Armed with compelling hooks wrapped in sophisticated songwriting, The Blood… Read Full Bio ↴Armed with compelling hooks wrapped in sophisticated songwriting, The Bloodsugars have the uncanny ability to inspire even the most cynical audience members to get up and dance. Their infectious grooves and eclectic mix of influences make for an irresistible combination. The quartet connects all the dots between indie rock and 80’s synth pop – gluing them together with clever arrangements and relatable lyrics.
Diagnosed with diabetes at the age of nine, Jason Rabinowitz has always had a craving for sweets. With schoolchums Brendan O’Grady on bass, Matt Katz on synths, and David Beauchamp on drums, he turned that craving into a sonic wedding cake with the formation of The Bloodsugars. After recording BQEP Beauchamp has parted ways with the group to focus on his duties in The Jeffrey Lewis band. However, the Bloodsugars have been blessed with the addition of Kenneth Salters behind the kit. In addition to maintaining the band’s remarkable chemistry, Rabinowitz describes their newest member as one of the best musicians he has ever played with.
On BQEP, The Bloodsugars’ mastery of songwriting and arrangement manifests in the form of six songs that are each equally unique as they are instantly accessible. Navigating each track is like being a kid on Christmas morning, unwrapping gorgeous melody after melody, being both surprised and thrilled with each new discovery. Though Rabinowitz tended to bring rough versions of the final tunes to his bandmates, The Bloodsugars are a truly collaborative project and each song came to life after all four members fleshed out their parts. “Usually the band creates the song again after it’s been created,” Rabinowitz explains. “Like a makeover for its public life.”
The record was mixed by the highly accomplished Dan Hetzel (Jennifer Lopez, Blondie, Ginuwine), who managed to provide breathing room for all four members to shine while ensuring that their output coalesced into a unified sound at all times. O’Grady takes the box that most bassists are placed in and rips it into shreds. Besides fulfilling his role of snugly locking in with Beauchamp, he is also constantly providing inventive melodic counterpoint, adding a layer of depth to every song. Beauchamp has the immaculate precision of a drum machine and an endless arsenal of creative rhythmic variations. On the keys, Katz not only complements Rabinowitz’s vocals with equally compelling and memorable hooks, but also adds textures that transport the band into multi-dimensional territory. Rabinowitz’s angelic croon has a tremendous range that can shift from a soulful purr into full on rocking-out mode on the turn of a dime. Moments such as his seamless shift into falsetto during the climax of fan favorite “Bloody Mary” are sprinkled throughout each song, always providing a satisfying sense of catharsis.
Some of the standout moments include the serene backup-vocal harmonies on “Uh Oh,” which play with negative space while fitting together like puzzle pieces, as well as the existential yet relatable lyrics of “Purpose Was Again.” Another lyrical highlight is on the aforementioned “Bloody Mary,” in which Rabinowitz passionately denounces George W. Bush as a tyrant, deceptively wrapped in some of the band’s sweetest melodies.
Gigging around their hometown of New York City, The Bloodsugars consistently squeeze enthusiasm out of the most jaded scenesters, surprised to hear dance music that engages their minds as well as their feet. Why? Because people who “don’t like to dance” just haven’t found the right band yet; because every song should have at least three hooks; and because when The Bloodsugars pass through your town, they won’t leave without painting it blood red.
Diagnosed with diabetes at the age of nine, Jason Rabinowitz has always had a craving for sweets. With schoolchums Brendan O’Grady on bass, Matt Katz on synths, and David Beauchamp on drums, he turned that craving into a sonic wedding cake with the formation of The Bloodsugars. After recording BQEP Beauchamp has parted ways with the group to focus on his duties in The Jeffrey Lewis band. However, the Bloodsugars have been blessed with the addition of Kenneth Salters behind the kit. In addition to maintaining the band’s remarkable chemistry, Rabinowitz describes their newest member as one of the best musicians he has ever played with.
