After playing countless hometown shows, the Futureheads took the show on the road with a massive helping hand from Slampt Records' Milky Wimpshake. A tour of Squats and Youth Centres in Central Europe came in summer 2001, due to which the band switched out drummers. In place of Peter Brewis ambled a young pretender, Mr David Hyde (Drums, Vocals).
Several singles followed - the first, Nul Book Standard, can now be seen casually hanging out on eBay from time to time. A relationship with the lovely people at Fantastic Plastic briefly followed. 'The Futureheads' was released in summer 2004, on 679 Recordings, and then the band hit the road. Some highlights of 2005 include playing Glastonbury Festival on Baz's birthday, Hounds Of Love going Top Ten, meeting Dennis Hopper on Jimmy Kimmel's US TV Show, and getting that most infamous of Albatrosses, The Second Album under their belts.
‘News and Tributes’ was released in May 2006. It reached 11 in the album chart, and saw the band touring the world and continuing to win fans and supporters with their exhilarating live shows.
Fast forward to 2008, and The Futureheads are back, bolder and better than ever, exploding back onto the scene with their new album ‘This Is Not The World’. Embracing the punk-rock ethic like never before, Barry, Ross, Jaff and Dave are releasing their third album independently and taking control of their own destiny. It’s going to feel like the first time, all over again…
Annoyed and frustrated too many times by the bureaucratic nightmare that music had become, the band split with former label 679 in late 2006. A silently busy year followed which saw the band writing and recording, and launching their own label Nul Records, solely to release music by The Futureheads. Free of major label shackles, the band are taking back control and relishing being their own bosses.
‘This Is Not The World’ was recorded in 3 weeks in the summer with super-producer Youth at his studio ‘Space Mountain’ in the Sierra Nevada mountain range in Andalusia. About as far away atmospherically as you can get from the bleak Scarborough farm in which they recorded ‘News And Tributes’, the band couldn’t help but be influenced by Youth’s enthusiasm, and describe the album as one of ‘defiance, optimism and joy.’
Keen to share the joy with fans, the band released 2 tracks as free downloads and played intimate shows in London and Sunderland at the end of 2007. They begin 2008 with a tour of uni venues and kick off the year with storming new single ‘The Beginning Of The Twist’, released March 10th.
Le Garage
The Futureheads Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Shot for the money on the very same day
Le garage, le garage-rage
Le garage, le garage-rage
Everything was ready, but he had to run away
Shot for the money on the very same day
Le garage, le garage-rage
Bullshit, bullshit, bullshit, bullshit
You, you are the thing
With your tight skin making me jealous
And I agree
I never think now when I'm with you
And I won't say a word of its truth if it's not true
Le garage, le garage-rage
And things pushed in my face
With locked arms making me nuder to everything
You you give me sound
I always think now when I'm with you
And I won't say a word of its truth if it's not true
Le garage, le garage-rage
And I won't say a word of its truth if it's not true
Le garage, le garage-rage
The Futureheads' song "Le Garage" is a fast-paced, guitar-driven track that explores themes of jealousy, escapism, and the importance of honesty. The song opens with a description of a situation that was almost ready but couldn't be carried forward, as someone shot for money on the very same day. The repeated lines "le garage, le garage-rage" suggest that this incident took place in a garage and that the singer is enraged by what happened. The use of French in the lyrics gives the song an exotic touch and adds to its overall energy.
The second verse introduces a narrator who is jealous of someone else's tight skin. They agree that they never think when they're together, but the singer won't say anything that's not true. This tension between honesty and deception runs throughout the song, and the repeated lines "le garage, le garage-rage" seem to signal the singer's frustration at not being able to express their true feelings.
The chorus returns in the final verse, where the singer is pushed in the face with things and made "nuder to everything." The person they are with gives them sound, and the singer always thinks when they're together. Once again, the singer insists that they won't say anything that's not true, repeating the chorus once more before the song comes to an abrupt end.
Overall, "Le Garage" is a complex, catchy song that blends together themes of frustration, jealousy, and honesty to create a high-energy track that invites listeners to dance and sing along.
Line by Line Meaning
Everything was ready, but he had to run away
Even though everything was set, he had to rush off for some reason
Shot for the money on the very same day
He was likely shot for the money he had on him that same day
Le garage, le garage-rage
Chorus of the song, repeated every now and then as a catchy phrase
Bullshit, bullshit, bullshit, bullshit
A word used to express a lack of interest or disapproval of something
You, you are the thing
The person being addressed is considered to be very important
With your tight skin making me jealous
The person being addressed is envied for his/her attractive physical appearance
And I agree
The singer is willing to accept that he is jealous
I never think now when I'm with you
Being with the person being addressed makes the singer feel relaxed and carefree
And things pushed in my face
There are many difficult circumstances in the singer's life
With locked arms making me nuder to everything
The difficult circumstances make everything seem more intense and unbearable
You you give me sound
The person being addressed has a positive impact on the singer, perhaps making him/her feel better
And I won't say a word of its truth if it's not true
The singer will only speak the truth if it is truthful
Lyrics © Universal Music Publishing Group
Written by: BARRY HYDE, DAVID CRAIG, DAVID HYDE, ROSS MILLARD
Lyrics Licensed & Provided by LyricFind