For The Outlaws, it was always about the music. For 40 years, the Southern … Read Full Bio ↴For The Outlaws, it was always about the music. For 40 years, the Southern Rock legends celebrated triumphs, endured tragedies and survived legal nightmares to remain one of the most influential and best-loved bands of the genre. Now The Outlaws return with new music, new focus and an uncompromising new mission: It’s about a band of brothers bound together by history, harmony and the road. It’s about a group that respects its own legacy while refusing to be defined by its past. But most of all, it’s about pride.
It’s About Pride is the new album from The Outlaws, a record 4 years in the making and perhaps 20 or more in the waiting. And for original Outlaws vocalist/guitarist Henry Paul, it’s a hard-fought revival whose success can be measured in old fans and new music. “Because The Outlaws have been out of the public eye for so long, it’s almost like starting over,” he explains. “But because of the band’s history, we’re seeing this as a new chapter. We’ve written and recorded this album on our own terms, and we’re out to make a significant impression. What our fans loved then they still love now, but most of all, they recognize the heart and sincerity we put in our music.” For co-founding drummer Monte Yoho, the journey is both bittersweet and jubilant. “I still think about the friends we made when we first came into this industry, how we struggled to define this thing that became known as ‘Southern Rock’,” Yoho says. “This new album embodies all the things we shared musically and personally, as well as the relationships we have with our fans to this day. It’s about where we’ve been, where we’re going, and why we still love to do this.”
History lesson: Formed in Tampa in 1972, The Outlaws – known for their triple-guitar rock attack and three-part country harmonies – became one of the first acts signed by Clive Davis (at the urging of Ronnie Van Zant) to his then-fledgling Arista Records. The band’s first three albums The Outlaws, Lady In Waiting and Hurry Sundown – featuring such rock radio favorites as “There Goes Another Love Song”, “Green Grass & High Tides”, “Knoxville Girl” and “Freeborn Man” – would become worldwide gold and platinum landmarks of the Southern Rock era. Known as ‘The Florida Guitar Army’ by their fans, The Outlaws earned a formidable reputation as an incendiary live act touring with friends The Allman Brothers, Lynyrd Skynyrd, The Marshall Tucker Band and The Charlie Daniels Band as well as The Doobie Brothers, The Who, Eagles and The Rolling Stones. Henry Paul left after the group’s third album to form The Henry Paul Band for Atlantic Records, and later the multi-Platinum country trio Blackhawk. Over the next 20+ years, The Outlaws would experience rampant personnel changes, tonal missteps, ill-fated reunions and bitter trademark battles that left fans – not to mention Paul and Yoho – frustrated and saddened. And with the tragic deaths of co-founding members Frank O’Keefe and Billy Jones in 1995, and especially vocalist/lead guitarist Hughie Thomasson in 2007, it was feared that The Outlaws’ trail had come to an end.
“The Outlaws were the one area of my career where I had regrets,” admits Paul. “More importantly, I think it was the one area in my career where I thought I still have something to prove. I felt compelled to stick my neck out and take a chance of putting this band back together. I knew we would be judged, but I hoped we would be judged on our abilities.” Along with founding members Paul and Yoho, the band features several of Southern Rock’s most respected veterans: Lead guitarist and longtime Outlaw Chris Anderson is well known for his collaborations with artists that include Dickey Betts, Lucinda Williams, Hank Williams Jr., and Skynyrd. Co-lead guitarist Steve Grisham - who joined the band in mid-2013 following the medical leave of guitarist Billy Crain - is a former member of the Soldiers of Fortune era Outlaws, a noted songwriter whose tracks include The Henry Paul Band's Top 40 hit "Keepin' Our Love Alive", and a co-founder of the Southern Rock all-stars, Brothers of the Southland. Keyboardist/vocalist Dave Robbins is a co-founding member of Blackhawk and has written hit songs for artists that include Restless Heart, Kenny Rogers and Eric Clapton. Bassist/vocalist Randy Threet has performed with Pam Tillis, Trisha Yearwood and Blackhawk, and is familiar to TV audiences from USA Network’s ‘Nashville Star’. “From the very beginning, our band had a heart,” Monte Yoho says. “And a lot of people who come out and see this incarnation of the band respond to the exact same things we used to put on that stage in the ‘70s and ‘80s.”
