With the release of the seminal Telemetry of a Fallen Angel (existing in a few incarnations prior to Dancing Ferret Discs' version in 1997), The Crüxshadows enjoyed their first defining moment courtesy of the infinitely catchy dance floor anthem "Marilyn My Bitterness." With additional strong releases including The Mystery of the Whisper (1999), Until the Voices Fade (1999) and Paradox Addendum (2000) backed by lengthy tours, The Crüxshadows were able to build a legion of diversified fans consisting of everything from jarheads to gamers to anime & role playing enthusiasts.
While the lineup has indeed changed over the years, one constant has remained the same; Rogue, the vocalist, leader and mastermind of The Crüxshadows has directed his troupe towards an unconventional and lofty goal. "I want to change the world with music, I want people to find hope within themselves. I want them to know that anything is possible if you believe and follow through. I think that music has the power to inspire and move people to do amazing things" he muses. He is not alone in his belief. Their fans seem to believe it too. The bands motto "live love be believe" is everywhere, and many of their supporters will tell you that the lyrics have changed their lives in some way. This isn't exactly typical for a band most often identified as gothic or dark-wave. The Crüxshadows are not concerned. "Goth isn't about being a stereotype" the front-man complains, "its about being who you want to be... about not running from yourself or your emotions." The charismatic singer/songwriter/producer understands an audience and tends to deliver his dramatic croon right in their laps. Nothing they do is exactly new, but how they do it is completely unique. The lyrics are deep and meaningful, the stage show is dynamic and entertaining, and the music is hooky and inspired by pop. But pop it is not. It is a hybrid music that exists in a place just left of everyday, and just right of never-ever.
The band has maintained a surprising consistency despite the personnel turnovers that have plagued it in recent years. Jessica Lackey, a singer/dancer who married Rogue in 2007, and keyboardist Jen Jawidzik, who was once Rogue and Jessica's roommate, have stuck with it for the better part of the last decade. "When we have to find someone new, I feel like sometimes they don't understand all the hard work that was necessary for us to get to that point" Jessica states flatly, "It is not difficult to under-appreciate everything the band has accomplished, so people move on because they have not invested the same energy into the project." While the shows and the music continues to get better, that magically 'permanent' combination of personalities has continued to elude them. The band has had a difficult time keeping guitar players and dancers in particular, but has seen turnover in almost every position. These days Crüxshadows has Rogue backed by a mostly female band of new wave latex clad gypsies, and boasts an original mix of violins, dancers, guitars, and electronics. Tight and well-practiced, the seven performers interact on stage with clockwork like precision. The audience is captivated. Some of them scream. Some of them sing along. A few others stare at the stage dumbfounded.
Although The Crüxshadows maintain a strong fan base in their native United States, their most perceptible success seems to be focused in Europe. It is not uncommon for the band to share stages with the likes of Ladytron, Prodigy, The Cure, or even Bjork. The 2002 Tears EP topped the Deutsche Alternative Charts for months, a practice that has continued with all subsequent releases soaring to the DAC's Top 10. "I don't think we're actually more popular there (In Europe)" says Rogue, "It just seems like there is more access to our fans. What we do has more acceptance by the powers that be. In America it feels like all of our victories are covered up or are unacknowledged by the media." 2002 also saw the release of their fifth full-length album Wishfire; a fan favorite that featured the Euro hit "Tears" and a number of other dark dance mainstays. Similarly the follow-up album Ethernaut (released in 2003) brought the band what has become one of its most notable tracks, the European club anthem entitled "Winterborn (This Sacrifice)."
Remixes and special versions of songs have kept there fans satiated when no new traditional album lay on the horizon. In 2004 Fortress In Flames was released featuring a cover by the popular American artist Chad Michael Ward. There The Crüxshadows' material was remixed by peers like the Dutch legends Clan of Xymox and German industrial giants In Strict Confidence. Each year has seen some new disc from the band, and they come in a variety of formats. The year 2005 witnessed the release of their first DVD Shadowbox. The DVD is highlighted by a 2004 performance before a rabid crowd of 15,000 at the Wave-Gotik-Treffen in Leipzig Germany, where the ‘call and response' raw energy the band delves out is served right back by an adoring audience.
In 2006 the band would seem to breakaway from their underground moniker. The addictive single "Sophia" impressively debuted on the Billboard Hot Dance Singles Sales Charts in September at position #1, replacing Beyoncé in the top spot while landing #7 on the Hot 100 Singles Sales Chart. "We couldn't believe it, doors began to open. It was as if we couldn't be ignored anymore, after a decade and a half we seemed to be getting some respect. The local news in Florida even put us on the nightly news to get our take on the whole thing", the frontman recalls. The following year was pivotal for The Crüxshadows; in May the band successfully toured China performing at the Midi Open-Air Festival in Beijing, in the presence of many thousands of new fans. Later that year the band released the highly anticipated Dreamcypher album that contained yet another Billboard #1 Dance Single with the song "Birthday." This time the band climbed into the #2 spot on the Hot 100 Singles Sales Chart. With Dreamcypher, The Crüxshadows melded their fondness for 1980s Synth Pop/New Romantic sounds with modern Euro dance nuances into perfection. Dreamcypher joins the aforementioned shimmering "Sophia" and "Birthday" with the guitar fronted "Defender" and the majestic sounding "Eye of the Storm." The infectious disc would become The Crüxshadows' best selling album to date both in the United States and abroad.
