In 1965, Parsons enrolled at Harvard University to study theology. Never a serious student, Parsons immediately set about establishing himself as a presence on the local folk music scene. Parsons' first band, which he named The Like, featured only Parsons and students from the Berklee College of Music. Given that Parsons was interested in pursuing a career as a folksinger at this time, his bandmates' jazz training proved incompatible with Parsons's musical aspirations. The group disbanded late in 1965, when Parsons met John Nuese, a guitarist with another local group called the Trolls, who convinced the singer to pursue an explicit country rock sound.
According to Nuese: "I was the only one with experience playing and listening to a lot of country music. Gram, who had been exposed to country music during his formative years, was doing commercial folk music. It was my influence that turned him onto country music." Sufficiently impressed with what he heard, and more interested in "chasing tail and dropping LSD" than completing his degree, Parsons dropped out of Harvard before his first semester was over. Immediately, Parsons and Nuese formed "The International Submarine Band", named after an old Our Gang comedy routine in which kids auditioned for a radio programmed as "The International Silver String Submarine Band." Featuring Parsons on guitar and vocals, Ian Dunlop on bass and Mickey Gauvin on drums, the "ISB" failed to make a lasting impression on either the Top 40 Pop or Country charts with any of their recordings, though they are largely considered to be one of the most influential pioneer country rock groups.
In early 1966, the "ISB" moved to New York City, where they lived in a house purchased through Parsons' large trust-fund. While in New York, the ISB recorded two singles for Goldstar Records, and an album which went unreleased and was eventually lost. The group's first release, a single in April 1966 called "The Russians Are Coming, The Russians Are Coming", was a largely forgettable cover of Johnny Mandel's tune of the same name composed for the eponymous Norman Jewison film. On the B-side, however, was the group's raucous cover of a Buck Owens song, namely, "Truck Driving Man", their recording now largely considered the first country rock recording.[citation needed] Later that same year, Goldstar released another single, featuring "Sum Up Broke" — a collaborative effort between Parsons (lyrics) and Nuese (music) — on the A-side, and Parsons' "One Day Week" on the flip side.
Undaunted by his failure to achieve overnight commercial success with the "ISB", Parsons began to consider moving the group to Los Angeles, spurred on by child actor Brandon deWilde's promise that he could get the group appearances in films. In November, Parsons headed out to Los Angeles' Laurel Canyon district on a scouting trip; while there, he stole Nancy Ross away from David Crosby, and began a torrid love affair with the aspiring film star. After Ross promised to find Parsons and the "ISB" official representation in Los Angeles, Parsons convinced the group to move there later in the year. As was his custom, Parsons used his trust-fund money to purchase a house for his band, while he stayed in a rented apartment with Ross. Introduced by DeWilde to Peter Fonda, Parsons convinced Fonda to advocate a cameo for the "ISB" on Roger Corman's psychedelic film, The Trip, in which Fonda was starring at the time. The "ISB" recorded "Lazy Days" for the film, but the song was eventually rejected; it was replaced with music by The Electric Flag, though the "ISB" still appeared on screen.
Frustrated by his inability to find commercial success with the "ISB", Parsons soon took to playing honky-tonks in the Los Angeles area with his friend, Bob Buchanan (co-author of "Hickory Wind"), and eventually decided to focus exclusively on country music. Almost immediately after Parsons informed them of his new country focus, Ian Dunlop and Mickey Gauvin left the "ISB", forming a group called The Flying Burrito Brothers. The split was amicable: Parsons played the group's first gig.
[edit]ISB version 2: 1967-1968
Only days before the "ISB" officially split, Suzi Jane Hokom, a would-be record producer from the area, observed a rehearsal. Impressed, Hokom convinced her boyfriend, Lee Hazlewood, owner of LHI Records, to sign the post-breakup Parsons and Nuese to an exclusive contract as the "ISB". Immediately, Parsons and Nuese began their search for musicians to complete the band. Jon Corneal, a drummer from an earlier Parsons band, answered the call, though he was making a good living playing as a session musician in Nashville. Three session musicians were hired to augment the threesome: Joe Osborn on bass, Earl Ball on piano and Jay Dee Maness on pedal steel.