On that stage, the band burns hotter than ever: “The Outlaws helped define Southern Rock for me and for generations of fans,” wrote music journalist Bill Robinson in June 2012 in The Huffington Post. “Seeing them onstage with The Charlie Daniels Band, Marshall Tucker Band, Allman Brothers, Lynyrd Skynyrd or countless others was, for a long time, one of the best experiences I could have. And so it was again when I saw The Outlaws play recently.” The Outlaws’ live shows – more than 150 per year – are blazing 2+ hour tributes to the band’s rich history and fiery rebirth. Classic tracks and fan favorites from the first three albums – as well as The Henry Paul Band’s definitive “Grey Ghost” – share the spotlight with songs from the new disc that are already being embraced by audiences. “I think the new songs go back to those first three classic albums, when the band was proud of its influences from country, blues and jazz,” says Billy Crain. “Plus, Chris Anderson and I have honored and maybe even stepped up the legacy of the ‘guitar army’. Fans are coming away from shows feeling a part of the Outlaws experience.”
But it’s the new album – produced by Michael Bush and Henry Paul – that brings the experience home. The disc opens with “Tomorrow’s Another Night”, a scorching take on the band’s history complete with monster harmonies and a killer hook. “Hidin’ Out In Tennessee” delivers classic Outlaws country/bluegrass energy. “Born To Be Bad” is badass biker boogie and “Last Ghost Town” is kickass guitar rock. “Nothin’ Main About Main Street” is an affecting Springsteen/Seger style look at lost small-town life. “The Flame” – Hughie Thomasson’s nickname – is a potent tribute to the much-loved late Outlaw. Chris Anderson’s “Trail Of Tears” electrifies via bitter history, intense vocals and searing guitars. “Right Where I Belong”, “Alex’s Song” and “Trouble Rides A Fast Horse” could easily be lost tracks from any of the band’s first three albums. The disc’s closer, “So Long”, is a haunting re-recording of Henry’s 1979 classic. “It was the first song on the first Henry Paul Band album, and it’s the final song on this record,” explains Paul. “I wanted it to be a sort of coda to the new music, but I also want it to be a relevant part of the new Outlaws landscape. I think it’s one of the best songs I’ve ever written, and I think we’ve done an admirable job of giving it a new personality.” But the new album’s true centerpiece is its title track, co-written by Henry Paul and Billy Crain. “It’s About Pride” is both tribute and testimony from a band that has lived it all, played it all, and returns to reclaim it all.
“I’m proud to be a part of something that started long ago,” Henry Paul sings reflectively, “a Southern band of brothers bound together by the road/They came from Florida, Georgia, Carolina and Tennessee/With old guitars, tattoos and scars, straight from the heart of Dixie/And our rebel pride.” From its towering chorus to its searing guitar-onslaught finale, “It’s About Pride” is a fierce first-person anthem to the genre, delivered with the poignancy and power of absolute survivors. “It’s a very emotional song,” Paul says. “Depending on my mood and the night, sometimes it’s all I can do to get the words out without crying. It summons up a lot of images of people who are no longer with us, of times we shared standing tall together for the first time. When I first wrote the end of the second verse – ‘The reason ‘Sweet Home Alabama’ means so much to me/Is it’s about pride’ – I knew that people would feel a lot of those same emotions. It’s about an accumulated experience of separation, loss and success.” Almost instantly, the song – and the entire album – is classic Southern Rock and classic Outlaws.
Right now, The Outlaws are headed back on the road, back on the radio and back into the hearts of fans nationwide. “I’m seeing this thing we’ve had for four decades be exposed to whole new audiences,” Monte Yoho says. “We’re having a second life as a band, and it feels better than ever. Best of all, I’m still doing it with some of the same people I’ve known for most of my life.”
