Members of the Lawrence Arms have also played in The Broadways, Slapstick, Tricky Dick and Baxter.
The three musicians came together to form the Lawrence Arms in 1999. Although punk rock bands in their infancy generally start out by releasing EPs and 7" vinyl singles, the band members used their existing relationship with Asian Man Records to immediately begin recording a full-length album, a guided tour of chicago, which was released later that year. A second album, ghost stories, followed in 2000. Both albums focused heavily on the members' own stories of growing up and living in Chicago.
The band's next two releases were split EPs with other bands. The first, a split with Shady View Terrace, was released in 2000 and was their first release to be recorded by Matt Allison, who would continue to record and produce all of their subsequent releases. A second EP, Present Day Memories, was released in 2001 and was a split with The Chinkees.
The band's records and touring schedule had brought them to the attention of Fat Mike of NOFX, who signed them to his label Fat Wreck Chords in late 2001. Their first release on the label was a 7" vinyl single, part of the label's "Fat Club" series of 7" records. This was followed by the full-length album apathy and exhaustion, released in 2002. The album spawned the band's first music video, for the song porno and snuff films and they toured extensively with NOFX and other bands from the label.
Their next album was 2003's the greatest story ever told. Arguably their most ambitious album to date, it demonstrated the band members' continued growth as musicians and songwriters and included extensive footnotes to the lyrics detailing their many references to history, literature and pop culture. It also showed an evolution in the band's vocal style. Kelly had sung most of the vocals on their first album, while on subsequent releases he and McCaughan had split vocal duties almost equally from one song to the next, with Kelly's voice tending to sound more harsh and urgent while McCaughan's sounds more relaxed and melodic. With this release, however, the two began to move towards more of a duet style of singing which would feature prominently on their next album. Extensive touring following the album's release saw the band on the road for much of 2003 and 2004. They also contributed a song to the Fat Wreck Chords Rock Against Bush, Volume 2 compilation, leading up to the 2004 presidential election and became involved with the Punk Voter campaign.
In December of 2004 Kelly and Hennessy joined with fellow Chicago natives Dan Andriano of Alkaline Trio (who had played with Kelly in Slapstick) and Todd Mohney, formerly of Rise Against, to form The Falcon, and released an EP on Red Scare. Meanwhile, with interest in the Lawrence Arms increasing and their EPs out of print, Asian Man Records planned a CD release of the band's EP tracks. The resulting compilation album, Cocktails & Dreams, was released on Asian Man in June of 2005 and included their songs from both EPs along with nearly all of their compilation tracks, rare songs and b-sides.
The Lawrence Arms re-entered the studio in October and November of 2005 and recorded the album oh! calcutta!, which was released on Fat Wreck Chords in March of 2006. It had an overall faster and more urgent feel to it than their previous album, and demonstrated another step in the development of their singing as Kelly and McCaughan shared vocals in a duet style on nearly every song. They filmed a music video for the song the devil's takin' names.
The Lawrence Arms spent most of 2006 touring extensively alongside bands such as NOFX, Alkaline Trio, The Draft, Lagwagon, and A Wilhelm Scream. The full-length debut by the Falcon was released that fall on Red Scare. In December, the Lawrence Arms embarked on their first headlining tour of Australia, also playing supporting shows with Frenzal Rhomb.
In March of 2007, guitarist Chris McCaughan released the debut album from his acoustic side project Sundowner, entitled four one five two.
The band toured again in 2007, with their side projects The Falcon and Sundowner as openers along with the recently reunited American Steel.
The 2010s saw minimal studio activity by the band, but for one album. 2014's Metropole was received well, and marked the band's first full-length in eight years. The band took another extended break in between albums again, taking six years before releasing their seventh album Skeleton Coast in 2020.
The First Eviction Notice
The Lawrence Arms Lyrics
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The Lawrence Arms's song The First Eviction Notice is a reflection of the singer's inner turmoil as he faces eviction from his temple, where he had found solace and meaning. The lyrics begin with a picture of a corroded temple, already evoking a sense of decay and impending doom. The singer seeks solace in the cold, lonely nights, but finds no comfort in the gray skies and streetlights. He describes his emotional state as a "mess" and "in distress", struggling to breathe under the weight of his anguish.
As the song progresses, the singer reflects on his past, his identity, and his relationships. He speaks of his old identities and unfinished songs, suggesting a sense of creative stagnation or writer's block. He longs for someone to "sew up his seams", to make him whole again. However, he struggles with self-doubt and insecurity, always second-guessing himself and his decisions. The repetition of the phrase "I'm barely breathing" reinforces the singer's sense of suffocation and desperation.
Line by Line Meaning
A temple corroded, eviction pending.
The singer's physical and emotional state is deteriorating, and they are at risk of losing their home.
embrace me, cold nights, gray sky, streetlight, lyrical descension, attention fading, breathless I'm a mess, kissless I'm in distress,
The singer is feeling desperate for connection, but is struggling with loneliness and creative blocks.
I'm barely breathing, this crowning anguish, looked up nervous reflex,
The singer is suffocating under the weight of their emotional pain and fear, evidenced by their nervous reactions to the world around them.
I've got to build up from the inside, a relapse, reflection.
The singer recognizes that they need to work on themselves before they can rebuild their life, and is using their experiences as material for introspection.
distorted, repression's smiling spitefully,
The singer is acknowledging that their psyche is warped by repression, which takes pleasure in their suffering.
longing for you to sew up my seams, I'm barely breathing,
The singer desires someone to heal their emotional wounds, but feels suffocated by their isolation and pain.
I've abandoned old identities, skin I couldn't fit into, songs I couldn't write,
The singer has let go of aspects of their past self that no longer serve them, including creative pursuits.
my voice will fade into this starless night.
The singer fears that their voice will be lost to the darkness, both metaphorically and literally.
can I get much blinder? can I kick myself much harder? have I accepted this, to torture myself?
The singer is questioning the self-destructive patterns they've fallen into and whether they are powerless to escape them.
you can't see me, have I invented you? I'm barely breathing,
The singer questions whether their desire for connection is valid, or if they are projecting their desires onto an imaginary person.
you're so easy to believe in, and it's so depressing that I'm always second guessing, that I'm always second guessing, that I'm always second guessing myself.
The singer is frustrated with their tendency to doubt themselves, and is finding it difficult to believe in anything or anyone.
Lyrics © O/B/O APRA AMCOS
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