TC5 made their first recording, a two-song demo session, in early 2004 after successful local touring. They released their debut album, 'Greetings from Imrie House', in 2005. After vocalist Eric Dill left the group, he was replaced by Kyle Patrick, who debuted on their second album, 'Modern Minds and Pastimes', in 2007. Their third album, 'TCV', was released in Asia in 2010 and to the rest of the world in early 2011. The band folded after a decade of performing in 2013.
TC5 were initially known for their power pop songs and for their Mod-based public image, involving sharp-looking suits and ties coupled with moptop haircuts, which were deliberately reminiscent of The Beatles. They've preferred to classify their music as "new school power pop". However, they have also been classified as 'pop punk' and 'teen pop'. They achieved significant commercial success with their first album in the US and their second release met with extreme popularity in Asian countries such as Cambodia and the Philippines. In total, the band has sold two million albums worldwide and have created eight number one singles in seven different nations. TC5 notably also starred in the 2007 film 'Taking Five' with actresses Alona Tal, Daniella Monet, and Christy Carlson Romano.
Band formation and early history
Ben Romans studied songwriting, Ethan Mentzer studied production and engineering, and Joey Zehr double majored in production/engineering and business at the Berklee College of Music. Roommates and close-friends Mentzer and Zehr moved to a place on Imrie Road in the neighborhood of Allston when they were both sophomores. Calling their place "Imrie House", they met with Romans and Joe Guese (whom Zehr once described as a "professional dropout") and formed a kind of pseudo-fraternity. The four played in various local bands, none of which had any success. However, they drew the attention of Wayne Sharp, a musical talent agent who had mostly worked in jazz although he had also worked with the mid-1980s power pop group Candy.
Romans went to work for a record company in Nashville. Jeff Dorenfeld, former manager of the band Boston, saw Guese and Mentzer performing in May 2003 and referred them to Sharp. Sharp liked their playing, but he had a low regard for their songs and their appearance. The first words Sharp ever said to them was: "This isn't going to work unless you listen to me".
The four soon took in Eric Dill, a high-school friend of Zehr from when they both lived in Indianapolis. Zehr has said that they began playing seriously because "[w]hen we started the band our senior year, it was basically our last-ditch effort, because we all knew we were about to be done with school and have to enter the real world". They were all in their very early-20s. According to Zehr, the group would play several shows a week that were booked under different band names to get around local clubs' rules preventing artists from playing that close to each other. Their playing then got the attention of Mike Denneen, Boston-based producer of Fountains of Wayne, who agreed to help them produce a 2-song demo record. Denneen also introduced them to Kiss singer/guitarist Paul Stanley, who was strongly supportive.
The Click Five made their demos at Imrie House itself, finishing in March 2004. Denneen believed that the group "sucked live" and pushed them to rehearse further. The program director at Kiss 108, the big Boston Top 40 station, liked it enough to book the group for the station’s 'Concert on the Charles' in mid-2004. The released their first EP, 'Angel to You (Devil to Me)', around this time. Principal songwriter Ben Romans collaborated with Paul Stanley in creating the song, and guitarist Elliot Easton, best known for his work in The Cars, played in it.
The group hired a lawyer and shopped around some of the major labels. A college scout from Epic Records who witnessed one of their shows convinced Epic to fly the group to Los Angeles to play. Lava Records, which was later folded into Atlantic Records, ended up signing the band in late-2004. They started with the label a mere month after their EP. According to The Boston Globe, "Click Five was launched into the pop-music stratosphere with the full force of the industry's muscle behind it." The band opened for Ashlee Simpson for the first time, a position that cost the label $25,000 and that one of their officials later called "the best money we've spent".
The group ended up selling about 10,000 copies of the EP. They then released 'Just the Girl', written by label-mate Adam Schlesinger of Fountains of Wayne, to build up support for their debut album. They also toured extensively with Ashlee Simpson. They released their debut, 'Greetings from Imrie House', on August 8, 2005, which they named after the building where they had started. It featured another song by Schlesinger titled "I'll Take My Chances", in which Elliot Easton also played. The album also contained a cover version of "Lies" – a song which was a hit for U.K. pop band Thompson Twins in 1983.
Commercial and critical peak
'Greetings from Imrie House' brought TC5 widespread commercial success, selling 350,000 copies in the United States. It took the fifteenth place on the Billboard 200 Charts almost immediately. According to The Boston Globe, they "saturated" the media in several Asian countries as well, such as in Cambodia. Amy Doyle, then-MTV vice president, remarked that "I see screaming girls in their future. I see them having to wear disguises". Many stores stocked various Click Five-based items such as lunchboxes, backpacks, trading cards, and hair gel lines. The band spent late 2005 and early 2006 as the opening act for Ashlee Simpson, Alanis Morissette, the Backstreet Boys, and Jesse McCartney as well as touring both by itself and in collaboration with Big City Rock. They also performed at Macy's Thanksgiving Day Parade in November 2005, singing 'Catch Your Wave'.
