Initial line-up
The group first featured Fier, singer-guitarist Arto Lindsay, saxophonist John Zorn, bass guitarist Bill Laswell and violinist/guitarist Fred Frith, with appearances by bassist Jamaaladeen Tacuma, guitarist Nicky Skopelitis, percussionist David Moss, guitarist/singer Bob Kidney, turntablist M.E. Miller and others. Their self-titled debut album was released on New York's Celluloid Records in 1983. The album is notable for having some of the first recorded turntable scratching outside of rap music, courtesy of Laswell and M.E. Miller. They were heavily influenced by so-called no wave music (Arto Lindsay had played in the seminal no-wave band DNA), but their music also contained elements of funk and of the improvisational jazz stylings that would become Zorn's trademark. This line-up lasted only for the first record, although all of the core members, save for Zorn, would guest on subsequent Palominos recordings.
1985–1989
The Palominos' next album, 1985's Visions of Excess, would sound vastly different, leaning towards songs more in a folk vein, with a sound in some respects pre-dating the emergence of the alt-country genre by a few years; However, in an example of a stylistic jump, one song, "The Animal Speaks", featured a pronounced, punk-like electric guitar part and vocals by The Sex Pistols' John Lydon. This record was also noteworthy as the debut of singer Syd Straw, whose songwriting and vocals would be featured prominently on this record and the groups next album. Cream's Jack Bruce, guitarist Richard Thompson, and R.E.M.'s Michael Stipe also appeared on the record. Of the band members that were on the first record, only Fier and Arto Lindsay had remained.
Blast Of Silence was released in 1986, carrying on in much of the same vein as Visions Of Excess and with appearances by many of the same personnel. It included covers of two songs written by Little Feat's Lowell George, both sung by Syd Straw. The record also featured prominent guest appearances by Matthew Sweet, Don Dixon, Peter Holsapple and T-Bone Burnett.
A Dead Horse (1989) carried on in the sound of its predecessors slightly, but some of the songs also crossed into a darker, more ambient and ethereal sound, a sound which would dominate the Palomino records of the 1990s. Syd Straw had moved on and was no longer in the band, with most of the vocals now handled by Amanda Kramer, formerly of the dance music group Information Society. Fier would later guest on Straw's first solo record, Surprise.
1990–1995
Drunk With Passion marked the first record not on Celluloid Records, with its sound taking from some of the darker cues heard on A Dead Horse and also using more processed and electronic sounds, giving many of its songs an ethereal feel. This album could be argued was more influenced by its guest appearances than any of the others, who included Hüsker Dü's Bob Mould (who would go on to form the band Sugar the following year), Richard Thompson, and Michael Stipe, who would provide (along with a forceful solo by Thompson) one of the band's finer moments, the opening track "Alive And Living Now". Nicky Skopelitis would also became more of a cornerstone of the band, contributing to the bulk of Drunk With Passion's songs along with Fier and Kramer. In 1992, Fier would release his first solo record, Dreamspeed.
This Is How It Feels, released on Restless Records in 1993, continued on in much of the ambient sound of Drunk With Passion, but it also incorporated many elements of club and trance music. It also marked the introduction of new lead vocalist Lori Carson (www.loricarson.com), who co-wrote nine of the CD's tracks with Anton Fier. Bill Laswell also returned to contribute on this record, and his production work on this and on the following record, Pure, would heavily influence Laswell's own remix work of the late 90's, as seen on the CDs Emerald Ather and City Of Light. The album also contains the first cover song since Visions Of Excess, an ethereal, drum-machine laced re-interpretation of Jackson Browne's "These Days". To further highlight the album's dance elements, an EP of remixes of songs from This Is How It Feels , entitled Prison Of The Rhythm, was released shortly after the CD's release.
Pure,released a year later, is seen by many as the band's most focused work, due much to the strong contributions once again of Carson, Laswell, and Skopelitis. Tracks such as "No Skin" and "Pure" continue in the dance/ambient style of the previous album. The CD would also stir a minor controversy over the bare female breast on its cover, with some stores only carrying a version of the CD with a booklet where the cover had been replaced by simple, text-based artwork. Another remix EP (No Thought, No Breath, No Eyes, No Heart) accompanied Pure's release.
Pure would also be the last Palominos record for Lori Carson; However, interestingly, the song "Little Suicides", from Pure showed much of same sparse sound, production, and strong yet quiet vocals (albeit less electronic) that would influence Carson's solo work. Anton Fier would produce Carson's 1995 solo record, Where It Goes.
1994 also saw the release of Fier's second solo recording, blindlight, which used outtakes from Pure for much of its framework.
