When recorded the band members were Jack Ely (vocalist/rhythm guitar; d. April 28, 2015), Lynn Easton (drummer), Mike Mitchell (lead guitar), Don Gallucci (electric piano) and Bob Nordby (bass guitar). Ken Chase (Kingsmen manager and Portland radio station KISN music director) produced the recording session. Robert Lindahl (Northwestern Inc. recording studio owner) was the audio engineer.
"Louie Louie" was kept from the top spot on the charts in late 1963 and early 1964 by the Singing Nun and Bobby Vinton, who monopolized the #1 slot for four weeks apiece. The Kingsmen single reached #1 on the Cashbox chart and #2 on the Billboard Hot 100 chart. Additionally in the UK it reached #26 on the Record Retailer chart. It sold over one million copies, and was awarded a gold disc. The B-side of the single was an instrumental, "Haunted Castle".
The band attracted nationwide attention when "Louie Louie" was banned by the governor of Indiana, Matthew E. Welsh, also attracting the attention of the FBI because of alleged indecent lyrics in their version of the song. The lyrics were, in fact, innocent, but Ely's baffling enunciation permitted teenage fans and concerned parents alike to imagine the most scandalous obscenities. All of this attention only made the song more popular. In April 1966 "Louie Louie" was reissued and once again hit the music charts, reaching #65 on the Cashbox chart and #97 on the Billboard Hot 100 chart.
After the success of "Louie Louie", the members of the Kingsmen took varied paths. Easton, whose mother had registered the name of the group and therefore owned it, declared that from this point on he intended to be the singer, forcing Ely to play the drums. This led Jack Ely and Bob Nordby to quit the group.
Ely would later form his own group Jack Eely And The Courtmen (with the reason for the extra "e" in his surname not clear). Don Gallucci was forced out because he wasn't old enough to tour and later formed Don and the Goodtimes, which morphed into the short-lived Touch. Later, Gallucci would become a record producer with Elektra Records, with his most famous production being The Stooges' seminal second album Fun House. ("Louie Louie" was frequently performed at Stooges concerts; the song appears on their live album as well as an Iggy Pop solo record.) The two remaining original Kingsmen, Lynn Easton and Mike Mitchell, toured as the official band.
Following legal action on both sides, Easton established his right to the "Kingsmen" name. Thus Ely was forced to stop using it, and Easton was forced to stop lip syncing to Ely's vocals. This initially hurt the Easton Kingsmen's popularity, after audiences realized that this was no longer the band they had come to see. Eventually, though, the official band (with Easton on vocals) charted several more singles in the 1960s.
The Kingsmen's 1964 follow up to "Louie Louie" was a party version of "Money (That's What I Want)" which hit the Billboard Hot 100 at #16 and on Cashbox at #17. Then came "Little Latin Lupe Lu" peaking on Billboard at #46 and Cashbox at #49. After that it was "Death of An Angel" #33 on Cashbox and #42 on Billboard.
1965 saw the Kingsmen return to the Top 10 nationally with "The Jolly Green Giant" reaching #4 on Billboard and #8 on Cashbox. The follow-up song was "The Climb" #45 on Cashbox and #65 on Billboard. "Annie Fanny" was released next reaching #43 on Cashbox & #47 on Billboard. Next came "(You Got) The Gamma Goochee" #98 on Cashbox & #122 on Billboard.
In 1966 the Kingsmen continued to hit the charts, with "Killer Joe" reaching #77 on Billboard & #81 on Cashbox. In 1967 they made the chart for the last time with "Bo Diddley Bach" reaching #128 on Billboard.
On November 9, 1998, The Kingsmen were awarded ownership of all their early recordings released on Wand Records from Gusto Records, including "Louie Louie." They had not been paid royalties on the songs since the 1960s.
Original vocalist Jack Ely passed away in 2015, and original guitarist Mike Mitchell in 2021. A reformed Kingsmen performed at the "24 Hour Louie Louie Marathon" in Portland in October 2023, a testament to the enduring fascination with this song.
--Other Groups--
Prior to this group's formation, another group called The Kingsmen operated in 1958 and was made up of members of Bill Haley & His Comets who were moonlighting from their regular work with Haley. This group scored a hit record (#35) on Billboard with the instrumental entitled "Week End", written by Rudy Pompilli, Franny Beecher, and Billy Williamson, backed with "Better Believe It" as the B side. They released a follow-up single on East West Records featuring "The Catwalk" backed with "Conga Rock". Although the Comets did the actual recordings, when The Kingsmen went on tour a different set of musicians performed instead of Haley's people. The band made at least one appearance on American Bandstand in 1958.