Their album turned out as that year's highest-charting debut from a new rock group.[8] They created a music video for 'Just the Girl' in summer 2005, and it went up to number nine on MTV's program Total Request Live. The song became the No. 1 most-downloaded song on iTunes for over 2 weeks, leading to a RIAA platinum certification as a Digital Single. Their MySpace page hit No. 1 on the 'Most Viewed Band Page' ranking as well.
'Greetings from Imrie House' gathered positive reviews from About.com, where critic Bill Lamb labeled it "a free fall into the world of irresistible melody and guitar-soaked power chords", and from Entertainment Weekly, where critic Gary Susman called it "insanely catchy". Rolling Stone also ran a supportive review from Barry Walters, who stated that the "relentlessly catchy" album featured "several hit-worthy tracks". Critics at USA Today and IGN.com panned the album, the former stating that listeners will be left "craving something more".
Throughout, members saw manager Wayne Sharp's as an amiable influence. Producer Mike Denneen said, "He's not a dictator; he's a consensus builder, and he's very good at it... He cajoles and persuades and convinces and everybody is inclined to trust him, including me." However, band members expressed concern that they started out too fast and that they intentionally brought on too much media attention.[5] Members also experienced increasing dissatisfaction with their label. Zehr said, "It’s not like the old days, where a label would spend years pumping money to develop an artist... Today it’s up to the artists to ready themselves for the big time". He commented as well, "At this point you’re kind of turning the label into a bank".
Later career and recent history
Through 2006, interest in the band gradually faded. Their songs did not have the chart success that the members had expected. Allmusic critic Stephen Thomas Erlewine has remarked that the band's music "didn't quite stick in the brain". Bassist Ethan Mentzer later said, "There was a point where it felt like we were in an airplane and the engines just died... It was a long, slow glide down."[6] The band went on touring locally in venues such as Hot Stove and Cool Music.
Lead singer Eric Dill left the band in February 2007. The remaining four members released an official statement on the departure in March on their MySpace page, stating that "We know he will be missed by many and we wish him the best success in his other endeavors". They brought on new lead singer Kyle Patrick, whom they had met in November 2006. Patrick had been in his third year at the Berklee College of Music and left in the middle of his studies to join The Click Five as Lead Vocalist/Rhythm Guitarist. He had been performing since age 11, citing Eric Clapton and his bands Derek & The Dominos and Cream, Stevie Ray Vaughan & James Taylor as his main influences.
TC5 spent early 2007 undergoing a reboot of their musical style, emphasizing new wave and deliberately retro influences with more use of synthesizers. They appeared to be emulating successful alternative rock groups The Killers and Weezer, according to Erlewine. The band also gave up wearing matching outfits and changed to having each member adopt their own modified visual image.
The band narrowed down the about eighty songs that they had been working on down to twelve and then recorded their second album, 'Modern Minds and Pastimes'. The title refers back to rnb artist Ray Charles’ 1962 album 'Modern Sounds in Country and Western Music'. It was released on June 26, 2007. Despite high hopes, the album failed to meet commercial expectations, with only 50,000 copies sold in the U.S. It reached number 136 on the Billboard 200 chart. The album also earned mixed reviews from Erlewine, which stated that "it's hard not to be disappointed", and Adrienne Day of Entertainment Weekly, which called the lyrics "banal" and the overall album as lacking "punch". Chad Grischow of IGN.com labeled it "unfortunately uneven", although he also remarked that it was "worth a listen".
The album spawned the single 'Jenny' (co- written by Jez Ashurst and Chris Braide), which reached the number one spot in charts in Indonesia, the Philippines, Thailand, Singapore, and Taiwan. The group spent mid to late 2007 touring across various Asian venues, many of them alongside The Black Eyed Peas. The group performed on Fox Network's Good Day Atlanta on August 30. The group performed at Boston Music Awards on Saturday, December 1, 2007 at the Orpheum Theater. They received nominations for 'Outstanding Pop Act', 'Male Vocalist of the Year' (for Kyle Patrick), and 'Song of the Year', and they won for 'Outstanding Pop Act'. Singapore radio station 98.7 FM voted them “Band of the Year”.
The group continued touring to widely receptive audiences in some Asian countries, notably in the Philippines where they have a loyal fan base, throughout 2008. That year, they co-headlined the first rock concert ever performed at the Angkor Wat Temple. In late 2008, they participated in an MTV EXIT concert in Bangkok done to raise awareness on human trafficking. The band played along with Burmese pop star Phyu Phyu Kyaw Thein and various Thai-based celebrities.