1995–2000
Dead Inside (1996) was another stylistic turnaround for the Palominos, and their last proper album. This time, the record had a deathly, industrial sound, with the line-up consisting only of Fier, multi-instrumentalist Knox Chandler (who before joining the Palominos, was also in a band with Lori Carson, and went on to join Siouxsie and The Banshees), Nicky Skopelitis, and poet Nicole Blackman. Blackman's dark and deliberate lyrics (tellingly, Blackman had also recently worked with the industrial German band KMFDM) made Dead Inside a challenging record; its sound and tone stand out decidedly as unlike any of the others. The album's opener is the brutal, spoken-word track, "Victim".
In 1997, The Palominos released another EP, named Dead Outside, composed of five remixes of tracks from Dead Inside. However, this EP was released as free MP3s on the Internet, made available for a limited time through Nicole Blackman's website and also through a fan-created band website (since decommissioned).
"Dead Outside" consisted of these five remixes, which were available for download for one month only, as per Fier's instructions. 'Victim: The Last Thing' by Sean Beavan (whose credits include 8MM/Nine Inch Nails/Marilyn Manson) with John Van Eaton (a frequent Blackman collaborator who has worked with NIN for 10 years) 'Ride: Pragmatic Spasmatic' by Raymond Watts (of KMFDM/Pig) "Belfast: Empty As Wire" by Scanner (another Blackman collaborator) "Ride" by Mark Walk (of Ruby) "Victim: Interference" by John Van Eaton.
Post-Palominos careers and reunion
Both Syd Straw and Lori Carson have gone on to moderately successful and critically acclaimed solo careers, with Carson a frequent contributor to television shows and movies. A compilation of some of Carson's contributed songs, called Stolen Beauty, was released by Rykodisc in 2003, and a new Carson solo record, The Finest Thing, was then released in 2004.
The Golden Palominos reunited for two shows in New York City in 2010; A May 7th show at Le Poisson Rouge; and a May 11th show at The Living Room. The personnel on May 7th was Syd Straw, Jody Harris, Jim Campilongo, Tony Maimone and Anton Fier with Special guest Robert Kidney on vocals and guitar. Both shows were an unqualified success and have led to considerable speculation and likelihood of additional show dates through the fall of 2010 and beyond. There was a 3rd show on September 10th.
Pure
The Golden Palominos Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Runs the water
Clean and beautiful
Leaves it standing on a Sunday
Here's the ritual
She has never been so pure has never been so pure
Sunday wishes
Sunday wishes for his arrival
This one blessing
She wants nothing more
Out of sheer love
Out of sheer love
She has never been so pure has never been so pure
Below the surface she comes up for air and
She finds
She has never been so pure and full of desire
She has never been so pure
Seven pale scars out so sheer love
Seven pale scars
Here's the ritual out of sheer love
A small sacrifice
Clean and beautiful
She has never been so pure has never been so pure
Below the surface of something too familiar
She comes up for air, she's drowning in this shallow water
Trying to believe, seek and you shall find
She has never been so pure has never been so pure
Out of sheer love
Out of sheer love
She's drowning in shallow water
Trying to have faith and it's hard
Seek and you shall find
Sweet as Mary
Out of sheer love
Runs the water
Clean and beautiful
The lyrics to The Golden Palominos's song "Pure" are quite enigmatic and can be interpreted in a variety of ways, but one reading of the song might see it as a meditation on the experience of spiritual purity and striving towards it through ritual and sacrifice. The song begins with the description of a woman, "Sweet as Mary," who runs water and leaves it standing on a Sunday as part of a ritual that seems to be grounded in a desire for purity. The repetition of "out of sheer love" suggests that this desire is motivated by a deep, perhaps spiritual affection for someone or something.
The song then shifts to focus on the woman's own sense of purity, with the repeated refrain "She has never been so pure" suggesting that this is a profound and perhaps unprecedented experience. The woman's wish for "nothing more" than her beloved's arrival may suggest a sense of completeness, as if the attainment of purity has satisfied all her desires.
However, the song complicates this picture with references to "seven pale scars" and the woman's sense of drowning in "shallow water." These images hint at something darker and more painful underlying the pursuit of purity, perhaps suggesting that the rituals and sacrifices that are meant to lead to spiritual fulfillment can also be damaging and unsustainable.
Overall, "Pure" is a haunting and ambiguous meditation on the complicated nature of purity, desire, and devotion.
Line by Line Meaning
Sweet as Mary out of sheer love
The water is sweet and pure, as if it were blessed by Mary herself, purely out of love.
Runs the water
The water is flowing, clean and beautiful.
