiful South Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We could crawl at twenty-two
And grovel at
The drop of a hat
And once they've got you down there
It's so hard to re-straighten your back
It we crawl at two
And the target brainless don't quite reach
Covered so kindly in your opening speech
Is a tiny crab of thought, crab of thought
On a sideways beach
Let lessons not the pupils teach
Justice not the lesers breach
And maggots not have fingers
Wagged at by leech
Well I made sure
I wrote this song in braille
So you could touch the words
The words that sail
From my mouth back to the jail
You could touch the words that sail
From the mouth back to the jail
That is posing as tongue
Curtsies, bows, thank you sirs
And the wearing of a business suit
Lead to complaints of backache
And end with a Nazi salute
And once they've got you down there
It's so hard to re-straighten your back
If we crawl at two
We could crawl at two two two
And the target brainless don't quite reach
Covered so kindly in your opening speech
Is a tiny crab of thought, crab of thought
On a sideways beach
Let lessons not the pupils teach
Justice not the lesers breach
And maggots not have fingers
Wagged at by leech
Well I made sure
I wrote this song in braille
So you could touch the words
The words that sail
From my mouth back to the jail
You could touch the words that sail
From the mouth back to the jail That is posing as tongue
If we crawl at two
We could crawl at twenty-two
If we crawl at two
We could crawl at twenty-two
The Beautiful South's song "If" is a critical commentary on conformity, disorientation, and the loss of individuality in modern society. The lyrics speak of the dangers of surrendering one's own beliefs and values to follow the herd, which they portray as crawling on their knees in unison. It describes the ease with which one can be manipulated, the struggle to find one's way back to their ideals once they have been lost, and the danger of being consumed by propaganda.
The opening lines provide a vivid image of what the song intends to convey. It emphasizes how easy it is to conform, no matter the path taken, and how this makes it even harder to unlearn what has been learned. Every step of the way, there is a stark reminder that the more one bends to the wishes of the herd, the harder it will be to regain their individuality, their true sense of self. For instance, the lyrics mention how crawling at twenty-two will be no different from crawling at two, and how even the smallest deviation from the norm might result in ostracization from the crowd.
The song also highlights the need for critical thinking, not leaving everything to be taught by others. The lyrics refer to ‘lessons not the pupils teach’ and ‘justice not the lesers breach’ who can be interpreted as people who criticize unjust laws and come up with innovative ideas that go against the norm. It tackles the importance of being wary of the rhetoric that the average individual can be taken for if they aren’t careful. The song implies that blindly listening to others is a huge mistake, and that everyone should explore their individuality and uniqueness to the fullest to avoid conformism.
Line by Line Meaning
If we crawl at two
If we slow down and take things at a more relaxed pace
We could crawl at twenty-two
We'll still get where we need to go, it doesn't have to be rushed
And grovel at
Suggesting that people are willing to act subservient to authority
The drop of a hat
And will do so at any given opportunity, without much questioning or resistance
And once they've got you down there
Once you've allowed yourself to submit to authority and power structures
It's so hard to re-straighten your back
It becomes difficult to stand up for yourself and challenge the status quo
We could crawl at one handred and two
Even at a frenzied pace, we still won't accomplish anything meaningful
And the target brainless don't quite reach
The people in power and those blindly following them lack real intelligence and understanding
Covered so kindly in your opening speech
Their actions and intentions are often hidden behind flowery language and nice-sounding speeches
Is a tiny crab of thought, crab of thought
But underneath it all there are small, hidden thoughts and motives that can cause harm
On a sideways beach
And these thoughts and motives are not directly obvious, but need to be uncovered and addressed
Let lessons not the pupils teach
We need to be careful about what we teach and learn, as sometimes power structures and authority figures perpetuate harmful ideas
Justice not the lesers breach
Those in power should not be above the law and should not be allowed to break it without consequences
And maggots not have fingers
Those who take advantage of the less fortunate should not be given even more power
Wagged at by leech
They should be held accountable for their actions and prevented from causing further harm
Well I made sure
The singer is emphasizing the importance of what he's saying
I wrote this song in braille
He's trying to connect with a wider audience, including those who are visually impaired
So you could touch the words
He wants people to engage with his ideas and feel empowered by them
The words that sail
His words are powerful and can inspire change
From my mouth back to the jail
He is speaking out against power structures that restrict people's freedom
You could touch the words that sail
He wants people to be part of the movement for change, and to feel empowered by his words
That is posing as tongue
Those in power are using their language to mask and justify their oppressive actions
Curtsies, bows, thank you sirs
Society is often structured around thoughtless acts of politeness and deference to authority
And the wearing of a business suit
Even our clothing can reinforce power structures and signal submission to authority
Lead to complaints of backache
Following the norms of society can be exhausting and disempowering
And end with a Nazi salute
When we follow these norms blindly, we can end up complicit in oppression and violence
If we crawl at two
The singer emphasizes again the importance of taking our time and not blindly following the norms of society
We could crawl at two two two
Even at this slower pace, we'll still be making progress towards a better world
Lyrics © Universal Music Publishing Group
Written by: DAVE ROTHERAY, PAUL HEATON
Lyrics Licensed & Provided by LyricFind
@todaythebirds
Love the trumpet 🎺, and that line "sleeping in a doorway with a futon and a quilt, is like crying in the wreckage of a building that you built"... so good. Searching for that brought me here.
@susanhoness9505
I love this single. Many thanks for posting it!
@timginn2741
I like this it has a jaunty feel about it
@RanggaIndonesia
thank you thank you thank you for the upload
@YT-qb5jj
Anyone know where i can buy this on record?
@lahoradelosgigantes9069
I dont know. I have it.
@andrewwild7969
On the "Perfect 10" CD single