The group was originally composed of four brothers all born in Piqua, Ohio: John Jr (1911-1936) basso and guitarist, Herbert (1912-1989) tenor, Harry (1913-1982) baritone, and Donald (1915-1999) lead tenor. Their father owned a barber's shop, and founded a barbershop quartet called the Four Kings of Harmony. As the boys grew older, they began singing in the choir of the Cyrene African Methodist Episcopal Church and in the Park Avenue Baptist Church in Piqua. After their lessons at the Spring Street Grammar School, they would gather in front of their father's shop on Public Square or at the corner of Greene and Main to sing and play the kazoo to passersby.
They entered an amateur contest at Piqua's Mays Opera House, but while on stage Harry discovered he had lost his kazoo. He cupped his hands to his mouth and imitated a trumpet. The success of his imitation led to all the brothers taking on instruments to imitate and created their early signature sound. John Jr accompanied the four-part harmony first with a ukulele and then a guitar. They practised imitating orchestras they heard on the radio. John, as the bass, would imitate the tuba, Harry, a baritone, imitated the trumpet, Herbert became the second trumpet, and Donald the trombone. They entertained on the Midwest theatre circuit, at house parties, tent shows, music halls, and supper clubs throughout the area, and became well known for their close harmonies, mastery of scat singing, and their ability to imitate musical instruments with their voices.
In 1928, after playing May's Opera House in Piqua between Rin Tin Tin features, the brothers accompanied the Harold Greenameyer Band to Cincinnati for an audition with radio station WLW. The band was not hired, but the Mills brothers were. With the help of Seger Ellis, WLW Cincinnati D.J. and a music legend of the 1920s, they quickly became local radio stars and got their major break when Duke Ellington and his Orchestra played a date in Cincinnati. When the youngsters sang for Duke, he called Tommy Rockwell at Okeh Records, who signed them and took the group to New York.
In September 1930, Ralph Wonders urged broadcasting executive William S. Paley, at CBS Radio in New York, to turn on his office speaker and listen to an audition of four young men. For the audition they were "The Mills Brothers", but they had been known by many other names. They were billed as "The Steamboat Four" when they sang for Sohio, and had been called the "Four Boys and a Guitar" on their Sunday shows. When Paley heard their performance, he immediately went downstairs and put them on the air. The next day, the Mills Brothers signed a three-year contract and became the first black group to have a network show on radio.
Their first recording for Brunswick Records, a cover of the Original Dixieland Jass Band standard "Tiger Rag" became a nationwide best-seller and a number-one hit on the charts in a version with lyrics by Harry DaCosta. Other hits followed: "Goodbye Blues", their theme song, "Nobody's Sweetheart", "Ole Rockin' Chair", "Lazy River", "How'm I Doin'", and others. They remained on Brunswick until late 1934, when they signed with Decca, where they stayed well into the 1950s. On all of their Brunswick records, as well as the early Deccas, the label stated:
"No musical instruments or mechanical devices used on this recording other than one guitar."
They were a hit on CBS in 1930–1931, particularly when they co-starred on the widely popular The Fleischmann's Yeast Hour hosted by Rudy Vallee. They had their own popular radio series in 1932–1933, one of the earliest built around a black act, billed as the "Four Boys and a Guitar". Before their show announcers commonly explained to listeners that the only instrument was a guitar, as the vocal effects made many listeners think they were hearing a muted trumpet, saxophone, and string bass or tuba.
The Mills Brothers were sponsored by some of the largest advertisers in early radio; Standard Oil, Procter & Gamble, Crisco, and Crosley Radio. They began appearing in films. Their first, The Big Broadcast (1932) was an all-star radio revue that included Bing Crosby, Cab Calloway, and the Boswell Sisters. They also made three "bouncing ball" cartoon shorts for the Fleischer Brothers. In 1934, the brothers starred with Crosby for Woodbury Soap, and recorded their classics "Lazy Bones", "Sweet Sue", "Lulu's Back in Town", "Bye-Bye Blackbird", "Sleepy Head", and "Shoe Shine Boy". Their film appearances included Twenty Million Sweethearts (1934) and Broadway Gondolier (1935).
In 1934, The Mills Brothers became the first U.S. black musicians to give a command performance before British royalty. They performed at the Regal Theatre for a special audience: King George V, Queen Mary, and their mother. While performing in England, John Jr became ill. It took him months to recover from battling pneumonia. Before he was completely well, the brothers returned to England. John Jr once again became sick and died at the beginning of 1936.
