Ruby Christine McGuire (July 30, 1926 – December 28, 2018), Dorothy "Dottie" McGuire (February 13, 1928 – September 7, 2012) and Phyllis McGuire (born February 14, 1931). Among their most popular songs are "Sincerely" and "Sugartime", both number-one hits.
The McGuire sisters were born in Middletown, Ohio, and grew up in Miamisburg near Dayton . Their mother, Lillie, was a minister of the Miamisburg First Church of God, where as children they sang in church at weddings, funerals, and revivals. When they started singing in 1935, the youngest sister, Phyllis, was four years old. Eventually, they sang at occasions outside church, and by 1949 were singing at military bases and veterans' hospitals, performing a more diverse repertoire than they had in church.
The McGuire Sisters signed with Coral Records in 1952. In the same year, they appeared on Arthur Godfrey's Talent Scouts, and Godfrey hired them for his other shows, where they remained for seven years. The November 1953 issue of Cosmopolitan called them "Godfrey's Merry McGuires". The sisters often were compared to the Andrews Sisters. Maxene Andrews said in an interview with Joe Franklin on WOR (AM) radio in 1979, "The McGuire Sisters were fine once they stopped imitating the Andrews Sisters." While working on the Godfrey show, the McGuires befriended the singer Lu Ann Simms and attended her wedding to the music publisher Loring Buzzell in July 1956. Buzzell's publishing firm, Hecht-Lancaster & Buzzell Music (co-owned by Harold Hecht and Burt Lancaster) provided two songs for the McGuire Sisters, "May You Always" and "Theme from The Unforgiven (The Need for Love)".
The McGuire Sisters and the Andrews Sisters met several times during their careers. Phyllis credited Patty, Maxene, and LaVerne Andrews during a television interview with Maxene in the 1990s, hosted by Sally Jessy Raphael, saying that her sisters and she met the Andrews Sisters in New York in the early 1950s and received important advice. The McGuires moved when they sang, often executing dance routines in lavish production numbers on countless television specials. The Andrews Sisters performed similarly in films in the 1940s, and were the first female vocal group to move when they sang, rather than just standing at a microphone. The sisters had mimicked that style, as well as those of the Mills Brothers and the Dinning Sisters ever since they were young, when they would perform short shows for family and friends in their parents' living room. Phyllis McGuire recounted that she and her sisters did not know any popular songs when they became famous (only the hymns taught to them by their mother), the trio imitated other singing groups long before their success.
They performed for five Presidents of the United States (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, and George H. W. Bush), and for Queen Elizabeth II. In 1958, their mother appeared as a guest challenger on the television game show To Tell the Truth. The sisters maintained a busy television schedule, making frequent appearances on popular variety programs hosted by Ed Sullivan, Dean Martin, Danny Kaye, Milton Berle, Andy Williams, Perry Como, and Red Skelton. The trio was dressed and coiffed identically and performed synchronized body movements and hand gestures with military precision. Their recordings of "Sincerely", "Picnic", and "Sugartime" all sold more than one million copies.
They retired from public appearances in 1968, giving their last performance that year on The Ed Sullivan Show. Phyllis McGuire continued to perform solo for a time. The demise of the group is often attributed to Phyllis' long-standing personal relationship with mobster Sam Giancana (although for years she claimed that their friendship was strictly platonic), which reportedly blacklisted the group.
During one of his 1960s court appearances for which Phyllis was subpoenaed, Giancana told reporters outside the courthouse, "Phyllis knows everything" about the rumored unethical behaviors of John F. Kennedy and his brother Robert. Phyllis has resided in a famously showcased mansion in Las Vegas for decades, boasting its own beauty parlor, a swan moat, and a replica of the Eiffel Tower which actually rose through the home's roof.
When asked by Barbara Walters during a 1980s ABC-TV 20/20 interview from within the mansion if any of the money to build the lavish home came from Giancana, Phyllis denied the innuendo, claiming that she invested heavily in oil when the sisters were at the height of their popularity. In the same interview, she acknowledged that her relationship with Giancana was in fact a love affair, saying, "When I met him, I did not know who he was, and he was not married, and I was an unmarried woman. And according to the way I was brought up, there was nothing wrong with that. And I didn't find out until sometime later really who he was, and I was already in love."[7]
The sisters reunited in 1986, performing at Toronto's Royal York Hotel for the first time since their retirement.[8] Numerous nightclub engagements followed in Las Vegas, Atlantic City, and New York City's Rainbow & Stars, showcasing the group and Phyllis' impersonations of Peggy Lee, Judy Garland, Pearl Bailey, Ethel Merman, and even Louis Armstrong.