On August 2, 2008, Click Five won the 'Knockout Award' at MTV Asia Awards 2008, in Genting Highlands, Malaysia. The award, for "the artist who has successfully captured the hearts of young music audiences in Asia", was a surprise to the band. Through 2008 and early 2009, the band played in various smaller, more niche-based venues in the New England area around this time.
In March 2009, Mike Denneen said, "Atlantic was unwilling to let them become a 'real' band, which is what the guys wanted. Now they're calling the shots and having the opportunity to do what most bands do at the beginning: play and write songs and develop." The band spent the month playing in various local locations such as the Lizard Lounge in Boston. They represented a big change for the Lounge, which was used to hosting alternative rock and indie rock acts.[6] Ben Romans stated that month that a self-financed new album would be coming soon. The band released two new songs, "I Quit! I Quit! I Quit!" and "Be in Love", available as free singles online. On August 6, 2010, they released their new single, "The Way It Goes", with a record to follow the same year.
On November 13, 2010, they announced on their Twitter that their third album, entitled TCV, would be released exclusively in Asia on November 16, 2010. Their album was released in the UK through LoJinx and in the US on Q Dee Records, May 2011. TCV-related digital downloads were targeted for release on iTunes, July 2011. Although greatly enjoyed by their fan-base, the album proved somewhat of a commercial disappointment.
The band called it quits on January 15, 2013. An official statement read: "Moving forward, we hope you will continue to support each of us in our personal ventures, just as we band-mates support each other. We're lucky to have experienced so much together and to be where we are today. We look at this not as an end, but the beginning of a new journey."
Public image
Early in their career the band were known for their visual style. The Click Five were known for appearing in matching Mod-based sharp-looking suits and ties coupled with moptop haircuts, as well as wearing bright red collared shirts underneath.[31] Early in their career, the band did not appear in public without their matching outfits. During this period their style was reminiscent of The Beatles and other 60s Merseybeat groups. Their look was somewhat similar to modern-day 'retro rock' contemporaries The Strokes as well.
The band has a large audience of teenage girls. Guese has remarked, "For a lot of these girls it is the first concert they have been to, or the first band they have been linked to". He has also said, "Girls going crazy are better than some guy in a bar waiting to fight you outside after you're done playing".
The Boston Globe referred to their image as "fluffy teen-dream pinups". Mentzer, although defending their image, has admitted that the band is perceived as "uncool".
Reviewers from USA Today and About.com criticized the band for being generally too "cutesy", "lacking of substance", "not impressive to today's generation" and "soulless". A Yahoo! Music commentator has stated that it "sounds like a soundtrack to a WB show".
Influences
Band members have cited power pop leaders Cheap Trick and Matthew Sweet as major influences. They also have cited the Talking Heads as an inspiration. John D. Luerssen of Allmusic has stated that they sound similar to The Knack, The Calling, and label-mates Fountains of Wayne. Mikael Wood of Baltimore City Paper has compared the Click Five to Fall Out Boy and the All-American Rejects in terms of sound and crossover appeal. In terms of songwriting, Bill Lamb of About.com has remarked that they seem reminiscent of The Beatles and The Beach Boys. Gary Susman of Entertainment Weekly has stated their vocal harmonies are similar to Queen, but they sing more like the Backstreet Boys.
Several critics and commentators have stated that TC5's overall image, style, and performance is evocative of fellow Boston-based band The Cars. In general, Guese has said, "we're a rock band that plays pop songs... I have always been a fan of the three-minute pop song." He has also said, "We just try to have a lot of fun... We try to bring back that old-time rock 'n' roll sort of vibe."
More details
They enjoyed success on the U.S. Billboard Hot 100 Singles Chart with the song "Just The Girl" (written by Fountains of Wayne's Adam Schlesinger) in 2005. Earlier in 2005, they toured for two months as an opening act for Ashlee Simpson. Later in the year of 2005, they toured with the Backstreet Boys. Afterwards, The Click Five began an autumn 2005 tour with Ryan Cabrera and The Veronicas. They have also performed at J.C. Penney's Rock Your Prom fashion shows. In the autumn of 2006, the band were the the special guests on an arena tour of the UK and Ireland with the pop rock band McFly.
As of March 2007, Eric Dill left the band to pursue a solo singing career as well as an acting career in Los Angeles, CA. The Click Five replaced him with Kyle Patrick.
Their sophomore album, 'Modern Minds and Pastimes', was released June 26th, featuring the first song off the album titled "Jenny".