“I want people to hear this album and see our show and realize that The Outlaws are back,” says Henry Paul. “Our goal is to unite the fans and bring the band back into the light. In a way, this is like a second chance at my first love. It’s about finishing what we started.” For Henry, Monte, Chris, Steve, Dave and Randy, it’s about a band of brothers who love playing their own style of rock, and who 40 years ago first got the chance to take it from Florida to the world.
For The Outlaws, it’s still about the music. And now more than ever, it’s about pride.
Official Website: The Outlaws The Outlaws: The Legacy of Hughie Thomasson
There are other artist with the same name:
2) The Outlaws were an English instrumental band that recorded in the early 1960s. Among their ranks were notable musicians such as Ritchie Blackmore, Chas Hodges, Mick Underwood, Bobby Graham and Hot Chocolate's Harvey Hinsley and others.
Their name was originally conceived by Joe Meek, who needed a backing group for Mike Berry's "Set Me Free" in 1960.After that recording, they continued being one of the house bands of his recording studio at 304 Holloway Road, London. As such, they were used for recordings, demos and auditions. Many of their songs were written by Meek and credited to his pseudonym, Robert Duke. They appeared as themselves in the 1963 British film, Live It Up!.
3) From their archived info page
"Here is some more information about The Outlaws. They're Djs you know...
The Outlaws did a radio show every Friday night on Kiss 100 which some people said was the best thing ever - landing somewhere between Soulwax / 2 Many DJs and Coldcut’s Solid Steel. They were also given big features in The Face and Mixmag, so they must be really good.
The Outlaws played at Glastonbury 2003, nailing Lost Vagueness on the Saturday afternoon. In 2004 they played the Dance Tent and rocked it once again. They also found time to party at Shambala and The Glade.
You should check them out if you haven't yet: The kids go wild everywhere from New York to Ibiza, on the whole it's pretty lush. In Bristol you should look for the Outlaws nights at Bristol's best venue, The Arc."
They released one full-length DJ mix CD, Too Many Fools Following Too Many Rules, in 2004, and two EPs, From Beyond & Why Does No One Make Records Like This, in 2005, all on Love Recordings. Discogs page
The line-up included Steve Redux, as noted in this press release
It’s About Pride is the new album from The Outlaws, a record 4 years in the making and perhaps 20 or more in the waiting. And for original Outlaws vocalist/guitarist Henry Paul, it’s a hard-fought revival whose success can be measured in old fans and new music. “Because The Outlaws have been out of the public eye for so long, it’s almost like starting over,” he explains. “But because of the band’s history, we’re seeing this as a new chapter. We’ve written and recorded this album on our own terms, and we’re out to make a significant impression. What our fans loved then they still love now, but most of all, they recognize the heart and sincerity we put in our music.” For co-founding drummer Monte Yoho, the journey is both bittersweet and jubilant. “I still think about the friends we made when we first came into this industry, how we struggled to define this thing that became known as ‘Southern Rock’,” Yoho says. “This new album embodies all the things we shared musically and personally, as well as the relationships we have with our fans to this day. It’s about where we’ve been, where we’re going, and why we still love to do this.”
History lesson: Formed in Tampa in 1972, The Outlaws – known for their triple-guitar rock attack and three-part country harmonies – became one of the first acts signed by Clive Davis (at the urging of Ronnie Van Zant) to his then-fledgling Arista Records. The band’s first three albums The Outlaws, Lady In Waiting and Hurry Sundown – featuring such rock radio favorites as “There Goes Another Love Song”, “Green Grass & High Tides”, “Knoxville Girl” and “Freeborn Man” – would become worldwide gold and platinum landmarks of the Southern Rock era. Known as ‘The Florida Guitar Army’ by their fans, The Outlaws earned a formidable reputation as an incendiary live act touring with friends The Allman Brothers, Lynyrd Skynyrd, The Marshall Tucker Band and The Charlie Daniels Band as well as The Doobie Brothers, The Who, Eagles and The Rolling Stones. Henry Paul left after the group’s third album to form The Henry Paul Band for Atlantic Records, and later the multi-Platinum country trio Blackhawk. Over the next 20+ years, The Outlaws would experience rampant personnel changes, tonal missteps, ill-fated reunions and bitter trademark battles that left fans – not to mention Paul and Yoho – frustrated and saddened. And with the tragic deaths of co-founding members Frank O’Keefe and Billy Jones in 1995, and especially vocalist/lead guitarist Hughie Thomasson in 2007, it was feared that The Outlaws’ trail had come to an end.
