1. The Larks were … Read Full Bio ↴There are at least three groups called The Larks.
1. The Larks were an African American vocal group, active in the early 1950s, not to be confused with the Los Angeles-based Larks (originally The Meadowlarks) featuring Don Julian. Personnel: Eugene 'Gene' Mumford (1925-1977, tenor, lead), Alden 'Allen' Bunn (known later as Tarheel Slim, 1924-1977, baritone, lead, guitar), Thermon (or Thurmon) Ruth (known later as T. Ruth, 1914–2002, baritone, lead), Hadie Rowe Jr. (1928-1998, baritone), David McNeil (1932-2005, bass) and Raymond 'Pee Wee' Barnes (tenor).
The story of the Larks begins in the late 1920s, when singer Thermon Ruth founded the Selah Jubilee Singers in New York, later basing them in Raleigh, North Carolina where they had a radio show. They recorded for Decca Records and other smaller labels in the 1940s, and their membership overlapped with other religious vocal groups in the area, including The Southern Harmonaires. In 1945, Ruth tried to persuade Eugene Mumford of one of these groups, The Four Interns, to join the Selah Jubilee Singers, but before he could do so, Mumford was charged with the attempted rape of a white woman, convicted and imprisoned. He was innocent of the crime and later received a full pardon.
In 1946, Allen Bunn joined The Southern Harmonaires, and soon afterwards joined Thermon Ruth in the Selah Jubilee Singers as the group's guitarist and second lead singer. Three years later, Ruth and Bunn decided to leave to form a new group, The Jubilators. They linked up with Mumford, now released from prison, and with three members of The Southern Harmonaires, David McNeil, Hadie Rowe Jr., and Raymond 'Pee Wee' Barnes.
In 1950, the six-man group drove to New York to record. On one single day, they recorded 17 songs for four different labels, under four different names. Initially, billing themselves as the Selah Jubilee Singers, they recorded four gospel songs for Jubilee Records, before moving on to record as The Jubilators for Regal Records in New Jersey. Then they drove to Newark, recording four secular blues songs, including "Lemon Squeezer", as The 4 Barons for Savoy Records. Finally, they drove back to Apollo Records in Manhattan, where, as "The Southern Harmonaires", they recorded four more gospel tracks. However, Apollo owner Bess Berman realized the subterfuge. She signed them to a contract which allowed the other companies to release the other recordings, but wanted to promote them as a secular R&B rather than a gospel group.
At this point the group became The Larks, named along the lines of other 'bird' groups like The Ravens and The Orioles. Their earliest recordings featured Mumford on lead vocal, on "When I Leave These Prison Walls" and "My Reverie", the latter recorded after Rowe had left the group on being drafted into the Army. However, chart success did not come until later in 1951, when the blues "Eyesight To The Blind", with Bunn on lead vocals and guitar, made # 5 on the R&B charts. This was followed up by another R&B top ten hit, "Little Side Car", a reworking of Smokey Hogg’s "Too Many Drivers”. This period was the height of The Larks’ popularity – they appeared on the Perry Como and Arthur Godfrey TV shows, toured with Percy Mayfield, and recorded with Mahalia Jackson.
Early in 1952, however, Bunn left for a solo career, first recording blues for Apollo, accompanied by Sonny Terry and Brownie McGhee, and then moving to Bobby Robinson's Red Robin label in 1953 (as "Allen Baum"!). Barnes also left The Larks in early 1952 to become a R&B, jazz and rock 'n’ roll session guitarist. Shortly afterwards, McNeil also left to replace Bill Brown in The Dominoes. Thermon Ruth relocated back to North Carolina, and The Larks as a group effectively then ceased to exist for a while.
Gene Mumford joined gospel group The Golden Gate Quartet, but in 1953 he decided to return to secular music. He recruited the quartet’s Orville Brooks and pianist Glenn Burgess, and singers David "Boots" Bowers and Isaiah Bing of the King Odom Four, this group then becoming the new incarnation of The Larks. Bess Berman at Apollo wanted the group to develop as a mainstream pop music group, rather than an R&B group, and they released a number of singles in that vein. They also appeared in the movie Rhythm & Blues Revue. However, commercial success eluded them, and the second Larks disbanded in 1955.
