1. The Esquire… Read Full Bio ↴There have been at least 7 bands named The Esquires -
1. The Esquires were an American R&B and soul group from Milwaukee, Wisconsin, principally active from 1957 to 1976. Their debut record for Bunky/Scepter was "Get on Up", (1967) which became a major hit in the United States, peaking at #11 as a pop single but reaching #3 on the R&B charts.
2. A Canadian pop/rock band active from 1962 to 1967. They were the first act of their kind signed to a major label in Canada, as well as one of the first winners of what later became the Juno Award.
3. Surf Band c 1966 from California.
4. A garage band formed in 1965 from Springfield, Massachusetts, who released a single on the tiny local label Salem - "SALEM SR-003 - Shake A Tail Feather / Down The Track". Very shortly after this a change in personnel & direction was accompanied with a name change to The Bold and later again, to just Bold.
5. A mid-sixties garage band from Texas.
6. A mid-Sixties garage band from Florida.
7. A rock-n-roll side project of the usually-acoustic duo Gillian Welch and David Rawlings, featuring Rawlings on electric guitar and lead vocals, Welch on bass, David Steele on drums, and occasionally Ryan Adams; active late 90s-early 2000s.
#1 The group first formed in 1957 around the Moorer family: Gilbert (born Gilbert Moorer, Jr., August 20, 1941, Birmingham, Alabama, died August 28, 2008), his brother Alvis (born Alvis V. Moorer, January 18, 1940, Birmingham, Alabama, died August 21, 2011), and their sister Betty. They first performed as Betty Moorer and the Esquires. When their sister and lead singer left, the group shortened its name to The Esquires, and Gilbert became lead singer. In 1961, Sam Pace (born Sammie L. Pace, September 22, 1944, Kansas City, Missouri, died January 7, 2013) joined as a tenor. They went through many lineup changes over their first decade, which saw them aiming mostly for local recognition. In 1966 they moved to Chicago and auditioned for Curtis Mayfield, who was not interested in signing them. They then attempted to sign with Constellation Records, but the record label went under at the end of 1966; they signed instead with Bunky Records, Constellation's successor. Bunky was distributed by Scepter Records on the national level.
Their debut record for Bunky/Scepter was "Get on Up", (1967) which became a major hit in the United States, peaking at #11 as a pop single but reaching #3 on the R&B charts. Following the release they played Chicago's Regal Theater and the Apollo Theatre in New York City. Further singles were also successes, and the group released one full-length LP. After five singles on Bunky the group signed a deal with Scepter themselves late in 1968. They later returned to Bunky and then, in 1970, signed with Capitol Records for one single ("Reach Out") and Lamarr Records in 1971 for "Girls in the City".
Gilbert Moorer died from throat cancer on August 28, 2008, at the age of 67.
Alvis Moorer died on August 21, 2011 at the age of 71.
Sam Pace died after a long illness on January 7, 2013 at the age of 68.
Edwards, who lives in Chicago, is now the only surviving member of the band from its recording days.
Members
Gilbert Moorer
Alvis Moorer
Betty Moorer
Sam Pace (1961β)
Shawn Taylor (1965β1967)
Millard Edwards
Perry Moore
Goose "Preacher" Hilliard Smith
Discography
Albums
Year Album Record label
1967 Get on Up and Get Away Bunky Records
1982 The Esquires Flying Heart Records
1984 Whatcha Got?
1987 The Esquires
Singles
Year Title Peak chart
positions Record Label B-side Album
US US
R&B
1967 "Get on Up" 11 3 Bunky Records "Listen to Me" Get on Up and Get Away
"And Get Away" 22 9 "Everybody's Laughing"
1968 "You Say" 126 41 "State Fair"
"Why Can't I Stop" β 48 "The Feeling's Gone"
"I Know I Can" β β "How Could It Be"
"You've Got the Power" 91 29 Wand Records "No Doubt About It"
1969 "I Don't Know" β 37 "Part Angel"
"Reach Out" β β Capitol Records "Listen to Me"
1970 "Ain't No Reason" β β B and G Records "Baba-Daba-Dop"
1971 "Dancin' a Hole in the World" β β Rocky Ridge
Records "That Ain't No Reason"
"Girls in the City" 120 18 Lamarr Records "Ain't Gonna Give It Up"
1974 "Let Me Build You a New World" β β New World
Records "Stay"
1976 "Get on Up '76" β 62 Ju-Par Records "The Feeling's Gone"
1980 "The Show Ain't Over" β β Cigar Man
Music Records "What Good Is Music?"
Get On Up
The Esquires Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ooh, ooh ooh, dit-dit-dit-do
Get on up (get on up)
Get on up (get on up)
Now get on up (get on up)
Now get on up (get on up)
How can you sit yourself down for a rest
To dance with you, girl (get on up)
To dance with you, girl (get on up)
So get on up (get on up)
On the floor (get on up)
Get on up, now (get on up)
And dance some more (get on up)
Get on up (get on up)
Let's boogaloo (get on up)
Get on up, now (get on up)
Just me and you (get on up)
How can you sit yourself down for a rest
When you know that I'm trying my best
To dance with you, girl (get on up)
To dance with you, girl (get on up)
Da da da, da da da
Hey you (get on up)
Over there (get on up)
Get on up, now (get on up)
Don't go nowhere (get on up)
We gonna dance, dance, dance
We gonna dance, dance, dance
The boogaloo (get on up)
Too (get on up)
We're gonna do the Monkey (the Philly Dog too)
We're gonna do the Jerk (just me and you)
We're gonna dance, dance, dance
We're gonna shing-a-ling
We're gonna do the thing tonight
Dit-dit-dit-do
So get on up (get on up)
And sock it to me (get on up)
Get on up (get on up)
And rock it to me (get on up)
Get on up (get on up)
And sock it to me (get on up)
Get on up (get on up)
The Esquires's song Get On Up is an energetic call to action for everyone to get up and dance. The repeated refrain "get on up" is an invitation to the listener to join in on the dance floor. The lyrics address a reluctant partner who is sitting down while the singer is trying his best to dance with her, urging her to "get on up" and join him. The song celebrates a variety of dance moves, including the boogaloo, the Philly Dog, the Jerk, and the shing-a-ling, suggesting that the dance floor is a place to come together and have fun with different types of people and dance styles.