On BQEP, The Bloodsugars’ mastery of songwriting and arrangement manifests in the form of six songs that are each equally unique as they are instantly accessible. Navigating each track is like being a kid on Christmas morning, unwrapping gorgeous melody after melody, being both surprised and thrilled with each new discovery. Though Rabinowitz tended to bring rough versions of the final tunes to his bandmates, The Bloodsugars are a truly collaborative project and each song came to life after all four members fleshed out their parts. “Usually the band creates the song again after it’s been created,” Rabinowitz explains. “Like a makeover for its public life.”
The record was mixed by the highly accomplished Dan Hetzel (Jennifer Lopez, Blondie, Ginuwine), who managed to provide breathing room for all four members to shine while ensuring that their output coalesced into a unified sound at all times. O’Grady takes the box that most bassists are placed in and rips it into shreds. Besides fulfilling his role of snugly locking in with Beauchamp, he is also constantly providing inventive melodic counterpoint, adding a layer of depth to every song. Beauchamp has the immaculate precision of a drum machine and an endless arsenal of creative rhythmic variations. On the keys, Katz not only complements Rabinowitz’s vocals with equally compelling and memorable hooks, but also adds textures that transport the band into multi-dimensional territory. Rabinowitz’s angelic croon has a tremendous range that can shift from a soulful purr into full on rocking-out mode on the turn of a dime. Moments such as his seamless shift into falsetto during the climax of fan favorite “Bloody Mary” are sprinkled throughout each song, always providing a satisfying sense of catharsis.
Some of the standout moments include the serene backup-vocal harmonies on “Uh Oh,” which play with negative space while fitting together like puzzle pieces, as well as the existential yet relatable lyrics of “Purpose Was Again.” Another lyrical highlight is on the aforementioned “Bloody Mary,” in which Rabinowitz passionately denounces George W. Bush as a tyrant, deceptively wrapped in some of the band’s sweetest melodies.
Gigging around their hometown of New York City, The Bloodsugars consistently squeeze enthusiasm out of the most jaded scenesters, surprised to hear dance music that engages their minds as well as their feet. Why? Because people who “don’t like to dance” just haven’t found the right band yet; because every song should have at least three hooks; and because when The Bloodsugars pass through your town, they won’t leave without painting it blood red.
I Want It Back
The Bloodsugars Lyrics
We have lyrics for 'I Want It Back' by these artists:
C.D. Prewett I want it all I came from the bottom I think…
God-Des & She Matthaios be wonderin' Baby I want you back right now (baby…
Madlib & The Professionals Take this how you have to or don't take it…
Peter Frampton We lose a team You sew it down without a fight My…
Pieta Brown I want it back No matter what you say No matter what…
Shawn Colvin I lost the thread I lost the map It's…
The Professionals (Oh No & Madlib) Take this how you have to or don't take it…
Vinnies and the Bastard I'm anxious and way too passionate I'm stubborn and depresse…
We have lyrics for these tracks by The Bloodsugars:
Light At The End Of The Tunnel Your setup with badness more than you′re faced with good. If…
Self-Control Oh, the night is my world City light painted girl In the…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Ashkey
✨FeBeRaRy✨😂
Edamame
It gave me the "translate to English" option 😭😭
Emily
I mean, it’s spelled February, but people usually don’t pronounce the r. Both ways are correct, but pronouncing it with the r is less common.
Ashkey
@Emily laugh and move on 🤠
Area51 AlieNN on da lose
@Ashkey not trying to make a fight but just saying that was a little rude😃
Ashkey
@Area51 AlieNN on da lose sensitive
TheMasterOfCookies
I have like 4 pokers, so if I lose one I have way more to use. I’m very picky so I wouldn’t want to use an old one. I am 4th btw
Ashley Olney
I love the pronunciation of "February"! So good! So many people don't say it the way its spelled, myself included lol!
Dibs Dibs
I know it’s right but it sounds wrong. It’s like “Neanderthal.” I know you’re supposed to say it with a “T” sound but I’m still gonna say it with a “th” sound.
Ashley Olney
@Dibs Dibs Haha right! So many words sound funny when pronounced the true correct way. Still seems weird to me either way!