The Cat Empire began as a trio with McGill, Riebl, and Monro in late 1999, and started playing a wide variety of gigs in Melbourne. The band soon expanded in 2001, adding Angus, Hull-Brown, and Khadiwala.
THE Cat Empire's message, on stage and in the studio, has always been about breaking down borders: musical, geographic, lingual. But they have never done it so powerfully as they do on their new album, Cinema. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQ’s, cafes, road trips and parties all over the world.
Cinema, the band's fourth studio album, is a dazzling statement of a band at a peak of its powers, music designed to move the body and the mind. Right from the opening track, Waiting, this is music that leaps from the speakers.
All the elements that people love about The Cat Empire are there but the result is brighter, bolder. And yes, more cinematic. What grabs the ear immediately is that this is not a band playing with genres. In the past, The Cat Empire dived in to any musical style which took their fancy, from reggae to salsa, Latin to hip-hop. Cinema reveals a band that has developed an emphatic voice that is all their own.
``That's a sound that has emerged out of nearly 10 years of playing on stage together,'' says singer and percussionist Felix Riebl. ”The result is an album that's much more integrated than anything we've done before, with a Cat Empire sound that runs consistently through it. The lyrics are perhaps darker, but they are accompanied by music that is uplifting which gives it a strange but powerful feeling.''
Riebl adds: “At times the album is thoughtful, at times it makes you just forget and dance. But it is an album that has more sonic depth than we've ever had before, experimental in parts but with really direct choruses. It's going to be a great album to play live, especially on big stages and at festivals.''
Of course, the stage is never far from the thoughts of this band. In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage. The band - Riebl, Vocalist and trumpeter Harry Angus, keys player Ollie McGill, bassist Ryan Monro, drummer Will Hull-Brown and Jamshid Khadiwala (aka ‘Jumps’) on decks - played their 700th show in Amsterdam last year, and will hit the 800 mark in 2010. While it is not well known in Australia, The Cat Empire are one of the country's most successful musical exports, doubling their audience numbers at every return stop.
They have headlined some of the world's biggest music festivals, including Summersonic (Japan), Rock am Ring (Germany) and V Fest (UK), playing Bonnaroo (US) as well as to an audience of 300,000 at the Montreal Jazz Festival. They have also played on some of world's highest rating entertainment shows, including Dave Letterman and Jay Leno. This year their worldwide tour in support of the international release of Cinema will see them return to Canada, US, Europe, Japan and the UK, where they will play to a full house at London's Brixton Academy.
The knowledge that they would be playing songs from the new album on so many big stages focused the song writing sessions for Cinema. The album was recorded close to home at Sing Sing studios in Melbourne with producer Steve Schram, and he encouraged them to make an album that was their most collaborative song writing effort yet.
``That was a deliberate decision from all of us,'' says the lion of the live show - Vocalist and Trumpeter Harry Angus. ``With six people in the band sometimes there will be a song on an album that not everyone wants to play live. This album certainly gets around that problem. And I think that after so many years playing together the guys are much more confident about contributing to the writing. Steve encouraged us to do that. That's been great for us.''
Of working with The Cat Empire, Schram says “it was the perfect studio scenario; amazing players open to trying anything and willing to take a back seat when required. Egos were left at the door.” He adds “In terms of musicianship, it's no secret that they don't come much better than The Cat Empire. Yet Cinema shows that simplicity and one well placed note packs more of a punch and serves the song far more than musical chops alone. We set out to explore in depth the mood and character of each song while maintaining a focus on performance rather than studio trickery. “
After taking their longest break from studio recording after the release of 2007's So Many Nights, the band reconvened feeling refreshed. ``In 2008 we took a break from touring for 8 months. Then in 2009 we released our (live album) Live on Earth” Riebl says. ``When we came back to the band, and then into the studio we all rediscovered what we loved about The Cat Empire in the first place; that it is a band that can do the unexpected, that we have great energy and make music that is always a lot of fun to play on stage. The feeling right now is just like when we were starting out. We're all very excited about that.''
Cinema will be released ...
