It’s About Pride is the new album from The Outlaws, a record 4 years in the making and perhaps 20 or more in the waiting. And for original Outlaws vocalist/guitarist Henry Paul, it’s a hard-fought revival whose success can be measured in old fans and new music. “Because The Outlaws have been out of the public eye for so long, it’s almost like starting over,” he explains. “But because of the band’s history, we’re seeing this as a new chapter. We’ve written and recorded this album on our own terms, and we’re out to make a significant impression. What our fans loved then they still love now, but most of all, they recognize the heart and sincerity we put in our music.” For co-founding drummer Monte Yoho, the journey is both bittersweet and jubilant. “I still think about the friends we made when we first came into this industry, how we struggled to define this thing that became known as ‘Southern Rock’,” Yoho says. “This new album embodies all the things we shared musically and personally, as well as the relationships we have with our fans to this day. It’s about where we’ve been, where we’re going, and why we still love to do this.”
History lesson: Formed in Tampa in 1972, The Outlaws – known for their triple-guitar rock attack and three-part country harmonies – became one of the first acts signed by Clive Davis (at the urging of Ronnie Van Zant) to his then-fledgling Arista Records. The band’s first three albums The Outlaws, Lady In Waiting and Hurry Sundown – featuring such rock radio favorites as “There Goes Another Love Song”, “Green Grass & High Tides”, “Knoxville Girl” and “Freeborn Man” – would become worldwide gold and platinum landmarks of the Southern Rock era. Known as ‘The Florida Guitar Army’ by their fans, The Outlaws earned a formidable reputation as an incendiary live act touring with friends The Allman Brothers, Lynyrd Skynyrd, The Marshall Tucker Band and The Charlie Daniels Band as well as The Doobie Brothers, The Who, Eagles and The Rolling Stones. Henry Paul left after the group’s third album to form The Henry Paul Band for Atlantic Records, and later the multi-Platinum country trio Blackhawk. Over the next 20+ years, The Outlaws would experience rampant personnel changes, tonal missteps, ill-fated reunions and bitter trademark battles that left fans – not to mention Paul and Yoho – frustrated and saddened. And with the tragic deaths of co-founding members Frank O’Keefe and Billy Jones in 1995, and especially vocalist/lead guitarist Hughie Thomasson in 2007, it was feared that The Outlaws’ trail had come to an end.
“The Outlaws were the one area of my career where I had regrets,” admits Paul. “More importantly, I think it was the one area in my career where I thought I still have something to prove. I felt compelled to stick my neck out and take a chance of putting this band back together. I knew we would be judged, but I hoped we would be judged on our abilities.” Along with founding members Paul and Yoho, the band features several of Southern Rock’s most respected veterans: Lead guitarist and longtime Outlaw Chris Anderson is well known for his collaborations with artists that include Dickey Betts, Lucinda Williams, Hank Williams Jr., and Skynyrd. Co-lead guitarist Steve Grisham - who joined the band in mid-2013 following the medical leave of guitarist Billy Crain - is a former member of the Soldiers of Fortune era Outlaws, a noted songwriter whose tracks include The Henry Paul Band's Top 40 hit "Keepin' Our Love Alive", and a co-founder of the Southern Rock all-stars, Brothers of the Southland. Keyboardist/vocalist Dave Robbins is a co-founding member of Blackhawk and has written hit songs for artists that include Restless Heart, Kenny Rogers and Eric Clapton. Bassist/vocalist Randy Threet has performed with Pam Tillis, Trisha Yearwood and Blackhawk, and is familiar to TV audiences from USA Network’s ‘Nashville Star’. “From the very beginning, our band had a heart,” Monte Yoho says. “And a lot of people who come out and see this incarnation of the band respond to the exact same things we used to put on that stage in the ‘70s and ‘80s.”
On that stage, the band burns hotter than ever: “The Outlaws helped define Southern Rock for me and for generations of fans,” wrote music journalist Bill Robinson in June 2012 in The Huffington Post. “Seeing them onstage with The Charlie Daniels Band, Marshall Tucker Band, Allman Brothers, Lynyrd Skynyrd or countless others was, for a long time, one of the best experiences I could have. And so it was again when I saw The Outlaws play recently.” The Outlaws’ live shows – more than 150 per year – are blazing 2+ hour tributes to the band’s rich history and fiery rebirth. Classic tracks and fan favorites from the first three albums – as well as The Henry Paul Band’s definitive “Grey Ghost” – share the spotlight with songs from the new disc that are already being embraced by audiences. “I think the new songs go back to those first three classic albums, when the band was proud of its influences from country, blues and jazz,” says Billy Crain. “Plus, Chris Anderson and I have honored and maybe even stepped up the legacy of the ‘guitar army’. Fans are coming away from shows feeling a part of the Outlaws experience.”
