The Kingsmen is a 1960s garage rock band from Portland, Oregon, United Stat… Read Full Bio ↴The Kingsmen is a 1960s garage rock band from Portland, Oregon, United States. They are best known for their 1963 recording of Richard Berry's "Louie Louie", which held the #2 spot on the Billboard charts for six weeks. The single has become an enduring classic.
When recorded the band members were Jack Ely (vocalist/rhythm guitar; d. April 28, 2015), Lynn Easton (drummer), Mike Mitchell (lead guitar), Don Gallucci (electric piano) and Bob Nordby (bass guitar). Ken Chase (Kingsmen manager and Portland radio station KISN music director) produced the recording session. Robert Lindahl (Northwestern Inc. recording studio owner) was the audio engineer.
"Louie Louie" was kept from the top spot on the charts in late 1963 and early 1964 by the Singing Nun and Bobby Vinton, who monopolized the #1 slot for four weeks apiece. The Kingsmen single reached #1 on the Cashbox chart and #2 on the Billboard Hot 100 chart. Additionally in the UK it reached #26 on the Record Retailer chart. It sold over one million copies, and was awarded a gold disc. The B-side of the single was an instrumental, "Haunted Castle".
The band attracted nationwide attention when "Louie Louie" was banned by the governor of Indiana, Matthew E. Welsh, also attracting the attention of the FBI because of alleged indecent lyrics in their version of the song. The lyrics were, in fact, innocent, but Ely's baffling enunciation permitted teenage fans and concerned parents alike to imagine the most scandalous obscenities. All of this attention only made the song more popular. In April 1966 "Louie Louie" was reissued and once again hit the music charts, reaching #65 on the Cashbox chart and #97 on the Billboard Hot 100 chart.
After the success of "Louie Louie", the members of the Kingsmen took varied paths. Easton, whose mother had registered the name of the group and therefore owned it, declared that from this point on he intended to be the singer, forcing Ely to play the drums. This led Jack Ely and Bob Nordby to quit the group.
Ely would later form his own group Jack Eely And The Courtmen (with the reason for the extra "e" in his surname not clear). Don Gallucci was forced out because he wasn't old enough to tour and later formed Don and the Goodtimes, which morphed into the short-lived Touch. Later, Gallucci would become a record producer with Elektra Records, with his most famous production being The Stooges' seminal second album Fun House. ("Louie Louie" was frequently performed at Stooges concerts; the song appears on their live album as well as an Iggy Pop solo record.) The two remaining original Kingsmen, Lynn Easton and Mike Mitchell, toured as the official band.
Following legal action on both sides, Easton established his right to the "Kingsmen" name. Thus Ely was forced to stop using it, and Easton was forced to stop lip syncing to Ely's vocals. This initially hurt the Easton Kingsmen's popularity, after audiences realized that this was no longer the band they had come to see. Eventually, though, the official band (with Easton on vocals) charted several more singles in the 1960s.
The Kingsmen's 1964 follow up to "Louie Louie" was a party version of "Money (That's What I Want)" which hit the Billboard Hot 100 at #16 and on Cashbox at #17. Then came "Little Latin Lupe Lu" peaking on Billboard at #46 and Cashbox at #49. After that it was "Death of An Angel" #33 on Cashbox and #42 on Billboard.
1965 saw the Kingsmen return to the Top 10 nationally with "The Jolly Green Giant" reaching #4 on Billboard and #8 on Cashbox. The follow-up song was "The Climb" #45 on Cashbox and #65 on Billboard. "Annie Fanny" was released next reaching #43 on Cashbox & #47 on Billboard. Next came "(You Got) The Gamma Goochee" #98 on Cashbox & #122 on Billboard.
In 1966 the Kingsmen continued to hit the charts, with "Killer Joe" reaching #77 on Billboard & #81 on Cashbox. In 1967 they made the chart for the last time with "Bo Diddley Bach" reaching #128 on Billboard.
On November 9, 1998, The Kingsmen were awarded ownership of all their early recordings released on Wand Records from Gusto Records, including "Louie Louie." They had not been paid royalties on the songs since the 1960s.
