The band released their self-titled debut album in 2000 on Ultimatum Records. The album can be difficult to obtain, but can often be found on eBay. Many fans of the band have described this album as perhaps The Exies' best work.
Afterwards the band signed to Virgin Records and in January 2003 they released their second album, Inertia. The album received wide distribution, and their first single, "My Goddess", received a fair amount of radio play.
After touring for over a year in support of 2003's Inertia, the Exies returned to Los Angeles and wasted no time beginning work on new material. But rather than take a more-of-the-same or stick-to-what-works approach, the band set out to carve a new sound, one with more impact and intensity. The next album had to be fueled by the live energy of their shows, showcasing the band's presence on stage. On their latest release, Head For The Door, the Exies deliver.
"We really wanted to get back to basics on this album," says vocalist Scott Stevens. "We had experimented quite a bit with programming, complex arrangements, and exorbitant amounts of tracks on Inertia, and just felt like this one should be more stripped down, more organic."
So the band recruited the talents of Grammy-winning rock producer Nick Raskulinecz (Foo Fighters, Velvet Revolver) to help hone the new songs. "We're all huge Foo Fighters fans," recounts drummer Dennis Wolfe. "He produced their last record, and that album was really blowing up big while we were out touring. We thought, 'Man, that's the sound we want--big drums and punchy, tight guitars, and obviously this guy knows how to get 'em.'" The band clicked immediately with Nick at their first meeting, and went straight into pre-production in Los Angeles.
Crafting a more aggressive, more forceful sound was a notion shared by all, but a concept that was largely born on the road. Fans would frequently comment on how the live show gave the music so much more power and energy, and the band set out to capture that in the studio. "We learned a lot from that year on the road," says Stevens. "We just felt we could simplify things and make them hit a little harder."
The twelve tracks which comprise "Head For The Door" feature the band at its edgiest, loudest, and most explosive. Big riffs and guitar solos abound, but nothing gets in the way of the melody or the message. Their first single "Ugly" showcases Stevens' dynamic vocal range as it moves from a whisper to a snarl, and contemplates both the ugliness within and all around us. "It's partly about feeling ugly yourself and being unsettled inside," Stevens says. "But the song is also about how we turn a blind eye to the unpleasant things we see every day, things that are disturbing yet so easy to ignore."
"What You Deserve" charges out of the gate with bitter self-loathing and karmic retribution as the primary themes, while "Hey You" recalls an old friend bent on self-destruction. But it's not all doom and gloom for the Exies. The soaring, melodic chorus in "Tired Of You" makes everything seem right, and "F.S.O.S." grooves with attitude and swagger. From start to finish, the album delivers sharp hooks, passionate performances, and a sense that the band has found its sound.
"We had a blast making this record," says guitarist David Walsh. "We had a very clear idea of what we wanted going in, and Nick had the production chops to get it done. Now we just have to get it out there."
The Exies formed in the summer of 1997 in Los Angeles, the product of mutual friends and former members of various local bands who shared the same musical sensibilities. The first batch of songs came quickly and soon Stevens was shopping their demo around town, hoping for some label interest. Little did he know, it would be all about the shoes.
"I was working as a runner for a studio in L.A., and there was an industry guy there that I wanted to listen to our stuff," recalls the frontman. "As I'm handing him the demo, he comments on how cool my shoes are, saying, 'Well, this demo's gotta be good, coming from someone with such good taste in shoes.' And sure enough, he passed it along to some friends and things just started taking off. Those shoes cost me a buck at a thrift store. Seriously."
As the A&R community started swirling around the band, they knew they were on to something, and eventually signed with independent Ultimatum Records. Their eponymous debut hit shelves in the spring of 2000, driven by the radio-friendly single "Baby's Got A New Revelation." That's when things started getting difficult.
"Well, we had two big problems," says bassist Freddy Herrera. "One, the label did not have a huge budget for touring or promotion, so the songs weren't taking off like they should, and we didn't get any major tours. Two, things with our original drummer weren't working out." It was during one of their lowest points on the road that the most unlikely of circumstances proved to be the turning point.
"Worst gig ever," recounts Stevens. "We were playing this wretched club in Miami, with nothing but a few drunks and addicts hanging around. No soundman, and a dinky P.A. which we had to run ourselves from the stage. I mean, it was awful. So we did like six songs, and said 'Screw this.' As we were packing up, this guy comes up to us and says, 'I really like your band. You got a CD? I want to send it to somebody.'"