“The Outlaws were the one area of my career where I had regrets,” admits Paul. “More importantly, I think it was the one area in my career where I thought I still have something to prove. I felt compelled to stick my neck out and take a chance of putting this band back together. I knew we would be judged, but I hoped we would be judged on our abilities.” Along with founding members Paul and Yoho, the band features several of Southern Rock’s most respected veterans: Lead guitarist and longtime Outlaw Chris Anderson is well known for his collaborations with artists that include Dickey Betts, Lucinda Williams, Hank Williams Jr., and Skynyrd. Co-lead guitarist Steve Grisham - who joined the band in mid-2013 following the medical leave of guitarist Billy Crain - is a former member of the Soldiers of Fortune era Outlaws, a noted songwriter whose tracks include The Henry Paul Band's Top 40 hit "Keepin' Our Love Alive", and a co-founder of the Southern Rock all-stars, Brothers of the Southland. Keyboardist/vocalist Dave Robbins is a co-founding member of Blackhawk and has written hit songs for artists that include Restless Heart, Kenny Rogers and Eric Clapton. Bassist/vocalist Randy Threet has performed with Pam Tillis, Trisha Yearwood and Blackhawk, and is familiar to TV audiences from USA Network’s ‘Nashville Star’. “From the very beginning, our band had a heart,” Monte Yoho says. “And a lot of people who come out and see this incarnation of the band respond to the exact same things we used to put on that stage in the ‘70s and ‘80s.”
On that stage, the band burns hotter than ever: “The Outlaws helped define Southern Rock for me and for generations of fans,” wrote music journalist Bill Robinson in June 2012 in The Huffington Post. “Seeing them onstage with The Charlie Daniels Band, Marshall Tucker Band, Allman Brothers, Lynyrd Skynyrd or countless others was, for a long time, one of the best experiences I could have. And so it was again when I saw The Outlaws play recently.” The Outlaws’ live shows – more than 150 per year – are blazing 2+ hour tributes to the band’s rich history and fiery rebirth. Classic tracks and fan favorites from the first three albums – as well as The Henry Paul Band’s definitive “Grey Ghost” – share the spotlight with songs from the new disc that are already being embraced by audiences. “I think the new songs go back to those first three classic albums, when the band was proud of its influences from country, blues and jazz,” says Billy Crain. “Plus, Chris Anderson and I have honored and maybe even stepped up the legacy of the ‘guitar army’. Fans are coming away from shows feeling a part of the Outlaws experience.”
But it’s the new album – produced by Michael Bush and Henry Paul – that brings the experience home. The disc opens with “Tomorrow’s Another Night”, a scorching take on the band’s history complete with monster harmonies and a killer hook. “Hidin’ Out In Tennessee” delivers classic Outlaws country/bluegrass energy. “Born To Be Bad” is badass biker boogie and “Last Ghost Town” is kickass guitar rock. “Nothin’ Main About Main Street” is an affecting Springsteen/Seger style look at lost small-town life. “The Flame” – Hughie Thomasson’s nickname – is a potent tribute to the much-loved late Outlaw. Chris Anderson’s “Trail Of Tears” electrifies via bitter history, intense vocals and searing guitars. “Right Where I Belong”, “Alex’s Song” and “Trouble Rides A Fast Horse” could easily be lost tracks from any of the band’s first three albums. The disc’s closer, “So Long”, is a haunting re-recording of Henry’s 1979 classic. “It was the first song on the first Henry Paul Band album, and it’s the final song on this record,” explains Paul. “I wanted it to be a sort of coda to the new music, but I also want it to be a relevant part of the new Outlaws landscape. I think it’s one of the best songs I’ve ever written, and I think we’ve done an admirable job of giving it a new personality.” But the new album’s true centerpiece is its title track, co-written by Henry Paul and Billy Crain. “It’s About Pride” is both tribute and testimony from a band that has lived it all, played it all, and returns to reclaim it all.
