The Cure's full lineup history is as follows: Robert Smith (vocals, guitar 1976-present), Lol Tolhurst (drums, keyboards 1976-1989), Michael Dempsey (bass 1976-1979), Porl Thompson (guitar, keyboards 1976-1978, 1983-1992, 2005 -2010), Simon Gallup (bass, keyboards 1979-1982, 1985-present), Matthieu Hartley (keyboards 1979 -1980), Andy Anderson (drums 1983-1984), Phil Thornalley (bass 1983-1984), Boris Williams (drums 1984-1994), Roger O'Donnell (keyboards 1987 -1990, 1995-2005, 2011-present), Perry Bamonte (guitar, keyboards 1990-2005), Jason Cooper drums 1995-present) and Reeves Gabrels (guitar 2012-present)
Just as the group's lineup has changed, the band's sound has evolved throughout the years, starting off as a post-punk band similar to Wire and Gang of Four before morphing into a gothic rock band in the early 80's, to a synthpop group in the mid-80's and a power-pop-alternative band in the early 90's. The Cure has always been an alternative and very independent band which was evident from the early days. Shunning the anarchistic tendencies of many punk bands after their formation in 1976 , The Cure's first release was Killing an Arab, based on material from French writer Albert Camus' "L'Etranger" (translated into English as The Stranger or The Outsider). This track courted controversy because of its theme (misinterpreted as racist, it was in fact, about the futility of killing any ethnicity), but it started to secure a small following, which grew following the release of debut album Three Imaginary Boys and non-LP single Boys Don't Cry in 1979, the latter of which would become one of The Cure's most famous songs. At that time, The Cure embarked on tour as the support for Siouxsie & the Banshees' Join Hands Tour. After the sudden departure of guitarist John McKay, Robert was recruited as guitarist for the Banshees as the band 'felt he was the only person capable of taking on the task.' As a result, Robert completed the tour playing two sets a night with The Cure and Siouxsie and the Banshees.
Following this, The Cure moved from their punk leanings into the portentous post-punk territory, releasing three albums of doom-laden rock in three years, Seventeen Seconds, Faith and Pornography, the latter of which charted inside the UK top 10, though the band were repeatedly dogged by the "Second-class Joy Division" tag. Following their third set of line-up changes, the group released Japanese Whispers, a compilation of three singles and their b-sides. Through their desire to escape the Joy Division description, the singles were a poppier effort, featuring danceable tracks like Let's Go To Bed alongside pop songs like Love Cats. Following the commercial disappointment of follow-up album The Top in 1984, The Cure returned to form with 1985's The Head On The Door. Featuring the singles In Between Days and Close To Me, The Head on the Door was distant from the band's punk roots, having more in common with successful alternative bands like The Smiths and Echo & The Bunnymen than their gloomier roots.
Two years later, the eighth studio album Kiss Me, Kiss Me, Kiss Me was a more stadium-sized effort, though featuring audacious pop songs like Why Can't I Be You, it was seemingly caught between two styles. However, it was the band's ninth effort (following the departure of last surviving founder member other than Robert Smith, Lol Tolhurst), Disintegration, that would be their greatest success, both critically and commercially. Disintegration spawned hit singles like Lullaby (no.5 in the UK), Love Song (an impressive no. 2 in the USA), Pictures of You, and Fascination Street. The album itself was a culmination of The Cure's directions through the eighties, featuring the poppier side combined with the more tender aspects, as well as the gloomier facets.
Following this, a remix compilation named Mixed Up was released in 1990, featuring one new track, Never Enough, and two years later tenth studio album Wish surfaced, which was a hit mainly from the momentum gained by Disintegration, though it also featured their most famous pop song, Friday I'm In Love (no.6 in the UK and no.18 in the US). During the years following this, the band became distracted and discouraged by the lawsuit launched by former member Lol Tolhurst, who felt he had been deprived of royalties. As a result, the 1996 album Wild Mood Swings felt unfocused, and was a critical and commercial failure, though the single Mint Car was a moderate hit.
In 1997, The Cure released the compilation Galore, featuring new song Wrong Number. Three years later, at the release of original album Bloodflowers, Robert Smith announced it would be the last album for the band, the album itself being a return to the gloomier rock of Pornography and Faith. Resultantly, another hits compilation was released in 2001. However, in 2004, the band surprised all by returning with a self-titled album, their twelfth studio album, which was a surprise hit, reaching the US Top 10, its lead single - The End of the World - becoming a modest hit on Modern Rock radio, and receiving a relatively warm reception from the press.
