1) The Crystals were one of the most… Read Full Bio ↴Two artists exist by this name:
1) The Crystals were one of the most successful girl groups of the early 60s, Known for their association with producer Phil Spector, they had several well-remembered hit singles such as "He's A Rebel", "Da Doo Ron Ron", and "Then He Kissed Me". They were also trailblazers for many later African-American pop artists.
2) The Crystals was also the name of an obscure doo-wop group organised by the enigmatic Sun Ra in the mid-50s. Little is known about them. However, their tune "Honey In The Bee Box" was featured in the compilation album 'Interplanetary Melodies' on Norton Records, an album which has received critical acclaim.
3). If you are here for the Italian progressive rock band Crystals, they are not "The Crystals". Refer to the Crystals band page for more information and please fix your tags.
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In the late 50s, Barbara Alston, Mary Thomas, Delores "Dee Dee" Kennibrew, Merna Girard and Patricia "Patsy" Wright formed a singing project called "The Crystals" in high school. Under the leadership of Alston's uncle, Benny Wells, they wanted to aim for the big time. Soon, the quintet signed with Phil Spector's label Philles Records. Spector then chose Alston to be the group's lead singer, which made her very uncomfortable since she had a fear of singing in front of audiences.
Their first hit was 1961's "There's No Other Like My Baby". This song's B-side "Oh Yeah, Maybe Baby" (featuring Wright on lead) and the following single "Uptown" were topical and socially-aware pieces about growing up in the ghetto. After the success of "Uptown", a pregnant Girard was replaced by Dolores "LaLa" Brooks. The next single was 1962's "He Hit Me (And It Felt Like a Kiss)", still widely remembered though only rarely played on the radio due to the touchy subject matter of spousal abuse. Sales were sluggish.
Soon after "He Hit Me" flopped, Phil Spector began recording singer Darlene Love and her backing group The Blossoms under the name "The Crystals". Legend has it that the real Crystals were not able to travel from New York to Los Angeles fast enough to suit the LA-based Spector, who wanted to quickly record and release "He's a Rebel" (written by Gene Pitney) before anyone else had a chance to cover it and have a hit with it. The Crystals were unavailable, but Love and the Blossoms were also based in LA, so Spector recorded them and put the record out under The Crystals' banner.
"He's A Rebel" is perhaps the Crystals' most well-remembered and beloved songs, and one of the most enduring of the girl group genre. It was also their only US #1 hit. The follow-up Crystals single, "He's Sure the Boy I Love", in actuality also featured Love and The Blossoms.
The next single credited to The Crystals is one of the rarest -- and also possibly the strangest -- in rock music history. Reports vary as to the actual motivation behind the recording, but most agree that Phil Spector was looking for a way to annoy former business partner Lester Sill. What he came up with was a nearly six-minute song called "Let's Dance The Screw - Part I", which would be unplayable on 1963 radio. The record featured simple instrumentation (very much unlike Spector's famous Wall of Sound production style), repetitive lyrics, and Spector himself intoning the lyric "Dance The Screw" numerous times in a deadpan monotone. (The B-side, Part II, was more of the same.) The Crystals sang the song's repetitive verses, though it is unclear if these singers were the 'real' Crystals or The Blossoms.
The single was never commercially released, and only a few copies are known to exist (all marked D.J. COPY - NOT FOR SALE). The record was apparently only created to be a bizarre sort of joke at Sill's expense, as a single copy was specially delivered to him in early 1963.
Though it's unclear as to the level of their participation in "Let's Dance The Screw", the 'real' Crystals definitely began recording again under their own name in 1963. However, Thomas had departed to get married which reduced them to a quartet, and Alston stepped down from the lead spot giving it to Brooks.
After "Let's Dance The Screw", the group's next release was the classic "Da Doo Ron Ron." According to Darlene Love, the track was originally recorded by The Blossoms, with Love on lead vocal. Prior to release, Spector erased Love's lead vocal and replaced it with a vocal by LaLa Brooks, although he kept the Blossoms' backing vocals in place. The song was a top 10 hit in both the US and the UK, as was the follow-up single "Then He Kissed Me" โ the first Crystals single since "He Hit Me" to feature all members of the Crystals as a definite group.
