The primary members of the group were all the sons of Katherine and Joseph Jackson: Jackie Jackson, Tito Jackson, Jermaine Jackson, Marlon Jackson, Michael Jackson, and Randy Jackson. Joseph Jackson formed the band in 1964 and served as its manager, with Jackie, Tito, Jermaine, and unrelated youths Reynaud Jones and Milton Hite comprising its original lineup. Within a year, Michael and Marlon joined the band, and Michael became lead singer as the group developed a following in the eastern and midwestern United States during the mid-1960s. Signed to the Motown label from 1969 to 1975, and to CBS Records (as "The Jacksons") from 1975 until their disbanding in 1990, the Jackson 5 were one of the most popular groups of the era and became the first recording act to have their first four major label singles (I Want You Back, ABC, The Love You Save, and I'll Be There) reach the top of the American charts. Several future singles, among them "Mama's Pearl", "Never Can Say Goodbye" and "Dancing Machine", were Top 5 pop hits and number-one hits on the R&B singles chart. Most of the early hits were written and produced by a specialized songwriting team known as The Corporation™; later Jackson 5 hits were crafted chiefly by Hal Davis.
While not the first act considered a "boy band", The Jackson 5 is one of the earliest examples of the type as it is defined today: five adolescents specifically packaged and marketed by a record label for crossover pop success. Upon their departure from Motown for CBS in 1975, the Jacksons, were forced to change their name and trade Jermaine (who remained at Motown) for Randy. The group took control of their songwriting, production, and image, and their success continued into the 1980s with hits such as "Shake Your Body (Down to the Ground)" and "State of Shock", and a highly successful 1984 Victory tour. The Jacksons officially disbanded in 1990.
History
Early works
The Jacksons were a working-class family from Gary, Indiana. Katherine, being a Jehovah's Witness, raised the children as such, while their father, Joe, was not of that faith. Their father, a steel mill employee who often performed in an R&B band called "The Falcons" with his brother Luther, was a strict disciplinarian. Many of the Jackson children recall being severely beaten by Joe for misbehaving.
The children found an outlet in music, with elder brothers Jackie (born Sigmund Esco Jackson, 1951), Tito (born Toriano Jackson, 1953), and Jermaine (b. 1954) borrowing their father's guitar without his permission and playing along to the radio. Younger brothers Marlon (b. 1957) and Michael (b. 1958) were allowed to watch as long as they did not tell. Joseph eventually discovered that the older three boys were playing his guitar when one of the strings broke[2]. Although he was furious at first, Joseph realized the boys had talent and began making plans to create a musical act for them.
In 1965, Jackie, Tito, and Jermaine began performing around the Gary area with two neighborhood children, Milford Hite (on drums) and Reynaud Jones (on keyboards), in a group called The Jackson Brothers. Joe Jackson served as the manager, at first only part-time, and then eventually quitting his job at the steel mill. Jermaine sang lead and played bass, and Tito played guitar.
In 1966, younger brothers Marlon and Michael, joined the group as its tambourine and bongo players. Already showing talent as a singer and dancer[3], Michael replaced Jermaine as lead vocalist by mid-1967. Shirley Cartman, Tito's junior high orchestra teacher, noticed the group's talents and served as an early mentor to the group, by then calling itself The Jackson Five.
During this period, the boys toured Indiana extensively, and after winning a major local talent show in 1966 with a rendition of The Temptations' "My Girl", led by Michael, they began playing professional gigs in Chicago, Illinois and across the mid-eastern U.S. Many of these gigs were in a string of black clubs and venues collectively known as the "chitlin' circuit", and the young kids sometimes had to open for strip teasers and other adult acts in order to earn money.
Shirley Cartman got the Jackson Five a record deal with Gordon Keith's local Steeltown label, and the group began making their first recordings in 1967. Their first single, "Big Boy", became a regional hit. During this period, Johnny Jackson (no relation) on drums and Ronnie Rancifer on keys replaced Milford Hite and Reynaud Jones.
