The High Numbers was a short-lived alternate name used by The Who at the ou… Read Full Bio ↴The High Numbers was a short-lived alternate name used by The Who at the outset of their career. The name change occurred at the behest of music publicist Peter Meaden, who wanted to make them known as a mod band. "High numbers" was a reference to T-shirts with number designs, a coveted mod fashion item at the time. The band consisted of the same line-up as The Who: Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass), and Keith Moon (drums). After their first single failed to chart, they reverted to The Who.
Both sides of their only official single release, Zoot Suit / I'm the Face (released on major mod label Fontana in 1964), were works of plagiarism; respectively, "Zoot Suit" and "I'm the Face" were Meaden's reworkings of "Misery" by The Dynamics, and "I Got Love If You Want It" by Slim Harpo. Both were well-known mod songs; by all accounts, angered mods were the primary cause the single's failure. The band quickly broke off their association with Meaden, and would shortly earn the mods' affection, and indeed became one of the most emblematic "mod" bands of all time.
In 1974, The Who released the album Quadrophenia, their second rock opera, its lyrical subject matter being a search for identity during the heyday of the mods. Fittingly, lyrical references to "I'm the Face" and "Zoot Suit" appeared in the songs "Cut My Hair" and "Sea and Sand", respectively. "Zoot Suit" later appeared on the soundtrack for the film adaptation of Quadrophenia, whereas the two aforementioned album cuts were used only in abridged forms.
The High Numbers' only single was released alongside two other studio cuts ("Leaving Here" and "Here 't Is") as part of The Who's box set Thirty Years of Maximum R&B. A number of High Numbers performances also exist in bootleg audio, or video form; most notably, this includes one, or several, performances during their residency at the Marquee Club in London.
Shepherd's Bush, West London, United Kingdom
Both sides of their only official single release, Zoot Suit / I'm the Face (released on major mod label Fontana in 1964), were works of plagiarism; respectively, "Zoot Suit" and "I'm the Face" were Meaden's reworkings of "Misery" by The Dynamics, and "I Got Love If You Want It" by Slim Harpo. Both were well-known mod songs; by all accounts, angered mods were the primary cause the single's failure. The band quickly broke off their association with Meaden, and would shortly earn the mods' affection, and indeed became one of the most emblematic "mod" bands of all time.
In 1974, The Who released the album Quadrophenia, their second rock opera, its lyrical subject matter being a search for identity during the heyday of the mods. Fittingly, lyrical references to "I'm the Face" and "Zoot Suit" appeared in the songs "Cut My Hair" and "Sea and Sand", respectively. "Zoot Suit" later appeared on the soundtrack for the film adaptation of Quadrophenia, whereas the two aforementioned album cuts were used only in abridged forms.
The High Numbers' only single was released alongside two other studio cuts ("Leaving Here" and "Here 't Is") as part of The Who's box set Thirty Years of Maximum R&B. A number of High Numbers performances also exist in bootleg audio, or video form; most notably, this includes one, or several, performances during their residency at the Marquee Club in London.
Shepherd's Bush, West London, United Kingdom
Gotta Dance to Keep From Crying
The High Numbers Lyrics
We have lyrics for these tracks by The High Numbers:
Here Hey, fellas, have you heard the news, Yeah, the women in…
Here 't Is Whoa, whoa, whoa (whoa, whoa, whoa), I said whoa, whoa, who…
I'm the Face I'm the face baby, is that clear, I'm the face baby,…
Im The Face I'm the face baby, is that clear, I'm the face baby,…
Leaving Here Hey, fellas, have you heard the news, Yeah, the women in…
The High Numbers I'm the hippiest number in town and I'll tell you…
Zoot Suit I'm the hippiest number in town and I'll tell you…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Anthursan
The Who's best days were the Mod years, Pete used a 1993 Rickenbaker 330-Plus Fireglo semi-acoustic, with two Single Toaster pickups, R-shaped tailpiece and F-holes.
I Gotta Dance to Keep From Crying
The verse:
E G#m
E G#m
Chorus:
B D# G#m
B D# G#m
.
Adri Schneider
I love the way John is singing the high notes in the chorus. it gives me goosebumps everytime I listen to this masterpiece.
Rough Cut Guitars
Yeah, considering "Boris the Spider".
Talk about range.
jr132
@Rough Cut Guitars His range is best displayed on A quick one while he’s away
Darren Bennett
Keith Moon was a master of his craft even back then as an 18 year old.
Carlin
Keith Moon inspired by Gene Krupa her teacher0
DR
I know! He is so young and adorable!
Gary May
Ye raving mad man love him
Timothy Sader
You can tell it just came naturally to him , no matter what he did in a drum fill he always came back in on perfect time !! I’ve had friends say he was “sloppy” , I totally disagree !! I could listen to Keith play all day and not get tired of it !! Not technical ..... but musical .
CR15T08AL
17
James House
Even if you're stone deaf to how good Mooney's playing is, his style of playing is so fucking unique. Ain't never been anybody as good before, during or after.