JUNE 25, AUSTRALIA
JUNE 29, CANADA
JULY 6, USA
AUGUST 2010, EUROPE & JAPAN
See www.thecatempire.com for tours and information
All That Talking
The Cat Empire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Honey and pain
Horns in the rain
Misty seas and mysteries
A dog with no name
It's that time again
Not sure if I'm sleeping
But the vision's as clear
Someone fishing aimlessly
A thought's an idea
A sound is an ear
And gods with none believing
Being chased by the lamb
A knife in its hand
Looked down from that mountain
Saw the moon get a tan
On the beach with no sand
Something came and something ran
To make up my mind
Is it bleak or it fine?
She looked a little doubtful
Smirked and said it's divine
To light with no lime
Sometimes
Oh it's too late I can't stop
Moving my mouth
I'll shush but I'll shout
Something's got a hold of me
Those words coming out
Like froth on a stout
Dreamboat's sailing into
Stormy weather I see
Salty debris
Cows and tigers jumping at some
Mad dignity
But passionately we'll be
Oh finding
Ways without words
To sing and to purr
Loving without declarations
Stuttered and slurred
Elephants blurred
Nerves resisting urges serve
To speak with no sight
A bat taking flight
Only to find tooth marks
In that sex dynamite
My girl's got a bite
That's right
The Cat Empire's song All That Talking is a poetic piece that brims with esoteric imagery and surrealistic descriptions. The song conveys a sense of confusion, uncertainty, and unpredictability, as it shifts from one disparate image to the next, without ever following a linear or logical pattern. The opening lines set the tone for the rest of the song, capturing the disorienting feeling of experiencing both pleasure and pain simultaneously: "And when it happens it's like, honey and pain, horns in the rain, misty seas and mysteries, a dog with no name." The juxtaposition of these contradictory elements creates a sense of ambiguity and ambivalence, as if the singer is trying to make sense of something that defies easy categorization or explanation.
The song continues to paint a series of vivid and sometimes surrealistic pictures that speak to the complexity of human emotions and relationships. The chorus, "Oh it's too late I can't stop, moving my mouth, I'll shush but I'll shout, something's got a hold of me, those words coming out like froth on a stout," suggests an inability to control one's thoughts and feelings, as if they are bubbling up uncontrollably, like carbonated foam. The imagery of "dreamboats sailing into stormy weather I see, salty debris, cows and tigers jumping at some mad dignity" conjures a world that is both beautiful and chaotic, where the rules of logic and convention do not apply. The song ends on a note of sensuality and passion, with the singer declaring, "My girl's got a bite, that's right," suggesting that despite the confusion and uncertainty, there is still a powerful connection with another person that is worth celebrating.
Line by Line Meaning
And when it happens it's like
The beginning of the song introduces the idea that sometimes things happen that are difficult to explain, but that the feeling is both sweet and painful.
Honey and pain
This line builds on the previous idea, describing how the feeling is like the combination of something sweet (honey) and something painful.
Horns in the rain
The imagery here serves to illustrate the unpredictability and passion of the emotions being described.
Misty seas and mysteries
Continuing with the theme of uncertain feelings, this line likens them to foggy and uncharted waters.
A dog with no name
An enigmatic line that hints at the idea that sometimes things feel strange, but also that defining and naming them can be limiting.
It's that time again
While the previous lines focused more on the abstract idea of feelings, this line introduces the notion that these feelings come and go cyclically.
Not sure if I'm sleeping
The singer is unsure if what they are experiencing is real or if it's a dream, highlighting the surreal quality of the emotions being described.
But the vision's as clear
Despite the confusion, the image in the singer's mind is vivid and concrete.
As fog on the pier
Another example of an image that is both hazy and tangible, further emphasizing the complexity of the emotions being described.
Someone fishing aimlessly
This line paints a picture of someone going through the motions without a clear purpose, much like the singer's own search for understanding in their emotions.
A thought's an idea
A simple statement that highlights the connection between thought and idea, underlying the importance of introspection and personal discovery.
A sound is an ear
Similar to the previous line, this one couples the concept of sound with the act of hearing, demonstrating the importance of perception.
And gods with none believing
An abstract line that could be interpreted in a number of ways, it seems to suggest that even in a world without belief, there are mysterious and magical things that we cannot explain.
Being chased by the lamb
This line introduces a biblical reference that contrasts with the mystical imagery of the previous lines, but maintains the theme of running from something.
A knife in its hand
Continuing with the biblical reference, this line brings in a symbol of danger and violence, hinting that sometimes the unknown can be threatening.
Looked down from that mountain
This line shifts the focus to the singer's own perspective, suggesting that they are observing everything from a position of security and superiority.