That somebody was Grammy-winning producer and label head Matt Serletic. From that point on, things just got better and better for the Exies.
As soon as the band got back from the road, they set out to find a new drummer. A want-ad in the local music magazine caught Stevens' eye, and sure enough, it was for current drummer Dennis Wolfe. "He was the first guy we called," says Walsh. "Scott brought him a demo of 'My Goddess,' which sold him on the band. One phone call, one audition, one new drummer. That never happens."
The new lineup began rehearsing and writing relentlessly, yielding the body of work that would become Inertia. By the spring of 2001, the Exies had a new album's worth of material and a new record deal on a major label. "What a difference a year makes," laughs Herrera. The band holed up in various L.A. studios for the rest of 2001 with Serletic at the console.
Released in January of 2003, Inertia launched the band into the mainstream with their break-through hit "My Goddess." The song drew major rotation at rock radio nationwide, and the video careened to the top 10 at MTV2. Performances on David Letterman and Last Call With Carson Daly helped spread the word, and the Exies found themselves on the road for a year, sharing the stage with some of the biggest bands at the time. "That year was nuts", recalls Wolfe. "You really start to appreciate a little quiet time at home once you've been on tour for a year. But I'm stoked to get back out there."
Final band members:
Scott Stevens - lead vocals, guitar (1997 - 2011)
Freddy Herrera - bass, backing vocals (1997 - 2011)
Chris Skane - guitar, backing vocals (1997, 2006 - 2011)
Hoss Wright - Drums (? - 2011)
Past members:
David Walsh - guitar (1997 - 2006)
Dennis Wolfe - drums (1997 - 2006)
Ugly
The Exies Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A liar like me?
A user, a lost soul?
Someone you don't know?
Money, it's no cure
A sickness so pure
Are you like me?
Are you ugly?
We are dirt
We are alone
You know we're far from ?sober?
We are fake
We are afraid
You know it's far from over
We are dirt
We are alone
You know we're far from ?sober?
Look closer
Are you like me?
Are you ugly?
Turn a blind eye
Why do I deny?
Medicate me
So I die happy
A strain of cancer
Chokes the answers
Are you like me?
A liar like me?
We are dirt
We are alone
You know we're far from ?sober?
We are fake
We are afraid
You know it's far from over
We are dirt
We are alone
You know we're far from ?sober?
Look closer
Are you like me?
Are you ugly?
I don't care
You don't care
I do know
You're angry
You don't care
I don't care
Who are you?
Just like me?
Am I you?
You are me
I do know
You're angry
You don't care
I don't care
Who are you?
Like me?
We are dirt
We are alone
You know we're far from ?sober?
We are fake
We are afraid
You know it's far from over
We are dirt
We are alone
You know we're far from ?sober?
Look closer
Are you like me?
Are you ugly?
The Exies' song Ugly is a commentary on the darker side of human nature, touching on themes of isolation, addiction, and fear. The lyrics suggest that the singer is grappling with feelings of unworthiness and self-doubt, which they project onto the world around them. The chorus asks the listener a provocative question: "Are you like me? Are you ugly?" The lyrics seem to imply that everyone carries some hidden darkness within them, and that true connection and understanding can only come from acknowledging and confronting that reality.
The verses paint a bleak picture of a life lived in the grips of addiction and self-destruction. The lines "Money, it's no cure, a sickness so pure" suggest that the pursuit of material wealth is a hollow and ultimately futile endeavor. The repeated refrain of "We are dirt, we are alone" highlights the singer's sense of isolation and disconnection from the world around them. The bridge takes a pointed jab at the culture of denial that often accompanies addiction, with the line "Turn a blind eye, why do I deny?" suggesting that the singer is aware of their own destructive behavior but is unable or unwilling to change it.
Line by Line Meaning
Are you ugly?
Do you feel like you're unattractive or undesirable?
A liar like me?
Do you have a tendency to deceive others, like I do?
A user, a lost soul?
Do you rely heavily on drugs, or feel like you don't know who you are?
Someone you don't know?
Are you unfamiliar with yourself or your own actions?
Money, it's no cure
Even if you have wealth, it won't solve your underlying problems
A sickness so pure
The disease (addiction, mental health struggles, etc.) is unadulterated and pervasive
We are dirt
We are insignificant and unworthy
We are alone
We're isolated and have no one to rely on
You know we're far from sober?