The remaining brothers considered breaking up, but their mother told them John Jr would have wanted them to continue. They followed her suggestion and their father, John Sr, replaced John Jr as the baritone and tuba. At this time, Norman Brown joined the Brothers as their guitar player.
Through 1939 the group enjoyed remarkable success in Europe. In the period between John Jr's death and their return to the States, they re-recorded "Lazy River". It was followed by "Someday You'll Want Me to Want You", "Swing Is the Thing", "Long about Midnight", "Organ Grinder's Swing", and "The Song is Ended". They honoured Duke Ellington with a swing version of his "Caravan", and then produced a series of classic recordings: "South of the Border", which they performed in a tour of South America, along with "Ain't Misbehavin'", "It Don’t Mean a Thing", "Jeepers Creepers", "Three Little Fishies", and "Basin Street Blues".
During this era, there was also a brief time when the group performed with a non‑family singer. Gene Smith served as a stand-in for one year when Harry was drafted into the Army. Although Smith's solo singing did not particularly resemble the group's usual sound, he was able to harmonise well until the fourth brother's return. Smith is very noticeable in a number of the Mills Brothers' film appearances.
Returning to the States, the Brothers were anxious for a hit and recorded "I'll be Around" in 1943. Donald Mills chose "Paper Doll" as the B-side of the record. "I'll Be Around" became a popular hit, then a disk jockey turned the record over. "Paper Doll", recorded in fifteen minutes, sold six million copies and became the group's biggest hit.
The rise of rock and roll in the early 1950s did little to decrease the Mills Brothers' popularity. "Glow Worm" jumped to number one on the pop charts in 1952. The track also reached number ten in the U.K. singles chart in January 1953. "Opus One", an updated version of the Tommy Dorsey hit, was soon in the charts as well, followed by "You're Nobody 'til Somebody Loves You", "The Jones Boy", "Yellow Bird", "Standing on the Corner", and "If I Had My Way".
In 1957, John Sr, who was then sixty-eight, stopped touring with the group. As a trio, the Mills Brothers were frequent guests on The Jack Benny Show, The Perry Como Show, The Tonight Show, The Pat Boone Chevy Showroom, The Dean Martin Show, and The Hollywood Palace. A move from Decca to Dot Records brought a moderate 1958 hit, a cover of the Silhouettes' "Get a Job" that made explicit the considerable influence on doo-wop that the early Mills Brothers records had exerted. The Mills Brothers also charted "Yellow Bird" two years before Arthur Lyman's top-ten hit remake.
"Cab Driver", recorded in 1968, was their last hit. It was written by songwriter C. Carson Parks, who also wrote "Somethin' Stupid", a hit the previous year for Frank Sinatra and his daughter Nancy.
The Mills Brothers' fiftieth anniversary in show business was celebrated in 1976 with a tribute at the Dorothy Chandler Pavilion in Los Angeles, hosted by Bing Crosby. At the time, Harry was now almost blind as a result of diabetes.
As a trio, Herbert, Harry, and Donald continued performing on the oldies circuit until Harry's death in 1982. Herbert and Donald continued until Herbert's death in 1989. Then Donald began performing with the third generation of the family, his son, John III. In 1998 the Recording Academy recognised the Mills family's contributions to popular music when it presented Donald, as the sole surviving member, with a Grammy Award for Lifetime Achievement.
After Donald's death of pneumonia on the 13th November 1999, John III began touring under the name "The Mills Brothers" with Elmer Hopper, who had previously sung lead with Paul Robi's Platters.
Altogether, the group recorded more than 2,000 recordings, selling more than fifty million copies and gaining them at least three dozen gold records. The Mills Brothers were inducted into The Vocal Group Hall of Fame in 1998.
Sunny
The Mills Brothers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Sunny, you smiled at me and really eased the pain.
The dark days are gone, and the bright days are here,
My Sunny one shines so sincere.
Sunny one so true, I love you.
Sunny, thank you for the sunshine bouquet.
Sunny, thank you for the love you brought my way.
Now I feel ten feet tall.
Sunny one so true, I love you.
Sunny, thank you for the truth you let me see.
Sunny, thank you for the facts from A to Z.
