The origins of the band can be traced to The Bordello Boys, formed in late 1982 by Tyla (born Timothy Taylor), formerly of Kitsch. An American vocalist who was staying in England at the time, Ned Christie (real name Robert Stoddard), was brought into the project and he gave the band the name, The Dogs D'Amour, and co-wrote many early songs with Tyla. Guitarist Nick Halls, bass guitarist Karl Watson and drummer Bam completed the line-up.
The Dogs D'Amour played around fifty live shows during this era and recorded on two separate sessions, the second set of which was later released on the bootleg 7" EP, Blame It On Us whilst its lead track, Teenage (a cover of Kitsch's Teenager of the Week) was officially released on the 1983 glam-punk compilation, Trash On Delivery. On the strength of these tracks, the band was signed to a record deal with Kumibeat Records from Finland. However, shortly before the band was scheduled to record its first album, problems began to spring up and Christie left the band in late 1983 because of musical differences with guitarist Tyla. He subsequently joined L.A. Guns as guitarist and backing vocalist upon moving back to America and reverting to his real name.
Another reason for the split was that Christie had recently started another band with Bam called On The Wire and had his own recording commitments scheduled with that band, around the same time that the Dogs D'Amour were due to record their own first album. The entire line-up with the exception of Tyla and Watson left the band during this time.
The State We're In: Tyla rebuilds the band -
Tyla took over on lead vocals (while still playing guitar) to replace Ned Christie and recorded the band's first album, The State We're In, in early 1984. Dave Kusworth and Paul Hornby were brought in on guitar and drums respectively. Hornby had been a founding member of another London band, The Quireboys, earlier in the year.
The following year, the band returned from Finland to England and supported Johnny Thunders who was touring for the Que Sera, Sera album at the time. Original Dogs' drummer Bam came back to replace Hornby, and Jo "Dog" Almeida took over from Kusworth on guitar when he left to form Jacobites with Nikki Sudden.
The Dogs D'Amour then signed a contract with a Japanese label Watanabe, but did not release any material with them. More changes came during this period when, bass guitarist Karl Watson left and was replaced by Mark Duncan. However, Duncan's stay in the band was only very brief and he gave way for Swiss bass guitarist Mark Drax for a tour in Paris, France.
The classic era: late 1980s, early 1990s -
A more permanent bass guitarist was recruited by 1987. Steve James was part of what would be known as the "classic" Dogs line-up which also included Tyla, Jo "Dog" Almeida and Bam. This line-up signed a record deal with China Records in 1988.
The band released its second album In The Dynamite Jet Saloon in 1988. Essentially, this is the album which first introduced the British general public to the band. It contained singles such as "The Kid From Kensington", "I Don't Want You To Go" and "How Come It Never Rains?", all of which reached the UK Singles Chart top 100.
Unlike the four year gap between their first and second albums, the Dogs became more prolific, releasing their third studio album A Graveyard of Empty Bottles in 1989. This album proved to be the highest charting recording of their career, reaching #16 on the UK Albums Chart. During this year, the band toured with Mick Ronson and Ian Hunter.
Also in 1989, the Dogs released their fourth album, known as Errol Flynn in the United Kingdom, but King of the Thieves in the United States. Again, this album charted well in the Dogs' home country, reaching #22. It included what is their most successful single, and perhaps best-known song, "Satellite Kid".
Another album appeared in 1990 named Straight??!!, but around this time the Dogs had started to fall apart. Tyla had recently split with his wife and the band imploded, live onstage, in Los Angeles. Tyla slashed his own body with a broken glass bottle and brought an end to the band. He needed 30 stitches for the wound.
With the group disbanded, Bam Bam joined The Wildhearts and Tyla wrote a poetry book. A year later, the Dogs D'Amour reunited with a new line-up. Jo Almeida, however, decided not to return to the band as guitarist and so Darrell Bath of The Crybabys was brought in to replace him. In 1993, the band recorded a new album, ...More Unchartered Heights of Disgrace. It charted well and received favourable reviews. One of the singles from the album was a cover of the Small Faces song "All or Nothing".
By 1994, the Dogs D'Amour had broken up again. The final act of this line-up was the recording of Tyla's solo album The Life And Times Of A Ballad Monger. Although this album was released in the name of Tyla, it includes all of the Dogs D'Amour members from the 1992 line-up.
Activity in the 2000s -
In 2000, The Dogs D'Amour reunited for a short time with a line-up of Tyla, Jo "Dog" Almeida, Bam and Share Pedersen of Vixen (Bam's wife). They released an album Happy Ever After that year, along with a special fan club only release Seconds. Bam and Pederson then left the band and now play in their own act entitled Bubble.
