2) Hardcore band from Moorpark, CA. They released one demo in 2001.
3) The Eleventh Hour was also a dark synth-pop side project of some members of Number One Cup and The Fire Show. They produced one record, "Radio Heaven."
4) The Eleventh Hour was also the name of a pop/disco group who recorded for the 20th Century label and scored a pair of minor hits in the mid-70s, "So Good" and "Hollywood Hot." The group featured the falsetto vocals of Michael Gray and Kenneth Kerr.
So Good
The Eleventh Hour Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I hadda come back for more
I hadda have it one more time
You're so good, you're so fine
That I hadda have it
Ever since I met you
I been dying for to pet you
Cause I never had it
Better than you, babe
I'm telling you true, babe
Girl, you got me ga-ga
Thinking bout your little ya-ya
Got me hotter than a toaster
Cause I need another dose of you, babe
Sweet medicine you, babe
You're so good (so good)
I hadda come back for more (some more)
I hadda have it one more time (one time)
You're so good (so good)
You're so fine (so fine)
That I hadda have it one more time
Lights low, mama
Get your fellow mellow, relax me
Turn on the stereo
Sunset charmer
Your jelly belly dancing attracts me
I said, go, go, go
Firecracker lover
Darling, but you are a mother
Everything between us
Making love, I mean
No go awaying
Well, this time I'm staying
You're so good (so good)
I hadda come back for more (some more)
I hadda have it one more time (one time)
You're so good (so good)
You're so fine (so fine)
That I hadda have it one more time
(Honey, honey) yeah, you're so good
(Honey, honey) yeah, you're so fine
(Honey, honey) yeah, you're all mine
Goody, goody, goody...
You're so good, you're so good
Goody, goody, goody...
You're so fine, you're fine, baby
Goody, goody, goody...
You're all mine, wow, wow, wow
The lyrics of The Eleventh Hour's song "So Good" are pretty straightforward, as they center around the singer's obsession with a woman and his need for her. The song starts with the confession that the woman he desires is so good that he had to come back for more, that he needed her one more time. He continues to profess his fascination and desire for her, and how he's been thinking about her since he met her, wanting to be with her.
The second verse introduces us to the woman's seductive nature and the way it attracts the singer. She's a "jelly belly dancer," and her "charms" attract him. But he won't go away this time; he's staying. The chorus repeats itself, affirming that the woman is so good and so fine that the singer must have her again.
The lyrics are relatively simple, but the song does have an interesting structure to it. It's mostly composed of a repeating chorus, but it has two lengthy verses with plenty of descriptions and details. The chorus also changes slightly each time it appears, with additional "goody goody goody"s and the addition of "honey" to describe how good she is. Overall, the song creates a picture of a man who is infatuated with a woman and powerless to resist her charms.
Line by Line Meaning
You're so good
The person being addressed is seen as commendable, with high value placed on their attributes.
I hadda come back for more
The singer feels a strong urge to meet again, with the meeting having left an indelible impression.
I hadda have it one more time
The singer is desperate for a repetition of an experience in order to satisfy a seemingly insatiable need.
You're so good, you're so fine
The person being addressed is regarded as of exceptional quality, with their finer details held in high esteem by the person speaking.
That I hadda have it
It is impossible for the artist to leave without submitting to their desires.
Ever since I met you
The singer laments the time that has gone by without them knowing the person addressed
I been dying for to pet you
The singer has longed for intimacy since they met the person addressed
And I'm coming out to get you
The artist is eager and determined to fulfill their desire, hence will take action to do so with the person addressed.
Cause I never had it
The artist feels void of the experience the person addressed is capable of providing
Better than you, babe
The artist holds the person addressed in higher regard than any other.
I'm telling you true, babe
The singer is adamant, truthful and honest in his assertion of the addressed person's superiority.
Girl, you got me ga-ga
The artist is awestruck, and fully under the control of the person addressed.
Thinking bout your little ya-ya
The singer is occupied with thoughts of intimacy with the person addressed.
Got me hotter than a toaster
The singer is aroused, stimulated, and excited in equal measure.
Cause I need another dose of you, babe
The singer requires further exposure to the addressed person to satisfy their overwhelming need.
Sweet medicine you, babe
The person addressed has the capacity to relieve the artist of their issues.
Lights low, mama
The environment must be serene enough to facilitate intimacy
Get your fellow mellow, relax me
The singer wants the addressed person to create a more comfortable environment for themselves.
Turn on the stereo
Additional comforts beyond the given environment must be employed to create the perfect atmosphere.
Sunset charmer
The beauty of the sunset is used to deepen the feeling of intimacy.
Your jelly belly dancing attracts me
'Jelly belly' refers to a soft stomach, while 'dancing' refers to intimacy; the combination is used to conquer arousal on the part of the artist.
I said, go, go, go
The artist wants the addressed person to continue, to keep going.
Firecracker lover
The addressed person is likened to a firecracker, explosive, and sudden
Darling, but you are a mother
While the person is addressed respectfully, the artist seems to indicate that they are best avoided.
Everything between us
The relationship between the singer and addressed is what is desperately needed.
Making love, I mean
'Making love' refers to intimacy, and the singer wants to clarify the action he desires.
No go awaying
The addressed person is politely warned against trying to leave.
Well, this time I'm staying
The artist is determined not to let the addressed person go.
(Honey, honey) yeah, you're so good
The term 'honey' shows affection while the artist emphasizes the addressed person's good qualities.
(Honey, honey) yeah, you're so fine
The use of 'honey' is repeated, and the addressed person's fineness is emphasized.
(Honey, honey) yeah, you're all mine
The title 'honey' is used affectionately and possessively.
Goody, goody, goody...
The artist gushes with approval
You're so good, you're so good
The person referred to is seen as commendable.
Goody, goody, goody...
The artist's excitement is again revealed.
You're so fine, you're fine, baby
The term 'fine' is emphasized to show the high regard the singer holds the addressed person.
Goody, goody, goody...
The artist again shows approval.
You're all mine, wow, wow, wow
The singer is possessive of the person addressed, and very impressed with their qualities.
Contributed by Cooper E. Suggest a correction in the comments below.