My life was torn like a wind-blown sand,
And the rock was formed when you held my hand.
Sunny one so true, I love you.
Sunny, thank you for the smile upon your face.
Sunny, thank you for the gleam that shows its grace.
You're my spark of nature's fire,
You're my sweet complete desire.
Sunny one so true, I love you.
Sunny, yesterday my life was filled with rain
The opening line of The Mills Brothers’ song “Sunny” is a metaphor for a period of unhappiness in someone's life. The idea of “rain" can imply feelings of sadness or depression, bringing to mind dark, miserable days with little relief. However, the next line shows that “Sunny” - another person - has brought a positive change. The singer of the song seems to be relieved and healed by Sunny's presence, as they “smiled and really eased the pain.” This line acknowledges the tremendous power that a simple smile or kind gesture can have on someone feeling down.
The rest of the song continues to describe the significant impact that Sunny has had on the singer's life. Sunny seems to have brought the singer out of a difficult time, into a new and brighter one, “My Sunny one shines so sincere. Sunny one so true, I love you.” The song lyrics convey a deep gratitude and love for Sunny, as they have helped the singer to feel “ten feet tall.” The final verse mentions how Sunny has helped to provide clarity and truth in the singer's life, illuminating unknown facts and bringing things into perspective. The song concludes with the lyrics: “You're my spark of nature's fire, You're my sweet complete desire. Sunny one so true, I love you.” This final line cements the deep love and appreciation that the singer feels towards Sunny.
Line by Line Meaning
Sunny, yesterday my life was filled with rain.
Before meeting you, my life was full of sadness, difficulties and hardships that made me feel defeated and overwhelmed.
Sunny, you smiled at me and really eased the pain.
As soon as I saw your smile, my heart immediately felt lighter and the weight of my struggles and troubles vanished.
The dark days are gone, and the bright days are here,
With you in my life, the days of misery and darkness are finally over, and a period of light, hope, and joy has arrived.
My Sunny one shines so sincere.
You radiate a genuine and authentic love, warmth and affection that touches my soul and brings happiness into my life.
Sunny one so true, I love you.
Your sincerity, trustworthiness and authenticity make me fall in love with you deeper and deeper every day.
Sunny, thank you for the sunshine bouquet.
Thank you for bringing happiness, positivity, and warmth into my life; just like a bright and colorful bouquet of flowers on a sunny day.
Sunny, thank you for the love you brought my way.
Thanks to you I have experienced true love, affection, and tenderness that have filled my heart with joy and my life with meaning.
You gave to me your all and all.
You have given yourself wholeheartedly, selflessly, and without reservation, and that is the most precious gift anyone could ever ask for.
Now I feel ten feet tall.
With your love and support, I feel strong, confident, and empowered to face any challenge, and my self-esteem has soared to great heights.
Sunny, thank you for the truth you let me see.
You have shown me the reality of life, its beauty, its ugliness, its ups and downs, and helped me gain a new perspective and understanding of the world.
Sunny, thank you for the facts from A to Z.
Thank you for giving me all the information, knowledge, and wisdom I needed to make the right choices, face life's challenges and seize opportunities.
My life was torn like a wind-blown sand,
I used to feel lost, uncertain, and unstable, like a grain of sand carried away by the wind and scattered in all directions.
And the rock was formed when you held my hand.
But with your support, guidance, love, and affection, I found stability, security, and strength, like a rock that can withstand the toughest challenges.
Sunny, thank you for the smile upon your face.
Thank you for always radiating a warm, genuine, and infectious smile that brightens up my life and makes my heart skip a beat.
Sunny, thank you for the gleam that shows its grace.
You inspire me with your grace, elegance, and beauty, which shines through every gesture, every word, and every action you make.
You're my spark of nature's fire,
You ignite my soul and fill my heart with passion, creativity, and enthusiasm, just like a tiny spark that can set a whole forest ablaze.
You're my sweet complete desire.
You're everything I could ever ask for in a partner, lover, friend, and soulmate, and being with you fulfills all my heart's desires.
Sunny one so true, I love you.
You're the most sincere, honest, and trustworthy person I have ever met, and I love you for being who you are and for loving me back with the same intensity and depth.
Lyrics © Kanjian Music, Broma 16, Warner Chappell Music, Inc.
Written by: Bobby Hebb
Lyrics Licensed & Provided by LyricFind