Pop Princess
The Click Five Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Looking at the sparkling eyes
In the middle of a fresher crowd
You keep living like you're a movie star
But tell me who you really are
When the lights go down
Baby your a glitter doll
I dissolved
In my stereo
You've got me
You've got me coming back for more
Pop princess hold my hand
Pop princess I'm a fan
Pop princess I need you now
Freak me out turn me inside out
Pop princess make me smile
Pop princess drive me wild
Pop princess I need you now
So baby turn your love up loud
You were hiding in a darkened stall
Waiting on your curtain call
Getting your piece of mind
But I was looking past the glossy stare
I knew who was really there
And I'd like to spend some time
Baby your a glitter doll
On the radio
I dissolved
In my stereo
You've got me
You've got me coming back for more
Pop princess hold my hand
Pop princess I'm a fan
Pop princess I need you now
Freak me out turn me inside out
Pop princess make me smile
Pop princess drive me wild
Pop princess I need you now
So baby turn your love up loud
Baby girl I think you're radical
But you're a star and I'm fanatical
Can we start something new
Just between me and you
Pop princess hold my hand
Pop princess I'm a fan
Pop princess I need you now
Freak me out turn me inside out
Pop princess make me smile
Pop princess drive me wild
Pop princess I need you now
So baby turn your love up loud
Pop princess (oh)
Pop princess (oh)
So baby turn your love up loud
Pop princess (oh)
Pop princess (oh)
So baby turn your love up loud
Pop princess (oh)
Pop princess (oh)
So baby turn your love up loud
Pop princess I need you now
So baby turn your love up loud
The Click Five's Pop Princess has a catchy, upbeat tune that appears to be a love song about a pop star. However, upon closer inspection, the lyrics suggest that the singer is more a fan of the Pop Princess's persona and fame than the person behind it. The song starts with the singer getting lost in the glitter and sparkle of the pop star's show and looking into her eyes. He comments on how she keeps living like a movie star, but wants to know who she really is when the lights go down. The chorus is when the singer speaks directly to the Pop Princess, asking her to hold his hand, driving him wild, and to turn her love up loud.
The verses reveal that the singer understands that the Pop Princess is an individual person underneath the glitter doll that she presents to the world, but he still seems to be more caught up in the persona than the person. He sees her waiting for her curtain call and acknowledges her glossy stare, but comments that he sees beyond that to the real person underneath. There is a suggestion of possibility when the singer asks if they can start something new between the two of them, possibly indicating that he wants to discover more about the authentic person behind the Pop Princess. Overall, the song appears to be about being caught up in the glamour and allure of a celebrity and wanting to be a part of it.
Line by Line Meaning
I lost myself at your show last night
I was so absorbed by your performance at your recent concert
Looking at the sparkling eyes
Admiring your bright and lively eyes
In the middle of a fresher crowd
Surrounded by a young and energetic audience
You keep living like you're a movie star
You continue to act as though you are a Hollywood celebrity
But tell me who you really are
But can you reveal your true self to me?
When the lights go down
After the show is over and everything is dark
Baby your a glitter doll
You are like a shimmering and glamorous doll
On the radio
Playing on the airwaves
I dissolved
I became lost in the music
In my stereo
Through my audio system
You've got me
You have captured my attention and affection
You've got me coming back for more
You make me want to experience more of your music
Pop princess hold my hand
Oh pop princess, would you take my hand?
Pop princess I'm a fan
I am a devoted admirer of yours, pop princess
Pop princess I need you now
Oh pop princess, I require your presence at this moment
Freak me out turn me inside out
Excite me and turn my world upside down
Pop princess make me smile
Pop princess, your music fills me with happiness
Pop princess drive me wild
Pop princess, your music ignites my passion
So baby turn your love up loud
Please increase the intensity of your musical performance, pop princess
You were hiding in a darkened stall
You were concealed in a private area backstage
Waiting on your curtain call
Anticipating the moment that you would be summoned to perform
Getting your piece of mind
Preparing yourself mentally for the upcoming show
But I was looking past the glossy stare
But I saw beyond your polished appearance
I knew who was really there
I understood your true identity
And I'd like to spend some time
And I would appreciate the opportunity to get to know you better
Baby girl I think you're radical
Sweetheart, I believe you are unconventional and amazing
But you're a star and I'm fanatical
Yet, you are famous and I am obsessed with you
Can we start something new
Can we begin a unique and special relationship?
Just between me and you
Exclusively between us two, pop princess
Pop princess (oh)
Oh pop princess
So baby turn your love up loud
Please increase the intensity of your musical performance, pop princess
Pop princess I need you now
Oh pop princess, I require your presence at this moment
Lyrics © Kobalt Music Publishing Ltd.
Written by: BEN ROMANS
Lyrics Licensed & Provided by LyricFind