Clean and beautiful
The water is pure and visually appealing.
Leaves it standing on a Sunday
The ritual is performed on a Sunday, leaving the water to stand and be appreciated.
Here's the ritual
This is a religious ritual, performed out of love.
She has never been so pure has never been so pure
The repeated line signifies the purity and innocence of the person performing the ritual.
She throws down her trail of cigarette
She discards her burden, symbolized by a cigarette, in preparation for the ritual.
Sunday wishes
She prays for something she desires, hopeful that it will come to her.
Sunday wishes for his arrival
She wishes for the arrival of her desired person, hopeful that he will come to her on this sacred day.
This one blessing
All she desires is this one blessing, represented by the arrival of her desired person.
She wants nothing more
Her desire for this one blessing is all-consuming and she wants nothing else.
Below the surface she comes up for air and
The person performing the ritual is submerged underwater, coming up for air periodically.
She finds
She discovers something below the surface, perhaps a realization or revelation.
She has never been so pure and full of desire
Despite her purity, the person performing the ritual is also full of desire.
Seven pale scars out so sheer love
The seven pale scars, representing a symbol of sacrifice, are a testament to the person's love and devotion to her ritual and beliefs.
Here's the ritual out of sheer love
The ritual is performed out of sheer love, with no ulterior motive or intention.
A small sacrifice
The ritual involves making a small sacrifice to show devotion and receive blessings.
Below the surface of something too familiar
The person performing the ritual is submerged in something that is familiar, but perhaps not fully understood or appreciated.
She comes up for air, she's drowning in this shallow water
The person performing the ritual feels overwhelmed and suffocated by something shallow and meaningless in her life, prompting her to seek spiritual solace.
Trying to believe, seek and you shall find
She is trying to believe in something greater and is searching for answers, hoping to find clarity and understanding.
She's drowning in shallow water
The person performing the ritual feels trapped and suffocated by something shallow and empty in her life, prompting her to search for meaning and purpose.
Trying to have faith and it's hard
Despite her desire and efforts, the person performing the ritual struggles to have faith and remain hopeful.
Seek and you shall find
She is searching for answers and believes that if she seeks, she will eventually find what she is looking for.
Sweet as Mary
The water is sweet and pure, as if blessed by Mary, representing purity and sanctity.
Out of sheer love
The ritual is motivated purely by love and devotion to a higher power or belief system.
Runs the water
The water is flowing, pure, and beautiful, representing the purity of the ritual and the person performing it.
Clean and beautiful
The water is pure and visually appealing, representing the purity and beauty of the ritual and the person performing it.
Lyrics © Peermusic Publishing
Written by: LORI CARSON, ANTON JOHN FIER
Lyrics Licensed & Provided by LyricFind
@angel1329us
sweet as Mary out of sheer love
runs the water
clean and beautiful
leaves it standing on a Sunday
here's the ritual
she has never been so pure never been so pure
she throws down her trail of cigarette
Sunday wishes
Sunday wishes for his arrival
this one blessing
she wants nothing more
out of sheer love
out of sheer love
she has never been so pure never been so pure
below the surface
she comes up for air
and she finds
she has never been so pure and full of desire
she has never been so pure
seven pale scars out of sheer love
seven pale scars
here's the ritual out of sheer love
a small sacrifice
clean and beautiful
she has never been so pure never been so pure
below the surface of something too familiar
she comes up for air
she's drowning in this shallow water
trying to believe, seek and you shall find
she has never been so pure never been so pure
out of sheer love
out of sheer love
she's drowning in the shallow water
trying to have faith and it's hard
seek and you shall find
sweet as Mary
out of sheer love
runs the water
clean and beautiful
@SKarlsson
Bill the master driving the rhythm. A seductive, super groovy album.
@Esthi4u
She’s is so amazing - I love her albums !
@JeffreyArchitect
So COOL some one posted this record/album/recording!! It is so ethereal and ambient/inspiring...It's modern music at it's best. Love it. Lori's voice is so compelling, haunting lyrics. I'll shut up and listen.
@SKarlsson
Some of the best of the era by far. This and "This is how it feels". Lori Carson was stellar on both. Look also at Material "Hallucination Engine". Doesn't get much better than this.
@thelatemystic
thanks for this...brings me back to my days in SF
@tonyspoon1159
OMG... I've been searching for this song , for Ages!!!
@IAMXisasgoodaschocolatespread
Beautiful
@skyreadersociety6183
don't really know what it is - but in all Palomino's tracks there's this sick and desperate feeling ...
@pauldaby1818
Perfect "freakathon" music !
@alexpalomino8947
So, apparently there is a whole band with my last name