2. The Larks were Don Julian (1935-1998), Ted Walters and Charles Morrison. They had one top 40 hit, 'The Jerk', which rose to #7 in 1964.
3. The Larks were a ska band from the United Kingdom. Their first incarnation formed in 1981 in Kent. Relocating to London in the mid-1980s the line-up settled with Tommy Barlow (vocals, sax), Mark Bannister (guitar), Dave Eastgate (drums), Eric Coker (trumpet), Pete Daws (bass) and Phil Veacock (saxes). Their first appearance on vinyl was with the song 'Maggie Maggie Maggie (Out Out Out' on a Miners benefit LP. Several singles followed. The band had a large following and played many sold-out shows, but split up in 1988.
Hold Me
The Larks Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When you're far away I'm always blue
If you want me to remain romantic
Here are all the things you'll have to do
Hold me honey won't you hold he
Hold me never let me go
Take me honey won't you take me
'Cause I love you so
Thrill me, let your kisses thrill me
Just like you alone can do
Hold me tenderly enfold me
Never try to hold me from you
I love every little thing about you
Every thing you say and all you do
I would be a total loss without you
What becomes of me is up to you
Hold me honey won't you hold me
Hold me never let me go
Take me honey won't you take me
Never to forsake me
'Cause I love you so
Thrill me Let your kisses thrill me
Just like you alone can do
Hold me tenderly, enfold me
The Larks's song "Hold Me" is a simple yet powerful love song that expresses the deep yearning and desire that the singer has for his lover. The lyrics convey the emotional state of the singer when he is with his lover versus when he is alone. The first verse talks about how being near the lover makes him feel romantic, while being far away makes him feel blue. The second verse talks about what the singer wants his lover to do to keep the romance alive. He wants her to hold him, take him, and thrill him with her kisses. He also tells her that he loves her deeply and that he would be lost without her. The chorus is an appeal to the lover to hold him tenderly and never let him go.
The song is a classic expression of the power of love and how it can transform a person's emotional state. The singer is vulnerable and expresses his emotional needs in a clear and simple way. The song also suggests that love requires effort and commitment to keep the romance alive. This is evident in the second verse where the singer lists out the things that his lover needs to do to keep him romantic.
Overall, the song is a beautiful expression of love that has stood the test of time. It resonates with people of all age groups and continues to be a popular love song that is played at weddings and on romantic occasions.
Line by Line Meaning
When you're near me I feel so romantic
I feel romantic and happy when you are close to me.
When you're far away I'm always blue
I feel sad and lonely when you are far away.
If you want me to remain romantic
If you want me to continue to feel romantic and happy,
Here are all the things you'll have to do
Here are the things you need to do to make me feel loved and happy.
Hold me honey won't you hold me
Please hug me tightly and keep holding me.
Hold me never let me go
Never let me go and leave me alone.
Take me honey won't you take me
Please take me with you and keep me close.
Never to forsake me
Never abandon me and leave me alone.
'Cause I love you so
Because I love you so much.
Thrill me, let your kisses thrill me
Please kiss me passionately and make me feel thrilled.
Just like you alone can do
Only you have the power to make me feel this way.
Hold me tenderly enfold me
Please hold me gently and wrap your arms around me.
Never try to hold me from you
Never keep me away from you or try to control me.
I love every little thing about you
I love everything you do and say.
Every thing you say and all you do
I love everything about you, including your actions and words.
I would be a total loss without you
I can't imagine my life without you.
What becomes of me is up to you
My happiness and life depend on you and your actions.
Lyrics © Universal Music Publishing Group
Written by: Barry Gibb, Maurice Ernest Gibb, Robin Gibb
Lyrics Licensed & Provided by LyricFind
Steve
A great song to close your eyes and fall asleep to
Robert Stallworth MD
A Great two-sider. "I Live True To You" on the flip. A work of art, indeed.
8176morgan
I wouldn't be surprised if the famous song "Hold Me, Thrill Me, Kiss Me" that was first recorded by Karen Chandler and released in October of 1952 was directly inspired from this song which came out four months earlier in July of '52. I think I like this one a little bit better.
bluenote824 jones
Mumford super voice
bluenote824 jones
Great and beautiful
Joan Fleur
❤️❤️❤️
dan fiore
Foundation of doo wop.
Steve
Exactly!!