On My Way
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Cinema
Cinema purchase album
CINEMA is the bands first studio release since 2007.
The album is due for release June 25 in Australia, June 29 in Canada, July 6 in the USA, and about a month later in Europe and everywhere else.
Produced by Steve Schram, and recorded at Sing Sing Studios in the bands home town of Melbourne, this is an album which shows The Cat Empire at their very best, right now.
In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage.
2010 sees the international release and world tour of Cinema, the band's fourth studio album. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQ's, cafes, road trips and parties all over the world. This is music which defies definition, but has a sound all of its own.
The only thing we can tell you it is that it is incredibly infectious, undeniably uplifting and definitely danceable,
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Feelings Gone
O Lyrics
I used to ride up on the hill
And look down at the darkened
Silhouettes of tall black windowsills
And my heart jumped every ledge
Until one bright morning when I woke
I heard bells, girl she gently spoke and said
?Choice my man?s to breath or choke
So go die, or learn to hope?
Get back on your way at the end of the day
Under the fire and the rain
The whole big bloody parade until that
That feeling, feeling?s gone
You wake up on your own
Sometimes walls come caving in
Sometimes the world just hits your chin
And sometimes shadows haunt your back
And sometimes I feel so flat
Then like some rare eagle on the wind
Well it turns and life comes bursting in
And the earth you thought would beat you down
Lifts up and lights your ground
Get back on your way at the end of the day
Under the fire and the rain
The whole big bloody parade until that
That feeling, feeling?s gone
You wake up on your own
/ Lifts up and sends you homeward bound
/ Lifts up and then you?re found again
/ Lifts up and turns your world around
/still scarred of love lived on the ledge
And the Earth you thought would eat you up
Well it lifts you high and fills your cup
/carries
And right then I learnt to hope / the point of hope / I knew the way ahead/ to go
/ lifts up and clears your hallowed ground
*So scared that love lived on the edge /
Scared of love lived on the ledge / Like love lived on the ledge
/ As if my love required a ledge
Bring you down
Lifts up, your heart just leaves the ground
/and how you love your ground / high above the ground
/ and the earth you thought would end your song ?song?
/ lifts up and now . . . the feeling?s gone feelings gone
And you wonder how on Earth you
When you?re high
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Feelings Gone, Official Video
O Digit
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Waiting
O Lyrics
This is the last time I will follow you
This is the last time I will follow you at all
Cos woman you?re my trouble
And woman I?ve been trouble and despair
My only care
Is standing here waiting when you?re out there
The wind comes down and all our youth is in loose pages
The wind appeared like you and left the place I?d known
Now words have lost their meaning
The words have lost their meaning and she?s bored
And I am bored
I?m standing here waiting and you don?t call
I?m standing here waiting and you don?t call
I?m standing here waiting but you don?t call
I?m standing here waiting
You took my time I still love you the same
But I fell down every time that you
Came, Came, Came
Every time that you came
The leaves fall gently and like autumn she brings sadness
The leaves are left behind and winter?s in my bones
But I won?t stand here crying
I won?t stand here crying anymore
I?m off the floor
I?m standing here waiting for you that?s all
I?m standing here waiting and you don?t call
I?m standing here waiting but you don?t call
I?m standing here waiting
You took my time I still love you the same
But I fell down every time that you
Came, Came, Came
Every time that you came
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Falling
O Lyrics
From the city to the world below
From the strangers to the ones I know
From the darkness to the holy glow
We burn so bright
Can we outlast the show?
From the island to the world of dreams
From the future to the times I?ve seen
From the righteous to the make believe
We all must leave
But I just want to breathe
Falling
My world?s up and I?m almost
Falling
My hands over my shoulders
Falling
I?ll dan, dance til I?m old and
Falling
Deep down, onward and
From the pilot to the golden sky
From the dash until the day we die
From the laughter to the lonely cry
We all deny
Lie and multiply
Falling
My world?s up and I?m almost
Falling
My hands over my shoulders
Falling
I?ll dan, dance til I?m old and
Falling
Deep down, onward and
Well I love you like a raging storm
And I miss you like I?m coming home
And I hold you like a fading song
You send me high, high, higher . . . until I?m
Falling? X2
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Only Light
O Lyrics
All along the street they're holding signs that say
That I am lost and that I do not know the way
I asked the rock, sitting in a shade of grey
I asked the rock, he didn't have a thing to say
So you are the only light I see
You are the only light I need
When everybody else is sleeping
You come along and help me breathe
When I was a stone no-one knew that I was there
I'd sing my song but no-one ever really cared
I went to the mountain face all covered in tears
I wept but the mountain didn't seem to hear
I'll love you until the mountain starts to cry
I'll love you if I don't know the reason why
I'll love you until I do not know my name
I ask you wouldn't you have done the same?