Both "Da Doo Ron Ron" and "Then He Kissed Me" were penned by Spector with Jeff Barry and Ellie Greenwich.
Despite the steady flow of hit singles, tensions between Spector and the Crystals mounted. Already unhappy with having been replaced by Love and company on two singles, The Crystals were even more upset when in 1964, Spector began focusing much of his time on rival girl group The Ronettes. Two failed Crystals singles followed, before the band left Spector's Philles Records for Imperial Records later in 1964. 1964 also saw the departure of Wright who was replaced by Frances Collins; toward the end of that year Alston departed leaving the group a trio. They disbanded in 1966. They reunited in 1971 and toured widely in varying incarnations on the oldies circuit; they still occasionally perform today. Kennibrew is the only original Crystal who remained active throughout their touring from the seventies to the present.
Lead singer Barbara Alston (September 28, 1943 โ February 16, 2018) died at a Charlotte hospital in 2018.
Frankestein Twist
The Crystals Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(Come on, everybody, hey)
Come om everybody, we're going to the very last stop
(Come on everybody,hey)
We do the frankenstein twist
And tell me that's really fine
Oh, when you get there they tell me you fall in a trance
Oh, when you get there they tell me you fall in a trance
(Come on, everybody, hey)
And the next thing you know, you're out on the floor
Doing the frankenstein dance
Oh, when i say "eeh" put your hands on your side
And the you do like my little sis'
And when i say "ah" raise your arms up high
And then you do the frankestein twist
Oh, are you ready (are you ready)
Oh, are you ready (are you ready)
Oh, say you're ready (i'm ready right now)
Ah-eeeeeh (ah-eeeeeeeh)
Ah-aaaaaahhhh(ah-aaaahhhh)
Ah-ehh (ah-ehh)
Ah-ehh (ah-ehh)
(Round and round and round)
Let's do the frankenstein (get up, get up, get up and dance)
One more time (get up, get up, get up and dance)
It's gonna work out fine (get up, get up, get up and dance)
One more time (get up, get up, get up and dance)
One more time (get up, get up,get up and dance)
(Round and round and round)
Yeah, yeah, yeah (get up, get up, get up and dance)
Yeah, yeah, yeah (get up, get up, get up and dance)
Yesh, yeah, yeah (get up, get up, get up and dance)
Yeah, yeah, yeah (get up, get up, get up and dance)
One more time (round and round and round)
One more time (Round and round and round)
Ah-eeeeh (ah-ehhh)
Ah-aaahhh (ah-ahhh)
Ah-eeh (ah-eeeh)
Ah-aah (ah-ahh)
(Round and round and round)
Let's do the frankenstein (come on, come on, come on, let's dance)
One more time (come on, come on, come, come on, let's dance)
It's gonna work out fine (come on, come on, come on, let's dance)
One more time (come on, come on,come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
Let's do the frankenstein (come on, comen on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
Let's do the Frankenstein (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
The Crystals' song "Frankenstein Twist" is a lively dance song that calls on listeners to join in on the fun. The song starts with an invitation to come along on a journey, to the very last stop. The band then instructs listeners to do the Frankenstein twist, a unique dance they created. The lyrics encourage listeners to let themselves go and fall into a trance, ultimately becoming absorbed in the dance.
The chorus brings the listener back to instructions on how to perform the Frankenstein twist, with "ah-eeeeh" and "ah-aaahhh" signaling specific movements. The song wraps up with the band urging listeners to continue to do the Frankenstein twist, with the promise that it will be fun and a good time for everyone.
Line by Line Meaning
Come on everybody, we're going to the very last stop
Let's all go to the very end of this thing
Come om everybody, we're going to the very last stop
Let's all go to the very end of this thing
We do the frankenstein twist
We're going to do a dance called the Frankenstein twist
And tell me that's really fine
Tell me if this dance is really cool or not
Oh, when you get there they tell me you fall in a trance
When you arrive, they say you'll become hypnotized
And the next thing you know, you're out on the floor
Suddenly, you find yourself on the dance floor
Doing the frankenstein dance
Dancing the dance we call the Frankenstein
Oh, when i say "eeh" put your hands on your side
When I say 'eeh,' put your hands on your hips
And the you do like my little sis'
And then move like my little sister does
And when i say "ah" raise your arms up high
When I say 'ah,' lift your arms up high
And then you do the frankestein twist
And follow that up by doing the Frankenstein twist
Oh, are you ready (are you ready)
Are you all set?
