The band chose their name based on an anti-materialistic mindset, deriving it from the novel of the same title. Initially assuming the novel conveyed anti-materialism, they later discovered it did not. Despite the misunderstanding, they kept the name, redefining it to represent a non-materialistic perspective and emphasizing that possessions won't matter at the Last Judgment. While they started as a Christian band, they have since moved away from that foundation and evolved their style. Guitarist Kyle Sipress stated in 2021 that they have not actively promoted themselves as a Christian band for a while. While most band members no longer identify as Christians, their focus remains on creating enjoyable music.
The band's journey began in 2005 when they played their first show with a fill-in bassist and just one guitarist. Soon after, Jeremy DePoyster joined as the rhythm guitarist, and bassist Andy Trick completed the lineup. They started playing local shows in Dayton and recorded their demo, titled "Patterns of a Horizon," later that year.
The band later signed with Rise Records and released their debut album, "Dear Love: A Beautiful Discord," in 2006. The album garnered attention and the band embarked on various tours.
They released their second album, "Plagues," on August 21, 2007. The singles "HTML Rulez D00d" and "Hey John, What's Your Name Again?" had music videos that aired on MTV and Fuse. "Plagues" surpassed the sales of their debut album, reaching No. 57 on the Billboard 200. The album was later re-released in 2008 with additional content. They recorded a cover of "Still Fly" for the compilation album "Punk Goes Crunk," citing Underoath and Still Remains as influences.
The band's third album, "With Roots Above and Branches Below," was released in 2009. It showcased a heavier and more epic sound while maintaining melodies. The album reached No. 11 on the Billboard 200. They continued to tour extensively, including participation in the Warped Tour and collaborations with bands like All That Remains and Killswitch Engage. In 2009, they were named Band of the Year by Alternative Press.
They released the EP "Zombie" on August 23, 2010 and followed it by going on their Back to the Roots Tour.
They released their fourth full-length studio album, "Dead Throne," on September 13, 2011, through Ferret Music. The album, described as their most emotional and well-written, peaked at No. 10 on the Billboard 200, selling over 32,000 copies in its first week. "Dead Throne" topped the Christian and Independent album charts and reached No. 3 on the Rock and Hard Rock album charts.
The band participated in the Mayhem Festival tour in 2012 and released a CD/DVD album titled "Dead and Alive" on June 26, 2012.
The band's fifth album, "8:18," was released in 2013. It featured a more melancholic sound and heavy contributions from guitarist Chris Rubey. They embarked on the Warped Tour and released the EP "Space" in 2015. The EP marked the addition of guitarist Kyle Sipress to the band.
On March 7, 2015, they re-signed with Rise Records. Shortly after, founding guitarist Chris Rubey departed and they announced their upcoming EP, "Space." They released a 7" vinyl titled "South of the City" on Record Store Day. They embarked on a tour to celebrate the five-year anniversary of "Zombie." The band introduced a new guitarist, Kyle Sipress, and released two songs from the "Space" EP, "Supernova" and "Alien." The EP was released on August 21, 2015. In 2016, drummer Daniel Williams left the band, and they released their album "Transit Blues" on October 7, 2016. They signed with Solid State Records in September 2018.
In 2019, The Devil Wears Prada welcomed Jonathan Gering and Giuseppe Capolupo as official members for their seventh studio album, "The Act," released in October 2019. They later saw the departure of bassist Andy Trick and the addition of Mason Nagy. The band released the EP "ZII" as a sequel to their previous EP "Zombie," featuring singles such as "Termination" and "Nightfall." Their eighth studio album, "Color Decay," was released in September 2022, featuring singles like "Time" and "Broken," with a deluxe edition released in May 2023.
Home For Grave
The Devil Wears Prada Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Brought into this, taken by pain
He mistook home for grave
The normal man, filtered by hate
Living to pay, buying what's fake
He mistook home for grave
It's not what we're made to be
So why'd he do it?
I guess we just do what we're told
The anthem cries, but why listen?
I guess we just do what we're told
Betrayed again, betrayed again
What began as life for him was only sorrow, was only shame
It's like the story of disgrace
Fraught with peril every day
So why'd he do it?
I guess he just did not know
Given nothing, left so lonesome
He mistook home for his grave
It's not what we're made to be
So breathe, breathe, breathe, breathe
I guess we just do what we're told
The anthem cries, but why listen?