Original vocalist Jack Ely passed away in 2015, and original guitarist Mike Mitchell in 2021. A reformed Kingsmen performed at the "24 Hour Louie Louie Marathon" in Portland in October 2023, a testament to the enduring fascination with this song.
--Other Groups--
Prior to this group's formation, another group called The Kingsmen operated in 1958 and was made up of members of Bill Haley & His Comets who were moonlighting from their regular work with Haley. This group scored a hit record (#35) on Billboard with the instrumental entitled "Week End", written by Rudy Pompilli, Franny Beecher, and Billy Williamson, backed with "Better Believe It" as the B side. They released a follow-up single on East West Records featuring "The Catwalk" backed with "Conga Rock". Although the Comets did the actual recordings, when The Kingsmen went on tour a different set of musicians performed instead of Haley's people. The band made at least one appearance on American Bandstand in 1958.
Various other groups have used the name "The Kingsmen", including a gospel vocal group formed in 1956 (also referred to as The Kingsmen Quartet) and bands that were later re-named as Flamin' Groovies, The Gants and The Statler Brothers. An a cappella group at Columbia University is traditionally known as The Kingsmen; one incarnation of that group became Sha Na Na; also circa 1962-63, Bruza / Magnoli / Nofz / Tomczyk adopted that name in SE MI until dis-banding during the late-1970s.
When recorded the band members were Jack Ely (vocalist/rhythm guitar; d. April 28, 2015), Lynn Easton (drummer), Mike Mitchell (lead guitar), Don Gallucci (electric piano) and Bob Nordby (bass guitar). Ken Chase (Kingsmen manager and Portland radio station KISN music director) produced the recording session. Robert Lindahl (Northwestern Inc. recording studio owner) was the audio engineer.
"Louie Louie" was kept from the top spot on the charts in late 1963 and early 1964 by the Singing Nun and Bobby Vinton, who monopolized the #1 slot for four weeks apiece. The Kingsmen single reached #1 on the Cashbox chart and #2 on the Billboard Hot 100 chart. Additionally in the UK it reached #26 on the Record Retailer chart. It sold over one million copies, and was awarded a gold disc. The B-side of the single was an instrumental, "Haunted Castle".
The band attracted nationwide attention when "Louie Louie" was banned by the governor of Indiana, Matthew E. Welsh, also attracting the attention of the FBI because of alleged indecent lyrics in their version of the song. The lyrics were, in fact, innocent, but Ely's baffling enunciation permitted teenage fans and concerned parents alike to imagine the most scandalous obscenities. All of this attention only made the song more popular. In April 1966 "Louie Louie" was reissued and once again hit the music charts, reaching #65 on the Cashbox chart and #97 on the Billboard Hot 100 chart.
After the success of "Louie Louie", the members of the Kingsmen took varied paths. Easton, whose mother had registered the name of the group and therefore owned it, declared that from this point on he intended to be the singer, forcing Ely to play the drums. This led Jack Ely and Bob Nordby to quit the group.
Ely would later form his own group Jack Eely And The Courtmen (with the reason for the extra "e" in his surname not clear). Don Gallucci was forced out because he wasn't old enough to tour and later formed Don and the Goodtimes, which morphed into the short-lived Touch. Later, Gallucci would become a record producer with Elektra Records, with his most famous production being The Stooges' seminal second album Fun House. ("Louie Louie" was frequently performed at Stooges concerts; the song appears on their live album as well as an Iggy Pop solo record.) The two remaining original Kingsmen, Lynn Easton and Mike Mitchell, toured as the official band.
Following legal action on both sides, Easton established his right to the "Kingsmen" name. Thus Ely was forced to stop using it, and Easton was forced to stop lip syncing to Ely's vocals. This initially hurt the Easton Kingsmen's popularity, after audiences realized that this was no longer the band they had come to see. Eventually, though, the official band (with Easton on vocals) charted several more singles in the 1960s.