But it’s the new album – produced by Michael Bush and Henry Paul – that brings the experience home. The disc opens with “Tomorrow’s Another Night”, a scorching take on the band’s history complete with monster harmonies and a killer hook. “Hidin’ Out In Tennessee” delivers classic Outlaws country/bluegrass energy. “Born To Be Bad” is badass biker boogie and “Last Ghost Town” is kickass guitar rock. “Nothin’ Main About Main Street” is an affecting Springsteen/Seger style look at lost small-town life. “The Flame” – Hughie Thomasson’s nickname – is a potent tribute to the much-loved late Outlaw. Chris Anderson’s “Trail Of Tears” electrifies via bitter history, intense vocals and searing guitars. “Right Where I Belong”, “Alex’s Song” and “Trouble Rides A Fast Horse” could easily be lost tracks from any of the band’s first three albums. The disc’s closer, “So Long”, is a haunting re-recording of Henry’s 1979 classic. “It was the first song on the first Henry Paul Band album, and it’s the final song on this record,” explains Paul. “I wanted it to be a sort of coda to the new music, but I also want it to be a relevant part of the new Outlaws landscape. I think it’s one of the best songs I’ve ever written, and I think we’ve done an admirable job of giving it a new personality.” But the new album’s true centerpiece is its title track, co-written by Henry Paul and Billy Crain. “It’s About Pride” is both tribute and testimony from a band that has lived it all, played it all, and returns to reclaim it all.
“I’m proud to be a part of something that started long ago,” Henry Paul sings reflectively, “a Southern band of brothers bound together by the road/They came from Florida, Georgia, Carolina and Tennessee/With old guitars, tattoos and scars, straight from the heart of Dixie/And our rebel pride.” From its towering chorus to its searing guitar-onslaught finale, “It’s About Pride” is a fierce first-person anthem to the genre, delivered with the poignancy and power of absolute survivors. “It’s a very emotional song,” Paul says. “Depending on my mood and the night, sometimes it’s all I can do to get the words out without crying. It summons up a lot of images of people who are no longer with us, of times we shared standing tall together for the first time. When I first wrote the end of the second verse – ‘The reason ‘Sweet Home Alabama’ means so much to me/Is it’s about pride’ – I knew that people would feel a lot of those same emotions. It’s about an accumulated experience of separation, loss and success.” Almost instantly, the song – and the entire album – is classic Southern Rock and classic Outlaws.
Right now, The Outlaws are headed back on the road, back on the radio and back into the hearts of fans nationwide. “I’m seeing this thing we’ve had for four decades be exposed to whole new audiences,” Monte Yoho says. “We’re having a second life as a band, and it feels better than ever. Best of all, I’m still doing it with some of the same people I’ve known for most of my life.”
“I want people to hear this album and see our show and realize that The Outlaws are back,” says Henry Paul. “Our goal is to unite the fans and bring the band back into the light. In a way, this is like a second chance at my first love. It’s about finishing what we started.” For Henry, Monte, Chris, Steve, Dave and Randy, it’s about a band of brothers who love playing their own style of rock, and who 40 years ago first got the chance to take it from Florida to the world.
For The Outlaws, it’s still about the music. And now more than ever, it’s about pride.
Official Website: The Outlaws The Outlaws: The Legacy of Hughie Thomasson
There are other artist with the same name:
2) The Outlaws were an English instrumental band that recorded in the early 1960s. Among their ranks were notable musicians such as Ritchie Blackmore, Chas Hodges, Mick Underwood, Bobby Graham and Hot Chocolate's Harvey Hinsley and others.
Their name was originally conceived by Joe Meek, who needed a backing group for Mike Berry's "Set Me Free" in 1960.After that recording, they continued being one of the house bands of his recording studio at 304 Holloway Road, London. As such, they were used for recordings, demos and auditions. Many of their songs were written by Meek and credited to his pseudonym, Robert Duke. They appeared as themselves in the 1963 British film, Live It Up!.
3) From their archived info page
"Here is some more information about The Outlaws. They're Djs you know...
The Outlaws did a radio show every Friday night on Kiss 100 which some people said was the best thing ever - landing somewhere between Soulwax / 2 Many DJs and Coldcut’s Solid Steel. They were also given big features in The Face and Mixmag, so they must be really good.
The Outlaws played at Glastonbury 2003, nailing Lost Vagueness on the Saturday afternoon. In 2004 they played the Dance Tent and rocked it once again. They also found time to party at Shambala and The Glade.
You should check them out if you haven't yet: The kids go wild everywhere from New York to Ibiza, on the whole it's pretty lush. In Bristol you should look for the Outlaws nights at Bristol's best venue, The Arc."