The following year witnessed another single marching up the Billboard charts. "Immortal" continued the bands musical string of hits, despite the loss of violinist Rachel McDonnell. David Wood and JoHanna Moresco stepped in as an electric violining duo who not only safe-guarded the signature instrument of the band, but expanded it by way of rich layering and counterpoint melodies impossible in previous years. 2008 also saw the band's label Dancing Ferret Discs, withdraw from actively releasing new material. This left the band to deal with a large number of new and unforeseen issues, and delayed their plans to release a new full length album.
While The Crüxshadows spent most of 2009 touring in Europe, the band still managed to release yet another successful Billboard charting single in America. "Quicksilver" debuted just in time for their annual appearance at Atlanta's famed Dragon*Con Convention before an impressive capacity crowd of several thousand of their most loyal fans. "I think the new single, and really the most recent releases in general, are our most polished and well written work" says Rogue, "but there are still those in the scene, and in the business in general, that just think the whole thing is just dumb luck." The single was the first release from Wishfire Records, a new label founded by the band, and eventually reached #1 on The Billboard Hot Dance Singles Sales Charts and #2 on The Billboard Hot 100 Singles Sales Charts. Seemingly too pop for many critics and too underground for the industry, the band has apparently found the perfect balance for the people who matter the most to them; their fans.
The Crüxshadows have played by their own rules, and who is to say in a world of declining sales and illegal internet downloads that they haven't gotten the balance right. Time will tell. For now, The Crüxshadows continue to defy as well as define the odds, and their dark yet positive machine continues to roll.
Siren Song
The Crüxshadows Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Disguise the sound
Change your course
But don't turn around
These words you hear
Will drag you in
They'll swallow you
Don't let her win
The hurt will end
But you mustn't break
And you mustn't bend
Don't look back
It's all the same
You can't go back
To that stupid game
The siren song
The siren song
The siren song
The siren song
And you give up
And when you give in
You'll dash your heart against the rocks
Close your heart
Close your eyes
Before you fall
To all these lies
It doesn't matter
It will never change
This hated element
Still remains
It still remains
It still remains
Cover your ears
Disguise the sound
Change your course
But don't turn around
These words you hear
Will drag you in
They'll swallow you
Don't let her win
Cover your ears
The hurt will end
But you mustn't break
And you mustn't bend
Don't look back
It's all the same
You can't go back
To that stupid game
The siren song
The siren song
The siren song
The siren song
Don't look back
You've got to be strong
You cannot listen
To the siren song
The siren song
The siren
The siren song
The lyrics of The Crüxshadows's "Siren Song" convey a sense of warning and danger, cautioning the listeners not to give in to temptation and the lure of false promises. The song seems to be inspired by the mythological concept of the Siren, a creature from Greek mythology known for luring sailors to their deaths with their enchanting voices. The lyrics encourage the listeners to resist any urge to turn back or to indulge in anything that might cause them harm.
The repeated command to cover your ears symbolizes the need to protect oneself and avoid falling prey to dangerous and seductive voices. The line "And when you give in, You'll dash your heart against the rocks" emphasizes the consequences of giving in to temptation and the realization that such decisions could result in self-inflicted harm, pain, and heartbreak.
Overall, "Siren Song" can be interpreted as a warning for people to be careful who they trust and who they listen to, as not everyone has their best interests at heart, and some people or situations can lead them down a path of destruction.
Line by Line Meaning
Cover your ears
Block out the noise
Disguise the sound
Put on a false front
Change your course
Alter your direction
But don't turn around
Don't look back
These words you hear
The words that tempt you
Will drag you in
Will lure you closer
They'll swallow you
They'll consume you
Don't let her win
Don't give in to temptation
The hurt will end
The pain will eventually subside
But you mustn't break
But you must stay strong
And you mustn't bend
And you must not be swayed
Don't look back
Don't dwell on the past
It's all the same
It's all pointless
You can't go back
You can't undo what's been done
To that stupid game
To that foolish trap
The siren song
The temptress's call
And when you give in
And when you succumb
You'll dash your heart against the rocks
You'll shatter your own heart
Close your heart
Protect your emotions
Close your eyes
Shut out the world
Before you fall
Before you surrender
To all these lies
To all the deceit
It doesn't matter
It's all meaningless
It will never change
It will always be the same
This hated element
This detested temptation
Still remains
Still persists
The siren
The seductress
The siren song
The allure of temptation
Don't look back
Don't regret
You've got to be strong
You need to stay resilient
You cannot listen
You cannot give in to the call
To the siren song
To the alluring call of temptation
Contributed by Savannah F. Suggest a correction in the comments below.