The Kingsmen's 1964 follow up to "Louie Louie" was a party version of "Money (That's What I Want)" which hit the Billboard Hot 100 at #16 and on Cashbox at #17. Then came "Little Latin Lupe Lu" peaking on Billboard at #46 and Cashbox at #49. After that it was "Death of An Angel" #33 on Cashbox and #42 on Billboard.
1965 saw the Kingsmen return to the Top 10 nationally with "The Jolly Green Giant" reaching #4 on Billboard and #8 on Cashbox. The follow-up song was "The Climb" #45 on Cashbox and #65 on Billboard. "Annie Fanny" was released next reaching #43 on Cashbox & #47 on Billboard. Next came "(You Got) The Gamma Goochee" #98 on Cashbox & #122 on Billboard.
In 1966 the Kingsmen continued to hit the charts, with "Killer Joe" reaching #77 on Billboard & #81 on Cashbox. In 1967 they made the chart for the last time with "Bo Diddley Bach" reaching #128 on Billboard.
On November 9, 1998, The Kingsmen were awarded ownership of all their early recordings released on Wand Records from Gusto Records, including "Louie Louie." They had not been paid royalties on the songs since the 1960s.
Original vocalist Jack Ely passed away in 2015, and original guitarist Mike Mitchell in 2021. A reformed Kingsmen performed at the "24 Hour Louie Louie Marathon" in Portland in October 2023, a testament to the enduring fascination with this song.
--Other Groups--
Prior to this group's formation, another group called The Kingsmen operated in 1958 and was made up of members of Bill Haley & His Comets who were moonlighting from their regular work with Haley. This group scored a hit record (#35) on Billboard with the instrumental entitled "Week End", written by Rudy Pompilli, Franny Beecher, and Billy Williamson, backed with "Better Believe It" as the B side. They released a follow-up single on East West Records featuring "The Catwalk" backed with "Conga Rock". Although the Comets did the actual recordings, when The Kingsmen went on tour a different set of musicians performed instead of Haley's people. The band made at least one appearance on American Bandstand in 1958.
Various other groups have used the name "The Kingsmen", including a gospel vocal group formed in 1956 (also referred to as The Kingsmen Quartet) and bands that were later re-named as Flamin' Groovies, The Gants and The Statler Brothers. An a cappella group at Columbia University is traditionally known as The Kingsmen; one incarnation of that group became Sha Na Na; also circa 1962-63, Bruza / Magnoli / Nofz / Tomczyk adopted that name in SE MI until dis-banding during the late-1970s.
Week End
The Kingsmen Lyrics
We have lyrics for 'Week End' by these artists:
Gen Hoshino さよなら 目が覚めたら 君を連れて 未来を今 踊る 週末の街角 ここから 始まる 夢から目が覚めたら 君を連れて 未来…
Hoshino Gen さよなら 目が覚めたら 君を連れて 未来を今 踊る 週末の街角 ここから 始まる 夢から目が覚めたら 君を連れて 未来…
Kenny Lattimore It's the weekend hopin we can chill again sort of…
Lorie Y en a qui sont fous d'impatience D'autres disent, c'est sa…
Ratones Paranoicos Es un weekend en parte doble Hasta en donde hay se…
Sergio Caputo Venerdì Niente birra in frigidaire L'ennesimo caffè Br…
X I hear a knock on the door 激しくせまる 失いかけた意識のなかで おまえがささやく 追いつめら…
X (Japan) I HEAR A KNOCK ON THE DOOR hageshiku semaru ushinai-kaketa…
X / X Japan I hear a knock on the door 激しくせまる 失いかけた意識のなかで おまえがささやく 追…
X Japan - Blue Blood I hear a knock on the door 激しくせまる 失いかけた意識のなかで おまえがささやく 追いつめら…
X-Japan(엑스 재팬) I hear a knock on the door 激しくせまる 失いかけた意識のなかで おまえがささやく 追いつめら…
星野源 さよなら 目が覚めたら 君を連れて 未来を今 踊る 週末の街角 ここから 始まる 夢から目が覚めたら 君を連れて 未来…
We have lyrics for these tracks by The Kingsmen:
A Hard Day's Night It's been a hard day's night, and I been working…
Annie Fanny Easton There's a chick in the magazine we all know (Anni…