They released one full-length DJ mix CD, Too Many Fools Following Too Many Rules, in 2004, and two EPs, From Beyond & Why Does No One Make Records Like This, in 2005, all on Love Recordings. Discogs page
The line-up included Steve Redux, as noted in this press release
Riders In The Sky
The Outlaws Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Upon a ridge he rested as he went along his way
When all at once a mighty herd of red-eyed cows he saw
A'plowin' through the ragged skies and up a cloudy draw
Yi-pi-yi-ay, Yi-pi-yi-o
Ghost riders in the sky
Their brands were still on fire and their hooves were made of steel
A bolt of fear went through him as they thundered through the sky
For he saw the riders comin' hard and he heard their mournful cry
Yi-pi-yi-ay, Yi-pi-yi-o
Ghost riders in the sky
Their faces gaunt, their eyes were blurred, and shirts all soaked with sweat
They're ridin' hard to catch that herd but they ain't caught them yet
They've got to ride forever in that range up in the sky
On horses snortin' fire, as they ride on, hear their cry
Yi-pi-yi-ay, Yi-pi-yi-o
Ghost riders in the sky
As the riders loped on by him, he heard one call his name
"If you want to save your soul from hell a' ridin' on our range"
"Then cowboy change your ways today or with us you will ride"
"A-tryin' to catch the Devil's herd across these endless skies."
Yi-pi-yi-ay, Yi-pi-yi-o
Ghost riders in the sky
Ghost riders in the sky
The Outlaws's song "Riders In The Sky" is a gripping tale of a cowboy who comes face to face with ghostly riders in the sky. The song begins by introducing an old cowpoke as he rides on a ridge on a dark and windy day. Suddenly, he sees a herd of red-eyed cows charging across the sky, with the ghost riders in hot pursuit. The riders' brands are still on fire and their hooves are made of steel, evoking a supernatural element. The cowpoke feels a bolt of fear when he hears the riders' mournful cry and realizes they are coming for him.
As the horsemen gallop past, the cowpoke sees their gaunt faces and sweat-drenched shirts, indicating that they have been riding hard in pursuit of the herd. But despite their fiery horses, they still haven't caught the runaway cattle. The cowpoke hears one of the riders call his name, warning him to change his ways before it's too late. The song ends on a foreboding note as the cowpoke hears the ghost riders' haunting cry.
Line by Line Meaning
An old cowpoke went riding out one dark and windy day
An aged cowboy rode out on a dreary and gusty day
Upon a ridge he rested as he went along his way
He paused on a hill as he traveled
When all at once a mighty herd of red-eyed cows he saw
Suddenly, he saw a huge group of red-eyed cattle
A'plowin' through the ragged skies and up a cloudy draw
The cows were charging through the ragged skies and up a cloudy draw
Yi-pi-yi-ay, Yi-pi-yi-o
Expressing enthusiasm or excitement - similar to saying yee-haw
Ghost riders in the sky
The cowpoke saw spirits of cowboys riding in the sky
Their brands were still on fire and their hooves were made of steel
The sparkling symbols on their skin showed they were branded, and their actual hooves were made of steel
Their horns wuz black and shiny and their hot breaths he could feel
The horns were black and shiny and he felt the heat from their breathing
A bolt of fear went through him as they thundered through the sky
He was suddenly afraid when they charged through the sky
For he saw the riders comin' hard and he heard their mournful cry
He noticed the cowboys riding side by side, and heard their sorrowful call
Their faces gaunt, their eyes were blurred, and shirts all soaked with sweat
The cowboys' faces were thin and their eyes were blurry, and their shirts were wet with sweat
They're ridin' hard to catch that herd but they ain't caught them yet
The cowboys were riding hard to catch up to the herd, but they hadn't succeeded yet
They've got to ride forever in that range up in the sky
The cowboys had to ride endlessly in the sky range
On horses snortin' fire, as they ride on, hear their cry
Their horses snorted flames as they continued to ride, and he could hear them cry
As the riders loped on by him, he heard one call his name
As the cowboys passed him by, one shouted his name
"If you want to save your soul from hell a' ridin' on our range"
The cowboy warned him to change his ways or else his soul would be doomed to the ghost riders' range
"Then cowboy change your ways today or with us you will ride"
The cowboy urged him to modify his behavior quickly or face riding with them
"A-tryin' to catch the Devil's herd across these endless skies."
They were trying to capture the devil's herd across the unending skies
Ghost riders in the sky
The chorus repeats the cowpoke's observation of the ghost riders in the sky
Lyrics © Kanjian Music, Downtown Music Publishing
Written by: Stanley Jones
Lyrics Licensed & Provided by LyricFind
@manueltubens535
Of all the versions of this song I've heard this is the best version.❤
@erikdinos1229
+1
@user-sf3gd3xp9s
Completely agree with you!
@tjsMAR
this and Johnny Cash's cover. Two ends of a spectrum but both the best at what they did
@juliehankinson4891
Excellent version. The Outlaws were so underappreciated.
@Whoozerdaddy
This pairs well with Marty Robins' The Master's Voice.
@TheChillMelodist
This is some real Cowboy Shit!
@AlfredFJones1776
Unlike Adam Page.
@user-ks3nj5bg4z
Yeeehaaawww!!!
@frankenlowe8014
I'm from Germany and heard this Song on a Stream before my Mothers Funeral. 😢
Long times it made me sad to hear. But now, as the hardest pain is gone, it's one of my 3 Favorite Songs. I also liked it before, but now it has a relationship to my mum.