Two artists exist by this name:
1) The Crystals were one of the most… Read Full Bio ↴Two artists exist by this name:
1) The Crystals were one of the most successful girl groups of the early 60s, Known for their association with producer Phil Spector, they had several well-remembered hit singles such as "He's A Rebel", "Da Doo Ron Ron", and "Then He Kissed Me". They were also trailblazers for many later African-American pop artists.
2) The Crystals was also the name of an obscure doo-wop group organised by the enigmatic Sun Ra in the mid-50s. Little is known about them. However, their tune "Honey In The Bee Box" was featured in the compilation album 'Interplanetary Melodies' on Norton Records, an album which has received critical acclaim.
3). If you are here for the Italian progressive rock band Crystals, they are not "The Crystals". Refer to the Crystals band page for more information and please fix your tags.
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In the late 50s, Barbara Alston, Mary Thomas, Delores "Dee Dee" Kennibrew, Merna Girard and Patricia "Patsy" Wright formed a singing project called "The Crystals" in high school. Under the leadership of Alston's uncle, Benny Wells, they wanted to aim for the big time. Soon, the quintet signed with Phil Spector's label Philles Records. Spector then chose Alston to be the group's lead singer, which made her very uncomfortable since she had a fear of singing in front of audiences.
Their first hit was 1961's "There's No Other Like My Baby". This song's B-side "Oh Yeah, Maybe Baby" (featuring Wright on lead) and the following single "Uptown" were topical and socially-aware pieces about growing up in the ghetto. After the success of "Uptown", a pregnant Girard was replaced by Dolores "LaLa" Brooks. The next single was 1962's "He Hit Me (And It Felt Like a Kiss)", still widely remembered though only rarely played on the radio due to the touchy subject matter of spousal abuse. Sales were sluggish.
Soon after "He Hit Me" flopped, Phil Spector began recording singer Darlene Love and her backing group The Blossoms under the name "The Crystals". Legend has it that the real Crystals were not able to travel from New York to Los Angeles fast enough to suit the LA-based Spector, who wanted to quickly record and release "He's a Rebel" (written by Gene Pitney) before anyone else had a chance to cover it and have a hit with it. The Crystals were unavailable, but Love and the Blossoms were also based in LA, so Spector recorded them and put the record out under The Crystals' banner.
"He's A Rebel" is perhaps the Crystals' most well-remembered and beloved songs, and one of the most enduring of the girl group genre. It was also their only US #1 hit. The follow-up Crystals single, "He's Sure the Boy I Love", in actuality also featured Love and The Blossoms.
The next single credited to The Crystals is one of the rarest -- and also possibly the strangest -- in rock music history. Reports vary as to the actual motivation behind the recording, but most agree that Phil Spector was looking for a way to annoy former business partner Lester Sill. What he came up with was a nearly six-minute song called "Let's Dance The Screw - Part I", which would be unplayable on 1963 radio. The record featured simple instrumentation (very much unlike Spector's famous Wall of Sound production style), repetitive lyrics, and Spector himself intoning the lyric "Dance The Screw" numerous times in a deadpan monotone. (The B-side, Part II, was more of the same.) The Crystals sang the song's repetitive verses, though it is unclear if these singers were the 'real' Crystals or The Blossoms.
The single was never commercially released, and only a few copies are known to exist (all marked D.J. COPY - NOT FOR SALE). The record was apparently only created to be a bizarre sort of joke at Sill's expense, as a single copy was specially delivered to him in early 1963.
Though it's unclear as to the level of their participation in "Let's Dance The Screw", the 'real' Crystals definitely began recording again under their own name in 1963. However, Thomas had departed to get married which reduced them to a quartet, and Alston stepped down from the lead spot giving it to Brooks.
After "Let's Dance The Screw", the group's next release was the classic "Da Doo Ron Ron." According to Darlene Love, the track was originally recorded by The Blossoms, with Love on lead vocal. Prior to release, Spector erased Love's lead vocal and replaced it with a vocal by LaLa Brooks, although he kept the Blossoms' backing vocals in place. The song was a top 10 hit in both the US and the UK, as was the follow-up single "Then He Kissed Me" — the first Crystals single since "He Hit Me" to feature all members of the Crystals as a definite group.
Both "Da Doo Ron Ron" and "Then He Kissed Me" were penned by Spector with Jeff Barry and Ellie Greenwich.
