With the release of the seminal Telemetry of a Fallen Angel (existing in a few incarnations prior to Dancing Ferret Discs' version in 1997), The Crüxshadows enjoyed their first defining moment courtesy of the infinitely catchy dance floor anthem "Marilyn My Bitterness." With additional strong releases including The Mystery of the Whisper (1999), Until the Voices Fade (1999) and Paradox Addendum (2000) backed by lengthy tours, The Crüxshadows were able to build a legion of diversified fans consisting of everything from jarheads to gamers to anime & role playing enthusiasts.
While the lineup has indeed changed over the years, one constant has remained the same; Rogue, the vocalist, leader and mastermind of The Crüxshadows has directed his troupe towards an unconventional and lofty goal. "I want to change the world with music, I want people to find hope within themselves. I want them to know that anything is possible if you believe and follow through. I think that music has the power to inspire and move people to do amazing things" he muses. He is not alone in his belief. Their fans seem to believe it too. The bands motto "live love be believe" is everywhere, and many of their supporters will tell you that the lyrics have changed their lives in some way. This isn't exactly typical for a band most often identified as gothic or dark-wave. The Crüxshadows are not concerned. "Goth isn't about being a stereotype" the front-man complains, "its about being who you want to be... about not running from yourself or your emotions." The charismatic singer/songwriter/producer understands an audience and tends to deliver his dramatic croon right in their laps. Nothing they do is exactly new, but how they do it is completely unique. The lyrics are deep and meaningful, the stage show is dynamic and entertaining, and the music is hooky and inspired by pop. But pop it is not. It is a hybrid music that exists in a place just left of everyday, and just right of never-ever.
The band has maintained a surprising consistency despite the personnel turnovers that have plagued it in recent years. Jessica Lackey, a singer/dancer who married Rogue in 2007, and keyboardist Jen Jawidzik, who was once Rogue and Jessica's roommate, have stuck with it for the better part of the last decade. "When we have to find someone new, I feel like sometimes they don't understand all the hard work that was necessary for us to get to that point" Jessica states flatly, "It is not difficult to under-appreciate everything the band has accomplished, so people move on because they have not invested the same energy into the project." While the shows and the music continues to get better, that magically 'permanent' combination of personalities has continued to elude them. The band has had a difficult time keeping guitar players and dancers in particular, but has seen turnover in almost every position. These days Crüxshadows has Rogue backed by a mostly female band of new wave latex clad gypsies, and boasts an original mix of violins, dancers, guitars, and electronics. Tight and well-practiced, the seven performers interact on stage with clockwork like precision. The audience is captivated. Some of them scream. Some of them sing along. A few others stare at the stage dumbfounded.
Although The Crüxshadows maintain a strong fan base in their native United States, their most perceptible success seems to be focused in Europe. It is not uncommon for the band to share stages with the likes of Ladytron, Prodigy, The Cure, or even Bjork. The 2002 Tears EP topped the Deutsche Alternative Charts for months, a practice that has continued with all subsequent releases soaring to the DAC's Top 10. "I don't think we're actually more popular there (In Europe)" says Rogue, "It just seems like there is more access to our fans. What we do has more acceptance by the powers that be. In America it feels like all of our victories are covered up or are unacknowledged by the media." 2002 also saw the release of their fifth full-length album Wishfire; a fan favorite that featured the Euro hit "Tears" and a number of other dark dance mainstays. Similarly the follow-up album Ethernaut (released in 2003) brought the band what has become one of its most notable tracks, the European club anthem entitled "Winterborn (This Sacrifice)."
Remixes and special versions of songs have kept there fans satiated when no new traditional album lay on the horizon. In 2004 Fortress In Flames was released featuring a cover by the popular American artist Chad Michael Ward. There The Crüxshadows' material was remixed by peers like the Dutch legends Clan of Xymox and German industrial giants In Strict Confidence. Each year has seen some new disc from the band, and they come in a variety of formats. The year 2005 witnessed the release of their first DVD Shadowbox. The DVD is highlighted by a 2004 performance before a rabid crowd of 15,000 at the Wave-Gotik-Treffen in Leipzig Germany, where the ‘call and response' raw energy the band delves out is served right back by an adoring audience.
In 2006 the band would seem to breakaway from their underground moniker. The addictive single "Sophia" impressively debuted on the Billboard Hot Dance Singles Sales Charts in September at position #1, replacing Beyoncé in the top spot while landing #7 on the Hot 100 Singles Sales Chart. "We couldn't believe it, doors began to open. It was as if we couldn't be ignored anymore, after a decade and a half we seemed to be getting some respect. The local news in Florida even put us on the nightly news to get our take on the whole thing", the frontman recalls. The following year was pivotal for The Crüxshadows; in May the band successfully toured China performing at the Midi Open-Air Festival in Beijing, in the presence of many thousands of new fans. Later that year the band released the highly anticipated Dreamcypher album that contained yet another Billboard #1 Dance Single with the song "Birthday." This time the band climbed into the #2 spot on the Hot 100 Singles Sales Chart. With Dreamcypher, The Crüxshadows melded their fondness for 1980s Synth Pop/New Romantic sounds with modern Euro dance nuances into perfection. Dreamcypher joins the aforementioned shimmering "Sophia" and "Birthday" with the guitar fronted "Defender" and the majestic sounding "Eye of the Storm." The infectious disc would become The Crüxshadows' best selling album to date both in the United States and abroad.