Singing their greatest hits as part of their act, they were also featured performing specialty numbers such as the frantic "I Love a Violin", the a cappella "Danny Boy", and a segment during which Phyllis retired backstage as Christine and Dorothy shared the spotlight playing a concert arrangement of "The Way We Were" on twin pianos. Other highlights in the act were a comical Trinidad-flavored tune, a soft rendering of "Memory" from Broadway's Cats, and a "Money Medley", which they also performed live on the Jerry Lewis MDA Telethon in 1994. Since then, the sisters had made occasional public appearances together, including in 2004, when they reunited to perform in a PBS special Magic Moments: Best of '50s Pop. The sisters' command of their vocal cords and harmonious blend had not significantly diminished.
After their careers wound down, they opened a restaurant in Bradenton, Florida, calling it McGuire's Pub.
They were inducted into the National Broadcasting Hall of Fame in 1994, and in 2001, they were inducted into the Vocal Group Hall of Fame. They also have been inducted into the Coca-Cola Hall of Fame and the Headliners' Hall of Fame. They were inducted into the Hit Parade Hall of Fame in 2009.
Christine has two children, Herold and Asa; Dorothy had two, Rex and David. Phyllis has no children.
On September 7, 2012, Dorothy McGuire died at her son's home in Paradise Valley, Arizona, after suffering from Parkinson's disease and age-related dementia; she was 84. Dorothy's husband of 54 years, Lowell Williamson, died 6 months later on February 25, 2013, after sustaining a fractured back from a fall; he was 89.
Christine McGuire died in Las Vegas, Nevada in December 2018 at the age of 92.
The McGuire Sisters, and most especially Phyllis McGuire, who lives in Las Vegas, were the subjects of the 1995 HBO movie Sugartime, which depicted a romantic relationship between Phyllis and mobster Sam Giancana. Giancana was played by actor John Turturro, and Phyllis was played by actress Mary-Louise Parker.
The 1982 Robert Altman film Come Back to the Five and Dime Jimmy Dean prominently features the music of The McGuire Sisters. Their #1 single "Sincerely" is lip-synced by the film's stars Cher, Karen Black and Sandy Dennis as "The Disciples of James Dean."
They performed for five US Presidents - Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, and George H. W. Bush), and for Queen Elizabeth II
In 1968, they retired from public performance apart from Phyllis who continued as a solo act but they reunited seventeen years later for a number of shows.
In 1994, they were inducted into the National Broadcasting Hall of Fame and In 2001, they were inducted into the Vocal Group Hall of Fame.
Discography
Year Single (A-side, B-side)
Both sides from same album except where indicated Chart positions Album
US CB US
AC UK[15]
1953 "Picking Sweethearts"
b/w "One, Two, Three, Four" — — — — Non-album tracks
"Toodle-Ooh Siana"
b/w "Miss You" — — — —
"Where Good Times Are"
b/w "Hey, Mister Cotton Picker" — — — —
"Are You Looking for a Sweetheart"
b/w "You'll Never Know Till Monday" — — — —
1954 "Uno, Due, Tre (The Italian Square Dance)"
b/w "Lonesome Polecat" (from Musical Magic) — — — —
"Pine Tree, Pine over Me" / 26 27 — —
"Cling to Me" — 49 — —
"Goodnight, Sweetheart, Goodnight"
b/w "Heavenly Feeling" (Non-album track) 7 8 — — By Request
"Muskrat Ramble" (see below)
b/w "Not As a Stranger" (Non-album track) — — — —
"Muskrat Ramble" / 10 9 — —
