Police and Thieves
The Clash Lyrics


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Police and thieves in the streets, oh yeah
Scaring the nation with their guns and ammunition
Police and thieves in the street, oh yeah
Fighting the nation with their guns and ammunition

From genesis to revelation
The next generation will be, hear me
From genesis to revelation
The next generation will be, hear me

And all the crowd comes in, day by day
No one stop it in anyway
All the peacemaker, turn war officer
Hear what I say

Police and thieves in the streets, oh yeah
Scaring the nation with their guns and ammunition
Police and thieves in the street, oh yeah
Fighting the nation with their guns and ammunition

From genesis to revelation
The next generation will be, hear me

Oh yeah
Oh yeah

Now, all the crowd come in, day by day
No one stop it in anyway
All the peacemaker, turn war officer
Hear what I say

Police, police, police and thieves, oh yeah
Police, police, police and thieves, oh yeah
From genesis, oh yeah
Police, police, police, police and thieves, oh yeah

And I'm scaring, I'm fighting the nation, oh yeah
Shooting, shooting their guns and, guns and ammunition, oh yeah
Oh yeah

Police, police, police and thieves, oh yeah
I'm scaring, oh yeah
I'm scaring the nation, police oh yeah
Oh yeah
Oh yeah
Oh yeah

Here come, here come, here come
The station is bombed, oh yeah
Get out, get out, get out you people
If you don't wanna get blown up, oh yeah

The police, the police and the thieves, oh yeah

Police




Police
Police

Overall Meaning

The Clash's song Police and Thieves is a protest song that addresses the police brutality that was prevalent in London, as well as the growing tension between the police and the youth. The lyrics speak of the fear and terror that the police bring to the streets with their guns and ammunition, while the people are left to live in fear. The lines "All the peacemaker, turn war officer, hear what I say" suggest that in a violent and oppressive system, even those tasked with keeping the peace can become part of the problem. The repetition of the phrase "Police and thieves in the streets, oh yeah" throughout the song emphasizes the ongoing conflict and tension between the two groups.


The chorus "From genesis to revelation, the next generation will be, hear me" suggests that this conflict between the police and the people has been going on for generations and will continue to affect future generations. The song also speaks of the failure of the government and the police to address and solve the issue, with lines such as "No one stop it in any way" and "The station is bombed, oh yeah."


Through this song, The Clash highlights the systemic issues of police brutality and social inequality that affected not only London but also many other cities around the world.


Line by Line Meaning

Police and thieves in the streets, oh yeah
Commenting on the widespread police brutality and criminality happening in the streets


Scaring the nation with their guns and ammunition
Causing fear among the people with their weapons and tactics


Fighting the nation with their guns and ammunition
Engaging in conflicts and wars against the people with their weapons and tactics


From genesis to revelation
Through history, from the beginning to the end of times


The next generation will be, hear me
The upcoming youth will face the challenges and consequences of the current situation


All the peacemaker, turn war officer
Those who advocate for peaceful resolutions become soldiers and aggressors in the face of oppression


And I'm scaring, I'm fighting the nation, oh yeah
The singer is expressing their involvement and struggle against the oppressive system


Shooting, shooting their guns and, guns and ammunition, oh yeah
Referring to the violent tactics used by the police and authorities against the citizens


Here come, here come, here come
Signaling the arrival of imminent danger and chaos


The station is bombed, oh yeah
The police station is attacked and destroyed in retaliation or protest


Get out, get out, get out you people
Urging the citizens to evacuate and avoid danger


If you don't wanna get blown up, oh yeah
If you don't want to be a victim of violence or terrorism


Police, police, police and thieves, oh yeah
Repeating the title and emphasizing the contrast between the roles and actions of the police and criminals




Lyrics © Universal Music Publishing Group, BMG Rights Management
Written by: JUNIOR MURVIN, LEE PERRY

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

leokimvideo

None of todays music comes close to the raw emotion The Clash have in their music

Genghis

This is definitely untrue but music like that is rare.

Axel Lopez

Idles

Rohit Bhanot

It has become culturally unfashionable to criticize and dislike trash that goes for 'music' these days, because it was made by protected classes of the population whom the privileged classes dare not criticize lest they be labelled 'racist'. I'm an immigrant, so I have seen the arc of American society from an outsider's eyes for 30+ years. Black music used to be gorgeous, melodious decades ago - 50s 60s 70s 80s. Nowadays, its 'shock to sell' tactics by ex-criminals turning producer and 'singing' about explicit topics. But one day, the cycle will turn again - and melody and the MUSIC anthology accumulated by the greats will be added to by new musicians. Louis Armstrong, Aretha Franklin, The Clash, Pink Floyd, Elvis, Depeche Mode, The Cure, U2, Michael Jackson, Madonna, Bob Marley, The Doors, Beatles, AC/DC, Jimmy Hendrix, my goodness so many delightful artists!

KTG

The greatest. I love so many bands of their time, but as a Brit. They just make me proud to be British. We are such an embarrassment of a country but these guys make me proud.

13 More Replies...

The Unwanted Critic

I was the only Black/African American kid in my class listening to punk back 1978. The Clash was my favorite band. All these years later the first album still rocks!

Vitaly Maliarov

I feel you dude, I'm 17 and sadly no kid these days really listens to punk like this, which is a shame because this is such great music

Mani Motard

If I'm not mistaken, this was their remix to an earlier reggae song

Patrick Smiley

Same for me on both points in okc in1980

Patrick Smiley

@Mani Motard it is jr. Murvin did original.

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