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All Hell
O Lyrics
All hell?s crashing down inside
The windows to the other side
Shimmering in rooms to quiet sighs of
?Oh well if it?s happening there
It isn?t here?, and god appears to deal
A different hand to different tiers
But this play is not over yet
Hear the music of those marionettes
Beating drums down the quiet streets
Of ignorance and vain regrets
And all these fears swiftly come to pass
Presently she feels we?re past
Cups of tea and optimistic prayers
Cos out there?s our unholy mess
Gathering its long white dress
And marching down aisle to marry this
Matrimonial future bliss
Kiss the tide and hope it doesn?t lift up your
Carpet woven from apathy and token frets
All Hell!
But this play is not over yet
Hear the music of those marionettes
Beating drums down the quiet streets
Of ignorance and vain regrets
O Listen
O Digit
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Beyond All
O Lyrics
Meet me
Underneath the neon light
We'll go
Wandering into the night
There's something
Underneath the beat of control
Something
A music that is beyond all
You go to sleep you wake up you do it again And there's a beat you make up inside of your head And every street's a river be born or be dead We are all singing this song but Nobody knows how it's going to end
Kiss me
In the coolness of the night
Take me
Further from the firelight
This jungle
No-one really knows where to go
Searching
For something that is beyond all
Music
A music that is beyond all
Break me
Up until I'm pieces of sand
Blow me up
And scatter me across the land
Our bodies
They're hairy and they're fat and they're old
I'm searching
For something that is beyond all
Music
A music that is beyond all
O Listen
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On My Way
O Lyrics
Don?t send me down the hole
Don?t send me down the hole
Don?t send me down the hole
Which way will it go go?
You never never know
You never never know
You never know the right way
Till you?ve been wrong, no
And if you want to shine
As your February clears
Would your March just disappear?
You hear it on the left
You hear it on the left
You hear it on the left left
Left then the right right
You?re missing in the west
You?re missing in the west
You?re missing in the west
You followed the black kite
And even in your dreams
There are lights that can?t be seen
And you?re lost in where you?ve been
Well I?m on my way
To where I won?t look back
I heard you say
With dismay
That we?re living on the tracks
I hear the train
Oh oh oh oh oh oh . . .
You?re living in a lie
You?re living in a lie
You?re living in a lie
Why do you deny-i
We?re swimming in the sky
We?re swimming in the sky
We?re swimming in the sky
So low and so high high
And if you want to shine
As the sea looks to the stars
Well you?re here, but very far!
And I'm on my way
To where I won?t look back
I heard you say
With dismay
That we?re living on the tracks
I hear the train
Oh oh oh oh oh oh . . .
As your February clears
Would your March just disappear?
Well I?m on my way
To where I won?t look back
I heard you say
With dismay
That we?re living on the tracks
I hear the train
On my way
To where I won?t look back
I heard you say
With distain
That we?re living on the tracks
I hear the train
Oh oh oh oh oh oh oh
Contributed by Adeline Y. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
The Cat Empire is a six-piece alternative band from Melbourne, Australia. Their sound has been described as a fusion of jazz, funk, and rock with heavy Latin / Salsa influences (not to mention reggae, ska and dub). Currently, the Cat Empire consists of Ollie McGill (keyboard and backing vocals), Ryan Monro (bass and backing vocals), Felix Riebl (percussion and vocals), Harry James Angus (trumpet and vocals), Will Hull-Brown (drums), and Jamshid "Jumps" Khadiwhala (decks, percussion). Read Full BioThe Cat Empire is a six-piece alternative band from Melbourne, Australia. Their sound has been described as a fusion of jazz, funk, and rock with heavy Latin / Salsa influences (not to mention reggae, ska and dub). Currently, the Cat Empire consists of Ollie McGill (keyboard and backing vocals), Ryan Monro (bass and backing vocals), Felix Riebl (percussion and vocals), Harry James Angus (trumpet and vocals), Will Hull-Brown (drums), and Jamshid "Jumps" Khadiwhala (decks, percussion). A strong, recurrent theme of their music is the rejection of materialism, war, and intolerance and an enthusiastic embrace of cultural diversity and the simple, carefree life.