The Jackson Five had a number of admirers in their early days, including Sam & Dave, who helped the group secure a spot in the famous Amateur Night competition at the Apollo Theater in Harlem. The group won the August 13, 1967 competition during the Amateur Night showdown at the Apollo, impressing Motown Records artist Gladys Knight of The Pips. Knight recommended the group to Motown chief Berry Gordy, but Gordy, who already had teenager Stevie Wonder on his roster, was hesitant to take on another child act because of the child labor laws and other problems involved.
The Jackson Five's sound was influenced by many of the biggest stars of the 1960s, especially including family funk bands Sly & the Family Stone and The Isley Brothers, soul pioneer Marvin Gaye, doo-wop boy band Frankie Lymon & the Teenagers, and soul shouters like Wilson Pickett, Jackie Wilson, Stevie Wonder and James Brown [4]. At the time of their early success, soul and funk stars, especially coming from Motown Records, were among the most popular musicians; Motown had launched the careers of dozens of the decade's biggest stars, most notably Smokey Robinson & the Miracles, Stevie Wonder, Marvin Gaye, The Temptations, and Diana Ross & the Supremes.
Influences
From these sources, The Jackson Five developed many of their vocal arrangement styles and dance movements. The group's multi-lead vocal style was inspired by that of The Family Stone, while young Michael adapted Jackie Wilson and James Brown's impassioned singing and dancing styles into his own.
Joining Motown
By 1968, the Jackson 5 were a headlining act for the All Star Floor Show at Chicago's The Guys' and Gals' Cocktail Lounge and Restaurant. From July 12 - 27, 1968, the Jackson 5 opened for Motown group Bobby Taylor & the Vancouvers at Chicago's Regal Theater. Taylor was also very impressed with the boys, and he decided to make the commitment to bring them to Detroit and Motown. Joseph and the Jackson Five stayed on the floor of Bobby Taylor's Detroit apartment the night of July 22, while Taylor and Motown executive Suzanne de Passe arranged for the Jackson Five to audition for the label.
On July 23, the Jackson Five had their Motown audition, for which they performed James Brown’s then current hit "I Got the Feelin’". Berry Gordy was not in attendance, but the audition was videotaped and sent to him in Los Angeles. Gordy's initial reluctance to sign the group disappeared when he finally saw the boys perform. Gordy decided to sign the Jackson Five to Motown, and hosted a party at his Detroit mansion on November 25, 1968 to introduce them to the Motown staff and stars.
Motown began negotiations to buy out the Jackson Five's Steeltown contract, completing the deal in March 1969. By the summer, Bobby Taylor began producing the group's first recordings at Motown's Hitsville U.S.A. recording studio in Detroit. The early Taylor-produced Jackson Five records were all covers of both contemporary hits and Motown-standards, including Sly & the Family Stone's "Stand!" and their famous rendition of The Miracles' "Who's Lovin' You", written by Smokey Robinson.
In mid-August 1969, Gordy moved the Jackson Five and Joseph to California, and he and Suzanne de Passe began the process of grooming them as the label's next big act, while the rest of the family remained in Gary. While looking for a house in California, Joseph, Jermaine, Tito, and Jackie lived with Berry Gordy, while Michael and Marlon lived with Motown star Diana Ross.