“I’m proud to be a part of something that started long ago,” Henry Paul sings reflectively, “a Southern band of brothers bound together by the road/They came from Florida, Georgia, Carolina and Tennessee/With old guitars, tattoos and scars, straight from the heart of Dixie/And our rebel pride.” From its towering chorus to its searing guitar-onslaught finale, “It’s About Pride” is a fierce first-person anthem to the genre, delivered with the poignancy and power of absolute survivors. “It’s a very emotional song,” Paul says. “Depending on my mood and the night, sometimes it’s all I can do to get the words out without crying. It summons up a lot of images of people who are no longer with us, of times we shared standing tall together for the first time. When I first wrote the end of the second verse – ‘The reason ‘Sweet Home Alabama’ means so much to me/Is it’s about pride’ – I knew that people would feel a lot of those same emotions. It’s about an accumulated experience of separation, loss and success.” Almost instantly, the song – and the entire album – is classic Southern Rock and classic Outlaws.
Right now, The Outlaws are headed back on the road, back on the radio and back into the hearts of fans nationwide. “I’m seeing this thing we’ve had for four decades be exposed to whole new audiences,” Monte Yoho says. “We’re having a second life as a band, and it feels better than ever. Best of all, I’m still doing it with some of the same people I’ve known for most of my life.”
“I want people to hear this album and see our show and realize that The Outlaws are back,” says Henry Paul. “Our goal is to unite the fans and bring the band back into the light. In a way, this is like a second chance at my first love. It’s about finishing what we started.” For Henry, Monte, Chris, Steve, Dave and Randy, it’s about a band of brothers who love playing their own style of rock, and who 40 years ago first got the chance to take it from Florida to the world.
For The Outlaws, it’s still about the music. And now more than ever, it’s about pride.
Official Website: The Outlaws The Outlaws: The Legacy of Hughie Thomasson
There are other artist with the same name:
2) The Outlaws were an English instrumental band that recorded in the early 1960s. Among their ranks were notable musicians such as Ritchie Blackmore, Chas Hodges, Mick Underwood, Bobby Graham and Hot Chocolate's Harvey Hinsley and others.
Their name was originally conceived by Joe Meek, who needed a backing group for Mike Berry's "Set Me Free" in 1960.After that recording, they continued being one of the house bands of his recording studio at 304 Holloway Road, London. As such, they were used for recordings, demos and auditions. Many of their songs were written by Meek and credited to his pseudonym, Robert Duke. They appeared as themselves in the 1963 British film, Live It Up!.
3) From their archived info page
"Here is some more information about The Outlaws. They're Djs you know...
The Outlaws did a radio show every Friday night on Kiss 100 which some people said was the best thing ever - landing somewhere between Soulwax / 2 Many DJs and Coldcut’s Solid Steel. They were also given big features in The Face and Mixmag, so they must be really good.
The Outlaws played at Glastonbury 2003, nailing Lost Vagueness on the Saturday afternoon. In 2004 they played the Dance Tent and rocked it once again. They also found time to party at Shambala and The Glade.
You should check them out if you haven't yet: The kids go wild everywhere from New York to Ibiza, on the whole it's pretty lush. In Bristol you should look for the Outlaws nights at Bristol's best venue, The Arc."