The newly re-formed "International Submarine Band" recorded their first single in July 1967, under the watchful gaze of producer Hokom: two Parsons compositions, "Luxury Liner" and "Blue Eyes". Four months later, in November 1967, the same group, plus newcomer Chris Ethridge on bass, entered the studio to record what would become the band's only full length release, Safe at Home. Two more Parsons originals made the album: "Do You Know How It Feels To Be Lonesome" and "Strong Boy".
Though Safe at Home was finished by December 1967, the ISB's debut LP went unreleased for several months. Parsons left the group in February 1968, to join The Byrds to record their Sweetheart of the Rodeo album. Lee Hazelwood was unhappy with Parsons' decision and retained ownership of the name "International Submarine Band". Hazlewood attempted to prevent Parsons' vocal tracks from appearing on the Sweetheart of the Rodeo album.[2] While these legal issues were addressed by the time of the album's release, Parsons vocals were removed from several songs and replaced by vocals by Roger McGuinn; ultimately Parsons' lead vocals graced three songs on the album: "You're Still on My Mind", "Life in Prison" and "Hickory Wind".[2] The ISB's only full length release, Safe at Home, was not released by LHI until the spring of 1968, when the group had officially ceased to exist. Nonetheless, ISB's only album, Safe at Home, is now regarded a groundbreaking album of the country rock genre.
Luxury Liner
The International Submarine Band Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If I don't find my baby now then I guess I never will
I've been a long lost soul for a long long time
I've been around, everybody ought to know what's on my mind
You think I'm lonesome?
So do I, so do I
And I don't need a stranger to tell me that my baby's let me down
You think I'm lonesome?
So do I, so do I
Well a luxury liner, forty tons of steel
No one in this whole wide world can change the way I feel
I've been a long lost soul for a long long time
I've been around, everybody ought to know what's on my mind
You think I'm lonesome?
So do I, so do I
The lyrics of "Luxury Liner" by The International Submarine Band appear to be about a man who is searching for his lost love. He is determined to find her and if he does not, he believes he never will. The line “Well a luxury liner, forty tons of steel, if I don’t find my baby now then I guess I never will” conveys the urgency of his search and highlights the fact that he is willing to use any means necessary to find his love.
As the song continues, the man reveals that he has been lost for a long time and that everyone should know what is on his mind. The repetition of the line “You think I’m lonesome? So do I, so do I” emphasizes his sense of loneliness and despair. The lyrics also suggest that he is the kind of person who enjoys traveling and navigating his way through life. However, he is not afraid to admit that his baby has let him down, which has caused him great pain.
The song’s lyrics are simple but powerful, conveying the deep emotions of a man who has lost his love. It is a haunting and melancholic tune that leaves a lasting impression on the listener.
Line by Line Meaning
Well a luxury liner, forty tons of steel
I am comparing myself to a luxury liner, a large and sturdy ship made of steel
If I don't find my baby now then I guess I never will
If I don't reunite with my lover now, I fear we may never be together again
I've been a long lost soul for a long long time
I have been feeling lost and aimless for a significant period of time
I've been around, everybody ought to know what's on my mind
I have been present in various places, and my thoughts and feelings are evident to those around me
You think I'm lonesome?
Do you believe I am experiencing loneliness?
So do I, so do I
Indeed, I do feel lonely as well
Well I'm the kind of guy that likes to make a livin' runnin' 'round
My personality is such that I prefer to earn a living by traveling and keeping active
And I don't need a stranger to tell me that my baby's let me down
I do not require the input of a stranger to recognize that my partner has disappointed me
No one in this whole wide world can change the way I feel
There is no individual or circumstance that can alter the current state of my emotions.
You think I'm lonesome?
Are you under the impression that I am feeling lonely?
So do I, so do I
I confirm that I am indeed grappling with loneliness.
I've been a long lost soul for a long long time
I have been in a state of confusion and listlessness for an extended period of time.
I've been around, everybody ought to know what's on my mind
I have been present in various places, and my thoughts and feelings are evident to those around me
You think I'm lonesome?
Do you believe I am experiencing loneliness?
So do I, so do I
I acknowledge that I, too, am feeling lonely.
Lyrics © Universal Music Publishing Group
Written by: GRAM PARSONS
Lyrics Licensed & Provided by LyricFind