Despite the steady flow of hit singles, tensions between Spector and the Crystals mounted. Already unhappy with having been replaced by Love and company on two singles, The Crystals were even more upset when in 1964, Spector began focusing much of his time on rival girl group The Ronettes. Two failed Crystals singles followed, before the band left Spector's Philles Records for Imperial Records later in 1964. 1964 also saw the departure of Wright who was replaced by Frances Collins; toward the end of that year Alston departed leaving the group a trio. They disbanded in 1966. They reunited in 1971 and toured widely in varying incarnations on the oldies circuit; they still occasionally perform today. Kennibrew is the only original Crystal who remained active throughout their touring from the seventies to the present.
Lead singer Barbara Alston (September 28, 1943 – February 16, 2018) died at a Charlotte hospital in 2018.
1) The Crystals were one of the most… Read Full Bio ↴Two artists exist by this name:
1) The Crystals were one of the most successful girl groups of the early 60s, Known for their association with producer Phil Spector, they had several well-remembered hit singles such as "He's A Rebel", "Da Doo Ron Ron", and "Then He Kissed Me". They were also trailblazers for many later African-American pop artists.
2) The Crystals was also the name of an obscure doo-wop group organised by the enigmatic Sun Ra in the mid-50s. Little is known about them. However, their tune "Honey In The Bee Box" was featured in the compilation album 'Interplanetary Melodies' on Norton Records, an album which has received critical acclaim.
3). If you are here for the Italian progressive rock band Crystals, they are not "The Crystals". Refer to the Crystals band page for more information and please fix your tags.
-------
In the late 50s, Barbara Alston, Mary Thomas, Delores "Dee Dee" Kennibrew, Merna Girard and Patricia "Patsy" Wright formed a singing project called "The Crystals" in high school. Under the leadership of Alston's uncle, Benny Wells, they wanted to aim for the big time. Soon, the quintet signed with Phil Spector's label Philles Records. Spector then chose Alston to be the group's lead singer, which made her very uncomfortable since she had a fear of singing in front of audiences.
Their first hit was 1961's "There's No Other Like My Baby". This song's B-side "Oh Yeah, Maybe Baby" (featuring Wright on lead) and the following single "Uptown" were topical and socially-aware pieces about growing up in the ghetto. After the success of "Uptown", a pregnant Girard was replaced by Dolores "LaLa" Brooks. The next single was 1962's "He Hit Me (And It Felt Like a Kiss)", still widely remembered though only rarely played on the radio due to the touchy subject matter of spousal abuse. Sales were sluggish.
Soon after "He Hit Me" flopped, Phil Spector began recording singer Darlene Love and her backing group The Blossoms under the name "The Crystals". Legend has it that the real Crystals were not able to travel from New York to Los Angeles fast enough to suit the LA-based Spector, who wanted to quickly record and release "He's a Rebel" (written by Gene Pitney) before anyone else had a chance to cover it and have a hit with it. The Crystals were unavailable, but Love and the Blossoms were also based in LA, so Spector recorded them and put the record out under The Crystals' banner.
"He's A Rebel" is perhaps the Crystals' most well-remembered and beloved songs, and one of the most enduring of the girl group genre. It was also their only US #1 hit. The follow-up Crystals single, "He's Sure the Boy I Love", in actuality also featured Love and The Blossoms.
The next single credited to The Crystals is one of the rarest -- and also possibly the strangest -- in rock music history. Reports vary as to the actual motivation behind the recording, but most agree that Phil Spector was looking for a way to annoy former business partner Lester Sill. What he came up with was a nearly six-minute song called "Let's Dance The Screw - Part I", which would be unplayable on 1963 radio. The record featured simple instrumentation (very much unlike Spector's famous Wall of Sound production style), repetitive lyrics, and Spector himself intoning the lyric "Dance The Screw" numerous times in a deadpan monotone. (The B-side, Part II, was more of the same.) The Crystals sang the song's repetitive verses, though it is unclear if these singers were the 'real' Crystals or The Blossoms.
The single was never commercially released, and only a few copies are known to exist (all marked D.J. COPY - NOT FOR SALE). The record was apparently only created to be a bizarre sort of joke at Sill's expense, as a single copy was specially delivered to him in early 1963.
Though it's unclear as to the level of their participation in "Let's Dance The Screw", the 'real' Crystals definitely began recording again under their own name in 1963. However, Thomas had departed to get married which reduced them to a quartet, and Alston stepped down from the lead spot giving it to Brooks.