The Cat Empire began as a trio with McGill, Riebl, and Monro in late 1999, and started playing a wide variety of gigs in Melbourne. The band soon expanded in 2001, adding Angus, Hull-Brown, and Khadiwala.
THE Cat Empire's message, on stage and in the studio, has always been about breaking down borders: musical, geographic, lingual. But they have never done it so powerfully as they do on their new album, Cinema. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQ’s, cafes, road trips and parties all over the world.
Cinema, the band's fourth studio album, is a dazzling statement of a band at a peak of its powers, music designed to move the body and the mind. Right from the opening track, Waiting, this is music that leaps from the speakers.
All the elements that people love about The Cat Empire are there but the result is brighter, bolder. And yes, more cinematic. What grabs the ear immediately is that this is not a band playing with genres. In the past, The Cat Empire dived in to any musical style which took their fancy, from reggae to salsa, Latin to hip-hop. Cinema reveals a band that has developed an emphatic voice that is all their own.
``That's a sound that has emerged out of nearly 10 years of playing on stage together,'' says singer and percussionist Felix Riebl. ”The result is an album that's much more integrated than anything we've done before, with a Cat Empire sound that runs consistently through it. The lyrics are perhaps darker, but they are accompanied by music that is uplifting which gives it a strange but powerful feeling.''
Riebl adds: “At times the album is thoughtful, at times it makes you just forget and dance. But it is an album that has more sonic depth than we've ever had before, experimental in parts but with really direct choruses. It's going to be a great album to play live, especially on big stages and at festivals.''
Of course, the stage is never far from the thoughts of this band. In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage. The band - Riebl, Vocalist and trumpeter Harry Angus, keys player Ollie McGill, bassist Ryan Monro, drummer Will Hull-Brown and Jamshid Khadiwala (aka ‘Jumps’) on decks - played their 700th show in Amsterdam last year, and will hit the 800 mark in 2010. While it is not well known in Australia, The Cat Empire are one of the country's most successful musical exports, doubling their audience numbers at every return stop.
They have headlined some of the world's biggest music festivals, including Summersonic (Japan), Rock am Ring (Germany) and V Fest (UK), playing Bonnaroo (US) as well as to an audience of 300,000 at the Montreal Jazz Festival. They have also played on some of world's highest rating entertainment shows, including Dave Letterman and Jay Leno. This year their worldwide tour in support of the international release of Cinema will see them return to Canada, US, Europe, Japan and the UK, where they will play to a full house at London's Brixton Academy.
The knowledge that they would be playing songs from the new album on so many big stages focused the song writing sessions for Cinema. The album was recorded close to home at Sing Sing studios in Melbourne with producer Steve Schram, and he encouraged them to make an album that was their most collaborative song writing effort yet.
``That was a deliberate decision from all of us,'' says the lion of the live show - Vocalist and Trumpeter Harry Angus. ``With six people in the band sometimes there will be a song on an album that not everyone wants to play live. This album certainly gets around that problem. And I think that after so many years playing together the guys are much more confident about contributing to the writing. Steve encouraged us to do that. That's been great for us.''
Of working with The Cat Empire, Schram says “it was the perfect studio scenario; amazing players open to trying anything and willing to take a back seat when required. Egos were left at the door.” He adds “In terms of musicianship, it's no secret that they don't come much better than The Cat Empire. Yet Cinema shows that simplicity and one well placed note packs more of a punch and serves the song far more than musical chops alone. We set out to explore in depth the mood and character of each song while maintaining a focus on performance rather than studio trickery. “
After taking their longest break from studio recording after the release of 2007's So Many Nights, the band reconvened feeling refreshed. ``In 2008 we took a break from touring for 8 months. Then in 2009 we released our (live album) Live on Earth” Riebl says. ``When we came back to the band, and then into the studio we all rediscovered what we loved about The Cat Empire in the first place; that it is a band that can do the unexpected, that we have great energy and make music that is always a lot of fun to play on stage. The feeling right now is just like when we were starting out. We're all very excited about that.''
Cinema will be released ...
