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The Cat Empire is a six-piece alternative band from Melbourne, Australia. Their sound has been described as a fusion of jazz, funk, and rock with heavy Latin / Salsa influences (not to mention reggae, ska and dub). Currently, the Cat Empire consists of Ollie McGill (keyboard and backing vocals), Ryan Monro (bass and backing vocals), Felix Riebl (percussion and vocals), Harry James Angus (trumpet and vocals), Will Hull-Brown (drums), and Jamshid "Jumps" Khadiwhala (decks, percussion). Read Full BioThe Cat Empire is a six-piece alternative band from Melbourne, Australia. Their sound has been described as a fusion of jazz, funk, and rock with heavy Latin / Salsa influences (not to mention reggae, ska and dub). Currently, the Cat Empire consists of Ollie McGill (keyboard and backing vocals), Ryan Monro (bass and backing vocals), Felix Riebl (percussion and vocals), Harry James Angus (trumpet and vocals), Will Hull-Brown (drums), and Jamshid "Jumps" Khadiwhala (decks, percussion). A strong, recurrent theme of their music is the rejection of materialism, war, and intolerance and an enthusiastic embrace of cultural diversity and the simple, carefree life.
The Cat Empire began as a trio with McGill, Riebl, and Monro in late 1999, and started playing a wide variety of gigs in Melbourne. The band soon expanded in 2001, adding Angus, Hull-Brown, and Khadiwala.
THE Cat Empire's message, on stage and in the studio, has always been about breaking down borders: musical, geographic, lingual. But they have never done it so powerfully as they do on their new album, Cinema. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQ’s, cafes, road trips and parties all over the world.
Cinema, the band's fourth studio album, is a dazzling statement of a band at a peak of its powers, music designed to move the body and the mind. Right from the opening track, Waiting, this is music that leaps from the speakers.
All the elements that people love about The Cat Empire are there but the result is brighter, bolder. And yes, more cinematic. What grabs the ear immediately is that this is not a band playing with genres. In the past, The Cat Empire dived in to any musical style which took their fancy, from reggae to salsa, Latin to hip-hop. Cinema reveals a band that has developed an emphatic voice that is all their own.
``That's a sound that has emerged out of nearly 10 years of playing on stage together,'' says singer and percussionist Felix Riebl. ”The result is an album that's much more integrated than anything we've done before, with a Cat Empire sound that runs consistently through it. The lyrics are perhaps darker, but they are accompanied by music that is uplifting which gives it a strange but powerful feeling.''
Riebl adds: “At times the album is thoughtful, at times it makes you just forget and dance. But it is an album that has more sonic depth than we've ever had before, experimental in parts but with really direct choruses. It's going to be a great album to play live, especially on big stages and at festivals.''
Of course, the stage is never far from the thoughts of this band. In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage. The band - Riebl, Vocalist and trumpeter Harry Angus, keys player Ollie McGill, bassist Ryan Monro, drummer Will Hull-Brown and Jamshid Khadiwala (aka ‘Jumps’) on decks - played their 700th show in Amsterdam last year, and will hit the 800 mark in 2010. While it is not well known in Australia, The Cat Empire are one of the country's most successful musical exports, doubling their audience numbers at every return stop.
They have headlined some of the world's biggest music festivals, including Summersonic (Japan), Rock am Ring (Germany) and V Fest (UK), playing Bonnaroo (US) as well as to an audience of 300,000 at the Montreal Jazz Festival. They have also played on some of world's highest rating entertainment shows, including Dave Letterman and Jay Leno. This year their worldwide tour in support of the international release of Cinema will see them return to Canada, US, Europe, Japan and the UK, where they will play to a full house at London's Brixton Academy.
The knowledge that they would be playing songs from the new album on so many big stages focused the song writing sessions for Cinema. The album was recorded close to home at Sing Sing studios in Melbourne with producer Steve Schram, and he encouraged them to make an album that was their most collaborative song writing effort yet.
``That was a deliberate decision from all of us,'' says the lion of the live show - Vocalist and Trumpeter Harry Angus. ``With six people in the band sometimes there will be a song on an album that not everyone wants to play live. This album certainly gets around that problem. And I think that after so many years playing together the guys are much more confident about contributing to the writing. Steve encouraged us to do that. That's been great for us.''
Of working with The Cat Empire, Schram says “it was the perfect studio scenario; amazing players open to trying anything and willing to take a back seat when required. Egos were left at the door.” He adds “In terms of musicianship, it's no secret that they don't come much better than The Cat Empire. Yet Cinema shows that simplicity and one well placed note packs more of a punch and serves the song far more than musical chops alone. We set out to explore in depth the mood and character of each song while maintaining a focus on performance rather than studio trickery. “
After taking their longest break from studio recording after the release of 2007's So Many Nights, the band reconvened feeling refreshed. ``In 2008 we took a break from touring for 8 months. Then in 2009 we released our (live album) Live on Earth” Riebl says. ``When we came back to the band, and then into the studio we all rediscovered what we loved about The Cat Empire in the first place; that it is a band that can do the unexpected, that we have great energy and make music that is always a lot of fun to play on stage. The feeling right now is just like when we were starting out. We're all very excited about that.''