In May 2005, Smith fired Roger O'Donnell and Perry Bamonte from the band, along with Bamonte's brother Daryl, who had been The Cure's tour manager for many years. The remaining members of the band (Robert Smith, longtime bassist Simon Gallup and Jason Cooper) made a few appearances as a trio before it was announced that founding member Porl Thompson would be returning to The Cure.
In early 2007 the band toured Asia and Oceania, but a planned North American tour in Autumn 2007 was delayed until Spring 2008 so the band could continue recording their next album.
The band released their thirteenth album 4:13 Dream on 27 October 2008. Four singles and a remix EP called "Hypnagogic States" were releases on the 13th of each month preceding the album's release.
In 2009, Robert Smith won the Godlike Genius award at the NME Awards. On April 19, 2009, the band performed at the Coachella Festival in California.
During 2010, Robert Smith contributed songs to the soundtrack of the Tim Burton film "Alice in Wonderland" and provided guest vocals on the songs "Not in Love" by Crystal Castles and "Come to Me" by 65daysofstatic.
Between 31 May 2011 and 1 June 2011, the band performed three concerts at the Sydney Opera House performing the entirety of one of their first three albums on each night. Porl Thompson did not perform with the band at any of the concerts, but Roger O'Donnell performed with the band for the "Seventeen Seconds" and "Faith" concerts, and co-founding member Lol Tulhurst performed with the band for the first time since 1988 for the "Faith" concert. As of 2011, O'Donnell has returned to the lineup officially. In 2012, the band added former Tin Machine guitarist Reeves Gabrels to the lineup.
In 2013 The Cure started The Great Circle Tour, headlining festivals in Japan, South Korea and North America. In 2014 Robert Smith announced the upcoming release of a new album, to be called 4:14 Scream, featuring 14 songs recorded during the 4:13 Dream sessions and also an accompanying double album 4:26 Dream containing all the tracks from those sessions.
The Cure official website: www.thecure.com
The Cure official Myspace: http://www.myspace.com/thecure
The Cure on Facebook: http://www.facebook.com/home.php?#/thecure?ref=ts
The Cure - Disintegration Microsite: http://www.thecuredisintegration.com/bin/thecure
Boys Don't Cry
The Cure Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If I thought that it would change your mind
But I know that this time
I have said too much
Been too unkind
I tried to laugh about it
Cover it all up with lies
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
I would break down at your feet
And beg forgiveness, plead with you
But I know that it's too late
And now there's nothing I can do
So I try to laugh about it
Cover it all up with lies
I try to laugh about it
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
I would tell you that I loved you
If I thought that you would stay
But I know that it's no use
And you've already gone away
Misjudged your limits
Pushed you too far
Took you for granted
Thought that you needed me more, more, more
Now I would do most anything
To get you back by my side
But I just keep on laughing
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
Boys don't cry
The lyrics to The Cure's song "Boys Don't Cry" are about a failed relationship in which the singer has treated their partner poorly and pushed them away. The singer expresses regret for their actions and wishes they could take them back and start anew. However, they know it's too late and the person has already left. The singer tries to put on a brave face and pretend like everything is okay, using humor to hide their sadness and tears. The phrase "boys don't cry" is repeated throughout the song, playing into societal norms and expectations of masculinity that discourage men from showing vulnerability or expressing their emotions.
The lyrics paint a picture of a person who is struggling with their emotions and regrets their past actions in a failed relationship. They wish they could go back and undo what they've done but know it's too late. The repetition of "boys don't cry" highlights the toxic masculinity that often leads men to suppress their emotions rather than openly expressing them. The song is a poignant commentary on emotional vulnerability and societal expectations of gender.