After "Let's Dance The Screw", the group's next release was the classic "Da Doo Ron Ron." According to Darlene Love, the track was originally recorded by The Blossoms, with Love on lead vocal. Prior to release, Spector erased Love's lead vocal and replaced it with a vocal by LaLa Brooks, although he kept the Blossoms' backing vocals in place. The song was a top 10 hit in both the US and the UK, as was the follow-up single "Then He Kissed Me" — the first Crystals single since "He Hit Me" to feature all members of the Crystals as a definite group.
Both "Da Doo Ron Ron" and "Then He Kissed Me" were penned by Spector with Jeff Barry and Ellie Greenwich.
Despite the steady flow of hit singles, tensions between Spector and the Crystals mounted. Already unhappy with having been replaced by Love and company on two singles, The Crystals were even more upset when in 1964, Spector began focusing much of his time on rival girl group The Ronettes. Two failed Crystals singles followed, before the band left Spector's Philles Records for Imperial Records later in 1964. 1964 also saw the departure of Wright who was replaced by Frances Collins; toward the end of that year Alston departed leaving the group a trio. They disbanded in 1966. They reunited in 1971 and toured widely in varying incarnations on the oldies circuit; they still occasionally perform today. Kennibrew is the only original Crystal who remained active throughout their touring from the seventies to the present.
Lead singer Barbara Alston (September 28, 1943 – February 16, 2018) died at a Charlotte hospital in 2018.
Frankenstein Twist
The Crystals Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come on, everybody, we're gonna do the very last dance (come on, everybody, dance)
Come on, everybody, we're gonna do the very last dance (come on, everybody, dance)
We do the Frankenstein twist
And they tell me that it's really fine
Oh, when you get there they tell me that you're fallin' a dance (come on, everybody, dance)
Oh, when you get there they tell me that you're fallin' a chance (come on, everybody, dance)
And the next thing you know, you're out on the floor
Doin' that Frankenstein dance
Oh, when I say 'eeeh' put your hands on your side
And then you do like a little twist
When I say 'ah' raise your arms up high
And then do the Frankenstein twist
Oh, you're ready (I'm ready), oh, you're ready (I'm ready)
I say you're ready (I'm ready right now)
Ah, eh (eh,eh)
Oh, oh, oh (ahaha)
Ah (ah), aha (ha)
Round, baby, round, baby, round)
Do the Frankenstein (get up, get up, get up and dance)
One more time (get up, get up, get up and dance)
It's gonna work out fine (get up, get up, get up and dance)
One more time (get up, get up, get up and dance)
One more time (now I'm ready), one more time (now I'm ready everybody one more time)
Yeah, yeah, yeah, yeah, yeah (get up, get up, get up and dance)
Yeah, yeah (get up, get up, get up and dance)
Yeah, yeah (get up, get up, get up and dance)
Yeah, yeah (get up, get up, get up and dance)
One more time (round, baby, round, baby), one more time, one more time (round, baby, round, baby)
Ah, eh (eh,eh)
Oh, oh, oh (ahaha)
Ah (ah), aha (ha)
Round, baby, round, baby, round)
Do the Frankenstein (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on and dance)
It's gonna work out fine (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on and dance)
One more time (round, baby, round, baby), one more time, one more time (round, baby, round, baby)
(Come on, come on, come on and dance)
One more time (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on)
One more time (round, baby, round, baby), one more time, one more time (round, baby, round, baby)
Let's do the Frankenstein (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on and dance)
Let's do the Frankenstein (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on)
One more time (round, baby, round, baby), one more time, one more time (round, baby, round, baby)
Come on, everybody, we're gonna do the very last dance (come on, everybody, dance)
We do the Frankenstein twist
And they tell me that it's really fine
Oh, when you get there they tell me that you're fallin' a dance (come on, everybody, dance)
Oh, when you get there they tell me that you're fallin' a chance (come on, everybody, dance)
And the next thing you know, you're out on the floor
Doin' that Frankenstein dance
Oh, when I say 'eeeh' put your hands on your side
And then you do like a little twist
When I say 'ah' raise your arms up high
And then do the Frankenstein twist
Oh, you're ready (I'm ready), oh, you're ready (I'm ready)
I say you're ready (I'm ready right now)
Ah, eh (eh,eh)
Oh, oh, oh (ahaha)
Ah (ah), aha (ha)