Various other groups have used the name "The Kingsmen", including a gospel vocal group formed in 1956 (also referred to as The Kingsmen Quartet) and bands that were later re-named as Flamin' Groovies, The Gants and The Statler Brothers. An a cappella group at Columbia University is traditionally known as The Kingsmen; one incarnation of that group became Sha Na Na; also circa 1962-63, Bruza / Magnoli / Nofz / Tomczyk adopted that name in SE MI until dis-banding during the late-1970s.
Shake A Tail Feather
The Kingsmen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
All over the neighborhood
Didn’t you ask me baby or didn’t you think I could ?
I know that your partner will never step aside
I’ve seen you do the jerk all night.
Why didn’t you ask me, baby, because I shown you how to do it right
Now do it right
So do it right
Do it right
Do it right.
(Twist it) shake it, shake it, baby
(Twist it) ………………
Here we go loop de loop
Shake it up, baby
Here we go loop de la.
Bend over, let me see you shake a tail feather
Bend over, let me see you shake a tail feather
Bend over, let me see you shake a tail feather
Bend over, let me see you shake a tail feather.
(Twist it) shake it, shake it, baby
(Twist it) ………………
Here we go loop de loop
Shake it up, baby
Here we go loop de la.
Bend over, let me see you shake a tail feather
Bend over, let me see you shake a tail feather
Bend over, let me see you shake a tail feather
Bend over, let me see you shake a tail feather.
(Twist it) shake it, shake it, baby
(Twist it) ………………
(Twist it) ………………
(Twist it) ………………
…
The Kingsmen's "Shake A Tail Feather" is a song about a girl who is jealous of her dance partner's attention towards another girl. The lyrics convey the girl's frustration at being left out and not being asked to dance with her partner. She knows that her partner's loyalty will never waver but feels that she could do the dance better if given the chance. The song's chorus urges the partner to do the dance right and shakes a feather while doing so.
The song then shifts its focus to the dance moves themselves, urging the partner to "shake it" and "loop de loop" while twisting and turning. The singer emphasizes the importance of showing off one's moves and asks the partner to "bend over" and let her see the dance in action. The song ends with a repetition of the chorus, asking the partner to "do it right" and shake their tail feather.
Line by Line Meaning
I heard about the girl you’ve been dancing with
I am aware of the girl you've been dancing with
All over the neighborhood
Everyone knows about it, it's not a secret
Didn’t you ask me baby or didn’t you think I could ?
Why didn't you ask me if I could dance with you or did you think I couldn't?
I know that your partner will never step aside
I know that the person you dance with will never leave you
I’ve seen you do the jerk all night
I have seen you dance all night
Why didn’t you ask me, baby, because I shown you how to do it right
Why didn't you ask me to dance because I have already shown you how to dance properly
Now do it right
Dance properly now
So do it right
Dance properly
Yeah, do it right
Yes, dance properly
Do it right
Dance properly
(Twist it) shake it, shake it, baby
Twist your body and shake it, baby
(Twist it) ………………
Twist your body and …
Here we go loop de loop
Let's dance in a loop
Shake it up, baby
Shake your body, baby
Here we go loop de la
Let's dance in a loop
Bend over, let me see you shake a tail feather
Bend over and let me see you dance and shake your body
Bend over, let me see you shake a tail feather
Bend over and let me see you dance and shake your body
Bend over, let me see you shake a tail feather
Bend over and let me see you dance and shake your body
Bend over, let me see you shake a tail feather
Bend over and let me see you dance and shake your body
(Twist it) shake it, shake it, baby
Twist your body and shake it, baby
(Twist it) ………………
Twist your body and …
Here we go loop de loop
Let's dance in a loop
Shake it up, baby
Shake your body, baby
Here we go loop de la
Let's dance in a loop
Bend over, let me see you shake a tail feather
Bend over and let me see you dance and shake your body
Bend over, let me see you shake a tail feather
Bend over and let me see you dance and shake your body
Bend over, let me see you shake a tail feather
Bend over and let me see you dance and shake your body
Bend over, let me see you shake a tail feather
Bend over and let me see you dance and shake your body
(Twist it) shake it, shake it, baby
Twist your body and shake it, baby
(Twist it) ………………
Twist your body and …
(Twist it) ………………
Twist your body and …
(Twist it) ………………
Twist your body and …
Contributed by Christian C. Suggest a correction in the comments below.