The group's self-titled, second album, released in 2009, debuted at number one on the Billboard charts and was certified gold in the United States, Australia, and Canada. It was also nominated for a Grammy Award for Best Pop Vocal Album in 2010. While both albums were commercially successful, critical reception was mixed. The Fray was ranked No. 84 on Billboard's "Artists of the Decade" list. Their third album Scars & Stories, released in 2012, achieved moderate commercial success; debuting and peaking at number four on the Billboard 200. The album again received mixed reviews from critics. The band's fourth album, Helios, was released in February 2014. The band's compilation album, Through the Years: The Best of the Fray, was released in November 2016.
The Fray's use of the piano as the lead instrument in their music has led critics to compare the band with English piano-driven bands such as Coldplay and Keane. However, the band lists its influences as the Wallflowers, Counting Crows, Better Than Ezra, and U2.
Hundred
The Fray Lyrics
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But I'm staring at what once was the wall
Separating east and west
Now they meet amidst the broad daylight
So this is where you are, and this is where I am
Somewhere between unsure and a hundred
I'm banking on the rest to clear away
'Cause we have spoken everything
Everything short of 'I love you'
You, right where you are, from right where I am
Somewhere between unsure and a hundred
And who's to say it's wrong?
And who's to say that it's not right
Where we should be for now?
So this is where you are, and this is where I am
So this is where you are, and this is where I've been
Somewhere between unsure and a hundred
The Fray's song "Hundred" is a poignant exploration of the uncertainties that can arise in a relationship, particularly when it comes to expressing love. The opening lines refer to an unidentified "how" that the singer cannot recall, but that has led them to look at a wall that once separated east and west and now meets in the light of day. This ambiguity sets the stage for the rest of the song, where the singer expresses their confusion and trepidation about the status of their relationship.
The repeated refrain of "somewhere between unsure and a hundred" highlights the singer's struggle to quantify their feelings and assess where they stand with their partner. The verse following the first chorus acknowledges that the singer is having a hard time navigating this uncertainty, but is hoping that things will become clearer over time. The final verse suggests that there may be no easy answers when it comes to matters of the heart, but that for now, both the singer and their partner are in the right place.
Overall, "Hundred" is a touching and relatable meditation on the complexities of romantic relationships. The Fray's use of imagery and repetition help to convey the song's themes of doubt, hope, and longing.
Line by Line Meaning
The how I can't recall
I can't quite remember how we got here, but we did.
But I'm staring at what once was the wall
I'm looking at a wall that used to separate us, but doesn't any more.
Separating east and west
The wall divided us geographically east and west.
Now they meet amidst the broad daylight
Now that the wall is gone, we're meeting face to face in broad daylight.
So this is where you are, and this is where I am
We're each in our own place right now.
Somewhere between unsure and a hundred
We're not exactly sure where we stand, but it feels like we're close to being all in.
It's hard, I must confess
I admit it's not easy.
I'm banking on the rest to clear away
I'm hoping that things will become clearer over time.
'Cause we have spoken everything
We've talked about almost everything except for one thing.
Everything short of 'I love you'
The one thing we haven't said is 'I love you.'
You, right where you are, from right where I am
You're where you are, and I'm where I am.
Somewhere between unsure and a hundred
We're not completely sure how we feel, but it seems like we're close to being all in.
And who's to say it's wrong?
There's no one who can say that what we're doing is wrong.
And who's to say that it's not right
There's no one who can say that what we're doing isn't right.
Where we should be for now?
Maybe this is where we're supposed to be for now.
So this is where you are, and this is where I am
Once again, you're where you are and I'm where I am.
So this is where you are, and this is where I've been
I've been in my own place this whole time.
Somewhere between unsure and a hundred
We're still figuring things out, but it feels like we're close to being all in.
Lyrics © Wixen Music Publishing, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: ISAAC SLADE, MONICA G. CONWAY
Lyrics Licensed & Provided by LyricFind