"Lonesome Polecat" 28 33 — — Musical Magic
"Christmas Alphabet"
b/w "Give Me Your Heart for Christmas" 25 34 — — Greetings from the McGuire Sisters
1955 "Sincerely" / 1 2 — 14 By Request
"No More" 17 — — 20
"Open Up Your Heart (and Let the Sun Shine In)"
b/w "Melody of Love" — — — —
"The Naughty Lady of Shady Lane"
b/w "Hearts of Stone" (non-album track) — — — —
"It May Sound Silly" / 11 14 — — Chris, Phyllis, Dottie
"Doesn't Anybody Love Me?" flip — — — Musical Magic
"Something's Gotta Give" / 5 4 — — Chris, Phyllis, Dottie
"Rhythm 'n Blues" flip 32 — — Teenage Party
"Kiss Me and Kill Me with Love"
b/w "If It's a Dream" — — — — Non-album tracks
"He"
b/w "If You Believe" 10 4 — — Greetings from the McGuire Sisters
"Give Me Love" / 95 30 — — Non-album track
"Sweet Song of India" — 34 — — Chris, Phyllis, Dottie
"Be Good To Me" / — 46 — — Teenage Party
"My Baby's Got Such Lovin' Ways" — 40 — —
"I'd Like to Trim a Tree with You"
b/w "The Littlest Angel" — — — — Greetings from the McGuire Sisters
1956 "Missing"
b/w "Tell Me Now" (non-album track) 44 36 — — Musical Magic
"Picnic" / 13 20 — — Chris, Phyllis, Dottie
"Delilah Jones" 37 36 — 24
"Weary Blues" / 32 42 — — Sugartime
"In the Alps" 63 — — —
"Ev'ry Day of My Life" / 37 33 — — Chris, Phyllis, Dottie
"Endless" 52 36 — —
"Goodnight, My Love, Pleasant Dreams"
b/w "Mommy" (from Children's Holiday) 32 23 — — Musical Magic
1957 "Kid Stuff"
b/w "Without Him" — 36 — — Musical Magic
"Blue Skies"
b/w "He's Got Time" (from Greetings from the McGuire Sisters) — — — — Do You Remember When
"Please, Don't Do That to Me"
b/w"Drownin' in Memories" — — — — Teenage Party
"Beginning to Miss You"
b/w "Rock Bottom" — — — —
"Around the World In 80 Days"
b/w "Interlude" 73 — — — Sugartime
"Kiss Them for Me"
b/w "Forgive Me" — — — —
"Santa Claus Is Comin' to Town"
b/w "Honorable Congratulations" — — — — Greetings from the McGuire Sisters
"Sugartime"
b/w "Banana Split" 1 7 — 14 Sugartime
1958 "Ding Dong"
b/w "Since You Went Away to School" 25 43 — —
"Volare"
b/w "Do You Love Me Like You Kiss Me" 80 — — — May You Always
"Sweetie Pie"
b/w "I'll Think of You" — — — —
1959 "May You Always"
b/w "Achoo-Cha-Cha" 11 21 — 15
"Summer Dreams" / 55 64 — — Sugartime
"Peace" 85 97 — — May You Always
"Red River Valley"
b/w "Compromise" (Non-album track) — — — — Showcase
"Some of These Days"
b/w "Have a Nice Weekend" (Non-album track) — — — —
1960 "Livin' Dangerously"
b/w "Lovers Lullaby" 97 — — — Non-album tracks
"Theme from The Unforgiven (The Need for Love)"
b/w "I Give Thanks" (Non-album track) — — — — Showcase
"The Last Dance"
b/w "Nine o'Clock" (Non-album track) 99 — — —
"To Be Loved"
b/w "I Don't Know Why (I Just Do)" — — — —
1961 "Just for Old Time's Sake"
b/w "Really Neat" (Non-album track) 20 17 — — Just for Old Time's Sake
"Tears on My Pillow"
b/w "Will There Be Space in a Space Ship" (Non-album track) 59 55 12 — Showcase
"Just Because" / 99 96 — —
"I Do, I Do, I Do" — tag — —
"I'm Just Taking My Time"
b/w "I Can Dream, Can't I" (Non-album track) — — — — Subways Are for Sleeping
1962 "Sugartime Twist"
b/w "More Hearts Are Broken That Way" 107 130 — — Showcase
"Mama's Gone, Goodbye"
b/w "I Really Don't Want to Know" — — — — Songs Everybody Knows
1963 "Summertime (Is the Time for Love)"
b/w "Cordially Invited" — — — — Non-album tracks
1964 "Now and Forever"
b/w "Never" — — — —
"Candy Heart"
b/w "Dear Heart" — — — —
"Ticket to Anywhere"
b/w "I'll Walk Alone" — — — —
1966 "Truer Than You Were"
b/w "Grazia" — — 30 — Right Now!
