"This track was one of the first tracks we… Read Full Bio ↴From Zammuto's Wordpress:
"This track was one of the first tracks we made for ‘the Way Out’ and we knew when we started it that it was going to push things in a very new direction for us.
A little back story:
The movie Home Alone 2: Lost in New York was released in 1992, and you might recall that Macaulay Culkin used a tape recorder in that movie (to disguise his voice I believe). Kids wrote letters en masse requesting that a retail version of the tape recorder be made, and sure enough in 1993 Tiger Electronics released a version of it called the Talkboy. Many many were sold, you may have had one! You can still get them on eBay in fact:
http://media.tumblr.com/tumblr_l4gz904FRl1qasnx6.jpg
The salient thing about the Talkboy is its speed control. You can adjust the speed of the tape during playback and recording to get very strange vocal effects. The opening sample in ‘A Cold Freezin’ Night’ is a perfect example…listen very carefully… you will unmistakably hear a line from a well known kids’ song, distorted to the edge of recognizability, but I promise you it’s there!
You know, since we’ve started touring we’ve been raiding thrift shops looking for good audio and video tapes. We have many thousands of them:
http://media.tumblr.com/tumblr_l4gzk3VZNB1qasnx6.jpg
Among these tapes were at least a half a dozen talkboy tapes. And, as you may know first hand, when a kid gets his first tape recorder all inhibitions disappear. These tapes are full of outrageous moments that no fully conscious adult could ever duplicate.
The primary tape that you hear in ‘a cold freezin’ night’ is a game of one-upsmanship between a brother and a sister (I think). Their conversation escalates until the younger sister has no choice but to drop the A-bomb. It’s very musical how it unfolds, so it was not a stretch to turn it into a pseudo-techno-dance mix.
The rest of the sounds in the mix range from bass guitar that I recorded with my brother Mikey, a collection of amazing vintage synth samples that Paul collected from various sources, fragments of outdated radio jingles (including the best harmonica solo ever) and an electro-acoustic polyrythm generator that I invented. I’ll describe it, along with some of my other inventions later.
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A Cold Freezin’ Night also came very early in the process of making ‘The Way Out’. The Talkboy tapes, as I described in my blog entry of June 23, were another highlight of Paul’s sample library. Since we leaked this track last month, the responses have ranged from unbridled joy, to bitter commentary on my parenting skills. (It’s funny how many people assume that these are our kids and we scripted the whole thing). I found a tape recorder for my boys, not a talkboy, but a Fisher-Price… so far the highlight has been Sepp singing variations on the theme-song for NPR’s ‘All Things Considered” entirely using the word ‘poop’, over and over. He’s 4. His most prized possession is his Fisher-Price turntable:
http://media.tumblr.com/tumblr_l638f78ftE1qasnx6.jpg
On constant rotation recently: J. Geils - ‘Freeze Frame’, Bobby Vinton – ‘Is There a Place (Where I Can Go)’, and ‘5 Minute Hoe-Down’, which he calls the ‘fiddle one’. Sometimes Sepp complains about having to ‘work all day, everyday”. If you ask him what his work is he says “I have to play my record player”. He must think that’s what I do all day out here. And he’s right, pretty much.
Since I covered the backstory of this track before, I want to write about the creation of the percussion part, which involved my ‘electro-acoustic poly-rhythm generator’. This is the part of the track that sounds like a cross between a ‘nail gun set to automatic’ and ‘a guy in a subway, banging on a five gallon bucket, on methamphetamines’. I’ve never taken speed, but I do own a nailgun, a Bostitch F28WW pneumatic, which I love, but it was not used in the making of this track, at least not directly.
Here are pictures of the rhythm-generator:
http://media.tumblr.com/tumblr_l638npKLfv1qasnx6.jpg
http://media.tumblr.com/tumblr_l638qihsig1qasnx6.jpg
It’s a four inch subwoofer attached to an oddly shaped flexible mirror using a copper plumbing fixture. Why a mirror? No reason, it was the best piece of plastic I could find for the job at the Autozone. When you put a low frequency sound through the woofer, it sets the mirror vibrating, and since it is oddly shaped, different areas of the mirror move in different ways given the chaotic relationship between the root frequency and their own set of resonant frequencies. What I did for ‘A Cold Freezin’ Night’ is send a 20 hz sound and a 30 hz sound through the mirror simultaneously, and held a ball point pen gently against different parts of the mirror and recorded the result. Of course at this point it just sounds like a buzzing nightmare (i’ll try to post the sound later tonight), but if you slow the sound down by two octaves all of this amazing rhythmic structure becomes apparent. The chaotic relationship between the 2/3 sound wave, the vibrating mirror and the tip of the pen gives an astonishingly expressive, and superhumanly accurate drum solo. It was pretty easy to massage the rhythm into shape using my wave-editor after that.