Cinema will be released ...
JUNE 25, AUSTRALIA
JUNE 29, CANADA
JULY 6, USA
AUGUST 2010, EUROPE & JAPAN
See www.thecatempire.com for tours and information
The Cat Empire began as a trio with McGill, Riebl, and Monro in late 1999, and started playing a wide variety of gigs in Melbourne. The band soon expanded in 2001, adding Angus, Hull-Brown, and Khadiwala.
THE Cat Empire's message, on stage and in the studio, has always been about breaking down borders: musical, geographic, lingual. But they have never done it so powerfully as they do on their new album, Cinema. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQ’s, cafes, road trips and parties all over the world.
Cinema, the band's fourth studio album, is a dazzling statement of a band at a peak of its powers, music designed to move the body and the mind. Right from the opening track, Waiting, this is music that leaps from the speakers.
All the elements that people love about The Cat Empire are there but the result is brighter, bolder. And yes, more cinematic. What grabs the ear immediately is that this is not a band playing with genres. In the past, The Cat Empire dived in to any musical style which took their fancy, from reggae to salsa, Latin to hip-hop. Cinema reveals a band that has developed an emphatic voice that is all their own.
``That's a sound that has emerged out of nearly 10 years of playing on stage together,'' says singer and percussionist Felix Riebl. ”The result is an album that's much more integrated than anything we've done before, with a Cat Empire sound that runs consistently through it. The lyrics are perhaps darker, but they are accompanied by music that is uplifting which gives it a strange but powerful feeling.''
Riebl adds: “At times the album is thoughtful, at times it makes you just forget and dance. But it is an album that has more sonic depth than we've ever had before, experimental in parts but with really direct choruses. It's going to be a great album to play live, especially on big stages and at festivals.''
Of course, the stage is never far from the thoughts of this band. In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage. The band - Riebl, Vocalist and trumpeter Harry Angus, keys player Ollie McGill, bassist Ryan Monro, drummer Will Hull-Brown and Jamshid Khadiwala (aka ‘Jumps’) on decks - played their 700th show in Amsterdam last year, and will hit the 800 mark in 2010. While it is not well known in Australia, The Cat Empire are one of the country's most successful musical exports, doubling their audience numbers at every return stop.
They have headlined some of the world's biggest music festivals, including Summersonic (Japan), Rock am Ring (Germany) and V Fest (UK), playing Bonnaroo (US) as well as to an audience of 300,000 at the Montreal Jazz Festival. They have also played on some of world's highest rating entertainment shows, including Dave Letterman and Jay Leno. This year their worldwide tour in support of the international release of Cinema will see them return to Canada, US, Europe, Japan and the UK, where they will play to a full house at London's Brixton Academy.
The knowledge that they would be playing songs from the new album on so many big stages focused the song writing sessions for Cinema. The album was recorded close to home at Sing Sing studios in Melbourne with producer Steve Schram, and he encouraged them to make an album that was their most collaborative song writing effort yet.
``That was a deliberate decision from all of us,'' says the lion of the live show - Vocalist and Trumpeter Harry Angus. ``With six people in the band sometimes there will be a song on an album that not everyone wants to play live. This album certainly gets around that problem. And I think that after so many years playing together the guys are much more confident about contributing to the writing. Steve encouraged us to do that. That's been great for us.''
Of working with The Cat Empire, Schram says “it was the perfect studio scenario; amazing players open to trying anything and willing to take a back seat when required. Egos were left at the door.” He adds “In terms of musicianship, it's no secret that they don't come much better than The Cat Empire. Yet Cinema shows that simplicity and one well placed note packs more of a punch and serves the song far more than musical chops alone. We set out to explore in depth the mood and character of each song while maintaining a focus on performance rather than studio trickery. “
After taking their longest break from studio recording after the release of 2007's So Many Nights, the band reconvened feeling refreshed. ``In 2008 we took a break from touring for 8 months. Then in 2009 we released our (live album) Live on Earth” Riebl says. ``When we came back to the band, and then into the studio we all rediscovered what we loved about The Cat Empire in the first place; that it is a band that can do the unexpected, that we have great energy and make music that is always a lot of fun to play on stage. The feeling right now is just like when we were starting out. We're all very excited about that.''
Cinema will be released ...
JUNE 25, AUSTRALIA
JUNE 29, CANADA
JULY 6, USA
AUGUST 2010, EUROPE & JAPAN
See www.thecatempire.com for tours and information
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One Four Five
by The Cat Empire
Oh, listen doctor I have pain
That grows inside myself.
Shelf me please;
I just can't ease the pain
I need some drugs to help.
Ah, pollution fills my lungs
And convolution fills my mind.
Ah, my legs do ache,
I contemplate
That living's less than fine.