Death Of An Angel My baby's gone And she left me to stay My baby's…
Do You Love Me You broke my heart 'cause I couldn't dance, You didn't even…
Don't You Just Know It Smith-Vincent All girl loosers go for you (Don't ya jus…
Empty Vessel Verse 1 As my feet Walk through dry and barren places…
Excuses Excuses, excuses, you'll hear them every day. And the Devil …
Fever Leiber-Stoller You’ll never know how much I love you Nev…
Get Out Of My Life Woman You don't love me no more Get out my life woman You…
Great Balls Of Fire Blackwell-Hammer You shake my nerves and you rattle my br…
Hard Day's Night It's been a hard day's night, and I been working…
I Like It Like That Kenner-Toussaint Come on (come on, let me show you where…
I'll Not Turn Back I'm ready to leave this world of sorrow, I'll not …
If I Needed Someone If I needed someone to love You're the one that I'd…
Jolly Green Giant In the valley of the jolly (ho, ho, ho) Heard about…
La-Do-Dada Hawkins-Lewis (La-do-da-do-dada, la-da-do-dada) (La-do-d…
Land of 1000 Dances One, two, three! One, two, three! You gotta know how to pony…
let the good times roll Goodman-Lee Come on baby, let the good times roll Come o…
Little Latin Lupe Lu Talkin' bout my baby Ahhh, Little Latin Lupe Lu She's a high…
Louie Louie Louie Louie, oh no, you take me to where ya…
Louie Louie 1965 Louie Louie, oh no, you take me where ya gotta…
Louie; Louie Louie Louie, oh no, you take me to where ya…
Love Lifted Me You broke my heart 'cause I couldn't dance, You didn't even…
Mojo Workout Bright I got my mojo workin' (mojo workin’) I got my…
Money You know the best things in life are free But you…
Mother In Law The worst person I know, mother-in-law, mother-in-law She wo…
Mustang Sally Rice Mustang Sally, I think you better slow your Mustang …
New Orleans Guida-Royster I said a hey, hey, hey yeah I said a hey,…
Ooh Poo Pah Doo Hill Yo-o-oh (yo-o-oh) Yo-o-oh (yo-o-oh) Wow! Yea-a-a…
Oppressor Oppressor, breaking hearts crushing souls with your words Ba…
Outsider Manipulation, the satisfaction that feeds the monster Break …
Shake A Tail Feather I heard about the girl you’ve been dancing with All over…
Shotgun I said shotgun shoot 'em 'fore he run now do…
Shout Shout Shout Let it all out These are the things I can do…
Something's Got A Hold On Me Sometimes I get a good feeling I get a feeling that…
Sometimes Thomasson Sometimes I cry when I'm lonely Sometimes I cr…
Sticks and Stones Turner People talkin', tryin' to break us up Why don't t…
That You know the best things in life are free But you…
That's Cool That's Trash There's gonna be a big party at my house (La-la…
The Jolly Green Giant In the valley of the jolly (ho, ho, ho) Heard about…
The Jolly Green Giant/The Kingsman In duh valley of duh jolly (Ho - ho…
Tossin' And Turnin' Baby, baby, can't you see what you're doing to me? I…
Twist & Shout Well, shake it up, baby, now, (shake it up, baby) Twist…
Twist And Shout Well, shake it up, baby, now, (shake it up, baby) Twist…
Under My Thumb Under my thumb, the girl who once had me down Under…
Wild Thing Wild thing, you make my heart sing You make everything groov…
You And Me Jesus You broke my heart 'cause I couldn't dance, You didn't even…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Bradley Arthur
Great song by the Comets. I love how to get this recorded they had to go across the street to east west studios to record and change their name so no contractual issues
PJ Riverdale
Had they applied more of this styling to Haley's records after 1956, the sales drop off in the US might have not been as quick...........
Mida Bennadji
thanks for the info' 45prof !
Playbyplaymedia
Take that, Jodimars!