Roadhouse Blues by The Doors

Roadhouse Blues
by The Doors

Ah keep your eyes on the road
Your hands upon the wheel
Keep your eyes on the road
Your hands upon the wheel
Yeah, we're going to the roadhouse
Gonna have a real good-time

Yeah, the back of the roadhouse
They've got some bungalows
Yeah, the back of the roadhouse
They've got some bungalows

They dance for the people
Who like to go down slow

Let it roll, baby, roll
Let it roll, baby, roll
Let it roll, baby, roll
Let it roll, all night long

Do it, Robby, do it

You gotta roll, roll, roll
You gotta thrill my soul, alright
Roll, roll, roll, roll-a
Thrill my soul, yeah right

I gotta beep a gunk a chucha
Honk konk konk
Ka gancha each you puna eachya bop a luba
Each yall bumo a kechonk
Ease sum konk ya ride
Ashen lady
Ashen lady
Give up your vows
Give up your vows
Save our city
Save our city
Ah, right now

Well, I woke up this morning
And I got myself a beer
Well, I woke up this morning
And I got myself a beer

The future's uncertain and the end is always near

Let it roll, baby, roll
Let it roll, baby, roll
Let it roll, baby, roll
Let it roll, all night long

Lyrics © OBO APRA/AMCOS

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"Roadhouse Blues" is a blues-rock song written and recorded by the American rock band The Doors. The song, which appeared on the B-side of You Make Me Real, was first released as a single from the album Morrison Hotel in March 1970 and peaked at #50. The song quickly became a concert staple for the group, a live version appearing later on the posthumous album An American Prayer and that same version, which has been called "probably one of the best live performances of any song", again on In Concert and Greatest Hits. Read Full Bio"Roadhouse Blues" is a blues-rock song written and recorded by the American rock band The Doors. The song, which appeared on the B-side of You Make Me Real, was first released as a single from the album Morrison Hotel in March 1970 and peaked at #50. The song quickly became a concert staple for the group, a live version appearing later on the posthumous album An American Prayer and that same version, which has been called "probably one of the best live performances of any song", again on In Concert and Greatest Hits. During this version, Jim Morrison talks for a short while to a female audience member about his Zodiac sign and, with a sudden, ironic twist that causes the audience to erupt in laughter, denounces his beliefs in it. The song was also featured twice in the movie The Doors; the studio version in the film, and the aforementioned live version over the end credits.