My spine does tingle
When I think of being
Freed from this curse,
But what is worse I feel
Life is a bubble
Blown until it's burst.
Oh doctor, I am desperate
To get rid of this feeling.
Oh doctor, I am desperate
For some good soul healing!
The doctor turned and gave a grin
And reached into his bag;
But instead of an injecton
Got a record with a tag
That said "listen to this daily
With hip shaking and such things".
Then he puts the record on,
Grabs a mic and starts to sing:
You need some
One four five
(To make you high, to make you high!)
One four five
(To make you high, to make you high!)
One four five
(When heaven falling from the sky.)
One four five
(To make you high, to make you high!)
One four five
(Times like this you need some one four five.)
Doctor I am feeling better.
What was that you sang?
Did you write it or recite it,
Or just steal it from a band?
Ah, my bones are feeling stronger
And my spirit's feeling fresh;
Well, that dose of 145 has put the life
Back in my breath!
"Yes, yes, yes", the doctor said,
Then he sat me down and say
"Young man, don't think I wrote
These chords; they're written in
Your brain."
And when you hear them
There's a shakedown that begins within
The mind.
Cos these three chords make people
Feeling better all the time, ah!
They keep repeating
Like a scratch on a cd;
But it's quality cos these three harmonies
Breed positivity,
Protecting against insanity
Of modern insecurities.
Believe me when I tell you
All you need is to be hearing all that
One four five
(To make you high, to make you high!)
One four five
(To make you high, to make you high!)
One four five
(When they said "what?" and you said "why?")
One four five
(To make you high, to make you high!) One four five
(Times like this you need some one four five.)
The doctor turned and gave a grin
And reached into his bag;
But instead of an injection
Got a record with a tag
That said "listen to this daily
With hip shaking and such things".
Then he puts the record on,
Grabs a mic and starts to sing:
Well, the doctor turned and danced a bit
And reached into his bag;
And instead of an injection
Got a record with a tag
That said "listen to this daily
With hip shaking and such things".
Then he puts the record on,
Grabs a mic and starts to sing:
You need some
One four five
(To make you high, to make you high!)
One four five
(When you could not count to pi;)
One four five
(When you're told you can't fly;)
One four five
(To make you high, to make you high!)
One four five
(Times like these you need some)
One! Four! Five!
Contributed by Leah H. Suggest a correction in the comments below.
by The Cat Empire
Oh, listen doctor I have pain
That grows inside myself.
Shelf me please;
I just can't ease the pain
I need some drugs to help.
Ah, pollution fills my lungs
And convolution fills my mind.
Ah, my legs do ache,
I contemplate
That living's less than fine.
My spine does tingle
When I think of being
Freed from this curse,
But what is worse I feel
Life is a bubble
Blown until it's burst.
Oh doctor, I am desperate
To get rid of this feeling.
Oh doctor, I am desperate
For some good soul healing!
The doctor turned and gave a grin
And reached into his bag;
But instead of an injecton
Got a record with a tag
That said "listen to this daily
With hip shaking and such things".
Then he puts the record on,
Grabs a mic and starts to sing:
You need some
One four five
(To make you high, to make you high!)
One four five
(To make you high, to make you high!)
One four five
(When heaven falling from the sky.)
One four five
(To make you high, to make you high!)
One four five
(Times like this you need some one four five.)
Doctor I am feeling better.
What was that you sang?
Did you write it or recite it,
Or just steal it from a band?
Ah, my bones are feeling stronger
And my spirit's feeling fresh;
Well, that dose of 145 has put the life
Back in my breath!
"Yes, yes, yes", the doctor said,
Then he sat me down and say
"Young man, don't think I wrote
These chords; they're written in
Your brain."
And when you hear them
There's a shakedown that begins within
The mind.
Cos these three chords make people
Feeling better all the time, ah!
They keep repeating
Like a scratch on a cd;
But it's quality cos these three harmonies
Breed positivity,
Protecting against insanity
Of modern insecurities.
Believe me when I tell you
All you need is to be hearing all that
One four five
(To make you high, to make you high!)
One four five
(To make you high, to make you high!)
One four five
(When they said "what?" and you said "why?")
One four five
(To make you high, to make you high!) One four five
(Times like this you need some one four five.)
The doctor turned and gave a grin
And reached into his bag;
But instead of an injection
Got a record with a tag
That said "listen to this daily
With hip shaking and such things".
Then he puts the record on,
Grabs a mic and starts to sing:
Well, the doctor turned and danced a bit
And reached into his bag;
And instead of an injection
Got a record with a tag
That said "listen to this daily
With hip shaking and such things".
Then he puts the record on,
Grabs a mic and starts to sing:
You need some
One four five
(To make you high, to make you high!)
One four five
(When you could not count to pi;)
One four five
(When you're told you can't fly;)
One four five
(To make you high, to make you high!)
One four five
(Times like these you need some)
One! Four! Five!
Contributed by Leah H. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them.
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