I guess we're just do what we're told
Betrayed again
What began as life for him was only sorrow, was only shame
It's like the story of disgrace
Fraught with peril every day
I guess we just do what we're told
Betrayed again, betrayed again
I guess we just do what we're told
The normal man passed away
Dead and gone
The lyrics to The Devil Wears Prada's "Home For Grave" explore the themes of conformity, disillusionment and the way that societal expectations can lead people to misunderstand and misinterpret their own lives. In the first verse, the "normal man" is promised everything but instead is consumed by pain and hatred until he believes that his home is no longer a place of comfort or safety, but instead his grave. The chorus suggests that we as humans tend to follow orders or "do what we're told" even when it may not ultimately lead to our happiness or fulfillment. The repetition of the phrase "betrayed again" adds to the sense of disillusionment and disappointment that permeates the song, with the singer feeling as though he has been led astray time and time again. The final line "the normal man passed away, dead and gone" suggests a sort of resignation or acceptance of this fate.
Overall, this song is a commentary on the dangers of living your life based on external expectations, rather than your own dreams and desires. It warns against the potential for society to warp our perceptions of what is truly valuable and necessary in life, ultimately leading us down a path of unhappiness and regret. The desperation and despair that the lyrics express are conveyed through the heavy and intense instrumentation, creating a powerful and emotional listening experience.
Line by Line Meaning
The normal man, promised all things
The average person, offered all they desire
Brought into this, taken by pain
Introduced to the world, experiencing suffering
He mistook home for grave
He thought his life was bleak and hopeless
The normal man, filtered by hate
The everyday person, influenced by animosity
Living to pay, buying what's fake
Existing to work, purchasing inauthenticity
He mistook home for grave
He believed his living situation was like a tomb
It's not what we're made to be
Our existence has more potential
So why'd he do it?
What motivated him to live this way?
I guess he just did not know
Perhaps he was oblivious to a better life
I guess we just do what we're told
Maybe we blindly follow orders
The anthem cries, but why listen?
The common mantra commands, but why adhere?
Betrayed again, betrayed again
Disappointed repeatedly
What began as life for him was only sorrow, was only shame
His existence that was once hopeful became a constant source of negative emotions
It's like the story of disgrace
It's comparable to an account of dishonor
Fraught with peril every day
Dangerous and risky experiences constantly occur
Given nothing, left so lonesome
Not provided with any help, feeling incredibly isolated
He mistook home for his grave
He viewed his home as a miserable, dying space
So breathe, breathe, breathe, breathe
Take a moment to relax and reflect
The normal man passed away
The average person died
Dead and gone
Fully deceased and departed
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
mike tinker
The normal man, promised all things
Brought into this, taken by pain
He mistook home for grave
The normal man, filtered by hate
Living to pay, buying what's fake
He mistook home for grave
It's not what we're made to be
So why'd he do it?
I guess he just did not know
I guess we just do what we're told
The anthem cries, but why listen?
I guess we just do what we're told
Betrayed again, betrayed again
What began as life for him was only sorrow, was only shame
It's like the story of disgrace
Fraught with peril every day
So why'd he do it?
I guess he just did not know
Given nothing, left so lonesome
He mistook home for his grave
It's not what we're made to be
So breathe, breathe, breathe, breathe
I guess we just do what we're told
The anthem cries, but why listen?
I guess we're just do what we're told
Betrayed again
What began as life for him was only sorrow, was only shame
It's like the story of disgrace
Fraught with peril every day
I guess we just do what we're told
Betrayed again, betrayed again
I guess we just do what we're told
The normal man passed away
Dead and gone
J Wright
the single hit of the bells during the breakdown is pretty sweet. they have like a full orchestra throughout this album. so heavy
Daniel Curl
I really don't see how people don't like the newer TDWP! Like it doesn't all sound the same as their Zombie EP or Roots album but these lyrics are powerful and the music is awesome! Don't get me wrong I would love another album like the two aforementioned but this is a good direction and I love seeing/hearing how they've evolved their sound. It's very encompassing and they're extremely talented!
MorerFilms
I agree man. But it takes a mature person to truly understand TDWP. The lyrics and diverse guitar riffs and percussion... It takes some knowledge to understand it all.
This isn't 2008 anymore.... Hardcore music has evolved and TDWP are leading the way
Kiernan Morris
Most people do not understand the concept of progression, so they get pissed every time that TDWP releases an album that doesn't sound exactly like Plagues.
Consciously Aware Of My Sub-conscious
Mike even said their changing, going for a more raw live sound. Why? because their best music is played live.
Miguel Velasquez
Everything that TDWP is godlike and this is a great album, of course it's not like the others because well they have matured but it is still great and well , heavy.
schectermartin69
chris rubey is such an underated guitar player
339Bagger
I love the desperation in his screams. It fits the lyrics and the music. And this absolutely is what he sounds like live anyway. So it's perfect. GREAT album.
Adam Artz
The tracklist for their new album "Transit Blues" has "Home for Grave, Pt. 2" holy crap
Doge
Fk u