Phyllis McGuire solo singles
Year Single (A-side, B-side) Chart positions Album
US CB US
AC
1964 "I Don't Want to Walk Without You"
b/w "That's Life" 79 85 13 Non-album tracks
"Just a Little Lovin'"
b/w "You Don't Have the Heart to Tell Me" — — —
1965 "Run to My Arms"
b/w "Someone Else Is Taking My Place" — — —
1966 "My Happiness"
b/w "Vaya Con Dios" — — — Phyllis McGuire Sings
No more
The McGuire Sisters Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The McGuire Sisters
Toots Camarata / Bob Russell
You ain't gonna bother me no more
Nohow
Love just goes so far
No more
I didn't care for you no more
Nohow
Never felt so good before
You're down to my size
It's over and done
So honey, step down from your throne
That look in your eyes
Don't bother me none
Can take or leave you alone
From my window
Skys ain't grey nomore
Not now
Here's the day
That I've been waiting for
Got only one heart
One heart with no spares
Must save it for loving
Somebody who cares
So you ain't gonna bother me
No more, no more
The McGuire Sisters' song No More is an upbeat song of self-empowerment and moving on from a toxic relationship. The lyrics convey a sense of freedom and release from the constraints of a relationship that has run its course. The song opens with the declaration "You ain't gonna bother me no more, nohow," setting the tone for the rest of the lyrics. The singer is taking control and owning their decision to move on, recognizing that love can only go so far and that they have reached their limit. The chorus repeats this sentiment, stating unequivocally that the singer is done with the relationship and is moving on to something better.
The rest of the song reinforces this theme of self-empowerment and growth. The singer wakes up one morning and finds that they no longer care for their partner, which is a moment of realization and clarity. The imagery of the "skies ain't grey no more" and "Here's the day that I've been waiting for" convey the sense of hope and optimism that comes with moving on from a bad situation. The singer is no longer willing to put up with being treated poorly, and they recognize that they deserve someone who cares about them and their heart. The song ends with a final declaration of independence, with the singer stating that their heart is too valuable to waste on someone who doesn't appreciate it.
Line by Line Meaning
You ain't gonna bother me no more
I have decided to be done with you and your actions, and you will no longer affect me negatively.
Love just goes so far
Love can only endure so much before it becomes unsustainable.
No more woke up this morning and found
This morning, I realized that I no longer have any feelings toward you.
I didn't care for you no more
I have reached a point where I am indifferent to you and what you do.
Nohow never felt so good before
Despite the end of our relationship, I have never felt better about myself and my decision.
You're down to my size
Your status and significance to me have diminished to the point where you are no longer a prominent figure in my life.
It's over and done
Our partnership is over and there is no going back.
So honey, step down from your throne
You need to come to terms with our breakup and realize that you are no longer in control of our relationship.
That look in your eyes
The expressions on your face no longer affect me as they used to.
Don't bother me none
Your attempts to interact with me are now rather insignificant.
Can take or leave you alone
I no longer require your company or attention and am fine without it.
From my window
Looking through my window, I can see that things have changed for the better.
Skys ain't grey nomore
The sky is now clear, blue, and beautiful instead of being dull and grey all the time.
Not now here's the day
This is the day I have been anticipating for a while, with the release from our relationship finally coming to fruition.
That I've been waiting for
This is the day when I can finally leave behind the worries and the negativity and move on with positivity.
Got only one heart
I only have one heart, and I need to protect it from those that will not care for it.
One heart with no spares
My heart has no replacements, and I cannot afford to put it in harm's way anymore.
Must save it for loving
I need to ensure that my heart is used appropriately and lovingly in the future.
Somebody who cares
I need to find someone who will truly value and cherish my heart.
So you ain't gonna bother me
You will have no further impact or effect on me or my life.
No more, no more
It is over, and there is no need to think or worry about it anymore.
Lyrics © BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Songtrust Ave, Warner Chappell Music, Inc.
Written by: MATTHEW PEARSON, DONALD E. CANNON, CLIFFORD J. HARRIS, LLOYD POLITE, JASPER TREMAINE CAMERON
Lyrics Licensed & Provided by LyricFind