Line by Line Meaning
I would say I'm sorry
I'm willing to apologize
If I thought that it would change your mind
If apologizing could bring you back, I'd do it
But I know that this time
I've messed up too badly now
I have said too much
I've revealed too many worst parts of myself
Been too unkind
I've been a selfish, unkind person
I tried to laugh about it
I pretended like it wasn't a big deal
Cover it all up with lies
I tried to conceal the facts with lies
Hiding the tears in my eyes
I tried to hide my pain
'Cause boys don't cry
Boys aren't supposed to show their emotions
I would break down at your feet
I'd humiliate myself to ask for your forgiveness
And beg forgiveness, plead with you
I would try all means to ask for forgiveness from you
But I know that it's too late
It's too late to ask for your forgiveness now
And now there's nothing I can do
I've lost you and there's nothing I can do about it now
I would tell you that I loved you
I'd confess my love for you
If I thought that you would stay
If I believed that you still have feelings for me
But I know that it's no use
It's useless to say it now because you're gone
And you've already gone away
You've left me
Misjudged your limits
I underestimated how much you could take
Pushed you too far
I went too far with my actions
Took you for granted
I didn't appreciate you enough when I had the chance
Thought that you needed me more, more, more
I believed you were dependent on me
Now I would do most anything
I'm willing to go to any lengths to get you back
To get you back by my side
I want to be with you again
But I just keep on laughing
I'm still putting up a facade
Hiding the tears in my eyes
I'm still hiding my pain and emotions
'Cause boys don't cry
Boys aren't supposed to show their emotions
Boys don't cry
The societal pressure on males to hide their emotions and pain
Lyrics © Universal Music Publishing Group
Written by: Laurence Andrew Tolhurst, Michael Stephen Dempsey, Robert James Smith
Lyrics Licensed & Provided by LyricFind
@harrysonson
I would say I'm sorry
If I thought that it would change your mind
But I know that this time
I have said too much
Been too unkind
I tried to laugh about it
Cover it all up with lies
I tried to laugh about it
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
I would break down at your feet
And beg forgiveness, plead with you
But I know that it's too late
And now there's nothing I can do
So I try to laugh about it
Cover it all up with lies
I try to laugh about it
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
I would tell you that I loved you
If I thought that you would stay
But I know that it's no use
And you've already gone away
Misjudged your limits
Pushed you too far
Took you for granted
Thought that you needed me more, more, more
Now I would do most anything
To get you back by my side
But I just keep on laughing
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
Boys don't cry
@mariomena8614
Lyrics: | "Boys Don't Cry" - The Cure. |
I would say I'm sorry
If I thought that it would change your mind
But I know that, this time
I have said too much, been too unkind
I try to laugh about it
Cover it all up with lies
I try to laugh about it
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
I would break down at your feet
And beg forgiveness, plead with you
But I know that it's too late
And now, there's nothing I can do
So I try to laugh about it
Cover it all up with lies
I try to laugh about it
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
I would tell you that I loved you
If I thought that you would stay
But I know that it's no use
That you've already gone away
Misjudged your limits
Pushed you too far
Took you for granted
I thought that you needed me more
Now, I would do most anything
To get you back by my side
But I just keep on laughing
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
Boys don't cry. END.
@MademoisellleK
THE LYRICS
I would say I'm sorry
If I thought that it would change your mind
But I know that this time
I have said too much
Been too unkind
I tried to laugh about it
Cover it all up with lies
I tried to laugh about it
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
I would break down at your feet
And beg forgiveness, plead with you
But I know that it's too late
And now there's nothing I can do
So I try to laugh about it
Cover it all up with lies
I try to laugh about it
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
I would tell you that I loved you
If I thought that you would stay
But I know that it's no use
And you've already gone away
Misjudged your limits
Pushed you too far
Took you for granted
Thought that you needed me more, more, more
Now I would do most anything
To get you back by my side
But I just keep on laughing
Hiding the tears in my eyes
'Cause boys don't cry
Boys don't cry
Boys don't cry
@LOL-cringe
The Cure were always the soundtrack for those that were longing for more out of this life without knowing exactly what that was.
@Shian_n
Are you ok bro?
@freek3940
I agree. Just live and enjoy life. So hard for so many today. War everywhere 😔
@Birdshitboys
No, you're not meant to be the characterization of their songs. But yes, The Cure is a lot about romantic deceit, in the literary meaning of the term.
@ordinarypete
Nah..
@babungo6090
shut up bot
@LOL-cringe
the cure isn't a band, they're a feeling.
@GemCB7
@@dennisgordon8477a "Cure"
@walkawaycat431
You nailed it. I'm dancing in my kitchen to this right now. ❤😊
@waffleszu
real