Round, baby, round, baby, round)
Do the Frankenstein (get up, get up, get up and dance)
One more time (get up, get up, get up and dance)
It's gonna work out fine (get up, get up, get up and dance)
One more time (get up, get up, get up and dance)
One more time (now I'm ready), one more time (now I'm ready everybody one more time)
Yeah, yeah, yeah, yeah, yeah (get up, get up, get up and dance)
Yeah, yeah (get up, get up, get up and dance)
Yeah, yeah (get up, get up, get up and dance)
Yeah, yeah (get up, get up, get up and dance)
One more time (round, baby, round, baby), one more time, one more time (round, baby, round, baby)
Ah, eh (eh,eh)
Oh, oh, oh (ahaha)
Ah (ah), aha (ha)
Round, baby, round, baby, round)
Do the Frankenstein (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on and dance)
It's gonna work out fine (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on and dance)
One more time (round, baby, round, baby), one more time, one more time (round, baby, round, baby)
(Come on, come on, come on and dance)
One more time (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on)
One more time (round, baby, round, baby), one more time, one more time (round, baby, round, baby)
Let's do the Frankenstein (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on and dance)
Let's do the Frankenstein (come on, come on, come on, come on and dance)
One more time (come on, come on, come on, come on)
One more time (round, baby, round, baby), one more time, one more time (round, baby, round, baby)
The lyrics to The Crystals' song "Frankenstein Twist" describe a dance move named after the classic horror character Frankenstein. The song encourages listeners to join in and do the "last dance" by performing this popular dance move. The lyrics also provide instructions on how to do the Frankenstein Twist, encouraging participants to put their hands on their hips and twist when the singer says "eeeh" and raise their arms and do the twist when the singer says "ah."
Line by Line Meaning
Come on, everybody, we're gonna do the very last dance
The singer is encouraging everyone to dance together.
We do the Frankenstein twist
The particular dance move being referenced is the Frankenstein twist.
And they tell me that it's really fine
The singer has been told that the dance move is good and enjoyable.
Oh, when you get there they tell me that you're fallin' a dance
Upon arrival, people confirm the presence of the singer to engage in this dance together.
And the next thing you know, you're out on the floor
Before you know it, you have started dancing.
Doin' that Frankenstein dance
Performing the specific Frankenstein twist dance move.
Oh, when I say 'eeeh' put your hands on your side
The singer gives instructions regarding how to specifically perform the dance move.
And then you do like a little twist
After placing your hands on your side, you perform a small twist.
When I say 'ah' raise your arms up high
At a specific point in the dance move, you must lift your arms up high when instructed.
And then do the Frankenstein twist
After raising your hands, you proceed to perform the Frankenstein twist move.
It's gonna work out fine (get up, get up, get up and dance)
The singer reassures listeners that everything will be okay as long as they dance together.
Now I'm ready everybody one more time
The singer is ready to dance again, instructing others to do the same.
Let's do the Frankenstein (come on, come on, come on, come on and dance)
The song ends with the singer enthusiastically inviting others to do the Frankenstein twist dance with them.
Lyrics © O/B/O APRA AMCOS
Written by: Leo McCorkle, Kate Henry
Lyrics Licensed & Provided by LyricFind
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haltmusic
The great lead vocals of La La Brooks with the fabulous Crystals.
Paul Ridley-Thomas
This track was one of the first songs that Lala Brooks sang with the Crystals.She was given two Lp tracks for the 'Twist Uptown 'Lp in 1962 this and 'Gee Whiz look at his eyes' a great voice
Seldom Seen
This song was written by my late uncle W. Leo McCorkle....
San2507
Wow. I didn’t know that your uncle was the writer of this song. I love it, I love the FRANKESNTEIN TWIST
《MYAS》 Le Sultan de Bergame
Thanks to him...😊😘
9graff9
killer track!
San2507
Is perfect for Halloween, for sing it and dance it. You tell your friends and put it in the “twist uptown” LP or “he’s a rebel” album. Then you tell them to dance this song. Is perfect
《MYAS》 Le Sultan de Bergame
La La Brooks forever...😘😘😘😘😘oh f!@#$,what à GREAT GREAT GREAT GREAT VOICE!!!
Aja Bleu
Yeah, baby!
Rockabilly Rambler
i found this cause i was looking for the song by the mansfields, of the same tittle :/