We're not in a healthy state of mind or body
We are fake
We're putting on a facade and not being true to ourselves
We are afraid
We're scared of what might happen or of facing our own demons
You know it's far from over
We haven't overcome our struggles yet and there's still a lot to work through
Look closer
Pay attention to the details and really see what's going on
Turn a blind eye
Ignore what's happening and pretend everything is fine
Why do I deny?
Why do I refuse to acknowledge the truth about myself or my situation?
Medicate me
Use drugs or other coping mechanisms to numb the pain or escape reality
So I die happy
Use these methods to feel good, even if it ultimately leads to your demise
A strain of cancer
A serious problem that's spreading and becoming harder to control
Chokes the answers
Prevents us from finding a solution or making progress
I don't care
I'm apathetic and don't have any concern
You don't care
You're also indifferent
I do know
I'm aware of something
You're angry
You're feeling upset or frustrated
Who are you?
I don't understand your motives or personality
Just like me?
Are you similar to me in some way?
Am I you?
Do we share the same experiences or emotions?
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: DAVID WALSH, DENNIS WOLFE, FRED HERRERA, SCOTT STEVENS
Lyrics Licensed & Provided by LyricFind
@billymitton7881
WWE Survivor Series Feature Album at a time the industry was hitting new levels as the newly minted WWE.
There was a lot of great albums out with bands that toured North America .
The Exies a California based band toured only in area's they were established like Juggalo's do.
They didnt market themselves or promote themselves as even Serial Joe toured heavier then The Exies which for all intensive purposes was a warm weather band who largely did Studio performance's
I mean if they had Nickleback and Theory of a Deadman's Agent's then maybe they woulda been bigger as the reason those 2 bands grew was Nickelback's non stop touring , drinking and giving away more beer then they drank. aka The Rise Against approach to gaining fame while touring.
Their manager just let them stay in their comfort zone never pushing them like Prozak which was big in Canada in the late 1990s early 2000s with a vibe that fit the time . But the 2 artists in it had dueling philosophies and still do so touring is only done locally no more then a 10 hour drive away from one of the Artist's home. While 1 wants to go mainstream and grow the other was perfectly happy tying any rise they'd have coming off Much Music in their home province. Its wasnt just them either as Love Inc was out and dominate during the rise for Darude and Daft Punk in Quebec but was pushed out early again becuase of strife within the band and their goals being less important then their comfort zone.
Honestly if not for WWE's national broadcast that too many countries outside them watch to list, i probably wouldnt have ever heard of The Exies based on their inability to Tour Internationally .
@bhupeshyadav6588
Are you ugly?
A liar like me?
A loser, a lost soul?
Someone you don't know
Money it's no cure
A sickness so pure
Are you like me?
Are you ugly?
We are dirt, we are alone
You know we're far from sober
We are fake, we are afraid
You know it's far from over
We are dirt we are alone
You know we're far from sober
Look closer, are you like me?
Are you ugly?
Turn a blind eye
Why do I deny?
Medicate me
So I die happy
A strain of cancer
Chokes the answers
Are you like me?
A liar like me?
We are dirt, we are alone
You know we're far from sober
We are fake, we are afraid
You know it's far from over
We are dirt we are alone
You know we're far from sober
Look closer, are you like me?
Are you ugly?
I don't care, you don't care
I'm bitter, you're angry
You don't care, I don't care
You love you, just like me
I blame you, you blame me
I'm bitter, you're angry
You don't care, I don't care
You love you, like me
We are dirt, we are alone
You know we're far from sober
We are fake, we are afraid
You know it's far from over
We are dirt we are alone
You know we're far from sober
Look closer, are you like me?
Are you ugly?
Are you ugly?
Are you ugly?
@LegoMatt222
The WWE Pay-Per-View Theme Songs in the Ruthless Aggression Era continues to bring me to that Nostalgia.
@landmarks6
thats what i remember it from
@alec2000
Same here. It was hands down the best era for WWE music. So many nostalgic classics.😭
@aayushsharma6029
Absolutely
@user-vu2po6lr7w
Даааа
@andreamura1333
That was peak energy and quality for current rock!
@iAmTheKoii
Seriously underrated. Amazing band.
@WingedHassar
Seriously underrated comment. Amazing band.
@johnwykkyd1820
This song kind of sounds like promises by Adema.
@MyrtleBeachWebAngel
Agreed.