One interesting fact about the song is that it was written by a white songwriter named Billy Butler, who was part of the R&B group Billy Butler and the Enchanters. The Esquires were an African American group from Milwaukee, and Get On Up was their biggest hit, reaching #11 on the Billboard Hot 100 chart in 1967. The song was produced by Chicago soul legend Curtis Mayfield, who added his signature funky guitar riffs to the track.
Another interesting fact is that Get On Up was covered by James Brown in 1970, who also released a song with the same title. Brown's version of Get On Up was a funkier take on the original, with horn stabs and a driving bassline. The Esquires's version is more of a soulful R&B dance track, with a catchy chorus and energetic percussion.
The song's chord progression is a simple four-chord loop that repeats throughout the track. The chords are G, Am, D, and G. The song is in the key of G major and has a fast tempo of 160 bpm. The intro features a catchy guitar riff that sets the energetic tone for the rest of the track.
Line by Line Meaning
Ooh, ooh ooh, dit-dit-dit-do
The song is about getting people on their feet and dancing.
Get on up (get on up)
The singer is trying to encourage people to get up and dance
Now get on up (get on up)
The singer is becoming more insistent and demanding that people start dancing.
How can you sit yourself down for a rest
When you know that I'm trying my best
To dance with you, girl (get on up)
To dance with you, girl (get on up)
The singer is calling out someone who is sitting down when they should be dancing. They are asking this person to dance and enjoy the music with them.
On the floor (get on up)
The singer is asking people to get on the dance floor and start dancing.
Let's boogaloo (get on up)
The singer is suggesting that people dance the boogaloo, a style of dance popular in the 1960s.
Just me and you (get on up)
The singer wants to dance with someone specific and is encouraging them to get up and dance with them.
Da da da, da da da
The singer is using this as a filler line to keep the rhythm of the song going.
Hey you (get on up)
Over there (get on up)
Get on up, now (get on up)
Don't go nowhere (get on up)
The singer is addressing people individually and asking them to dance with him. He does not want anyone to leave the dance floor.
We gonna dance, dance, dance
The boogaloo (get on up)
Too (get on up)
The singer is reiterating that they are going to dance the boogaloo and encouraging people to join in.
We're gonna do the Monkey (the Philly Dog too)
We're gonna do the Jerk (just me and you)
We're gonna dance, dance, dance
We're gonna shing-a-ling
We're gonna do the thing tonight
Dit-dit-dit-do
The singer is listing off different popular dances of the time and telling people they are going to dance all night long.
And sock it to me (get on up)
And rock it to me (get on up)
The singer is using these lines as a way of encouraging people to dance with him and keep the party going.
Lyrics Β© BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: Gilbert Moorer, Johnny Taylor, William Sheppard
Lyrics Licensed & Provided by LyricFind
@sauquoit13456
On this day in 1967 {October 15th} "Get On Up" by the Esquires peaked at #11* {for 3 weeks} on Billboard's Top 100 chart, thus just missing making the Top 10 chart...
"Get On Up" reached #3 on Billboard's R&B Singles chart...
Their next Top 100 record also had 'Get' in its title, "And Get Away", it peaked at #22 {for 2 weeks} on December 24th, 1967...
Their third and last Top 100 record was "You've Got The Power", it reached #91 on January 19th, 1969...
Sadly, two members of the group have passed away, Gilbert Moorer, Jr., at age 67 on August 28th, 2008 and Alvis V. Moorer on August 21st, 2011 at 71...
May they both R.I.P.
* And from the 'For What It's Worth' department, the ten records that kept it out of the Top 10 on October 15th, 1967 were:
#1. "To Sir With Love" by Lulu
#2. "The Letter" by the Box Tops {the previous week's #1 record}
#3. "Never My Love" by the Association
#4. "How Can I Be Sure" by the Young Rascals
#5. "Expressway To Your Heart" by the Soul Survivors
#6. "It Must Be Him" by Vikki Carr
#7. "Soul Man" by Sam and Dave
#8. "Little Ole Man (Uptight-Everythingβs Alright)" by Bill Cosby
#9. "Gimme Little Sign" by Brenton Wood
#10. "Your Precious Love" by Marvin Gaye and Tammi Terrell
@justinmiller3046
I play this loudly every morning my kids don't want to get up for school.
@fattkidgames1755
Probably the best comment I have ever read.
@cpayne1636
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@alziedownes1955
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@sylviarivera4871
Good job. I like that!
@zimbalistdavis923
You must have raised some soulful children, really.
@darnellwebb7609
When I hear this song it takes me back 1967 this song was number 2 and Stevie Wonder song I was made to love her was number one what memory
@felixnorman9562
blessed to have been young, alive, and grooving to music like this!
@JohnH.FordJr-zp7xj
Anywhere in America, in the Black community, this song was on the jukebox, and no party was a party, unless this song was a part of the music rotation,thanks for the memories, In Loving β€Gratitude.
@miroslavaacevedo1387
The greatest soul group to ever come out of Milwaukee, Wisconsin!