Oh, are you ready (are you ready)
Are you all set?
Oh, say you're ready (i'm ready right now)
Say that you're ready to dance (I'm ready right now)
Ah-eeeeeh (ah-eeeeeeeh)
Ah-eeeeeh (ah-eeeeeeeh)
Ah-aaaaaahhhh(ah-aaaahhhh)
Ah-aaaaaahhhh(ah-aaaahhhh)
Ah-ehh (ah-ehh)
Ah-ehh (ah-ehh)
Ah-ehh (ah-ehh)
Ah-ehh (ah-ehh)
(Round and round and round)
(Round and round and round)
Let's do the frankenstein (get up, get up, get up and dance)
Let's dance the Frankenstein (get up, get up, get up and dance)
One more time (get up, get up, get up and dance)
Let's do it one more time (get up, get up, get up and dance)
It's gonna work out fine (get up, get up, get up and dance)
It will all be great (get up, get up, get up and dance)
One more time (get up, get up, get up and dance)
One more time (get up, get up, get up and dance)
One more time (get up, get up,get up and dance)
One more time (get up, get up,get up and dance)
(Round and round and round)
(Round and round and round)
Yeah, yeah, yeah (get up, get up, get up and dance)
Yeah, yeah, yeah (get up, get up, get up and dance)
Yeah, yeah, yeah (get up, get up, get up and dance)
Yeah, yeah, yeah (get up, get up, get up and dance)
Yesh, yeah, yeah (get up, get up, get up and dance)
Yes, yeah, yeah (get up, get up, get up and dance)
Yeah, yeah, yeah (get up, get up, get up and dance)
Yeah, yeah, yeah (get up, get up, get up and dance)
One more time (round and round and round)
One more time (round and round and round)
One more time (Round and round and round)
One more time (Round and round and round)
Ah-eeeeh (ah-ehhh)
Ah-eeeeh (ah-ehhh)
Ah-aaahhh (ah-ahhh)
Ah-aaahhh (ah-ahhh)
Ah-eeh (ah-eeeh)
Ah-eeh (ah-eeeh)
Ah-aah (ah-ahh)
Ah-aah (ah-ahh)
(Round and round and round)
(Round and round and round)
Let's do the frankenstein (come on, come on, come on, let's dance)
Let's dance the Frankenstein (come on, come on, come on, let's dance)
One more time (come on, come on, come, come on, let's dance)
One more time (come on, come on, come, come on, let's dance)
It's gonna work out fine (come on, come on, come on, let's dance)
It will all be great (come on, come on, come on, let's dance)
One more time (come on, come on,come on, let's dance)
One more time (come on, come on,come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
One more time (come on, come on, come on, let's dance)
Writer(s): Kate Henry
Contributed by Elliot D. Suggest a correction in the comments below.
haltmusic
The great lead vocals of La La Brooks with the fabulous Crystals.
Paul Ridley-Thomas
This track was one of the first songs that Lala Brooks sang with the Crystals.She was given two Lp tracks for the 'Twist Uptown 'Lp in 1962 this and 'Gee Whiz look at his eyes' a great voice
Seldom Seen
This song was written by my late uncle W. Leo McCorkle....
San2507
Wow. I didnโt know that your uncle was the writer of this song. I love it, I love the FRANKESNTEIN TWIST
ใMYASใ Le Sultan de Bergame
Thanks to him...๐๐
9graff9
killer track!
San2507
Is perfect for Halloween, for sing it and dance it. You tell your friends and put it in the โtwist uptownโ LP or โheโs a rebelโ album. Then you tell them to dance this song. Is perfect
ใMYASใ Le Sultan de Bergame
La La Brooks forever...๐๐๐๐๐oh f!@#$,what ร GREAT GREAT GREAT GREAT VOICE!!!
Aja Bleu
Yeah, baby!
Rockabilly Rambler
i found this cause i was looking for the song by the mansfields, of the same tittle :/