Saw the moon get a tan
A lighthearted and humorous line that is still enigmatic, perhaps suggesting that even the natural world doesn't always make sense.
On the beach with no sand
Another example of a surreal image that is both concrete and abstract at the same time, implying the wavering line between reality and imagination.
Something came and something ran
Despite the confusion of the previous lines, this one implies that something important has happened, and then vanished just as quickly.
To make up my mind
The singer is grappling with a decision, but it's not entirely clear what that decision is about.
Is it bleak or it fine?
The fact that the singer can't decide whether the situation is negative or positive shows the complexity of the emotions being described.
She looked a little doubtful
This line introduces a potential romantic interest, who is herself uncertain or skeptical about something.
Smirked and said it's divine
Despite the doubt, the romantic interest still uses religious language to describe the situation, adding to the mystery and complexity of the emotions.
To light with no lime
A metaphorical line that seems to refer to a lack of resources (lime being a material used to make cement), but with a positive spin (light still shines even without it).
Sometimes
An understated ending to the first verse, implying that these complicated feelings are something that come and go, without a clear pattern or explanation.
Oh it's too late I can't stop
The beginning of the chorus, indicating that something has taken hold of the singer beyond their control.
Moving my mouth
The physical manifestation of the emotions that have taken hold, without necessarily any meaning behind the words themselves.
I'll shush but I'll shout
A contradiction that suggests the singer is trying to restrain themselves, but also can't help but express themselves.
Something's got a hold of me
Repeating the idea from the first line of the chorus, that the singer is being controlled by their emotions.
Those words coming out
Despite the singer's attempts to control themselves, words are still flowing out, seemingly of their own accord.
Like froth on a stout
An image that implies something bubbling up and spilling over, perhaps representing the overwhelming nature of the emotions.
Dreamboat's sailing into
This line introduces new imagery, switching from earlier themes of mystery and unpredictability to something more romantic and positive.
Stormy weather I see
Despite the romantic overtones, there is still a hint of conflict or struggle, represented by bad weather.
Salty debris
A small detail that helps to add color to the image of a storm-tossed boat, and also reinforces the theme of unpredictability.
Cows and tigers jumping at some
A nonsensical image that could be interpreted in a number of ways, but seems to imply movement and chaos.
Mad dignity
A paradoxical phrase that could suggest defiance or confidence in the face of adversity.
But passionately we'll be
Despite the chaos and uncertainty, there is still a sense of passion and commitment in the face of adversity.
Oh finding
The beginning of the final verse, that leads to a more positive conclusion to the song.
Ways without words
Suggesting that communication can take many forms beyond just spoken language, reinforcing the theme of complexity and multiplicity.
To sing and to purr
Another example of a nonverbal form of communication that can be just as powerful as words.
Loving without declarations
This line implies a more mature form of love that doesn't require grand gestures or proclamations, but rather small gestures and quiet moments.
Stuttered and slurred
A description of communication that is less than perfect, but still meaningful in its own way.
Elephants blurred
An image that reinforces the idea that even big or important things can be hard to see clearly or understand.
Nerves resisting urges serve
A tricky line that suggests that sometimes holding back can be just as important as acting on impulses.
To speak with no sight
Another example of how communication can be complex and multilayered, with different senses and faculties playing into it.
A bat taking flight
A metaphorical reference to the idea of finding one's bearings or direction, despite the chaos or uncertainty around.
Only to find tooth marks
A strange and surprising twist to the line, suggesting that even when things are going well, there can still be unpleasant surprises.
In that sex dynamite
An explicit reference to sexuality, which contrasts with the more philosophical tone of the earlier lines.
My girl's got a bite
A more playful reference to sexuality, showing that there is still room for humor and lightheartedness even in the midst of complex emotions.
That's right
A simple and affirming end to the song, that reinforces the idea that despite the complexity and confusion of the emotions being described, there is still a sense of joy and satisfaction to be found.
Contributed by Connor B. Suggest a correction in the comments below.
AveryAlive
thanks posting all the songs with links!!
Ala Alpha
I actually only subscribed based on this fact. What a legend!
morgan radiofreedom
YES REALLY!
Cosmin-Alexandru Rujan
tingles my fringles
renga canon clips
busquen el video real el solo lo re subió por que quiere visitas
Alast382
no no pls no
unorganized_account
wym