There’s no real way to reproduce it live, so for the purposes of the show, we use it as it is. Gene has been working on copping that crazy harmonica solo on his fiddle, so that’s fun to watch.
I remember first listening to Aphex Twin and Squarepusher in college. Drill-and-Bass was all the rage back in the late nineties, like Aphex Twins ‘Girl-Boy Song’ and Tom Jenkinson’s ‘Feed Me Weird Things’ and ‘Big Loada’. Very Guyish, Very Awesome. It was a great paradigm shift in music. The drums, through some kind of coup d’etat, usurped the role of the melody as lead attention grabber in music, and the melody slunk back into the role of holding time together. It was a very freeing moment for music. Drums didn’t have to be humanly playable anymore. People were beginning to accept cyborgs as just another member of the band. It was key for setting up the musical landscape that made ‘the Books’ possible, and I think of ‘a Cold Freezin’ Night’ as a bit of a throwback to this era, and maybe sort of an updated version of this aesthetic."
A Cold Freezin' Night
The Books Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A cold freezin' night.
Oh, Baby.
Kill em'. I wish I was a boy.
A cold freezin' night.
Oh, Baby.
Ah, Ow, Ah, Ow.
Alright that's the attitude.
Ow, Ow, Ow, Ow, Ah, Ow.
And, I wish I was a boy.
A cold freezin' night.
Holy cow!
Why do you always get away with things?
It's not fair, I tell ya. It's not fair.
I wanna blow your brains out with...
I am gonna kill you.
I need to think of something, so you stay alive
as long as I want you to, because so I can kill you.
You are such an idiot idiot idiot idiot.
I can kill you with a rifle...
a shotgun, any way I want to.
Probably by cutting your toes off and working my way up,
towards your brain.
A cold freezin' night. Oh, Baby.
Oh, sing with me! Sing with me!
Boys do tougher than girls, I know that.
And, I wish I was a boy.
And he is a asshole.
He is that asshole.
He's takin' a box off of his asshole.
I wish I was a boy.
Kill 'em.
I'm gonna kill you.
I'm gonna rip your hair off.
You're gonna be bald, and everybody's gonna think...
Ay! A cold freezin' night.
Oh, Baby.
Ah, Ow, Ah, Ow.
Sing with me! Sing with me!
I believe I can soar.
Ayo, Uh! Ay.
Shake your booty.
(giant swordfight)
You are such a NERD.
Asshole.
I wish I was a boy.
You're gonna get busted.
Kill 'em! Dead.
I'm gonna kill you, I'm gonna rip your hair off.
You're gonna be bald, and everybody's gonna think:
"Eh, look at Meredith, she's an idiot, ha ha ha."
(Yo, hey _______ a nerd. You're a nerd! Ha ha ha ha ha!)
The Books's song "A Cold Freezin' Night" is a frantic and chaotic track comprised of seemingly nonsensical phrases and sounds. The lyrics paint a picture of someone filled with rage and a desire to inflict harm on an unknown target. The repeated phrase of "a cold freezin' night" is perhaps a reference to the outside environment being cold, echoing the internal coldness of the singer's heart. The desire to be a boy suggests a belief that boys are tougher and more powerful, and the singer wants to embody that toughness. The phrase "I believe I can soar" is a sudden shift in tone, suggesting a brief moment of hope or confidence before diving back into violent fantasies.
The repeated phrases of "kill 'em" and "I'm gonna kill you" suggest a disassociated and disturbed mental state, while the mention of a rifle or shotgun points to a potential inclination towards violence. The threats of ripping hair off and making someone bald suggest a desire for humiliation and subjugation of the target. The mention of a giant swordfight and the phrase "shake your booty" seem out of place, but add to the sense of chaos and randomness.
Overall, this song presents a disturbing and erratic portrayal of a person consumed by a violent and aggressive mindset, with little apparent logic or motivation behind their actions.
Line by Line Meaning
A cold freezin' night.
This song is being set on a chilling dark night where the singer is feeling intense emotions.
Oh, Baby.
A phrase to address the listener, possibly in an endearing or patronising manner.
Kill em'. I wish I was a boy.
Some resentment or aggression might be present, perhaps directed towards specific individuals. The singer is wishing to have more power or control, which they associate with manhood.
Ah, Ow, Ah, Ow.
Vocalisations or noises, perhaps to indicate pain, pleasure, or anxiety.
C'mon, Clap, clap, clap.
Encouragement for the listeners or collaborators to engage in the song or performance.