Following the short-lived reunion, frontman Tyla moved to Barcelona, Spain, and focused on his solo career, releasing a number of albums in the 2000s under his own name. He also released two albums under the name The Dogs D'Amour, When Bastards Go To Hell and Let Sleeping Dogs..., in 2004 and 2005 respectively, along with the live album Unleashed. These, however, are essentially solo albums under a different title, as for the most part they just feature Tyla playing all instruments and his then-wife Yella on backing vocals with none of the past Dogs D'Amour members except for a guest guitar solo from Darrell Bath on When Bastards Go To Hell's title track.
Tyla toured the United States and the United Kingdom under the name Tyla & the Dogs and released the album Bloody Hell Fire under this moniker. The United Kingdom tour saw The Yo-Yo's (the band of Danny McCormack of The Wildhearts) as his backing band. In April 2011, Tyla released In the Dynamite Jet Saloon MMX.
In November 2012, The Dogs D'Amour show in the classic, original line-up was announced in London's Borderline club on 22 February 2013 to help raising funds for their long-time friend, and also former drummer of the band, Paul Hornby. After a quick sell out they added another show in Borderline on 23 February along with some other dates in UK and Spain. Shortly after the 2013 reunion, Tyla put out a statement declaring he would not be appearing again under the name Dogs D’amour.
In 2018, Tyla formed a new version of the band minus Jo Dog, Steve James and Bam, calling it "Tyla's Dogs D'amour." The line-up has since released several studio and live albums under this moniker.
Heroine
The Dogs D'Amour Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I was up in Highgate you know where
While you were puttin' on my favourite clothes
'Cause they looked much better on you
You knew what I was about to do
When I'd come home you'd ask me why
I'd tell you the truth wrapped up in a lie
Your love brings me down like a Heroine
Who don't love the hero, in the end of the film
Your love is for Heroine
Your between the sheets
Lyin' in the place I used to keep only warm for you,
And for me
Oh does he say the things I said
When he's lyin' on the bed, I never will
Your love brings me down like a Heroine
Who don't love the hero, in the end of the film
Your love is for Heroine
The Dogs D'Amour's song "Heroine" tells a story of a relationship that has become toxic because of one partner's addiction to drugs. The lyrics describe how the singer's significant other is aware of his addiction and lies about it. The song's first few lines juxtapose the singer walking in Powis Square while his partner is in Highgate. The following line describes the partner wearing the singer's favorite clothes. The singer then talks about how his partner knew what he was going to do and, after he came back, the only thing his partner asked him was if he had gotten the things she asked for. This shows how the partner is enabling the addiction, or at the very least, turning a blind eye to it.
The chorus of the song, "your love brings me down like a heroine, who don't love the hero, in the end of the film. Your love is for heroine," is where the lyrics become clear that the addiction is for drugs, hence "heroine". The singer acknowledges that, just like the drug heroine, his partner's love is bringing him down. The next line, "who don't love the hero, in the end of the film," signifies that despite all the stories we hear of the hero and the great impact they have, ultimately, they do not get the love that they deserve. The last line, "you're between the sheets," indicates that their relationship is solely physical and that his partner provides just enough comfort to keep him addicted to her.
Overall, The Dogs D'Amour's song "Heroine" showcases how addiction can corrupt a relationship and turn it into something completely different. It highlights how the enabler and the addict continuously hurt each other, leading to a never-ending cycle of toxicity.
Line by Line Meaning
While you were walking round powis square
While you were wandering around Powis Square
I was up in Highgate you know where
I was in Highgate, you know exactly where
While you were puttin' on my favourite clothes
As you were wearing my favorite attire
'Cause they looked much better on you
Since they seem to look better on you
You knew what I was about to do
You were aware of what I was going to do
When I'd come home you'd ask me why
Upon my return, you'd question me
I'd tell you the truth wrapped up in a lie
I'd confess with deception and honesty combined
An all you say was Joey did you get the things I asked you to
And all you ask was whether I had acquired what you requested, Joey
Your love brings me down like a Heroine
Your affection, similar to drugs, weakens me
Who don't love the hero, in the end of the film
The artist's love is destructive, as seen in most movies' conclusions
Your love is for Heroine
Your love is comparable to a drug
Your between the sheets
You lay among the covers
Lyin' in the place I used to keep only warm for you,
Resting where I used to maintain warmth solely for you
And for me
And for myself
Oh does he say the things I said
Do my statements echo in his words
When he's lyin' on the bed, I never will
I will never lie on that bed again
Lyrics © Universal Music Publishing Group
Written by: BUFFY SAINTE MARIE
Lyrics Licensed & Provided by LyricFind