JUNE 25, AUSTRALIA
JUNE 29, CANADA
JULY 6, USA
AUGUST 2010, EUROPE & JAPAN
See www.thecatempire.com for tours and information
The Cat Empire began as a trio with McGill, Riebl, and Monro in late 1999, and started playing a wide variety of gigs in Melbourne. The band soon expanded in 2001, adding Angus, Hull-Brown, and Khadiwala.
THE Cat Empire's message, on stage and in the studio, has always been about breaking down borders: musical, geographic, lingual. But they have never done it so powerfully as they do on their new album, Cinema. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQ’s, cafes, road trips and parties all over the world.
Cinema, the band's fourth studio album, is a dazzling statement of a band at a peak of its powers, music designed to move the body and the mind. Right from the opening track, Waiting, this is music that leaps from the speakers.
All the elements that people love about The Cat Empire are there but the result is brighter, bolder. And yes, more cinematic. What grabs the ear immediately is that this is not a band playing with genres. In the past, The Cat Empire dived in to any musical style which took their fancy, from reggae to salsa, Latin to hip-hop. Cinema reveals a band that has developed an emphatic voice that is all their own.
``That's a sound that has emerged out of nearly 10 years of playing on stage together,'' says singer and percussionist Felix Riebl. ”The result is an album that's much more integrated than anything we've done before, with a Cat Empire sound that runs consistently through it. The lyrics are perhaps darker, but they are accompanied by music that is uplifting which gives it a strange but powerful feeling.''
Riebl adds: “At times the album is thoughtful, at times it makes you just forget and dance. But it is an album that has more sonic depth than we've ever had before, experimental in parts but with really direct choruses. It's going to be a great album to play live, especially on big stages and at festivals.''
Of course, the stage is never far from the thoughts of this band. In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage. The band - Riebl, Vocalist and trumpeter Harry Angus, keys player Ollie McGill, bassist Ryan Monro, drummer Will Hull-Brown and Jamshid Khadiwala (aka ‘Jumps’) on decks - played their 700th show in Amsterdam last year, and will hit the 800 mark in 2010. While it is not well known in Australia, The Cat Empire are one of the country's most successful musical exports, doubling their audience numbers at every return stop.
They have headlined some of the world's biggest music festivals, including Summersonic (Japan), Rock am Ring (Germany) and V Fest (UK), playing Bonnaroo (US) as well as to an audience of 300,000 at the Montreal Jazz Festival. They have also played on some of world's highest rating entertainment shows, including Dave Letterman and Jay Leno. This year their worldwide tour in support of the international release of Cinema will see them return to Canada, US, Europe, Japan and the UK, where they will play to a full house at London's Brixton Academy.
The knowledge that they would be playing songs from the new album on so many big stages focused the song writing sessions for Cinema. The album was recorded close to home at Sing Sing studios in Melbourne with producer Steve Schram, and he encouraged them to make an album that was their most collaborative song writing effort yet.
``That was a deliberate decision from all of us,'' says the lion of the live show - Vocalist and Trumpeter Harry Angus. ``With six people in the band sometimes there will be a song on an album that not everyone wants to play live. This album certainly gets around that problem. And I think that after so many years playing together the guys are much more confident about contributing to the writing. Steve encouraged us to do that. That's been great for us.''
Of working with The Cat Empire, Schram says “it was the perfect studio scenario; amazing players open to trying anything and willing to take a back seat when required. Egos were left at the door.” He adds “In terms of musicianship, it's no secret that they don't come much better than The Cat Empire. Yet Cinema shows that simplicity and one well placed note packs more of a punch and serves the song far more than musical chops alone. We set out to explore in depth the mood and character of each song while maintaining a focus on performance rather than studio trickery. “
After taking their longest break from studio recording after the release of 2007's So Many Nights, the band reconvened feeling refreshed. ``In 2008 we took a break from touring for 8 months. Then in 2009 we released our (live album) Live on Earth” Riebl says. ``When we came back to the band, and then into the studio we all rediscovered what we loved about The Cat Empire in the first place; that it is a band that can do the unexpected, that we have great energy and make music that is always a lot of fun to play on stage. The feeling right now is just like when we were starting out. We're all very excited about that.''
Cinema will be released ...
JUNE 25, AUSTRALIA
JUNE 29, CANADA
JULY 6, USA
AUGUST 2010, EUROPE & JAPAN
See www.thecatempire.com for tours and information
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Eline
Awesome ^^
____
💙
Daniel Cotton
ok