They released one full-length DJ mix CD, Too Many Fools Following Too Many Rules, in 2004, and two EPs, From Beyond & Why Does No One Make Records Like This, in 2005, all on Love Recordings. Discogs page
The line-up included Steve Redux, as noted in this press release
Ambush
The Outlaws Lyrics
We have lyrics for 'Ambush' by these artists:
Alyeus Look behind you and hide your wings The armed men are…
Annihilator Mission, to hunt the evil down Creeping in without a sound …
Beborn Beton Every ten years objective time I'm aging only a month…
Bob Marley & The Wailers (Ooh-wee, ooh-wee, ooh-wa!) See them fighting for power (ooh…
Cheap Trick The lamp that lights the way Is a light from yesterday The…
Chris Garneau go ahead and try things on me maybe it'll bring…
Clive Nolan Chorus: We wait with bated breath A sign of life lead to…
Distance In Embrace You got a spike strip to make sure that I…
Dizzy Wright & DJ Hoppa They know who I am, I get ambushed Mess with the…
Flowdan Yeah, set a little ambush DaNk ChEeSe Br0 HiTmArKeRs EvErY w…
Harry Nilsson The lamp that lights the way Is a light from yesterday The…
Heart You`re distant honey - Mr. Cool You lock up your feelings…
Heevahava got me beaten down now that's what they like idon't give a…
Incredible Polo Ambush, mm Boy you didn′t tell her to leave She's a lonely…
INKlings Think of what we could have had Matching scars, another drag…
Israel Vibration Give my best. I receive your less. Go away you racist.…
Jordan Suckley Alex M.O.R.P.H. Split you down the middle Pound you into dust Sink you in…
Lateef & The Chief Gather all my forces all together rally round Listen to the…
My Homie Tar 발에 ambush 개소리 무시 우리 팀 sushi og라 입안에 쿠시 안 꺼져…
Nilsson The lamp that lights the way Is a light from yesterday The…
OFB Sykes, Sykes What Wey-wey-wey-wey-wey I'm in the back of th…
P.L.C. Split you down the middle Pound you into dust Sink you in…
Psychopathic Rydas It's the motherfuckin rydas up In this bitch son yeah mother…
Roey Marquis II. N…
Sepultura Screaming For more justice Amazonia burns Can you hear them?…
Sepultura (Max Cavalera) Screaming For more justice Amazonia burns Can you hear th…
Swollen Members feat. Son Doobie Ambush (Intro) Ok, listen up! I think we're being setup for …
The Storyteller At dawn they awakened by a strange sound. Something that…
We have lyrics for these tracks by The Outlaws:
A Real Good Feelin' Jones I don't have to make any promises 'Cause then I do…
Ain't So Bad Jones Takin' a lot of givin' and makin' life worth livin'…
Angels Hide A midnight stagecoach On a blackend moon they ride The sou…
Breaker Breaker Breaker breaker take me home You know the one I wanna…
Cold and Lonesome Arnold Well, I've been tom-cattin' For such a long time…
Cold Harbor Glass-Paul It wasn't far from Richmond The second day of…
Cry No More Well, it seems everything's pretty much of a cryin' shame Bu…
Dark Horse Run In my room alone with my guitar I was learning how…
Devil The devil went down to Georgia He was lookin' for a…
Devil's Road Salem Goodbye sweet world Leave you on your own Going t…
Dixie Highway There's a road that runs before me It's twisted and it…
Dregs Fall to the Wicked I hit the dusty trail When I was very young No-one…
Endless Ride I hear the thunder in the distance And how echoes through…
Falling Rain Treat me like the way you to do You miss me,…
Free Born Man I was born in the Southland Twenty-some odd years ago Ran aw…
Ghost Riders An old cowpoke went ridin' out one dark and windy…
Ghost Riders In the Sky An old cowpoke went riding out one dark and windy…
Girl From Ohio Paul It's winter in my consciousness, dew has turned to…
Green Grass In a place you only dream of Where your soul is…
Green Onion & High Tides In a place you only dream of, where your soul…
Gunsmoke Some will lose their nerve tonight Others lose their lives…
Hearin' My Heart Talkin' Martin-Meskell Well, I almost called you this evenin' J…
Heavenly Blues Jones-Paul Mornin' brings the sunlight Risin' in my hea…
Holiday Verse 1: After taking nearly every shady lady home I…