The Boogie Man
The Jackson 5 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Don't be a bad boy and don't run
'Cause he's gonna get you
He's gonna get you
So little girl that's why I'm tellin' you
Don't you dare break my heart in two
Or he's gonna get you
The boogie man is gonna get you
If you're messin' around in the dark
Playin' with my love and affection
That ain't smart, no that ain't smart, oh
So little girl that's why I'm tellin' you
Take my love, take my money
But don't you dare break my heart in two
Or he's gonna get you (He's gonna get you)
He's gonna get you (He's gonna get you) Sing
The boogie man is gonna get you
If you're messin' around in the dark
Playin' with my love and affection
That ain't smart, no that ain't smart, oh
Look out, look out, here he comes, there he is, run
The Boogie Man will get ya
The Boogie Man will get ya
The Boogie Man is gonna get ya (If you're a bad girl)
The Boogie Man is gonna get ya (Don't make me sad girl, oh)
Here he comes, here he comes, here he comes, here he comes, who
The Boogie Man is gonna get you
If you're messin' around in the dark
Playin' with my love and affection
That ain't smart, no that ain't smart, oh
The Boogie Man is gonna get you ( I'm crazy about you baby)
If you're messin' around in the dark (I'm crazy 'bout your love)
Playin' with my love and affection
That ain't smart, no that ain't smart, oh
"The Boogie Man" by The Jackson 5 is a song about a threat that children are often given, that if they're bad, the boogie man will come and take them away. In the song, the singer, likely one of the Jackson 5 members, warns their lover not to break their heart. They use the same threatening language that children might hear from their parents about the boogie man, stating that if their lover breaks their heart, "he's gonna get you." The song is essentially a warning to their lover to not play games with their affection, or they will face the consequences.
The lyrics use the imagery of the boogie man, a mystical creature that is often used to frighten children, to suggest that there will be consequences for their actions. The singer is cautioning their partner that if they mess around in the dark and play with their love and affection, it's not smart, and the boogie man will get them. The song also includes a catchy chorus, which repeats the line "The boogie man is gonna get you. If you're messin' around in the dark. Playin' with my love and affection. That ain't smart, no that ain't smart, oh."
Overall, the song is a lighthearted take on a timeless threat, using it in the context of a love song to playful effect. The singer is essentially saying that they take their love seriously, and if their partner is not careful with their heart, there will be consequences.
Line by Line Meaning
My mama told me when I was quite young
When I was a child, my mother warned me about a scary figure.
Don't be a bad boy and don't run
My mother told me not to misbehave or try to escape.
'Cause he's gonna get you
This scary figure, known as the Boogie Man, will come after me.
He's gonna get you
I will be caught by the Boogie Man.
So little girl that's why I'm tellin' you
I am sharing this warning with you, young girl.
Don't you dare break my heart in two
Do not hurt me emotionally by leaving me or betraying me.
Or he's gonna get you
If you hurt me, the Boogie Man will come for you as well.
The boogie man is gonna get you
The Boogie Man is a real threat that should not be taken lightly.
If you're messin' around in the dark
Engaging in questionable behavior, especially at night, will make you vulnerable to the Boogie Man.
Playin' with my love and affection
Toying with my feelings and using me for your own amusement will also make you a target for the Boogie Man.
That ain't smart, no that ain't smart, oh
Doing these things is foolish and dangerous.
Look out, look out, here he comes, there he is, run
Be alert and watchful, because the Boogie Man is approaching and you should flee.
The Boogie Man will get ya
If you do not take this warning seriously, the Boogie Man will capture you.
If you're a bad girl
If you break my heart or act unkindly.
Don't make me sad girl, oh
Do not hurt me emotionally or I will be upset.
Here he comes, here he comes, here he comes, here he comes, who
The Boogie Man is getting closer and is almost upon us.
The Boogie Man is gonna get you ( I'm crazy about you baby)
The Boogie Man is a metaphor for the consequences of hurting someone who deeply cares for you.
If you're messin' around in the dark (I'm crazy 'bout your love)
If you play with someone's heart and feelings, especially in secret or in a risky situation.
Playin' with my love and affection
Manipulating or toying with someone's romantic feelings, which could have dire consequences.
That ain't smart, no that ain't smart, oh
It's not wise to take such risks with another person's emotions.
Lyrics © Sony/ATV Music Publishing LLC
Written by: DEKE RICHARDS, DENNIS LUSSIER
Lyrics Licensed & Provided by LyricFind
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