Alright that's the attitude.
Acknowledging and approving of a particular mindset or tone that has been expressed or established.
Ow, Ow, Ow, Ow, Ah, Ow.
Similar to the previous 'Ah, Ow' line, this is likely used to convey some emotional or physical intensity.
And, I wish I was a boy.
Reiterating the previous sentiment of wanting to be male, either for personal reasons or due to societal norms and power dynamics.
Holy cow!
An exclamation of surprise, shock, or excitement.
Why do you always get away with things?
Possibly addressing someone who is perceived to be privileged or favoured, indicating that they consistently avoid consequences or punishment.
It's not fair, I tell ya. It's not fair.
Reinforcing the idea that the situation is unjust, and emphasising the singer's frustration or resentment towards it.
I wanna blow your brains out with...
Starting a violent and graphic fantasy or expression of anger, indicates intense negative feelings towards someone or something.
I am gonna kill you.
Further reiterating the desire to cause harm or end someone's life.
I need to think of something, so you stay alive as long as I want you to, because so I can kill you.
A disturbing and unsettling idea, implying a desire to have complete control over someone's life or death, possibly in a sadistic or vengeful manner.
You are such an idiot idiot idiot idiot.
Insulting or belittling someone, either as a form of venting or as a way of feeling superior or dominant.
I can kill you with a rifle... a shotgun, any way I want to.
Continuing to describe and emphasise the desire to harm and/or kill someone, using different violent methods.
Probably by cutting your toes off and working my way up, towards your brain.
A particularly gruesome and graphic description of violence, may indicate a desire to inflict pain and torture rather than a quick death.
Holy cow!
Repeating the same exclamation as before, possibly in response to the previous graphic and violent descriptions.
Sing with me! Sing with me!
Returning to a more cheerful and upbeat tone, encouraging others to participate in the song or performance.
Boys do tougher than girls, I know that. And, I wish I was a boy.
Reinforcing the idea that men are generally tougher, stronger or more respected than women, and wishing to have that same level of power and privilege.
And he is a asshole. He is that asshole.
Possible continuation of insults towards a particular person or group that the singer dislikes or feels resentment towards.
He's takin' a box off of his asshole.
Possibly referencing some gross or disgusting act that the singer believes to be typical or characteristic of the aforementioned individual.
I wish I was a boy. Kill 'em.
Repeating the common desire to be male and expressing intense hostility towards others, that may or may not be associated with that desire.
I'm gonna kill you. I'm gonna rip your hair off. You're gonna be bald, and everybody's gonna think...
Another series of graphic threats and descriptions of violence, indicating that the singer has a lot of pent-up aggression or anger, and is using this song as an outlet for those feelings.
Ay! A cold freezin' night. Oh, Baby. Ah, Ow, Ah, Ow.
Returning to the opening lyrics, perhaps to signify a shift in mood or intensity after the violent language used in the preceding lines.
I believe I can soar. Ayo, Uh! Ay. Shake your booty.
A more joyful and upbeat sentiment, encouraging listeners to dance or enjoy themselves, possibly in contrast to the earlier darker themes.
(giant swordfight)
A possible non-sequitur or unexpected detail, perhaps included for comedic or absurd effect.
You are such a NERD. Asshole.
Insulting someone again, possibly feeling empowered or entertained by making fun of others.
I wish I was a boy. You're gonna get busted. Kill 'em! Dead.
Reiterating some of the earlier themes, including the desire to be male and the hostility towards others, adding in a note of caution or threat towards those others.
I'm gonna kill you, I'm gonna rip your hair off. You're gonna be bald, and everybody's gonna think: "Eh, look at Meredith, she's an idiot, ha ha ha."
Going back to the violent and crude imagery, while also including some possible self-doubt and anxiety about how one's actions and words might be perceived by others. This may hint that some of the anger and aggression is rooted in self-esteem issues.
(Yo, hey _______ a nerd. You're a nerd! Ha ha ha ha ha!)
Including another possible non-sequitur or in-joke, using the repeated insult of 'nerd' to add some levity to the overall dark tone of the song.
Contributed by Colin S. Suggest a correction in the comments below.
@amyw4877
Whole video: 👹🔪⚔️⚰️😈
2:41 : 🤠🤠
@abriannaf9973
😂😂😂
@poopsoup6796
LMAO-
@PEACHCHULIP
I-
@mrbot9744
lol
@annika178
Amy W lmao
@soggypillowcase1407
Dang crayon commercials were so intense back then
@Gamz4pros
Lovin the profile pic...
@soggypillowcase1407
@@Gamz4pros thanks same to u
@liliththefirehawk796
Your name infuriates me
Why is it soggy man