Hurry Sundown Gypsy's dance around the campfire, shook their tambourines …
I Can So you're leaving In the morning On the early train…
I Hope You Don't Mind Хайраа чи миний сэтгэлийг тэтгэгч ид шидийн илбэ нь байсан Х…
Intro Haha yea this Blens tha outlaw and this that death…
It Follows From Your Heart Gone are the lovers That died of a broken heart And gone…
IT'S ABOUT PRIDE I'm proud to be a part of something That started long…
It's All Right South Central had on spell On me Can't Trust A Soul…
Just for You Thomasson In the morning when you wake up do you think…
Just The Way I Like It Proffer-Thorpe I wasn't born with a silver spoon In my m…
Keep Prayin' I was born in the Southland Grew up a rollin' stone Workin…
Knoxville Girl The fog rolls in the morning I can hardly find my…
Lady Luck Evans-Grisham-Paul She looks so pleasin' All done up in …
Lonesome Boy from Dixie There's a peach tree on a hill in northern Georgia Where…
Lover Boy Thomasson Thinkin' about today, worryin' about tommorro…
Macon Memories Macon Georgia Was Just A Dot On The Map If You…
Man Of The Hour Have you seen my old friend The man of the hour…
Miracle Man You never asked me what I wanted You only asked me…
Night Wines Jones Last night I bedded With a bottle of Beaujeaulais…
One Last Ride Bishop-Glass I remember hangin' up my guns And tellin' y…
Only for You You sleepyhead What did you say? You fade away I mean it mor…
Outlaw OUTLcW I've been living the good life for so long...how…
Over Night from Athens On a red dirt road of promise Winding through the…
Prisoner Paul I got no key to my happiness, I'm satisfied in…
Rattlesnake Road Snake eyes rolling down a diamondback heart It ain't a good…
Riders In The Sky An old cowpoke went riding out one dark and windy…
Run Rudolph Run In my room alone with my guitar I was learning how…
Saved By The Bell Bishop-Butcher Ooh ooh ooh ooh yeah I heard you gave m…
So Afraid Arnold Rumors been travelin' since I've been out of town …
Soldiers Of Fortune Bishop-Cohen-Paul-Thomasson-Walden Drivin' through a Reno…
Song For You I've been seein' All the things you believed in Drawin' tear…
Song in the Breeze I don't feel like I'm at home In the morning all…
South Carolina Paul Drove in from Texas, tired of being alone, it's so…
Southern Rock Will Never Die There's a highway outside our hotel There's fresh horses, a…
Stay With Me When the time is upon us To believe in what…
Steam on the Blacktop Baby, I like to drive On two-lane back roads And my mind…
Stick Around for Rock and Roll Thomasson Why don't you stick around for some rock and …
Sunshine Duke-Jones Sunshine sunshine And everything will be just…
Sweet Home Alabama Turn it up Big wheels keep on turning Carry me home to…
Take It Any Way You Want It Jones-Thomasson Take it any way you want it Be your own …
Take It Anyway You Want It Jones-Thomasson Take it any way you want it Be your own sup…
The Night Cries Bishop-Evans-Paul-Thomasson Oh, stormy night How could t…
The Outlaw Evans-Grisham-Paul Whoa oh oh oh whoa oh oh oh It was …
The Outlaws OUTLcW I've been living the good life for so long...how…
The Wheel I'm a ?? Then I see in to the night Waiting on…
There Goes Another Love Song Sometimes I feel I'm getting kinda low Thoughts I am thinkin…
Waterhole Five brothers who left Arkansas Set out to find the gambler …
White Horses Salem We'll ride white horses Riding through the sky Ch…
Windy City's Blue Avenues are filthy, in the gutter lays a bum East side's…
Wishing Wells Thomasson Funny daydreams And scary night things Alway…
You Are The Show My life is changing; the seasons seem to come and…
You Can Have It Arnold I don't shake for nobody If I can't with you 'Ca…
You Know What Time It Is Life is what you make it nigga Get up off your…
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garethbramley1
I'm ordering a CD - another great track. This group was far better than The Tornados.
Rip-roaring stuff.
Baron Frankenstein
🎸🎸🥁🎸🥁🎸
WillTube1990
0:18 a young Chas Hodges in the top left corner - R.I.P. cockney geezer (1943-2018)