The following year witnessed another single marching up the Billboard charts. "Immortal" continued the bands musical string of hits, despite the loss of violinist Rachel McDonnell. David Wood and JoHanna Moresco stepped in as an electric violining duo who not only safe-guarded the signature instrument of the band, but expanded it by way of rich layering and counterpoint melodies impossible in previous years. 2008 also saw the band's label Dancing Ferret Discs, withdraw from actively releasing new material. This left the band to deal with a large number of new and unforeseen issues, and delayed their plans to release a new full length album.
While The Crüxshadows spent most of 2009 touring in Europe, the band still managed to release yet another successful Billboard charting single in America. "Quicksilver" debuted just in time for their annual appearance at Atlanta's famed Dragon*Con Convention before an impressive capacity crowd of several thousand of their most loyal fans. "I think the new single, and really the most recent releases in general, are our most polished and well written work" says Rogue, "but there are still those in the scene, and in the business in general, that just think the whole thing is just dumb luck." The single was the first release from Wishfire Records, a new label founded by the band, and eventually reached #1 on The Billboard Hot Dance Singles Sales Charts and #2 on The Billboard Hot 100 Singles Sales Charts. Seemingly too pop for many critics and too underground for the industry, the band has apparently found the perfect balance for the people who matter the most to them; their fans.
The Crüxshadows have played by their own rules, and who is to say in a world of declining sales and illegal internet downloads that they haven't gotten the balance right. Time will tell. For now, The Crüxshadows continue to defy as well as define the odds, and their dark yet positive machine continues to roll.
Pornography
The Crüxshadows Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
All she's wanting touch
A little bit of hunger
Satisfaction doesn't ask for much
She wants to feel intensity he watered down
The low to soft
Deliverance this heart he pumps and pounds
I look around -- What do I see?
Another finger pointing at me
All the words they testify
It has to be
Pornography
I look around -- What do I see?
Another finger pointing at me
All the words they testify
It has to be
Pornography
Welcome to my lair
Said the spider to the fly
Let me bring you ecstasy
Baby baby let me try
To rip these coiling binders
From the smoothest plane
And dive deep inside you
To taste the sweetest rain
I look around -- What do I see?
Another finger pointing at me
All the words they testify
It has to be
Pornography
I look around -- What do I see?
Another finger pointing at me
All the words they testify
It has to be
Pornography
The lyrics to The Crüxshadows's song "Pornography" can be interpreted in various ways, but one central theme seems to be the inability to escape society's judgment and condemnation. The singer is faced with the thirst and hunger for intensity and satisfaction, yet as they try to quench their desires, they are constantly being pointed at and labeled as indulging in pornography. The desire for intimacy is likened to the spider's lure of the fly into his web, promising ecstasy but ultimately leading to entrapment. This can be seen as a metaphor for the societal expectation of sexual repression and shame, leading to people feeling trapped and judged for their natural desires.
Furthermore, the lyrics hint at the commodification and commercialization of sex, with "pornography" being an industry that sells erotic material for profit. The singer is closely scrutinized and criticized for their desires, yet the idea of pornography and its influence on society is not explored or challenged. This could be interpreted as a critique of society's hypocritical stance on sexuality, where it is demonized and commodified at the same time.
Line by Line Meaning
The thirst is getting angry
Her desire for intense physical pleasure is growing stronger and more urgent
All she's wanting touch
All she craves is the physical sensation of touch from another person
A little bit of hunger
She is feeling a small but persistent need that can only be satisfied by physical pleasure
Satisfaction doesn't ask for much
The physical pleasure she seeks is not complicated or difficult to achieve
She wants to feel intensity he watered down
She desires a level of physical intensity that has been diluted or weakened
The low to soft
The physical intensity she has experienced thus far has been too mild and unfulfilling
Deliverance this heart he pumps and pounds
The excitement and anticipation of fulfilling her desire for physical pleasure is causing her heart to beat with anticipation
I look around -- What do I see?
The artist is observing their surroundings and taking in what is happening around them
Another finger pointing at me
Others are accusing and blaming the artist for something, possibly related to their desires for physical pleasure
All the words they testify
The words of those accusing the artist provide evidence or proof of something
It has to be
The evidence presented is leading to a conclusion or assumption
Pornography
The conclusion or assumption being made is related to pornography or sexual content
Welcome to my lair
The person speaking is inviting someone into a place that they control, possibly with the intention of manipulating or using them
Said the spider to the fly
The singer is using a metaphor of a spider luring a fly into their web to describe the situation
Let me bring you ecstasy
The singer is promising the other person a pleasurable, euphoric experience
Baby baby let me try
The artist is pleading with the other person to let them attempt to provide the desired physical pleasure
To rip these coiling binders
The artist wants to remove any obstacles or inhibitions that may be preventing the other person from experiencing pleasure
From the smoothest plane
The singer is seeking to create a surface or environment that is free of any bumps or obstacles, to make the experience as smooth and enjoyable as possible
And dive deep inside you
The singer wants to fully immerse themselves in the other person's body and experience of pleasure, in order to provide the ultimate sensation
To taste the sweetest rain
The artist is using a metaphor of rain to describe the sensations of pleasure they hope to provide, which will be sweet and refreshing
Contributed by Jordyn Y. Suggest a correction in the comments below.